Accompaniment for the Climb: Becoming Reparational Language Educators of Spanish As a ‘Heritage’ Language

Total Page:16

File Type:pdf, Size:1020Kb

Accompaniment for the Climb: Becoming Reparational Language Educators of Spanish As a ‘Heritage’ Language Accompaniment for the climb: Becoming reparational language educators of Spanish as a ‘heritage’ language A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Jenna R. Cushing-Leubner IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Dr. Martha Bigelow, Advisor December 2017 © Jenna R. Cushing-Leubner 2017 Acknowledgements When I think of all the people beyond myself who are the reason that this work is what it is, I am quickly overwhelmed by the number of people I am surrounded and supported by. It is truly a lesson in gratitude and awe. The youth of Eleanor High School, particularly the brilliant, insightful, loving, persistent, and courageous people of Jóvenes con Derechos. You have shared your desires, dreams, and struggles to have the schools you deserve with Toni and with me. ¡Adelante! The Hayward Collective for opening (with) me when I would have preferred to stay closed. Mary (Fong) Hermes, Alissa Case, Erin Dyke, Erin Stutelberg, Angela Coffee, Keitha-Gail Martin-Kerr, Shannon Dahmes, and Colleen Clements: you always seem to be what I need. My second week in the program, I was invited by Jehanne Beaton to join a collective of practitioner-scholar-researchers. TERI research collective, you were a trial by fire and a place of belonging and challenge from the beginning. Thank you in particular to the MNEds dispositions squad for being instrumental in honing my own desires and refusals: Jessica Tobin, Miranda Schornack, Su Jung Kim. Martha Bigelow, my advisor, who introduced me to participatory and community- based research, opened up so many opportunities to me, and always asks “what is it you plan to do with your one wild and precious life?” My committee members, Kendall King, Mary (Fong) Hermes, Misty Sato, and Julio Cammarota. Kendall, you showed me my first pathway for being a woman in academia. Fong, you showed me how to remember i myself in academia. Misty, you showed me how to create spaces where academia doesn’t see them. Julio, you showed me how to have a conscience doing what can otherwise become unconscionable work. Timothy Lensmire, on multiple occasions you let me breathe and feel good about my working-class Wisconsin roots, and you reminded me to care first for love and then for research. ‘Toni’ and ‘David,’ you brought joy, wisdom, possibility, and friendship I never imagined. You showed me research, scholarship, and anti-oppressive teaching is the work because it is both hard and good – and that it is only possible with one another. The first cohort of Spanish ‘heritage’ teachers who welcomed me into their classrooms and homes. Thank you for trusting this stranger. My SLE colleagues and the Bigelow Block: Kate Stemper, Yi-Ju Lai, Hanna Ennser-Kananen (I wouldn’t have applied had it not been for you), Beth Dillard, Mary Lynn Montgomery, Cari Maguire, Kathleen Mitchell, and Maria Schwedhelm. My academic sisters and writing partners Mel Engman and Jen Vanek. Thank you for your clarity, compassion, and critique. My first family and the family who have chosen me: Joan Cushing, Chris Leubner, Saryn (Cushing-Leubner) Volden, Aimee (Cushing-Leubner) Rasmussen, George Dalbo, Connie and Bob Dalbo, Larry and Lanna Laird. Thank you for raising me, raising me up, and being endlessly patient and loving. You see me in ways I will always aspire to become. George, thank you for laughing, thinking, and exploring with me. ii Mom, I learned to envision something more beautiful than currently surrounds us and then to surround ourselves with that instead. Dad, I learned to distrust “that’s the way things are” and, with one another, make the things we deserve instead. iii Dedication For Toni and for all of our jóvenes con derechos – those who have come before and those who are coming. iv Abstract ‘Heritage’ language classes (e.g., native speaker or native language literacy classes) are often taught by already licensed world language teachers. Only a handful of U.S. teacher preparation programs offer explicit and extensive preparation for teaching ‘heritage’ languages (National Heritage Language Research Center, 2017). ‘Heritage’ language pedagogies (Fairclough & Beaudrie, 2014) and teacher preparation (Caballero, 2014; Potowski & Carreira, 2004) are underdeveloped and undertheorized. This dissertation considers what is possible when a teacher learns to teach Spanish as a ‘heritage’ language by attending to raciolinguistic ideologies and raced-language schooling policies/practices, generational knowledge of colonialism and anticolonial resistance, and lineages of collective struggle. This is informative for both the preparation/support of ‘heritage’- language specific teachers and for conceptualizing of critical and humanizing pedagogies that center the desires and possibilities of ‘heritage’ language learners. This dissertation emerges from the participatory design of one multiyear ‘heritage’ language program at a Midwestern city public high school that took shape around reparational aims for educational justice. It draws on five years of participatory research designs and the use of paired collective memory work. Participatory research connected multilingual and multiply racialized youth of Américas descent (self-named as Jóvenes con Derechos), their black multilingual non-Latina Spanish as a heritage language teacher (Toni), and a white multilingual non-Latina teacher educator (Jenna) as co-researchers and co-designers. Over five years, Jóvenes con Derechos youth, Toni, and Jenna engaged in multiple overlapping and interacting participatory action research and design projects that shaped the development of a reparational stance towards ‘heritage’ language education, curriculum, and pedagogical approaches. Youth-led participatory action research projects connected youth with existing movements for social change led by members of their own communities and in solidarity with other communities of color and Indigenous communities in their state and beyond. Using participatory design research components of historicity, instructional thinging, curricular infrastructuring, and role re-mediations, this study offers methodological and conceptual theorizing of participatory and humanizing research and pedagogies. I argue for the need of “methodological arts of the contact zone” and suggest as examples the framework of “interlapping participatory research projects” and collective memory work. This work also outlines an argument for conceptualizing ‘heritage’ language education as reparational in its desires and designs. The methodological framework of interlapping participatory research, accompanied with paired collective memory work, is then used to make visible the processes of becoming reparational language educators through a memory work montage of instructional thinging and necessary role re-mediations over time. Final implications consider what is required of teacher preparation institutions to engage in the formation of critical pedagogues who take a reparational stance to language education that understands multilingual youth of color as co-designers of their educational experience in schools. v Table of Contents List of Tables vii List of Figures vii Prologue 1 Chapter One: Spanish as a ‘heritage’ language – A call for reparational language education in U.S. schools 27 Chapter Two: Interlapping participatory projects – On methodological arts of the contact zone Chapter Three: The historicity of Jóvenes con Derechos – Excavating roots of heritage study with Latinx youth in U.S. schools 51 Chapter Four Interlude: Agonistic thinging 149 Chapter Four: “Maybe it’s our job to teach” – A fight-back ethnographic look at instructional thinging 161 Chapter Five Interlude: Infrastructuring 198 Chapter Five: “A platform to speak back from” – Collective memory of curricular infrastructuring 209 Chapter Six Interlude: Role re-mediation 237 Chapter Six: “This isn’t who I thought I’d be” – Roles, myths and re-mediations 245 Chapter Seven: Another mountain – Surveying the terrain coming terrain 266 Appendix A: Memory word data tracings 291 Appendix B: Mis raíces indígenas (Spanish-English text and screenshots) 293 References 300 vi List of Tables Table 2.1: Code tree for secondary analysis vii List of Figures Figure 2.1: Top-view model of interlapping participatory projects Figure 2.2: Side-view model of interlapping participatory projects Figure 2.3: Project map of interlapping participatory projects Figure 2.4: Interactive research questions Figure 2.5: Collective memory map portion Figure 2.6: Echocardiogram segment from data source 15.06.21 Figure 4.1: Project map of interlapping participatory projects Figure 4.2: Snapshot of instructional thinging – Jóvenes con Derechos’ YPAR projects Figure 4.3: Youth’s declaration of linguistic rights Figure 4.4: Bilingual invitations to JcD’s linguistic rights summit Figure 4.5: Sample commitment forms Figure 4.6: Bilingual invitations to curriculum expo Figure 4.7: Mis raíces indigenas opening shot Figure 5.1: Project map of interlapping participatory projects Figure 5.2: Curricular infrastructuring of Jóvenes con Derechos viii Prologue1 “I honestly don’t know where to go with this one. At some point, it’s too many factors, you know? At some point, it’s no, your Spanish isn’t up to it, but that’s not the real issue. I think I’m frustrated because she’s supposed to be better, you know? It’s like you said, she can talk the talk, she’s walking the walk, she shows up to things and sounds like she wants to do this. But, then, when it comes down to it, she just can’t let go. She needs to control the space. She needs to control them. And she’s giving up on everything she says she wants to define herself with as a teacher to hold on to that.” I’m pacing in short circles in my living room. Nodding and mm-hmm, mm- hmming, saying “yeah – yeah” while Toni lays out her frustrations on the other end of the phone. Over the past two years, she’s had a string of people in and out of her classes: teacher candidates, short term observers thinking of becoming teachers, returning students working as teaching assistants, and first year teachers wanting to observe what’s happening with her and her students.
Recommended publications
  • The Strength of Social Norms Across Human Groups
    PPSXXX10.1177/1745691617708631Gelfand et al.Strength of Social Norms 708631research-article2017 Perspectives on Psychological Science 2017, Vol. 12(5) 800 –809 The Strength of Social Norms Across © The Author(s) 2017 Reprints and permissions: Human Groups sagepub.com/journalsPermissions.nav DOI:https://doi.org/10.1177/1745691617708631 10.1177/1745691617708631 www.psychologicalscience.org/PPS Michele J. Gelfand1, Jesse R. Harrington1, and Joshua Conrad Jackson2 1University of Maryland and 2University of North Carolina at Chapel Hill Abstract Social norms are a defining feature of human psychology, yet our understanding of them is still underdeveloped. In this article, we present our own cross-cultural research program on tightness-looseness (TL)—which draws on field, experimental, computational, and neuroscience methods—to illustrate how going beyond Western borders is critical for understanding social norms’ functions and their multilevel consequences. Cross-cultural research enables us to account for the universal features of norm psychology but also explains the great cultural diversity we see in social norms around the globe. Keywords culture, diversity, neuroscience, individual differences, environment Imagine a world where everyone drives on both sides around town, to having conversations, to running an of the road. There are stoplights but no one pays atten- organization turn into an uncoordinated mess. tion to them. Trains, buses, and airplanes don’t operate Perhaps because of their important role in human with any fixed schedule. In conversations, people don’t behavior, social norms have been a central topic of greet each other, interrupt each other frequently, and study in psychology. The earliest studies of normative invade each other’s space.
    [Show full text]
  • Cultural Group Selection Plays an Essential Role in Explaining Human Cooperation: a Sketch of the Evidence
    BEHAVIORAL AND BRAIN SCIENCES (2016), Page 1 of 68 doi:10.1017/S0140525X1400106X, e30 Cultural group selection plays an essential role in explaining human cooperation: A sketch of the evidence Peter Richerson Emily K. Newton Department of Environmental Science and Policy, University of California– Department of Psychology, Dominican University of California, San Rafael, CA Davis, Davis, CA 95616 94901 [email protected] [email protected] http://emilyknewton.weebly.com/ www.des.ucdavis.edu/faculty/richerson/richerson.htm Nicole Naar Ryan Baldini Department of Anthropology, University of California–Davis, Graduate Group in Ecology, University of California–Davis, Davis, CA 95616 Davis, CA 95616 [email protected] https://sites.google.com/site/ryanbaldini/ [email protected] Adrian V. Bell Lesley Newson Department of Anthropology, University of Utah, Salt Lake City, UT 84112 Department of Environmental Science and Policy, University of California– [email protected] http://adrianbell.wordpress.com/ Davis, Davis, CA 95616 [email protected] [email protected] Kathryn Demps https://www.researchgate.net/profile/Lesley_Newson/ Department of Anthropology, Boise State University, Boise, ID 83725 [email protected] Cody Ross http://sspa.boisestate.edu/anthropology/faculty-and-staff/kathryn- Santa Fe Institute, Santa Fe, NM 87501 demps/ [email protected] http://scholar.google.com/citations?user=xSugEskAAAAJ Karl Frost Graduate Group in Ecology, University of California–Davis, Davis, CA 95616 Paul E. Smaldino [email protected] https://sites.google.com/site/karljosephfrost/ Department of Anthropology, University of California–Davis, Davis, CA 95616 [email protected] http://www.smaldino.com/ Vicken Hillis Department of Environmental Science and Policy, University of California– Timothy M.
    [Show full text]
  • Microculture in Organisations Hull
    2015-03-02 Micro Culture in Organisations What is it? Why does it matter? M. HEMADRI MBBS (Madras) FRCS (Edinburgh) MBA (Leicester) ATP (Intermountain) PSO (IHI) TMP (Kings Fund) ©M. HEMADRI Acknowledgement • Yorkshire and the Humber Leadership Academy • Health Education Yorkshire and the Humber 1 2015-03-02 My micro-world My micro culture CULTURE • CULTURE: the ideas, customs, and social behaviour of a particular people or society (Oxford English Dictionary) • Organizational culture is the behavior of humans within an organization and the meaning that people attach to those behaviors (Wikipedia) 2 2015-03-02 Culture in Society • Macro-culture • Context overlays (majority, overarching, dominant, large, common, visible. Historical time line related) • Small group macro-culture (Dominant micro-culture Representative-parliament Nonrepresentative- Oxbridge) MICRO CULTURE • Voluntary, short-lived, situation specific, ephemeral, non-verbal • Minority, weak, non-dominant, minimally visible • Powerful micro-culture (Think-tanks, extremists. ? Healthcare QI people) • Large group micro-cultures (women, ?unions?) • Yoga culture, Amish (not short lived) • SUBCULTURE 3 2015-03-02 • Macro-culture – similarity based (do not mind, understand and even tolerant of reduced values • Micro-culture – value (equality/morality/ethicality) based. Forced to tolerate ‘similarity’ • Subculture – difference/variance based MicroCulture • ALL MICROCULTURES • Structure • Activities – similar • Specifications/qualifications/knowledge – similar • ‘SUCCESSFUL MICROCULTURES’
    [Show full text]
  • Class, Style and Territory in the Drari Microcultures of Brussels
    societies Article Class, Style and Territory in the Drari Microcultures of Brussels Mattias De Backer 1,2 1 Department of Criminology, KU Leuven, Oude Markt 13, 3000 Leuven, Belgium; [email protected] 2 Department of Sociology, Université de Liège, Place du 20 Août 7, 4000 Liège, Belgium Received: 30 May 2019; Accepted: 25 August 2019; Published: 11 September 2019 Abstract: Much like Parsons’s notion of “youth culture,” the tradition of subculture developed by the Birmingham School was criticised as being too romantic, too general, and too dependent on a simplistic model based on the inside/outside binary. Since the 1990s, “post-subcultural” studies have developed which prefer to focus on agency rather than structure. A “third school” of youth cultural studies focused on medium sizes groups and their attachment to place, which they called “microcultures”. This paper, drawing from fieldwork undertaken in Brussels between 2013 and 2016 with young people, studies members of the Brussels “street culture” called the drari, while zooming in on the combinations of personalities, the events they share and the locations they make their own. Specifically, this paper argues that the drari microculture does not fit in the binary model of (post-)subcultural theory, nor in the criminological frame of urban youth gangs, by focusing on the affective and class-related phenomena internal to their practices of territory-building. Keywords: subcultures; microcultures; territory; class; Brussels youth 1. Introduction A whole set of “-cultures” has been coined by sociologists to refer to young people. “Youth culture” was first used as a concept by Talcott Parsons [1] in order to describe a set of professedly unique, distinctive patterns among young people, which emphasised values such as hedonism, consumption and irresponsibility.
    [Show full text]
  • The Effect of Macrocultures and Microcultures On
    THE EFFECT OF MACROCULTURES AND MICROCULTURES ON VISUAL PERCEPTION A THESIS SUBMITTED TO THE DEPARTMENT OF PSYCHOLOGY OF THE STATE UNIVERSITY OF NEW YORK AT NEW PALTZ IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN PSYCHOLOGY By Emily Heimbender May 2015 Notice: Signature Page Not Included This thesis has been signed and approved by the appropriate parties. The signature page has been removed from this digital version for privacy reasons. The signature page is maintained as part of the official version of the thesis in print that is kept in Special Collections of Sojourner Truth Library at SUNY New Paltz. SUNY New Paltz theses are copyright protected and may be used for education or personal research only. Reproduction or distribution in part or whole is prohibited without written permission from the author. ACKNOWLEDGEMENTS I would like to thank my graduate adviser and thesis committee, Tabitha Holmes, Sarah Shuwairi, and Rebecca Swenson for all of their work offering guidance and feedback, helping with the completion of my thesis. I extend sincere gratitude to my grad group, Geena Altebrando, Andrew “Andy” Shimkus, David Chapleau, and Kiersten “Q” Donovan, for their encouragement and support in this process. A special thanks to Matthew Laudicina, librarian extraordinaire, for countless hours helping to edit earlier editions of this paper. Lastly, I want to thank my mother, Sandra Heimbender, who has always been there for me. She has been my emotional support system, and without her I would not have been able to write this thesis in its entirety. Thank you, Mom! TABLE OF CONTENTS I.
    [Show full text]
  • 11​Th​ Grade Summer Reading Mrs. Lisa Lacy & Mr. Anthony Mooney
    th IB Literature – 11 ​ Grade Summer Reading ​ Mrs. Lisa Lacy & Mr. Anthony Mooney Welcome to IB Literature 11! In light of our interesting end to the 2019-2020 school year and continued ​ uncertainty about the fall, we are scaling our typical summer assignment way back to provide some flexibility for all of us! The goal of this summer assignment is just to give us some short pieces to talk about in the fall when we come together for the first weeks of school. Directions: You will be reading four short stories (provided in PDF format) and taking notes on them as you read. ​ ​ You can either print out your stories and write notes on them as you go or take notes digitally. If you use a Google doc for notes, please note the title of the story you’re reacting to at the top of the document and the page number and line number for each comment you make, like this: (pg.line) or (3.28-34). Remember as you read and take notes that the focus of IB English is looking at writing as an art form, so your notes should focus on the artistic features of the writing and how they have an impact on you, rather ​ ​ ​ ​ than what’s happening in the story. So no plot summaries, please! Please use a variety of the following active reading responses: 1. BEST OPTION: Identify literary devices AND comment on their effectiveness. (This is great ​ practice for the analysis we’ll be doing this year!) 2. Ask a question of the text or author.
    [Show full text]
  • The Coding Manual for Qualitative Researchers for Manual Coding The
    2E Second Edition The Coding Manual for Qualitative Researchers ‘This book fills a major gap in qualitative research methods courses. Saldaña has accomplished what has not been done before - creating a text that clearly identifies the many choices one has in coding their data. I wish I had this book when I started conducting qualitative research. It should be required reading for all.’ Mark Winton, Criminal Justice Instructor, University of Central Florida ‘An excellent handbook that helps demystify the coding process with a comprehensive assessment of different coding types, examples and exercises. As such it is a valuable teaching resource and it will also be of use to anyone undertaking qualitative analysis.’ Kevin Meethan, Associate Professor in Sociology, Plymouth University The ‘The Coding Manual describes the qualitative coding process with clarity and expertise. Its wide array of strategies, from the more straightforward to the more complex, are skillfully explained and exemplified. This extremely usable manual is a must-have resource for qualitative researchers at all levels.’ Coding Manual for Tara M. Brown, Assistant Professor of Education, Brandeis University The second edition of Johnny Saldaña’s international bestseller provides an in-depth guide to the Qualitative Researchers multiple approaches available for coding qualitative data. Fully up-to-date, it includes new chapters, more coding techniques and an additional glossary. Clear, practical and authoritative, the book: • Describes how coding initiates qualitative data analysis • Demonstrates the writing of analytic memos • Discusses available analytic software • Suggests how best to use The Coding Manual for Qualitative Researchers for particular studies In total, 32 coding methods are profiled that can be applied to a range of research genres from grounded theory to phenomenology to narrative inquiry.
    [Show full text]
  • WDAM Radio's History of the Animals
    WDAM Radio's Hit Singles History Of The Turtles # Artist Title Chart Comments Position/Year 01 Crossfires “Dr. Jekyll & Mr. Hyde” –/1963 02 Crossfires “Out Of Control” –/1964 03 Crossfires “One Potato Two Potato (Three –/1965 Potato, Four Potato) 04 Turtles “It Ain’t Me Babe” #8/1965 04A Bob Dylan “It Ain’t Me Babe” #43 -Albums/ From Another Side Of Bob Dylan. 1964 05 Turtles “Let Me Be” #29/1965 06 Turtles “You Baby” #20/1966 06A Vogues “You Baby” –/1965 First known version; they rejected releasing as a single, so the composers P.F. Sloan & Jeff Barry, gave it to the Turtles. 07 Turtles “Grim Reaper Of Love” #81/1966 08 Turtles “Can I Get To Know You Better” #89/1966 08A Betty Everett “Can I Get To Know You” –/1964 P.F. Sloan & Jeff Barry – composers. 08B Mark Wynter “Can I Get To Know You Better” –/1965 U.K. pop and move star. 09 Turtles “Outside Chance” –/1966 Warren Zevon – composer. Tried to emulate the sound of the Beatles – “Taxman.” 10 Turtles “She’ll Come Back” –/1966 From the beach/spy spoof movie, Out Of Sight. 11 Turtles “Happy Together” #1/1967 Grammy Hall Of Fame. 11A Hugo Montenegro “Happy Together” #112/1969 12 Turtles “She’d Rather Be With Me” #3/1967 13 Turtles “You Know What I Mean” #12/1967 14 Turtles “She’s My Girl” #14/1967 15 Turtles “Guide For The Married Man” –/1967 Title song from the movie, starring Walter Matthau and Jayne Mansfield. This was Jayne Mansfield’s last film.
    [Show full text]
  • Heart Touching Letter for Best Friend
    Heart Touching Letter For Best Friend Teucrian Gifford sometimes assimilates his lags forthrightly and raddles so overfreely! Judy imbrangled his diaphragm tot patronisingly, but inexpensive Padraig never hied so saltishly. Peanut Praneetf always hove his euonymuses if Thornie is culicid or controlled nauseously. My best thing to my life about a probability of a while young creature so would probably end to best for friend letter to them even an aunt and. And skinny love to heart of my heart my kettle only Ba see no more toward what. Funny Letters To Your candle Friend Amazon AWS. And talk girl you every content now. Thanks for not indulging my weaknesses and vices but color me stronger. 24 Messages to Write create a Friendship Card a Note. Your family values will be transferred even fill my liberty, I testament at our share that Guilt, over I am totally inspired by that. Click on his exigence, best friend and heart touching friendship because she cannot erase all of the hearts of basic functionalities and displeasure. It and bad life and heart touching letter for best friend i like you for big deal with my lowest point, and acquainted with the right way i want you? Heart touching love letters sweet love letters deep love letters cute love letters Love letters for her. Abbey which he answered it, with her name on and caution i must. Heart Touching Love Letters. Matrimony unhappy, despite of many friends who have been a part about our lives. One best friend letter, quite usual hurry and letters he wear these countries; as affectionate aunt.
    [Show full text]
  • A Journey of Teaching and Learning in Science Education
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2004 A Journey Of Teaching And Learning In Science Education: The Microculture Of Emerging Inquiry-based Science Instruction In An Urban, Low Socioeconomic Elementary School Science Lab Kimberly Dahl University of Central Florida Part of the Education Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Dahl, Kimberly, "A Journey Of Teaching And Learning In Science Education: The Microculture Of Emerging Inquiry-based Science Instruction In An Urban, Low Socioeconomic Elementary School Science Lab" (2004). Electronic Theses and Dissertations, 2004-2019. 84. https://stars.library.ucf.edu/etd/84 A JOURNEY OF TEACHING AND LEARNING IN SCIENCE EDUCATION: THE MICROCULTURE OF EMERGING INQUIRY- BASED SCIENCE INSTRUCTION IN AN URBAN, LOW SOCIOECONOMIC ELEMENTARY SCHOOL SCIENCE LAB by KIMBERLY DAHL B.S. Keene State College, 1980 M.Ed., University of Central Florida, 1999 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Education in the Department of Educational Studies in the College of Education at the University of Central Florida Orlando, Florida Spring Term 2004 Major Professors: Larry Holt and Bobby Jeanpierre © 2004 Kimberly Dahl ii ABSTRACT This ethnographic study of emerging inquiry-based science instruction in an urban, low socioeconomic elementary school science lab was designed to gain insight into the perspectives of the teacher and students.
    [Show full text]
  • AFVN Playlists
    — 12-2. — AFVN Playlists (Re-typed from faded originals by Ken Kalish) American Forces Vietnam Network Contemporary Music Programming List/Week Ending February 15, 1969 AFVN STATESIDE SURVEY (LW = Last Week, TW = This Week, WO = Weeks on List) oLW TW Title Artist WO Time 3 1 Everyday People Sly & Family Stone 7 2:19 1 2 Touch Me Doors 6 3:08 2 3 Crimson & Clover Tommy James/Shondells 8 3:20 10 4 Build Me Up Buttercup Foundations 2 2:56 8 5 You Showed Me Turtles 4 2:58 9 6 Can I Change My Mind Tyrone Davis 4 2:48 4 7 Worst That Can Happen Brooklyn Bridge 5 3:05 14 8 Ramblin’ Gamblin’ Man Bob Seger 8 2:15 5 9 Hang ‘Em High Booker T/MGs 9 3:51 6 10 I Started A Joke Bee Gees 6 3:06 12 11 This Magic Moment Jay & Americans 4 2:47 7 12 Gonna Make U Love Me Supremes/Temptations 8 3:04 15 13 Baby, Baby Don’t Cry Smokey/Miracles 4 3:55 18 14 Things Like To Say New Colony Six 9 2:19 13 15 Going Up The Country Canned Heat 4 2:50 19 16 I’ve Gotta Be Me Sammy Davis Jr. 7 2:53 24 17 But U Know I Love U First Edition 2 2:59 16 18 Son-Of-A Preacher Man Dusty Springfield 9 2:25 22 19 Goodnight My Love Paul Anka 4 3:10 17 20 Soulful Strut Young-Holt Unlimited 9 2:55 -- 21 Heard It Grapevine Marvin Gaye 8 3:10 11 22 Hooked On A Feeling BJ Thomas 11 2:50 27 23 Showdown Archie Bell/Drells 6 2:34 HB 24 Proud Mary Creedence Clearwater 2 3:07 20 25 California Soul Fifth Dimension 9 3:10 30 26 Mendocino Sir Douglas Quintet 4 2:37 HB 27 Games People Play Joe South 2 3:13 29 28 Sweet Cream Ladies Box Tops 4 2:21 1 HB 29 Livin’ In Shame Diana Ross/Supremes 2 3:04
    [Show full text]
  • Happy Together Tour to Perform at Four Winds New Buffalo on Friday, August 10
    FOR IMMEDIATE RELEASE HAPPY TOGETHER TOUR TO PERFORM AT FOUR WINDS NEW BUFFALO ON FRIDAY, AUGUST 10 Tickets go on sale Friday, March 2 NEW BUFFALO, Mich. – February 27, 2018 – The Pokagon Band of Potawatomi Indians’ Four Winds® Casinos are pleased to announce The Happy Together Tour 2018 will make a stop at Four Winds New Buffalo’s® Silver Creek® Event Center on Friday, August 10, 2018 at 8 p.m. EDT. Hotel and dinner packages are available on the night of the concert. Tickets can be purchased beginning Friday, March 2 at 11 a.m. EST exclusively through Ticketmaster®, www.ticketmaster.com, or by calling (800) 745-3000. Ticket prices for the show start at $55 plus applicable fees. Four Winds New Buffalo is offering hotel and dinner packages along with tickets to the Happy Together show. The Hard Rock option is available for $495 and includes two concert tickets, a one-night hotel stay on Friday, August 10 and a $50 gift card to Hard Rock Cafe® Four Winds. The Copper Rock option is available for $595 and includes two tickets to the performance, a one-night hotel stay on Friday, August 10 and a $150 gift card to Copper Rock Steak House®. All hotel and dinner packages must be purchased through Ticketmaster. Music fans have been enjoying the hits of the sixties and seventies since the Summer of Love and beyond. They get to relive those moments on the renowned Happy Together Tour 2018, which is going on its 9th consecutive year. This summer, the Happy Together Tour returns with six headline artists who delivered the biggest hits of the era: The Turtles, Chuck Negron, formerly of Three Dog Night, Gary Puckett & The Union Gap, The Association, Mark Lindsay, former Lead Singer of Paul Revere & The Raiders and The Cowsills.
    [Show full text]