Keys Fine Art Auctioneers 8 Market Place Aylsham Pictures & Prints Norwich NR11 6EH United Kingdom Started 03 Oct 2014 10:00 BST
Lot Description
ARCHIBALD THORBURN, SIGNED IN PENCIL TO MARGIN, ARTISTS COLOURED PROOF WITH PUBLISHERS BLIND STAMP, 1 (PUBLISHED 1922 BY W F EMBLETON), ?Widgeon?, 15 ½? x 11?
2 AFTER JOHN CYRIL HARRISON, COLOURED PRINT, Mallard, 17? x 23?
AFTER G MASON, ENGRAVED BY R W MACBETH, BLACK AND WHITE ETCHING (PUBLISHED 1885 BY ROBERT DUNTHORNE), 3 ?The Harvest Moon?, 13? x 34?, unframed
AFTER T WEBSTER, ENGRAVED BY F JOUBERT, BLACK AND WHITE ENGRAVING (PUBLISHED FOR THE ART UNION 1858), 4 ?The Playground?, 18? x 36?, maple framed
AFTER W P FRITH, ENGRAVED BY W HOLL, BLACK AND WHITE ENGRAVING (PUBLISHED 1852 BY ART UNION OF LONDON), 5 ?An English Merrymaking in the Olden Time?, 21? x 34?, Maple Framed
AFTER P WOVERMENS, ENGRAVE BY J MOYREAU, 19TH CENTURY BLACK AND WHITE ENGRAVING, ?Les Marchands de 6 Chevaux?, 16? x 13?
TERRANCE CUNEO, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (232/850) COLOURED ARTISTS PROOF WITH 7 PUBLISHERS BLIND STAMP, ?The Flying Scotsman?, 22? x 20? together with Certificate of Authenticity
AFTER J F HERRING SNR, ENGRAVED BY J HARRIS, 20TH CENTURY HAND COLOURED ENGRAVING, ?Thoroughbreds?, (Plate 8 3 ? Fores?s Stable Scenes, 18? x 27?
AFTER A VAN DIKE, ENGRAVED BY R STRANGE, ANTIQUE BLACK AND WHITE ENGRAVING, ?Charles Prince of Wales, James 9 Duke of York and Princess Mary, Children of King Charles I?, 13? x 16?
AFTER A SOLTYKOFF, ENGRAVED BY DE RUDDER, BLACK AND WHITE LITHOGRAPH (IMPRESSION BY AUGUSTE BRY, MAY 10 1841), ?Ceylan?, 14? x 11?
AFTER R B DAVIS, ENGRAVED BY F BROMLEY, HAND COLOURED MEZZOTINT (PUBLISHED BY A J ISAACS), ?The Royal 11 Cortege in Windsor Park?, 17? x 28?
12 J GREY, SIGNED AND DATED 1980, GROUP OF FOUR MIXED MEDIAS, Animal and Figurative Studies, assorted sizes, (4)
JOHN H EASTMAN, SIGNED IN PENCIL TO MARGIN, COLOURED ARTISTS PROOF, ?It is He who made the Earth by his Power 13 ?..?, 1975, 19? diam
SIMON BELL, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (139/200) COLOURED MIXED MEDIA PRINT, Inscribed 14 ?Adante?, 11 ½? x 11 ½? SIMON BELL, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (75/350) COLOURED MIXED MEDIA PRINT, inscribed 15 ?Crescendo?, 17? x 23?
16 SIMON BELL, SIGNED LIMITED EDITION (107/200) COLOURED MIXED MEDIA PRINT, inscribed ?Pianoforte?, 17? x 23?
17 SIMON BELL, SIGNED LIMITED EDITION (174/200) COLOURED MIXED MEDIA PRINT, inscribed ?Electric Blue?, 11 ½? x 11 ½?
18 SIMON BELL, SIGNED LIMITED EDITION (90/350) COLOURED MIXED MEDIA PRINT, inscribed ?Deep South?, 17? x 23?
AFTER B R HAYDON, ENGRAVED BY I E COOMBE, BLACK AND WHITE PHOTOGRAVURE, (PUBLISHED 1833 BY ACKERMANN 19 & CO), ?Reading of the Scriptures?, 10? x 11 ½?, Maple Framed
AFTER A BUTLER, HAND COLOURED LITHOGRAPH, (PUBLISHED 1856 BY STANNARD AND DIXON), ?Triumphal Entry of the 20 Scots Fusilier Guards into London July 9th 1856?, 12? x 18? together with one further print of Brighton, (2)
21 JOHN MACE, UNSIGNED COLOURED WOOD BLOCK, Flowers in a Vase, 9? x 7?
JOHN WADE, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (41/50) BLACK AND WHITE ETCHING, inscribed ?Highland 22 Morning?, 9 ½? x 23 ½? together with BARRY C W D LAKE, SIGNED AND DATED ?86 IN PENCIL TO MARGIN, LIMITED EDITION (1/25) ETCHING, ?Warren Clarke?, 16? x 14?, (2)
HENRY MAURICE CAHOURS, SIGNED IN PENCIL TO MARGIN, ARTISTS COLOURED PROOF WITH PUBLISHERS BLIND 23 STAMP, (PUBLISHED 1935 BY FROST AND REED), Harbour Scene, 18? x 23?
HUGH BRANDON-COX, SIGNED IN PENCIL TO MARGIN, COLOURED PRINT, inscribed ?Autumn near Thetford?, 6? x 9? together 24 with one further coloured print by the same artist, (2)
AFTER D HODGSON, HAND COLOURED LITHOGRAPH, (by Day and Haghe), ?Market Place, Norwich?, 8? x 12? together with three 25 further engravings of Norwich interest, (4)
AFTER J HOPPNER, ENGRAVED BY W SAY, BLACK AND WHITE ENGRAVING, (PUBLISHED 1812 BY THOMAS CLAY), The 26 Prince Regent, 26? x 17? together with AFTER L DA VINCI, ENGRAVED BY A SMITH, COLOURED ENGRAVING, (PUBLISHED 1798), ?Holy Family?, 24? x 18?, (2)
AFTER LIONEL EDWARDS AND LANCE THACKERAY, SET OF FOUR CHROMOLITHOGRAPHS (PUBLISHED 1902 BY HILLS & 27 CO), ?By Order of the Owner?, ?On View?, ?By Private Treaty? and ?For Sale Without Reserve?, 9 ½? x 15? (4)
LIONEL EDWARDS, SIGNED IN PENCIL TO MARGIN, ARTISTS COLOURED PROOF WITH PUBLISHERS BLIND STAMP, 28 (PUBLISHED BY EYRE AND SPOTTISWOODE), ?The Essex 1928?, 13? x 19? together with a further engraving of a Hunting Scene, (2)
29 NORMAN HIRST, SIGNED IN PENCIL TO MARGIN, MEZZOTINT, ?Sluish Mill Pond?, 7 ½? x 10 ½?
ALLAN WILKIE, SIGNED AND DATED 1982 IN PENCIL TO MARGIN, LIMITED EDITION (1/30) BLACK AND WHITE ETCHING, 30 inscribed ?The Breakfast?, 10 ½? x 19?
31 HEYWOOD HARDY RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Horse, Dog and Rider, 9 ½? x 12?
32 ANNE AND NICHOLAS BARNHAM, SIGNED IN PENCIL TO MARGIN, COLOURED ARTISTS PROOF, Trees, 16? x 19 ½? KJELL WIJGID, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (42/50) BLACK AND WHITE ETCHING, inscribed 33 ?Sommarhommar?, 9 ½? x 12? together with a further Artists Proof by different Artist, (2)
AFTER S & N BUCK, TWO HAND COLOURED ENGRAVINGS, CIRCA 1741, ?The South East and North East Prospect of the City of 34 Norwich?, 10? x 31?, (2)
35 AFTER PICASSO, BLACK AND WHITE PRINT, Figure on Horseback, 17? x 12?
ARTHUR DELANEY, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (541/650), COLOURED ARTISTS PROOF, ?Piccadilly?, 36 14? x 18? together with one further signed Limited Edition Coloured Print by the same Artist, (2)
AFTER R COSWAY, ENGRAVED BY J CONDE, COLOURED SOFT GROUND ENGRAVING, (PUBLISHED 1792 BY J CONDE), ?Mrs 37 Fitzherbert?, 11 ½? x 8 ½? together with a rouge engraving of the same title, (2)
38 AFTER H VON ANGELI, BLACK AND WHITE ETCHING, Prince Frederic William (1831-1888), 14? x 9?
ANDREW DIBBEN, SIGNED TWO LIMITED EDITION (61 & 31/100) COLOURED PRINTS, ?Blakeney Marsh? and ?Wells Quay at 39 Dusk?, 11? x 17? and 11 ½? x 16? respectively, (2)
GRAHAM HILL, SIGNED AND DATED 2014 IN PENCIL TO LOWER RIGHT MARGIN, LIMITED EDITION (1/100) COLOURED 40 GICLÉE PRINT, Inscribed ?Morston?, 16? x 22?
GRAHAM HILL, SIGNED AND DATED 2014 IN PENCIL TO LOWER RIGHT MARGIN, LIMITED EDITION (1/100) COLOURED 41 GICLÉE PRINT, Inscribed ?Walberswick?, 16? x 22?
JOSEPH KIRKPATRICK, SIGNED IN PENCIL TO MARGIN, PAIR OF COLOURED AQUATINTS, ?The Harvest Moon? and 42 ?Moonrise? (see Deighton?s Strand Gallery labels verso), 11? x 15 ½? (2)
43 AFTER MATTHEW SMITH, COLOURED PRINT, Still Life, 18? x 21 ½?
MICHAEL CARLO, SIGNED AND DATED 1980 IN PENCIL TO MARGIN, LIMITED EDITION (133/200) COLOURED PRINT, Inscribed 44 ?February ? Track?, 14? x 20?; together with ANN SHINGLETON, SIGNED AND DATED 89 IN PENCIL TO MARGIN, LIMITED EDITION (71/75) BLACK AND WHITE ETCHING, Inscribed ?Aesop II ? The Voice of Trut ...[more]
CHLOE CHEESE, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (158/195) COLOURED LITHOGRAPH, ?Faded Rose?, 13? x 45 10?
INDISTINCTLY SIGNED AND INSCRIBED ?London 1912? IN PENCIL TO MARGIN, LITHOGRAPH, inscribed ?Indifference?, 17? x 46 11? Provenance: Francis Kyle Gallery Ltd, 9 Maddox Street, London ? see label verso)
47 RACHEL A LE BAS, SIGNED IN PENCIL TO MARGIN, COLOURED LITHOGRAPH, inscribed ?Space Wings?, 16? x 20?
48 JOHN PIPER, SCREEN PRINT ON FABRIC, CIRCA 1962, ?Stones of Bath?, (for Sanderson Fabrics), 20? x 39?
49 GLYNN THOMAS, SIGNED IN PENCIL TO MARGIN, COLOURED ARTISTS PROOF, ?Corn Exchange ? 1965, 21? x 30?
BARBARA NEWCOMB, BFA, RE, SIGNED, DATED 1969 IN PENCIL TO IMAGE, COLOURED ETCHING, Inscribed ?Runner A/P?, 30 50 ½? x 22? VALERIE THORNTON, SIGNED AND DATED ?77 IN PENCIL TO MARGIN, COLOURED ARTISTS PROOF, inscribed ?Hill Village 51 Novane?, 12? x 18?
MICHAEL ROTHENSTEIN, COLOURED LITHOGRAPH, (THE BAYNARD PRESS FOR SCHOOL PRINTS), ?Timber Felling in Essex?, 52 circa 1940, 16? x 27?
JULIAN TREVELYAN, COLOURED LITHOGRAPH, (THE BAYNARD PRESS FOR SCHOOL PRINTS), ?Harbour?, circa 1940, 17? x 53 27?
GRAHAM CLARKE, SIGNED IN PENCIL TO MARGIN, PAIR OF LIMITED EDITION (357/400) HAND COLOURED ETCHINGS, 54 ?November? and ?December?, 5? x 7?, (2)
55 J MORGAN, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (1/50), WOOD ENGRAVING, ?Rhythm 1980?, 6? x 5?
56 MARK HEARLD, SIGNED AND DATED ?06, LIMITED EDITION (2/20), LINO CUT, ?Starlings on the Shore?, 8? x 12?
GEOFFREY CLARKE, SIGNED AND DATED 1956 IN PENCIL TO MARGIN, ETCHING AND AQUATINT, Fishermen on a Harbour, 10? 57 x 7 ½?
GILBERT, SIGNED AND DATED ?78 IN PENCIL TO MARGIN, LIMITED EDITION (16/750) COLOURED ETCHING, ?Chocolate Box?, 58 together with GILBERT, SIGNED AND DATED ?77 IN PENCIL TO MARGIN, LIMITED EDITION (47/50) COLOURED ETCHING, ?Melissa?, 5? x 5? and 6 ¼? x 5?, (2)
58A WILLIAM NICHOLSON, TWO COLOURED WOODBLOCKS "Barmaid" and "News Boy" (Heinemann 1898) 9" x 10" unframed (2)
ROBERT CLITHEROW, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ARTISTS PROOF, Inscribed ?English Partridge?, 5 59 ½? x 6?
60 HENRY MOORE, SIGNED IN PENCIL TO MARGIN, COLOURED LITHOGRAPH, inscribed ?Seated Figure? (Stone), 15? x 12?
F B, INITIALLED AND DATED ?97, GROUP OF SEVEN PEN AND INK DRAWINGS IN ONE FRAME, Caricatures of the Revision Court 61 Ipswich 1897, together with a Folder of LOW Caricatures from The Newstatesman, (2)
AFTER J S COTMAN, BLACK AND WHITE ENGRAVING, ?Church of Querqueville near Cherbourg?, 8? x 10? together with AFTER R 62 DIXON, BLACK AND WHITE LITHOGRAPH, ?The Late Entrance to Ber Street, Norwich?, 9? x 7?, (2)
63 FOLDER OF APPROX 40 19TH CENTURY LITHOGRAPHS of Birds, Bats, Rodents, etc also Hunting Prints, etc
64 AFTER EDOUARD MANET, RESTRIKE ETCHING (IMP A SALMON) Portrait of Charles Baudelaire, 3 ½? x 3?
65 IN THE MANNER OF REMBRANDT, BLACK AND WHITE ETCHING, Head and Shoulders Portrait of an Old Woman, 5? x 4?
AFTER S & N BUCK, GROUP OF EIGHT BLACK AND WHITE ENGRAVINGS, (PUBLISHED 1738), ?The East View of Castle Acre 66 Priory?, ?The South-East View of Norham Castle?, ?The South View of Castle Acre Castle?, ?The East View of Walsingham Priory?, ?The West View of Creake Prior?, ?The South-West View of Bin ...[more]
67 FOLDER OF ASSORTED PRINTS, ENGRAVINGS, ETC 19th CENTURY BLACK AND WHITE ENGRAVING, (PRINTED BY JOSIAH FLETCHER), ?Yarmouth Suspension Bridge as it appeared 68 after the accident, by which 79 lives were lost, on Friday evening, May 2, 1845?, 7 ½? x 11?
69 WILLIAM MONK RPE, PORTFOLIO OF ETCHINGS, (PUBLISHED 1895), ?St John?s Clerkenwell?, complete with 5 signed Etchings
AFTER W WARD, ENGRAVED BY W WARD, PAIR OF COLOURED STIPPLE ENGRAVINGS, ?The Choice? and ?Hesitation?, 8? x 70 7?, oval, (2)
AFTER A KAUFFMAN, ENGRAVED BY BARTOLOZZI, 19TH CENTURY STIPPLE ENGRAVING, ?Celedon and Amelia?, 7 ½? x 6?, 71 oval
AFTER A KAUFFMAN, ENGRAVED BY T BURKE, PAIR OF COLOURED STIPPLE ENGRAVINGS, (PUBLISHED 1784 BY T BURKE), 72 ?Cupid binding Aglaia to a Laurel? and ?Cupid disarmed by Euphrosine?, 10? x 12?, (2)
AFTER G B CIPIRANI, ENGRAVED BY BARTOLOZZI, BLACK AND WHITE STIPPLE ENGRAVING, (PUBLISHED 1787 BY R 73 STANIER), ?The First Kiss of Love?, 6? x 8? together with AFTER G B CIPRIANI, ENGRAVED BY BARTOLOZZI, ROUGE ENGRAVING, (PUBLISHED LONDON 1766), ?A Century of Prints from Drawings published with Notes ...[more]
AFTER F GERARD, ENGRAVED L P POTRELLE, PAIR OF 19TH CENTURY BLACK AND WHITE ENGRAVINGS, ?Le Succes and Le 74 Repos?, 7? x 7 ½?, (2)
75 FOLDER OF ASSORTED PRINTS, ENGRAVINGS, ETC
76 FOLDER OF ASSORTED PRINTS, ENGRAVINGS, ETC
77 PHILIPPA CLUVER, ENGRAVED HAND COLOURED MAP, ?Aegyptus et Cyrene?, circa early 18th Century, 5? x 8 ½?
TWO EARLY/MID 19TH CENTURY TINSEL PRINTS, ?Mr T P Cook as William? and ?Mrs H Vining as Black eyed Susan?, (each with 78 applied Fabric and Metal, 5? x 4?, (2)
FRANK PATON, SIGNED IN PENCIL TO MARGIN, GROUP OF THREE ETCHINGS, ?British Interests?, ?The Ordeal by Fire? and 79 ?Notice to Quit? 4? x 6?, (A/F), (3)
ROLAND GREEN, SIGNED IN PENCIL TO MARGIN, ARTISTS COLOURED PROOF WITH PUBLISHERS BLIND STAMP, Teal 80 Alighting, 15? x 10 ½?, mounted but unframed
81 DANIELLE NOEL, FOLDER OF SIX SIGNED AND NUMBERED ETCHINGS
C JOHNSON WILST, FOLDER OF FOUR SIGNED WORKS, together with JESSE F REED, SIGNED IN PENCIL TO MARGIN, 82 COLOURED AQUATINT, ?Church at Chichicastenango ? edition of 150 prints for the Print Club of Albany?, in its original Folder, (5)
HENRY LAMBERT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHINGS, inscribed ?Piccadilly Circus?, 6? x 8 ½? 83 together with two signed Etchings of Russian interest, (3)
84 PORTFOLIO ? J M W TURNER?S VIGNETTE DRAWINGS, 2ND SERIES
85 FOUR 19TH CENTURY ENGRAVINGS OF EAST ANGLIAN INTEREST, assorted sizes, (4) AFTER H GREEVEN, PAIR OF HAND COLOURED LITHOGRAPHS, Costumes plus one further Lithograph ?Les Bas Bleus?, assorted 86 sizes, (3)
87 A GROUP OF SIX ANTIQUE BLACK AND WHITE ENGRAVINGS, titled ?Explorers?, etc, 11? x 6 ½?, (6)
ENGRAVED BY R BONNART, PAIR OF FRENCH 19TH CENTURY HAND COLOURED ENGRAVINGS, ?Mr Le Prince de Conti? and 88 ?L?Imperatrice?, 10? x 7? (2)
BIRTON RIVIERE, ENGRAVED BY HENRY MACBETH-RAEBURN, SIGNED BY BOTH IN PENCIL TO MARGIN, BLACK AND WHITE 89 ETCHING, (PUBLISHED 1888 BY J S VIRTUE), ?Spilt Milk?, 9 ½? x 10?
90 FOLDER OF ASSORTED WATERCOLOURS, mainly Still Life Studies
91 AFTER GEORGE H DOWNING, PAIR OF BLACK AND WHITE PRINTS, 6? X 4?, (2)
92 19TH CENTURY JAPANESE SCHOOL COLOURED WOOD BLOCK, Erotic Study, 2? x 3?
93 OHARA KOSON, COLOURED WOOD BLOCK, Small White Egret, 7? x 13?, (A/F)
94 CHINESE SCHOOL, GROUP OF COLOURED PRINTS, Bird Studies, assorted sizes, (4)
EARLY 20TH CENTURY CHINESE SCHOOL, GROUP OF THREE SIGNED WATERCOLOURS, Bird Studies, 12? x 6? together with a 95 Japanese Wood Block of Chickens, (4)
96 JAPANESE SCHOOL, GROUP OF FOUR WOOD BLOCKS ON FABRIC, Figure and Bird Studies, assorted sizes, (4)
A BOX OF 19TH CENTURY JAPANESE WOOD BLOCKS, mainly Diptych and Triptych Battle Scenes, etc, all unframed and rolled, 97 assorted sizes
OSWALDO GUAYASAMINI, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (41/175) COLOURED LITHOGRAPH, Head Study, 98 27? x 22?, unframed
99 AFTER GEORGE ARMFIELD, CHROMOLITHOGRAPH, Terriers Ratting, 11 ½? diam
CHRIS ORR, SIGNED AND DATED 1971 IN PENCIL TO MARGIN, LIMITED EDITION, (25/125), HAND COLOURED ETCHING, 100 inscribed ?Harvest Home! The Last Sheaf?, 6 ½? x 10 ½?
AFTER J S COTMAN, BLACK AND WHITE ETCHING, PUBLISHED 1812, ?South Gate, Yarmouth?, 9? x 12 ½? together with one 101 further Etching relating to JOHN SELL COTMAN, (2)
102 KRONHEIM, GROUP OF SEVEN PRINTS, Bubble Blowing and others, assorted sizes, (7)
CATHERINE MAUD NICHOLS RE, SIGNED IN PENCIL TO MARGIN, PAIR OF BLACK AND WHITE ETCHINGS, Landscapes, 10? x 103 7?, (2)
104 AFTER MARC CHAGALL, COLOURED LITHOGRAPH, ?Creation?, (Bible Suite circa 1960), 13? x 10? 105 AFTER MARC CHAGALL, COLOURED LITHOGRAPH, ?Esther?, (Bible Suite circa 1960), 13? x 10?
106 KURT MEYER-EBERHARDT, SIGNED IN PENCIL TO MARGIN, 2 COLOURED ETCHINGS, Foxes, 8? x 7? and 12? x 10?, (2)
KURT MEYER-EBERHARDT, SIGNED IN PENCIL TO MARGIN, 2 COLOURED ETCHINGS, Deer and Foal, 14? x 12? and 11 ½? x 9 107 ½?, (2)
PERCY J WESTWOOD, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, inscribed ?Westeapelle? and SUSAN F 108 CRAWFORD, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING and EDWARD SLOCOMBE, SIGNED ETCHING, all unframed, (3)
ALFRED EGERTON COOPER RBA, SIGNED AND DATED ?43 IN PEN TO MARGIN, COLOURED PRINT, ?Profile for Victory ? The 109 Right Honourable Winston Spencer Churchill?m 16? x 13?, unframed
PAUL PAWLCHKE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE LITHOGRAPH, ?Venice?, 7? x 9?; Provenance: Melbourne 110 Gallery, 3 Potter Street, Melbourne, Derbys ? see label verso)
ARTHUR WILLIAM HEINTZELMAN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Young Girl, 12? X 9?, mounted 111 but unframed
CLIFFORD ADDAMS, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Harbour Scene, 7? x 9?, mounted but 112 unframed
WILLIAM WALCOT RE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE LIMITED EDITION (of 150) DRYPOINT ETCHING, 113 ?Liverpool?, 3 ½? x 6?; Provenance Andrew Duthie, 426 Sauchiehall Street, Glasgow ? see label verso)
GRETA DELLEANY, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (to 75), ARTISTS PROOF DRYPOINT ETCHING, inscribed 114 ?The Hayfield?, 5? x 7 ½?; Provenance Andrew Duthie, 426 Sauchiehall Street, Glasgow ? see label verso); together with two further Prints, (3)
FRANK BRANGWYN RA, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, ?The Moat? (circa 1913), 12? x 16?, 115 unframed
116 FRANK BRANGWYN RA, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, ?L?Ombre de la Croix?, 7? x 5 ¼?
FRANK BRANGWYN RA AND YOSHIJIRO URUSHIBARA, SIGNED BY BOTH IN PENCIL TO MARGIN, COLOURED WOOD CUT, 117 Durham circa 1924, 14 ½? x 20?, (A/F)
PERCY J D SMITH, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (2/30) BLACK AND WHITE ETCHING, inscribed ?The Onion 118 Seller?, 8 ½? x 6 ½?
PERCY J D SMITH, SIGNED IN PENCIL TO MARGIN, SECOND STATE BLACK AND WHITE ETCHING, inscribed ?The Path to 119 Wuthering Heights?, 10? x 8?, (Sold together with a signed letter from the Artist)
120 PERCY J D SMITH, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, inscribed ?Towing?, 7? x 14 ½?
SIR WILLIAM RUSSELL FLINT, SIGNED IN PENCIL TO MARGIN, ARTISTS COLOURED PROOF WITH PUBLISHERS BLIND 121 STAMP, ?St Marks ? Venice?, 14? x 19? SIR WILLIAM RUSSELL FLINT, SIGNED IN PENCIL TO MARGIN, ARTISTS COLOURED PROOF WITH PUBLISHERS BLIND 122 STAMP, ?The Fountain?, 14? x 19?
SIR WILLIAM RUSSELL FLINT, SIGNED IN PENCIL TO MARGIN, ARTISTS COLOURED PROOF WITH PUBLISHERS BLIND 123 STAMP, ?Conversation Piece?, 14? x 19?
124 20TH CENTURY WOOD AND GILDED GESSO PICTURE FRAME WITH LEAF DECORATED CORNERS, 23? x 28?
125 A GROUP OF FIVE VICTORIAN AND LATER WOODEN AND OTHER PICTURE FRAMES, (5)
126 A QUANTITY OF VICTORIAN AND LATER GILT GESSO AND OTHER PICTURE FRAMES
127 GROUP OF FOUR VICTORIAN GILT GESSO PICTURE FRAMES, (two currently containing mirrors), assorted sizes (4)
128 A VICTORIAN HEAVY GILT GESSO PICTURE FRAME, 20? x 30?
129 A GROUP OF Seven VICTORIAN AND LATER GILT GESSO AND OTHER PICTURE FRAMES, (7)
130 W BOSWELL OF NORWICH, GILT GESSO PICTURE FRAME, 18? x 25?
131 A VICTORIAN GILT GESSO PICTURE FRAME WITH GRAPE AND VINE DECORATION, 20? x 30?
132 20TH CENTURY MOULDED PICTURE FRAME, 30? x 37?
133 A VICTORIAN GILT GESSO PICTURE FRAME, 13 ½? x 20 ½? TOGETHER WITH A FURTHER PAPIER-MÂCHÉ FRAME, (2)
134 WALTER BRETTINGHAM, SIGNED GROUP OF THREE OILS ON CANVAS, Male and Female Nude Studies, assorted sizes, (3)
135 WALTER BRETTINGHAM, SIGNED AND DATED ?70, OIL ON CANVAS, House on Fire, 25? x 30?
WALTER BRETTINGHAM, SIGNED AND DATED ?80, TWO OILS ON CANVAS, Abstract Compositions, 25? x 30? x and 24? x 30?, 136 (2)
WALTER BRETTINGHAM, SIGNED AND DATED ?96 LOWER RIGHT, OIL ON BOARD, inscribed verso ?Opus 132, all our own 137 work?, 20? x 15?
138 WALTER BRETTINGHAM, MIXED MEDIA ON BOARD, Naval Ship and Fireworks, 21? x 31?
WALTER BRETTINGHAM, GROUP OF THREE WATERCOLOURS, ?Kola inlet, Polyarnoe, North Russia 1944?, ?Midnight Sun over 139 the Artic Ocean, North Russia? and ?Summer in Polyarnoe?, assorted sizes, (3)
140 WALTER BRETTINGHAM, SIGNED OIL ON CANVAS, ?Abstract ? Opus 113?, 29? x 39?
141 WALTER BRETTINGHAM, SIGNED AND DATED ?69, OIL ON CANVAS, ?Opus 27?, 60? x 40? V A, MONOGRAMMED, PAIR OF OILS ON CANVAS, inscribed verso ?Autumn Birch, nr L. Katrine? and ?Summer Loch Katrine?, 29? 142 x 19?, (2)
143 KINGMAN, SIGNED PAIR OF MODERN OILS, Gun Dogs in Woodland, 19 ½? x 23?, (2)
144 UNSIGNED, OIL ON CANVAS, Interior with young Girl playing with Pug Dog and Cat, 19? x 29?
MAGDA SAWICKA, SIGNED AND DATED 1968, INK AND CRAYON DRAWING, ?The Union?, 22? x 15?; Provenance: Grabowski 145 Gallery, 84 Sloane Avenue, London ? see label verso
MAGDA SAWICKA, SIGNED AND DATED ?68, INK AND CRAYON DRAWING, ?The Joy?, 22? x 15? ; Provenance: Grabowski 146 Gallery, 84 Sloane Avenue, London ? see label verso
MAGDA SAWICKA, SIGNED AND DATED ?68, INK AND CRAYON DRAWING, ?Lament?, 11? x 17?; Provenance: Grabowski Gallery, 147 84 Sloane Avenue, London ? see label verso
148 FREDERICK GEORGE WILLS, SIGNED ACRYLIC, inscribed ?Teignmouth from Shaldon, Devon?, 14? x 20?
149 FREDERICK GEORGE WILLS, SIGNED AND DATED 1975, ACRYLIC, ?Boats at Kings Lynn?, 14? x 21?
150 UNSIGNED, OIL, Cavaliers Merrymaking in a Cellar, 19 ½? x 23?
151 19th CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Head and Shoulders Portrait of a Gent, 20 ½? x 17?
152 A LARGE PORTFOLIO OF WORKS BY N JACQUELINE READER (1933-2014), to include Life Drawings, Prints, Watercolours, etc
153 A SMALLER PORTFOLIO OF WORKS BY N JACQUELINE READER (1933-2014), to include Life Drawings, Prints, Watercolours, etc
A GROUP OF EIGHT OILS ON CANVAS/BOARD BY N JACQUELINE READER (1933-2014), Still Life and Figurative Subjects, 154 assorted Sizes, (8)
A GROUP OF NINE OILS ON BOARD/CANVAS BY N JACQUELINE READER (1933-2014), Figurative and other Subjects, assorted 155 sizes, (9)
156 A GROUP OF EIGHT MODERN OILS ON BOARD, Figurative and other Subjects, assorted sizes, (8)
157 A LARGE FOLDER OF ASSORTED DRAWINGS, PRINTS, WATERCOLOURS, ETC
A LARGE FOLDER CONTAINING: ROBERT TAYLOR (BORN 1946, BRITISH), The Admirals Cup 1974 ? 524/850; The Cutty Sark ? 158 529/850; HMS Cavalier? 614/2000; HMS Kelly? 614/2000, group of four PHOTOGRAPHIC PRINTS, all signed and numbered in pencil to lower margins; together with ROBERT TAYLOR (BORN 1946, BRITIS ...[more]
159 UNSIGNED, 20TH CENTURY OIL ON BOARD, Soldier on Horseback, 23? x 27?, unframed
160 FOLDER OF ASSORTED WATERCOLOURS, ETC
161 JOHN POOLER, SOME SIGNED, GROUP OF NINE OILS/WATERCOLOURS, Norfolk Landscapes, etc assorted sizes, (9) 162 JOHN POOLER, FOLDER OF SOME SIGNED, APPROX 40+ WATERCOLOURS, Norfolk Landscapes, etc, assorted sizes,
163 JOHN POOLER, SOME SIGNED, GROUP OF 17 OILS ON CANVAS/BOARD, Aircraft, assorted sizes, (17)
164 JOHN POOLER, FOLDER OF SOME SIGNED, APPROX 45+ WATERCOLOURS/OILS, Norfolk Landscapes, etc, assorted sizes
165 JOHN POOLER, FOLDER OF SOME SIGNED, APPROX 100+ WATERCOLOURS, Norfolk Landscapes, etc, assorted sizes
166 20TH CENTURY FRENCH SCHOOL, OIL ON CANVAS, A seated Female Nude, 20? x 15?, unframed
167 GERARD, SIGNED, OIL ON CANVAS, French Impressionist Landscape, 15? x 22?, unframed
168 STUART MILNER, INITIALLED, PEN, INK AND WATERCOLOUR, A View in Sussex, 7? x 14 ½?, unframed
19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Shipping Becalmed, 15 ½? x 20?; together with a 19TH CENTURY 169 LITHOGRAPH, Fisherfolk on a Shore, 10? x 13?, both unframed, (2)
HENRY CHARLES BREWER RI, PENCIL AND WATERCOLOUR, ?Folkestone?, 14? x 10?; Provenance: Abbott & Holder, 30 Museum 170 Street, London ? see label verso
171 CHARLES HANNAFORD, SIGNED, WATERCOLOUR, A Moored Fishing Boat, 11?xX 14?, unframed
172 WILLIAM HYAMS, SIGNED, WATERCOLOUR, A Farmstead, 10 ½? x 15? , mounted but unframed
173 MARION BROOM, SIGNED, OIL ON CANVAS, Still Life Study of Flowers in a Vase, 11? x 14?, unframed
174 SELBBE? SIGNED, OIL ON PANEL, Continental Landscape, 15? x 18?, unframed
175 WILLIAM COURT, FOLDER, SOME SIGNED, APPROX 35 WATERCOLOURS, East Anglian Landscapes, etc, assorted sizes
176 M DE PAZUYNCE, SIGNED AND DATED ?38, OIL ON CANVAS, Head and Shoulders Portrait of a Lady, 20? x 16?
177 JOHN GILBERT DONLEY, SIGNED, OIL ON CANVAS, Cattle Grazing in Wales, 20? x 27?, unframed
178 JOHN GILBERT DONLEY, SIGNED, OIL ON CANVAS, Still Life Study, 30? x 25?, unframed
179 JOHN GILBERT DONLEY, SIGNED, OIL ON CANVAS, Harvest Scene, 25? x 30?, unframed
180 JOHN GILBERT DONLEY, SIGNED, OIL ON CANVAS, Farmworker in a Field, 25? x 30?, unframed
DUPRE, SIGNED, 20TH CENTURY, OIL MINIATURE, Portrait of Madam Recamier, 3? x 2 ½?; together with AFTER ROMNEY, OIL 181 MINIATURE, The Pink Girl, 2 ½? diam, (2)
182 19TH/20TH CENTURY, OIL MINIATURE, Portrait of Washington, 1 ½? diam 183 UNSIGNED, OIL MINIATURE, Portrait of an Elizabethan Lady, 3? x 2?
184 W D, MONOGRAMMED, PEN AND INK CARICATURE, inscribed ?Max. P. Jnr? (A Golfer), 7? x 3 ½?
185 19TH CENTURY ENGLISH SCHOOL, OIL MINIATURE, Head and Shoulders Portrait of a Gent, 3? x 2 ½?
186 MOGUL SCHOOL, WATERCOLOUR AND GOUACHE, Happy Couple, 7? x 4?
UNSIGNED, 20TH CENTURY OIL MINIATURE, Head and Shoulders Portrait of a Young Child, 3? x 2 ¼? in folding Velvet Leather 187 Case
188 19TH CENTURY ENGLISH SCHOOL, OIL MINIATURE, inscribed verso Mrs Fawcit (afterwards Mrs Anne Randal), 3? x 2 ½?
189 18TH CENTURY GERMAN SCHOOL, OIL ON BOARD, Head and Shoulders Portrait of a bearded Gent, 3 ¼? x 2 ¼?
19TH CENTURY ENGLISH SCHOOL, SILHOUETTE WITH GUM ARABIC, Head and Shoulders Portrait of a Lady, 2 ½? x 2?; together 190 with two further 19TH CENTURY SILHOUETTES, (3)
191 ATTRIBUTED TO SENECA RAY STODDARD, OIL ON CANVAS, ?Adirondack Pool?, 5? x 7 ½?
192 BASIL CRAGE, SIGNED AND DATED ?91, WATERCOLOUR AND GOUACHE, A Beauty in a Dress, 7 ½? x 5?
PIRFFERI, SIGNED AND INSTRIBED, ?Rome 1832?, WATERCOLOUR, Figures conversing, 8? x 5?; together with one other, both 193 unframed, (2)
17TH/18TH CENTURY FLEMISH SCHOOL, WATERCOLOUR, Royal Reception of a Returning General, possibly a design for a Fan, 194 8? x 21, (set in arched frame)
195 JOHN HARDING, SIGNED AND DATED 1820, WATERCOLOUR, Portrait of an Angel, 5? x 3 ½? oval
ATTRIBUTED TO WILLIAM HENRY PYNE, SKETCHBOOK OF VIGNETTE PENCIL DRAWINGS, Farmworkers, Peasants and 196 Fishermen, each page 5 ½? x 9 ½?
197 RUSSIAN ICON ? METAL OVERLAID TO WOOD, Madonna and Child, 9? x 7?
198 19TH CENTURY ALBUM OF WATERCOLOURS AND DRAWINGS, mainly Continental Views
199 19TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Mother and Child collecting Sticks, 65? x 34?, unframed
200 W H HARRINGTON, SIGNED AND DATED 1974, OIL ON BOARD, Maria of Westminster, 32? x 19?
201 MODERN OIL ON CANVAS, three-quarter length Portrait of a Lady wearing a black Dress and matching Hat , 27? x 35?
202 18TH CENTURY STYLE, MODERN OIL ON CANVAS, River Landscape with Figures, 35? x 47?
203 HENRY HETHERINGTON EMMERSON, MONOGRAMMED, OIL ON CANVAS, inscribed verso ?The Golden Times?, 52? x 26? EDWARD HODGES CREE, SIGNED AND DATED JULY 21 1864 LOWER RIGHT, WATERCOLOUR, Coastal view from Cliffs, 20? x 204 13?; together with 19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Waterfall, 14? x 10?, (2)
205 JOHN DONALDSON, SIGNED, OIL ON BOARD, Continental Landscape, 14? x 23?
206 INDISTINCTLY SIGNED, LOWER RIGHT, OIL ON BOARD, Table Mountain, 29? x 34?
207 INDISTINCTLY SIGNED, PAIR OF OILS ON CANVAS, Alpine Landscape and one other, 13? x 18?, (2)
208 UNSIGNED, OIL ON CANVAS, The Money Lender, 23? x 19?
209 FREDERICK E JAMIESON, SIGNED, OIL ON CANVAS, Scottish Landscape, 19? x 29?
210 JACK GIBSON, SIGNED, OIL ON BOARD, The Battle of Keren, 23? x 35?
19TH CENTURY ENGLISH SCHOOL, PAIR OF WATERCOLOURS, Shell Studies, 2? x 3 ½?; together with E DON OF NEWPORT, 2 211 Sand Pictures, ?Head of Shanklin Chine? and ?Needle Rocks? ? both Isle of Wight and dated 1847, (4)
212 J E H, INITIALLED 19TH CENTURY SEPIA WATERCOLOUR, Venice, 2 ¼? x 3 ½?
JOSEPH NEWINGTON CARTER, SIGNED, WATERCOLOURS, inscribed verso ?Robin Hood Bay, Scarborough?, 6 ½? x 9 ½?; 213 together with a further WATERCOLOUR SIGNED S HILL 1904, (2)
214 CIRCLE OF BIRKETT FOSTER, BEARS MONOGRAM, WATERCOLOUR, Shepherd with Sheep, Horse and Cart, Figures, etc, 4? x 6?
ATTRIBUTED TO WILLIAM PAYNE, SEPIA WATERCOLOUR, Rocky Landscape, 6? x 9 ½?; Provenance: Ex Cornish-Torbock Sale, 215 Sotheby?s 1994
216 INDISTINCTLY SIGNED VERSO, 19TH CENTURY OIL ON PANEL, Ladies before Ruins, 4? x 6?
217 A P, INITIALLED WATERCOLOUR, COUNTRY LANDSCAPE, 4? x 8?
218 WILFRID BALL, SIGNED AND DATED ?92, WATERCOLOUR, Dutch Landscape with Windmill, 6? X 9?
219 G B, INITIALLED GOUACHE, Valetta Harbour, 4? x 7 ¼?
220 O VALOZI, SIGNED, PAIR OF OILS ON BOARD, Mediterranean Coastal Scenes, 5? x 7?, (2)
221 EDMUND MORRISON WIMPERIS, INITIALLED WATERCOLOUR, Figures in Coastal Landscape, 7? x 14?
ERNST HÜBEL, SIGNED AND DATED 1948, OIL ON PANEL, inscribed verso ?Clein?Iser with Buchberg, North Bohemia? also Studio 222 Stamped verso, 9? x 12 ½?
223 ATTRIBUTED TO BISHOP JOHN FISHER, SEPIA WATERCOLOUR, A Ruined Tower, 8 ½? x 6? 224 ATTRIBUTED TO THOMAS BARKER, 19TH CENTURY SEPIA WATERCOLOUR, Landscape with Building, 6 ½? x 10?
225 INDISTINCTLY SIGNED AND DATED ?83 LOWER LEFT, OIL ON BOARD, Nudes in Coastal Landscape, 9? x 12?
226 GEORGE BUSBY, SIGNED AND DATED ?96, WATERCOLOUR, inscribed verso ?Gloucester Docks?, 5? x 7?
227 LEYTON FORBES, SIGNED AND DATED 07, GROUP OF THREE WATERCOLOURS, Cottages and Gardens, assorted sizes, (3)
J WHYMPER, SIGNED, WATERCOLOUR, Coastal Scene with Naval Camp, 8? x 11 ½?; together with 19TH CENTURY ENGLISH 228 SCHOOL, WATERCOLOUR, Figures by Abbey Ruins, 7? x 11?, (2)
229 CIRCLE OF WALTER SICKERT, BEARS SIGNATURE, OIL ON PANEL, inscribed verso ?Dieppe?, 10? x 13?
230 CHARLES EYLES, SIGNED OIL ON BOARD, Inscribed Verso, ?The Sandpits ? Suffolk Landscape?, 6 ½? x 14?
231 ATTRIBUTED TO GEORGE RICHMOND, WATERCOLOUR, inscribed verso ?Henrietta, Charlotte Stanesby?, 9 ½? x 7 ½?, oval
232 JAMES MACMASTER, SIGNED LOWER RIGHT, WATERCOLOUR, Inscribed ?Bally Magarrachy, Co Donegal?, 5 ½? x 9 ½?
233 G STREIB, SIGNED VERSO, OIL ON CANVAS, French Impressionist Landscape with House, 13? x 18?, unframed
234 UNSIGNED, 19TH CENTURY OIL ON CANVAS, Head and Shoulders Portrait of a Lady, 17 ½? x 13 ½?
19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Thames Scene with Shipping unloading, 11 ½? x 13 ½?; Provenance: Buxton 235 Mill Galleries - See Label Verso
236 ATTRIBUTED TO JOHN BAVERSTOCK KNIGHT, WATERCOLOUR, Landscape with Castle, 12? x 17?
237 FREDERICK GRIFFIN ROI, SIGNED TOP LEFT, OIL ON PANEL, Roadway, 14? x 18?
238 A O LAMPLOUGH, SIGNED AND DATED ?19, WATERCOLOUR, Figures in a Church Courtyard, 11? x 16?
239 WILLIE STEPHENSON RCA, SIGNED LOWER LEFT, WATERCOLOUR, Figures overlooking a Valley, 15? x 23?
240 CHARLES CATERMOLE, SIGNED, WATERCOLOUR, inscribed verso ?The Mysting Place?, 14? x 9 ½?
241 GEORGE BIRRELL, SIGNED, OIL ON BOARD, inscribed verso ?The Blue Garden Wall?, 17? x 19?
242 ATTRIBUTED TO WILLIAM ROXBY BEVERLEY, WATERCOLOUR, ?Hay Barges underway, off Gravesend?, 10? x 18?
243 ALBERT ROSSER, SIGNED, WATERCOLOUR, inscribed ?Lodore, Head of Derwent Water?, 10? x 14?
244 JOHN PEDDER RI, SIGNED, PAIR OF WATERCOLOURS, ?Clivedon Reach? and ?Hedsor Reach?, 9 ½? x 14?, (2)
245 WALTER STUART LLOYD, SIGNED, PAIR OF WATERCOLOURS, River Scenes with Bridges, Boats and Figures, 10? x 14?, (2) 246 UNSIGNED, OIL, Figure Praying at an Altar, 13? x 9 ½?
247 ATTRIBUTED TO A J STARK, WATERCOLOUR, A Shooting Party, 8? x 12?
248 WYCLIFFE EGGINTON, SIGNED, WATERCOLOUR, inscribed verso ?A Suffolk Village?, 10? x 14?
249 CLAUDE JOUNET, SIGNED, OIL ON CANVAS, inscribed verso ?Honfleur ? Bateaux de Peche ??.?, 20? x 24?
250 M MOZETTI, SIGNED, OIL ON CANVAS, Neapolitan Coastal Scene with Fishing Boats, 19 ½? x 23 ½?
251 STANLEY INCHBOLD, SIGNED, WATERCOLOUR, inscribed verso ?The Winchelsea Marshes?, 20? x 28?
DAVID GODBOLD, SIGNED AND DATED 1992 VERSO, TINTED GESSO AND SEPIA INK ON CANVAS, ?The Daughter of Jethro, 252 Surprised ?.., (by her Modernity)?, 28? x 23?; Provenance: Kerlin Gallery, 38 Dawson Street, Dublin ? see label verso
253 WILLIAM BEATTIE BROWN RSA, SIGNED, OIL ON CANVAS, ?Dawn over Meadow?, 19? x 29?
GEORGE HOUSTON RSA RSW RGI, SIGNED, OIL ON CANVAS, ?Loch Fyne?, 20? x 24?; Provenance: T & R Annan & Sons, 518 254 Sauchiehall Street, Glasgow ? see label verso
255 INDISTINCTLY SIGNED, MODERN OIL, Continental Coastal Scene with Lady on Balcony, 19? x 23?
256 HENRY JOHN SYLVESTER STANNARD RBA, SIGNED WATERCOLOUR, Country Landscape with Cottage, 9? x 12 ½?
257 UNSIGNED, GOUACHE, Locomotives in an Engine Shed, 19? x 24?
258 UNSIGNED, LATE 19TH/EARLY 20TH CENTURY OIL ON CANVAS, Honeysuckle, 23? x 14?
259 M GRANINKEL, SIGNED AND DATED 1912, OIL ON CANVAS, Continental Landscape, 21? x 28?
260 DAVID COX JNR, SIGNED, WATERCOLOUR, Herder with Cattle in Mountain Landscape, 10? x 14?
261 MARY STEVENS, SIGNED, WATERCOLOUR, A Garden Pathway and Wisteria, 11? x 8?
262 ATTRIBUTED TO AUGUSTUS JOHN, PENCIL DRAWING, World War Bunker, 9? x 12?
AFTER CARLOS DOLCI, OIL ON METAL, Madonna, 19th Century copy of the painting in the Galleria Sabuda, Turin, 8? x 6? in heavy 263 hand carved Florentine Frame
264 YEEND KING, SIGNED, WATERCOLOUR, Mother and Child in Village Street, 11? x 15?
265 HENRY JOHN SYLVESTER STANNARD RBA, SIGNED, WATERCOLOUR, Country Landscape with Sheep, 10? x 14?
266 FRANK HIDER, SIGNED, OIL ON CANVAS, Coastal Landscape with Fisherman, 14? x 18? 267 HENRY SAMUEL MERRITT, OIL ON CANVAS, Fishing Boat in an Estuary, 13? x 21?
HENRY SAMUEL MERRITT, SIGNED, TWO OILS ON CANVAS, Oast Houses and `Rudyard Kipling`s" House, 13? x 17 ½? and 14? x 268 18?, (2)
269 HENRY SAMUEL MERRITT, SIGNED, OIL ON CANVAS, Cornish Fishing Village, 12? x 16?
270 HENRY SAMUEL MERRITT, SIGNED, OIL ON CANVAS, Cornish Fishermen in a Harbour, 18? x 15?
271 C WARD, SIGNED LOWER LEFT, EARLY 19TH CENTURY WATERCOLOUR, Great Yarmouth? 8? x 10?
272 STEPHEN BAGHOT DE LA BERE, SIGNED, PAIR OF WATERCOLOURS, Hunting Scenes, 9? x 11?, (2)
RICHARD PRATCHETT NOBLE (EXH 1836-1861), SIGNED TO BRANCH LOWER LEFT, WATERCOLOUR, Romantic River 273 Landscape, 10? x 14 ½?
ATTRIBUTED TO FRANK BRANGWYN, BEARS MONOGRAM, WATERCOLOUR, Queen Elizabeth boarding the Golden Hind, 10? x 274 14?
275 JOHN ABORN RBA, ONE SIGNED, PAIR OF WATERCOLOURS, Wooded Landscapes with Stick Gatherer and Sheep, 10? x 13?, (2)
276 CIRCLE OF JOHN DUVALL, OIL ON PANEL, Donkey and Sheep in Landscape, 11? x 16?
277 UNSIGNED, OIL ON CANVAS LAID TO BOARD, Still Life Study of Mixed Flowers in a Bowl, 19? x 24?
278 FREDERICK E JAMIESON, SIGNED, OIL ON CANVAS, A Scottish Loch, 19? x 29?
279 FREDERICK E JAMIESON, SIGNED, OIL ON CANVAS, A Scottish Landscape, 15? X 23 ½?
ABRAHAM COOPER, MONOGRAMMED AND DATED 1853, OIL ON CANVAS, Travellers and Goats in Mountain Landscape, 15? x 280 18?
281 ALICE M HARTLEY, SIGNED, OIL ON CANVAS, Portrait of May Burgess (wife of James Edward Burgess of Swansea), 29? x 21?
282 ONE INDISTINCTLY SIGNED, PAIR OF OILS ON CANVAS, Barbizon River Landscape and Figure in Winter Landscape, 8? x 10?, (2)
283 SUSIE HOWISON, SIGNED AND DATED 1907, OIL ON CANVAS, Angler in River Landscape, 20? x 38?
284 F A BICKERTON, MONOGRAMMED AND DATED 1884, WATERCOLOUR, inscribed verso ?Wimbledon Mill?, 6? x 10?
285 19TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Head and Shoulders Portrait of a Lady wearing Bonnet and Shawl, 8? x 7?
286 KEN HAMMOND, SIGNED, OIL ON BOARD, Moored Fishing Boats in an Estuary, 4 ½? x 6 ½?
287 E WHITING, SIGNED, PAIR OF OILS ON PANEL, East Anglian Landscapes, 8 ½? x 12?, (2) CHARLES THOMAS BALE, MONOGRAMMED LOWER RIGHT, OIL ON BOARD, Still Life Study of Mixed Fruit on a Mossy Bank, 9? x 288 12?
289 19TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Landscape with Figure on Horseback in Country Lane, 11 ½? x 14 ½?
290 19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Folkestone, 2 ½? x 7?
291 UNSIGNED, PAIR OF OILS ON PANEL, Portrait of a Pipe Smoker and Companion, 6? x 5?, (2)
292 MOGUL SCHOOL, GOUACHE, Indian Figure Group, 7 ½? x 4?
293 20TH CENTURY ENGLISH SCHOOL, OIL ON BOARD, seated Lady with Poodle, 11 ½? x 8?
294 19TH CENTURY OIL ON BOARD, Head and Shoulders Portrait of a Man, 8? x 6 ½?
295 ABRAHAM HULK JNR, SIGNED, OIL ON PANEL, inscribed verso ?Near Godalming, Surrey?, 7? x 10?
296 18TH/19TH CENTURY ITALIAN SCHOOL, OIL ON CANVAS, Lady with Script, 18? x 14?
K EEL, SIGNED AND DATED 1934, OIL ON CANVAS, Head and Shoulders Portrait of a Young Boy, 14? x 11?; together with 297 UNSIGNED 19TH CENTURY OIL, Negro Boy, 9? x 7?, (2)
298 ROBERT MALLETT, SIGNED, OIL ON BOARD, East Anglian Landscape, 12? x 16?
299 19TH CENTURY CONTINENTAL SCHOOL, OIL ON BOARD, Portrait of two Children, 11 ½? x 15 ½?
300 C F LOWCOCK, SIGNED, OIL ON CANVAS, Midday Rest, 10? x 7 ½?
301 ETTY HORTON, SIGNED, OIL ON CANVAS, A Farmstead, 9 ½? x 13 ½?
302 FRED HINES, SIGNED, WATERCOLOUR, Shepherd and Sheep in Sunset Landscape, 10? x 14?
303 VIVOT, SIGNED, PAIR OF MIXED MEDIA ON CANVAS, Figures in a Street, 10? x 8?, (2)
304 LOUIS WILLEMS, SIGNED, OIL ON PANEL, Interior with Mother and Children, 20? X 17?
ATTRIBUTED TO CHARLES SILEM LIDDERDALE, OIL ON CANVAS, Head and Shoulders Portrait of a Young Lady wearing a Bonnet, 305 14? x 12?
ALEXANDER AKERBLADH, SIGNED AND INSCRIBED ?To Betty from Alex with Love?, OIL ON BOARD, Head and Shoulders Portrait 306 of a Lady wearing a Straw Hat, 19 ½? x 15 ½?
307 G P, INITIALLED, 19TH CENTURY OIL ON CANVAS, Fisher Folk on a Beach, 17? x 13?
308 ALFRED VICKERS (1786-1868), SIGNED AND DATED 1863, OIL ON CANVAS, Drover with Cattle in Wooded Landscape, 16? x 22? 309 RICHARD B DAVID (19TH CENTURY), OIL ON CANVAS, Figures by Pond and old Cottage, 21? x 26? tondo
310 JAMES HOLLAND (1800-1870), MONOGRAMMED BOTTOM LEFT, OIL ON CANVAS, Venetian View, 21? x 16?
311 W H PARTON (19TH CENTURY), OIL ON CANVAS, Figures in a Punt with Cattle Watering, 19? x 29?
312 ROBERT JOHN HAMMOND (ACTIVE 1879-1911), SIGNED OIL ON CANVAS, Rocky River Scene with Bird in Foreground, 21? x 15?
313 ALFRED AUGUSTUS GLENDENING SNR (1840-1910), INITIALLED AND DATED ?80, OIL ON CANVAS, Cattle Watering, 7 ½? x 14?
314 ATTRIBUTED TO JOSEPH THORS (ACTIVE 1863-1906), OIL ON CANVAS, Figure by a Gate near a Pool, 12? x 17?
315 WILLIAM LERRY (19TH CENTURY), SIGNED, OIL ON BOARD, Figures in a Winter Landscape, 13? x 17?
316 WILLIAM BENNETT (1811-1871), INITIALLED WATERCOLOUR, ?Rievaulx Abbey?, 10? x 14?
317 HARRY SUTTON PALMER (1854-1933), SIGNED AND DATED 1874, WATERCOLOUR, ?In Devonshire?, 9 ½? x 13 ½?
318 S SHERWIN (19TH CENTURY), SIGNED, OIL, Cottages by Waterside, 9? x 12?
CIRCLE OF THOMAS GAINSBOROUGH (1722-1788), BEARS SIGNATURE, OIL ON PANEL, Figures resting on a Log by Riverside, 319 11? x 13?
320 CLAUDE MULIERIE (BORN 1940), SIGNED, OIL, Figures Promenading in a Country Lane by Houses, 15? x 19?
321 GEORGE PETTIT (FL 1857-1869), SIGNED, OIL ON CANVAS, Italianate Landscape with Figures in foreground, 11? x 19?
322 P RUYSBROEK (19TH CENTURY), SIGNED, OIL ON BOARD, A Cavalier, 14? x 10?
LOUIS VAN STAATEN 18T36-1909), SIGNED, PAIR OF WATERCOLOURS, ?The Maas at Dordrecht? and ?A Canal near 323 Rotterdam?, 12? x 16?, (2)
324 ALEXANDER KELLOCK BROWN (1849-1922), INITIALLED, OIL, Figure by a Rocky River, 13? x 9?
FREDERICK WILLIAM CARTWRIGHT (19TH CENTURY), SIGNED AND DATED 1855? OIL ON BOARD, Angler fishing in rocky River 325 Landscape, 13? x 19?
326 A HOLD (19TH CENTURY), SIGNED AND DATED 1883, OIL ON CANVAS, Cattle Watering with Figures on Bank, 12? x 14?
327 J LONGSTAFF, SIGNED, OIL ON CANVAS, Autumnal River Scene, 13? x 9?
328 J L POTTS (19TH CENTURY), SIGNED AND DATED 1899, WATERCOLOUR, Figures by Riverside, 12? x 20?
J E HOWLDEN? (INDISTINCTLY SIGNED LOWER LEFT) AND DATED 1904, WATERCOLOUR, A Punt on the River, by an Old 329 Watermill, 20? x 29?, (A/F) 330 W RICHARDS, SIGNED, PAIR OF OILS, Extensive English Landscapes with Figures Fishing and on a Bridge, 19? x 29?
331 HARRY GOODWIN, MONOGRAMMED AND DATED 1888, WATERCOLOUR, ?Cutters Racing on Hickling Broad?, 9? x 20?
332 HARRY GOODWIN, MONOGRAMMED AND DATED 1891, WATERCOLOUR, ?A Dewy Morning, Clyton Hampden?, 13? x 19?
333 J MILTON, SIGNED, WATERCOLOUR, Extensive English Landscape with Figures by old Cottages, 11 ½? x 29?
334 ATTRIBUTED TO SIR ALFRED EAST RA, WATERCOLOUR, Inscribed Verso ?The Edge of the Wood?, 9? x 13?
335 GEORGE E HERRING, INITIALLED AND DATED OCT 7 1863 LOWER RIGHT, OIL ON PANEL, ?The Bass Rock? 7 ½? x 11?
336 ATTRIBUTED TO HENRY ALKEN JNR, A PAIR OF PENCIL AND WATERCOLOURS, Ploughing and Carriage Scenes, 7 ½? x 18?, (2)
EDWIN H BODDINGTON (1836-1905, BRITISH), PAIR OF OILS ON CANVAS, BOTH SIGNED LOWER LEFT, On The Thames, 8? x 337 13 ½? (2)
338 ARTHUR A PANK, SIGNED, PAIR OF OILS/ARTISTS BOARDS, Pheasants in Winter Landscapes, 11? x 9?, (2)
339 AFTER BARTOLOME ESTEBAN MURILLO, PAIR OF OILS ON METAL, Fruit Eaters and Dice Players, 7? x 6?, (2)
340 AUGUST KARL MARTIN SPLITGERBER, SIGNED, OIL/CANVAS, Winter Wooded Landscape with Shepherd and Sheep, 13? x 9?
341 R MALCOLM LLOYD, SIGNED, WATERCOLOUR, inscribed ?Rye Harbour?, 5? x 6 ½?
342 JAMES DRUMMOND RSA, SIGNED WITH INITIALS AND DATED ?71, PEN AND INK ?THE SCHOLAR?, 7 ½? x 6 ½?
343 UNSIGNED, OIL/ARTISTS BOARD, Cattle in a Wooded Landscape, 6 ½? x 9?
LATE 19TH/EARLY 20TH CENTURY ITALIAN SCHOOL, TWO OILS/BOARD, An Elderly Couple reading a Paper, 9 ½? x 7 ½? and A 344 man wearing a black coat with red waistcoat and blue hat, 14? x 9?, (2)
ALWYN CRAWSHAW, SIGNED (UNDER MOUNT), OIL/CANVAS, Winter Landscape with Figures, Horse and Dogs by Trees, 15? x 345 11?
346 J PERRY, INITIALLED, WATERCOLOUR, ?Waters meet, the East Lyn, Lynmouth, Devon?, 4? x 5?
347 ATTRIBUTED TO PETER DE WINT, WATERCOLOUR, A Cottage, 6 ½? x 9 ½?
348 HELEN McKIE, SIGNED, PEN AND INK HIGHLIGHTED WITH WHITE, Cartoons of World War II Army Personnel at Work, 9 ½? x 15?
349 20TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Busy Northern Street Scene, 23? x 35?
350 IN THE MANNER OF DOUGLAS ALEXANDER, OIL ON CANVAS, IRISH LANDSCAPE, 18? x 34? 351 GEORGE HARRIS, ONE SIGNED, PAIR OF OILS ON BOARD, River Landscapes, 14? x 11?, (2)
352 JAMES REFFIT OLDFIELD, MONOGRAMMED, OIL/CANVAS, Coastal View with Cottages, 15? x 19?
353 KNIGHT, BEARING SCRATCHED SIGNATURE LOWER RIGHT, OIL ON CANVAS, Trees, 19? x 15?
354 19TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Figures and Horses in Landscape, 16? x 20?
THOMAS SEWELL ROBINS, INITIALLED AND DATED 1856, WATERCOLOUR, Continental Lake Scene with numerous Figures and 355 Boats, 11? X 17?, (a/f)
356 E ERTZ RBA, SIGNED, WATERCOLOUR, Goat and Geese by a Blossom Tree, 13 ½? x 9 ½?
HORATIO WALTER LONSDALE, SIGNED AND DATED 1890, PEN, INK AND WATERCOLOUR, Stained Glass Window Design for the 357 East Window of St Anne?s Church, Stanley, Liverpool (faint pencil inscription under top left mount), 15? x 10 ½?; Provenance: Studio One Gallery, 214 Banbury Road, Oxford ? see label verso
358 SYDNEY PAGET, SIGNED LOWER CENTRE, WATERCOLOUR, Figures in Lakeland Landscape, 13? x 26?
359 FRANCIS MUSCHAMP, SIGNED LOWER LEFT, OIL ON CANVAS, Inscribed Verso ?Falls of the Conway?,13 ½? x 17?
360 ADAMSON, SIGNED, OIL/CANVAS, Still Life Study of Marigolds in a Green Vase with a Charger in background, 15? x 18?
JAMES ORROCK, SIGNED AND DATED 1897 LOWER LEFT, WATERCOLOUR, Extensive Landscape with Horses and Horse and 361 Cart, 19? x 29?
362 19TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Landscape with Figures and Bridge, 13 ½? x 16?
HERBERT HARLAKENDEN GILCHRIST, SIGNED AND DATED 1907, OIL/CANVAS, Shepherdess and Sheep in a verdant Landscape, 363 15? x 16?
A VICTORIAN SCHOOL, MIXED MEDIA (PRINT BASED), Portraits of Edward Foster Young (1834-73) and Susannah Young (nee 364 Ellison ) ? 1833-1926, 23? x 18?, gilt framed, (2)
365 M F DAVIES, (INSCRIBED TO LABEL VERSO), OIL/CANVAS, ?Burnham Overy Staithe?, 15? x 19?
366 KIT NICHOL, SIGNED, GROUP OF THREE WATERCOLOURS, Garden Views with Statues, 13? x 10?, 10? x 13? and 15? x 10?, (3)
367 KEITH JOHNSON, SIGNED LOWER RIGHT, OIL ON CANVAS, ?Two Mills, Runham?, 24? x 36?
DIANNE L BRANSCOMBE, SIGNED GROUP OF FOUR OILS ON CANVAS, ?Walberswick 87?, ?Summer Day at Itteringham?, 368 ?Village Pond, Howe? and ?Burnham Overy Staithe 1987?, assorted sizes, (4)
369 IN THE MANNER OF S J BATCHELDER, (INSCRIBED VERSO), OIL/BOARD, ?On the Bure at Yarmouth?, 9? x 13?
KEITH JOHNSON, SIGNED LOWER CENTRE, OIL ON BOARD, Inscribed Verso ?A Sunny Day, St Faiths?, 7? x 11?, together with 370 KEITH JOHNSON, SIGNED LOWER RIGHT, OIL ON BOARD, Inscribed Verso ?Cottages towards Halvergate, Runham?, 7? x 11?, (2) 371 JACK COX, SIGNED, WATERCOLOUR, The East Harbour, Wells next Sea, 7? x 12?
372 JACK COX, SIGNED, OIL ON BOARD, Fishermen and Fishing Boats, 5 ½? x 7 ½?
373 JACK COX, SIGNED, OIL ON BOARD, View of Wells, 5? x 7?
374 JAMES WRIGHT, SIGNED, GROUP OF THREE OILS/BOARD, Rural Landscapes with Cottages and Scarecrow, 4 ½? x 6 ½?, (3)
375 KEITH W HASTINGS, SIGNED AND DATED FEBRUARY ?76, OIL/BOARD, Mill and Cottage at Sunrise, 6? x 9?
376 WILLIAM LESLIE RACKHAM, SIGNED, WATERCOLOUR, inscribed ?The Abbey Reach?, 7 ½? x 11 ½?
EDWARD POCOCKE, SOME SIGNED, SOME INITIALLED, A GROUP OF 13 PEN, INK AND WATERCOLOUR DRAWINGS, 377 ARCHITECTURAL STUDIES, Environs of Norwich, each approx. 5? x 3 ½?, (13)
HOWARD GAYE, SIGNED AND DATED ?93, PAIR OF WATERCOLOURS, ?Potter Heigham Bridge? and ?The Railway Inn from 378 Railway Bridge over Lake Lothian?, (Lowestoft), 4 ½? x 7?, (2)
JOHN S APPLEGATE, SIGNED, PAIR OF OILS/BOARD , Fishing Boats at Sea and a Norfolk Country Lane, approaching Storm, 7 ½? 379 x 9 ½?. (2)
380 DOREEN ALLEN, SIGNED, TWO WATERCOLOURS, ?Lavender Marsh, Thornham? and ?On Blakeney Pit?, both 9 ½? x 13 ½?, (2)
DOREEN ALLEN, SIGNED, WATERCOLOUR, ?Towards Blakeney Pit?, 8? x 10 ½? and a PASTEL, ?Towards Blakeney?, 9 ½? x 13 381 ½?, (2)
382 DOREEN ALLEN, SIGNED, PEN, INK AND WATERCOLOUR, ?Summer Evening, Overy Staithe?, 8 ½? x 11 ½?
383 RONALD CRAMPTON, SIGNED, WATERCOLOUR, ?Sea Anglers, Cromer Beach?, 10? x 13 ½?
384 DOREEN ALLEN, SIGNED, OIL/ARTISTS BOARD, ?Thornham Marsh?, 9 ½? x 13 ½?
385 RONALD CRAMPTON, SIGNED, OIL/ARTISTS BOARD, ?Halvergate Marsh?, 7? x 9 ½?
386 RONALD CRAMPTON, SIGNED, OIL/CANVAS, ?Coast Road, Waxham?, 9 ½? x 11 ½?
387 RONALD CRAMPTON, SIGNED, OIL/ARTISTS BOARD, ?Norfolk Woodland?, 5 ½? x 7 ½?
388 JAMES ALLEN, SIGNED, OIL, ?Brancaster Beach?, 5? x 7?
389 JAMES ALLEN, SIGNED, PRINT HIGHLIGHTED WITH COLOUR, (8/10), ?The Village Match?, 5 ½? x 9?
390 JAMES ALLEN, SIGNED, OIL, ?Looking for Shells?, 4 ½? x 4 ½?
391 JAMES ALLEN, SIGNED, OIL, ?Southwold Lighthouse, Suffolk?, 5 ¾? x 5 ¾? 392 JAMES ALLEN, SIGNED, OIL, ?Old Thames Barge off the Norfolk Coast?, 5 ½? x 7 ½?
393 JAMES ALLEN, SIGNED, OIL, ?Brent Geese off the Wash, North Norfolk?, 4 ½? x 6 ½?
JASON PARTNER, SIGNED, ONE DATED ?70, TWO WATERCOLOURS, ?Norfolk Landscape?, 4? x 6? and ?Mill Farm, Oakham, 394 Rutland?, 6 ½? x 9 ½? and RON BROOKS, SIGNED, WATERCOLOUR, ?Cley Mill?, 6 ½? x 9 ½?, (3)
JASON PARTNER, SIGNED, GROUP OF THREE WATERCOLOURS, SIGNED AN DATED ?76, ?77 AND ?78, ?Winter at Ludham 395 Mill?, 7? x 11 ½?, ?Winter Mantle, Norfolk?, 5 ½? x 9 ½? and ?Snow at Sutton?s Farm, Aylsham?, 6 ½? x 9 ½?, (3)
396 PETER SOLLY, SIGNED AND MONOGRAMMED, ACRYLIC, ?Sunlit Stack, Blickling Park?, 15 ½? x 19?
CAROLINE BEATRICE RICHARDSON, PENCIL AND WASH SKETCH, ?Market Place, Norwich?, see biographical detail verso, 10 ½? 397 x 13 ½?
JAMES WILLIAM WALKER, SIGNED AND DATED 1888, WATERCOLOUR, Domestic Poultry before an old Thatched Barn in a Lane, 398 12? x 8 ½?
TONY GARNER, SIGNED LOWER LEFT, PASTEL, Inscribed Verso, ?How Hill ? the Royal Tango?, 9? x 10?; together with a 399 WATERCOLOUR BY JOHN TUCK, (2)
UNSIGNED, WATERCOLOUR, ?Great Yarmouth, Laughing Image Corner, circa 1900?, 13 ½? x 10? and ATTRIBUTED TO WILLIAM 400 EDWARD MAYES, WATERCOLOUR, inscribed ?At Horstead?, 11? x 17?, (A//F), (2)
WILLIAM EDWARD MAYES, TWO WATERCOLOURS, ?Old Suspension Bridge? and ?Darby?s Hard?, 9 ½? x 14? and 10 ½? x 16?, 401 (2)
402 S C WALPOLE, INSCRIBED TO LABEL VERSO, WATERCOLOUR, ?Sheringham Mill?, 9 ½? x 19?
403 SHIRLEY CARNT, SIGNED, OIL ON CANVAS, Burnham Overy Staithe, 17 ½? x 29?
404 SHIRLEY CARNT, SIGNED AND DATED 1963, OIL ON CANVAS, North Norfolk Coastal View, 13? x 24?
405 RICHARD MORGAN, SIGNED, OIL ON CANVAS, A Village Church, (probably East Anglia), 19? x 17 ½?
406 JAMES WRIGHT, SIGNED, OIL, Burnham Overy Staithe, 15 ½? x 23 ½?
PETER SOLLY, SIGNED AND MONOGRAMMED, MONTAGE OF SIX WATERCOLOURS, North Norfolk Views, overall size 9 ½? x 407 14?
408 MAUREEN PARKER, SIGNED, GROUP OF THREE OILS ON BOARD, Norfolk Landscapes, assorted sizes, (3)
409 COLIN HODGKINSON, SIGNED, OIL, ?A Creake near Wells?, 17? x 23?
410 JASON PARTNER, SIGNED AND DATED ?69, WATERCOLOUR, River Estuary Scene with Moored Boats, 21? x 24 ½? 412 N R HARPER, SIGNED, OIL, ?Herring Drifter?, 13? x 19?
19TH CENTURY CHINESE SCHOOL, PAIR OF WATERCOLOURS ON FABRIC, Butterfly Catcher and Eel Hunters, 60? x 16?, (2); 413 believed to be two Panels from a triple folding Screen
414 LOYOLA, SIGNED, OIL ON CANVAS, The Fishers, 16? x 20?
415 LOYOLA, SIGNED, OIL ON BOARD, Philippino Child, 15 ½? x 11 ½?
416 LOYOLA, SIGNED, OIL ON BOARD, Philippino Fisherfolk, 18? x 24?
417 K SEKI, SIGNED, PAIR OF GOUACHE, Japanese Landscapes with Watermills, 12? x 19? (2)
CHINESE SCHOOL, TWO WATERCOLOURS ON RICE PAPER, formal study of Flowers and Fruit on a Table with Chair, 8 ½? x 5 ½?, 418 (2)
19TH CENTURY CHINESE SCHOOL, OIL/GOUACHE ON CANVAS, studies of Lady seated holding a fan by a window and a 419 Gentleman seated reading by a window, 15 ½? x 12 ½?, (2)
420 ATTRIBUTED TO MICHELANGELO MEUCCI, OIL ON PANEL, Dead Song Birds Hanging, 10? x 8?
421 EDGAR BUNDY, SIGNED, OIL/PANEL, ?Friends or Foe? (a donkey startled by geese), 5 ½? x 7 ½?
422 AN EARLY 20TH CENTURY UNSIGNED, WATERCOLOUR, inscribed ?Palm Factory, Old Calabar?, 9 ½? x 14 ½?
423 CONSTANTIN GUYS, PEN, INK AND MONOTONE WATERCOLOUR, ?Le Carrosse?, 8 ½? x 12?
424 N C, INITIALLED, PEN, INK AND WATERCOLOUR, Abstract Figures, 6 ½? x 8?
425 19TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Still Life Study of Mixed Flowers in a Vase,22? x 18?
426 DONALD CAMPBELL, SIGNED, OIL/CANVAS, Scottish River and Mountain Landscape, 15 ½? x 19?
427 EDGARDO SARMIENTO, SIGNED AND DATED 78, OIL ON CANVAS, Carriages, 29? x 29?
428 GUILLAUME WINTZ (1823-1899), SIGNED AND DATED 1874, OIL ON CANVAS, Cattle resting in a verdant Landscape, 24? x 36?
429 KEITH JEPSON, SIGNED AND DATED ?72, OIL/CANVAS, Sailing Ships at Sea in Olden Times, 19? x 29?
WILLIAM F R RAYNER, SIGNED, OIL/CANVAS, Still Life Study of Mixed Flowers in a Blue Vase with Ginger Jar and Fruit on a Table, 430 29? x 24?
431 19TH CENTURY CONTINENTAL SCHOOL, OIL ON CANVAS, River Landscape, 19? x 31?
432 19TH CENTURY ENGLISH SCHOOL, OIL, Portrait of Miss Mary Bryant of Chingford Hall with Pet Spaniel, 35? x 27? CIRCLE OF JOHN MOORE, INDISTINCTLY SIGNED LOWER RIGHT, OIL ON CANVAS LAID TO BOARD, Herder with Cattle before a 433 Cottage, 19? x 14?
434 19TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Half-Length Portrait of a Seated Lady, 35? x 28?
UNSIGNED, OIL ON BOARD, Continental Street Scene with Figures, 21? x 11?; together with INDISTINCTLY SIGNED LOWER LEFT, 435 OIL ON CANVAS, Lakeland Scene, 13? x 18?, (2)
JOHN NORTHCOTT, SIGNED AND DATED 1969 TO MARGIN, MIXED MEDIA, Portrait of a Girl, 14? x 12?; together with ERIC 436 BELTON, SIGNED AND INDISTINCTLY DATED LOWER LEFT, ROUGE DRAWING, ?The Foreman?, 17? x 12?, (2)
INDISTINCTLY MONOGRAMMED LOWER RIGHT, ACRYLIC, Stylised Ships off a Coast, 19? x 27?; together with PENNY NICHOL, 437 SIGNED LOWER RIGHT, CHARCOAL DRAWING, Inscribed ?Venice?, 24? x 20?, (2)
438 FIONA FRENCH, SIGNED, TWO GOUACHE, Abstract Compositions, 15? x 18? and 17 ½? x 13 ½? (2)
439 LIZZIE ROSE, INITIALLED, ACRYLIC ON GESSO, ?White Trees?, 12? x 12?
440 SPANISH SCHOOL, INDISTINCTLY SIGNED LOWER RIGHT, OIL ON BOARD, Figures, Horse and Carriage in a Courtyard, 19? x 23?
441 KEITH JOHNSON, SIGNED, WATERCOLOUR, Anglers on a Riverbank with Windmill, 14? x 20?
LEN HUBBARD, SIGNED LOWER RIGHT, PEN INK AND WATERCOLOUR, Inscribed Verso ?Bartham Quay, Devon?, 12? x 16?; 442 together with two further WATERCOLOURS by NICOLETTE ATWOOD, (3)
443 MARTIN SEXTON, SIGNED, WATERCOLOUR, Sheringham, 10? x 22?
444 LEONARD H PINDER, SIGNED, GOUACHE, inscribed verso, ?Night Flight?, 12? x 18?
DUDLEY HARDY, SIGNED, WATERCOLOUR, Coastal Scene with Fisherfolk, 14? x 21? together with an UNSIGNED, 445 WATERCOLOUR, inscribed verso ?Carisbrooke Castle, Isle of Wight?, (2)
UNSIGNED, PASTEL, Inscribed ?The Coast Road Salthouse? plus; UNSIGNED WATERCOLOUR, Inscribed ?The Market Cross 446 Alfriston?, GOUACHE by ALEX POCOCK and a further WATERCOLOUR of Figures and Cottages, assorted sizes, (4)
MICHAEL RICHARDS, SIGNED LOWER RIGHT, WATERCOLOUR AND GOUACHE, Inscribed Verso ?Steam in the Snow?, 8? x 9?; 447 together with PENNY NICHOL, PASTEL, ?Venice 2?, 11? x 16?, (2)
M LUCAS, SIGNED, WATERCOLOUR, Inscribed ?Nayland? plus; further WATERCOLOUR by the same Artist, UNSIGNED, 448 WATERCOLOUR, River Scene, WALTER HUGHES CHARLES SAMUEL THRING, WATERCOLOUR, Bure Valley, Norfolk and ; a further WATERCOLOUR, bearing Inscription ?Harbour of Govino?, assorted sizes, (5)
KEN GILLAM, SIGNED LOWER LEFT, WATERCOLOUR AND GOUACHE, ?A Sea Cave?, 9? x 13?; together with GEORGE BRICE, 449 SIGNED, WATERCOLOUR, Inscribed Verso ?The Cobh, Co Cork?, 10? x 13 ½?, (2)
L GRACE, SIGNED LOWER LEFT, WATERCOLOUR, River Landscape and; GORDON F REEDER, TWO PASTELS, EDITH 450 MORTON, INITIALLED LOWER RIGHT, WATERCOLOUR, ?Meadows? plus; D?ARCY , SIGNED AND DATED 65 LOWER RIGHT, CRAYON, Boats and; HEINRICK CLOETE, SIGNED PEN AND INK DRAWING, Inscribed ?Groot Constatia?, assort ...[more] REG FINBOW, SIGNED LOWER RIGHT, WATERCOLOUR, Landscape with Barn and; PAUL EAREE, ONE SIGNED, PAIR OF 451 WATERCOLOURS, Landscapes and; A MARCHANT, SIGNED AND DATED 89, WATERCOLOUR, A Stream, assorted sizes, (4)
452 GARMAN MORRIS, SIGNED, GOUACHE, inscribed ?Wroxham Broad?, 7? x 20?
453 INDISTINCTLY SIGNED LOWER LEFT, INK AND WATERCOLOUR, Inscribed ?Onella? (Female Nudes), 16? x 12?
454 INDISTINCTLY SIGNED LOWER RIGHT, OIL ON CANVAS, Country Landscape, 12? x 23?
CLAUDE HULK, SIGNED, TWO WATERCOLOURS, ?Near Dawlish, Devon? and ?The Woods, Totnes, Devon? and one further 455 WATERCOLOUR by ABRAHAM HULK JNR, assorted sizes, (3)
FRANCES E JAMES, SIGNED LOWER RIGHT, WATERCOLOUR, Still Life, 8 ½? x 10?; together with ELMA NORTHEY, SIGNED 456 LOWER LEFT, WATERCOLOUR, ?Marigolds?, 11? x 14?, (2)
457 JOSEPHINE CULVERWELL, SIGNED, WATERCOLOUR, Inscribed ?Seaweed Gatherers?, 7 ½? x 14 ½?
458 INDISTINCTLY SIGNED, GROUP OF FOUR GOUACHE, Middle Eastern and Venetian Scenes, assorted sizes, (4)
JAMES BUCKNILL, SIGNED AND DATED 89 LOWER RIGHT, WATERCOLOUR, Inscribed Verso ?Stiffkey Marshes?, 9? x 10?; 459 together with GEORGE SEAR, SIGNED LOWER RIGHT, WATERCOLOUR, Inscribed Verso ?Glandford from Wiveton Down?, 10? x 14?, (2)
460 19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Anglers in Mountain River Landscape, 7? x 9?
461 WILLIAM JAMES CALLCOTT, SIGNED LOWER LEFT, WATERCOLOUR, Figures Resting in Country Landscape, 13 ½? x 17 ½?
462 INDISTINCTLY SIGNED LOWER LEFT, OIL ON CANVAS, Continental River Scene with Bridge, 9 ½? x 12 ½?
463 NORMAN WHITEHEAD, SIGNED, WATERCOLOUR, Stylistic Trees, 11? x 13?
464 J J HALL, SIGNED AND DATED 1955, FOUR SMALL WATERCOLOURS IN A CROSS SHAPE, Norfolk Landscapes, 6? x 8?
465 CLARE PRYOR, SIGNED AND DATED 1905, OIL ON CANVAS, An Old Fisherman, 14? X 9 ½?
466 19TH CENTURY, ENGLISH SCHOOL, OIL ON PANEL, River and Town with Figures, 8? x 14?
W W LAKE, SIGNED, WATERCOLOUR, Broads View; together with ENGLISH SCHOOL, WATERCOLOUR, Shipping Becalmed and; 467 PIETER EGBERT, SIGNED, OIL ON PANEL, Dutch Street Scene, assorted sizes, (3)
468 EDWARD SWAN, SIGNED, PENCIL AND BODY COLOUR, ?England, this England 1948?, 7 ½? x 9 ½?
469 19TH CENTURY ENGLISH SCHOOL, PENCIL AND WASH, inscribed ?Near Tinton Abbey?, 10? x 9?
ANTHONY PEARIE, SIGNED, PEN, INK AND WATERCOLOUR, inscribed verso ?Fishing Fleet becalmed? together with M C, 470 INITIALLED, PASTEL, inscribed verso ?Morning Regatta?, together with three further WATERCOLOURS by different hands, assorted sizes, (5) CHARLES MARSHALL, SIGNED, WATERCOLOUR, Country Landscape with Figures by a Cottage, 9? x 13?; together with 471 INDISTINCTLY SIGNED LOWER LEFT, 19TH CENTURY WATERCOLOUR, Continental Courtyard, 8? x 10?, (2)
472 LATE 19TH/EARLY 20TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Head and Shoulders Portrait of a Girl, 11? x 9?
UNSIGNED, WATERCOLOUR, Country Landscape, 7? x 10? ; together with 19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, 473 River Landscape, 6 ½? x 10?, (2)
474 WILLIAM MARJORAM, SIGNED, GROUP OF THREE WATERCOLOURS, two Interior Scenes and a Seascape, assorted sizes, (3)
475 MAX MUELLER, SIGNED, OIL ON BOARD, inscribed verso ?The Ford, Castle Acre?, 9 ½? x 11?
19TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Figures in a Street, 9? x 11?; together with two further works by different 476 artists, (3)
477 B R F, INITIALLED, OIL ON BOARD, Norfolk Landscape, 9 ½? x 13 ½?
W SADLER, SIGNED, WATERCOLOUR, Landscape with Figures by a Mill, 10? x 14?; together with PAUL SMYTHE, 478 WATERCOLOUR, inscribed verso ?Chilworth, Suffolk?, 10? x 14?, (2)
479 CHARLES HODGSON, SIGNED AND DATED JUNE 28TH 1838, PENCIL AND WASH, Continental Coastal View, 5 ½? x 10?
480 FREDERICK J MARJORAM, SIGNED, WATERCOLOUR, inscribed verso ?On the Yare?, 11? x 8?
UNSIGNED, GOUACHE, Inscribed Verso ?Holly Trees near Kylemore ?..? and ?Trees near Parknasilla?; together with INDISTINCTLY 481 SIGNED, WATERCOLOUR, Landscape and; GRAHAM, SIGNED AND DATED 99 LOWER RIGHT, ACRYLIC AND MIXED MEDIA, Coastal View, assorted sizes, (3)
482 WILLIAM HENRY DYER, SIGNED, WATERCOLOUR, inscribed ?Corbarrow, Lizard, Cornwall?, 15? x 22?
483 THOMAS SIDNEY, SIGNED AND DATED 1907, WATERCOLOUR, inscribed ?Kynance, Cornwall?, 9? x 26?
484 W TALENT (AFTER C E WILSON), SIGNED AND DATED 1928, WATERCOLOUR, Girl seated by a Barn with a Magpie, 8? x 6?
485 LYNN FORLEE, SIGNED, OIL ON BOARD, Two Lions, 12? X 16?
486 ERNEST GREENWOOD, SIGNED AND DATED ?79, MIXED MEDIA, Coastal Scene, 13? x 27?
487 GRAHAM S DUDLEY-PAGE, SIGNED AND DATED ?28, WATERCOLOUR, Kings Lynn from the River, 12? x 18?
488 CLARICE SMITH, SIGNED AND DATED 1985 VERSO, OIL ON CANVAS, ?A.M.?, 13? x 10 ½?
489 ALAN WADE, SIGNED, WATERCOLOUR, Landscape with Farmstead, 10? x 14?
490 DOREEN HARTLEY, SIGNED AND DATED ?85, WATERCOLOUR, A View of Ullswater, 10? x 15? PHYLLIS MORGANS, SIGNED, PEN, INK AND WATERCOLOUR, The High Street, Aldeburgh, 10? x 14?; together with ETHEL 491 KEANE, SIGNED AND DATED 1980, WATERCOLOUR, Boats, Walberswick, 6? x 8?, (2)
492 F TODD, SIGNED AND DATED ?77, GOUACHE, Two Cheetah Cubs, 12? x 16?
493 CECIL HODGKINSON, SIGNED, WATERCOLOUR, A View of Lincoln, 9 ½? x 10 ½?
494 GEORGE W BRAMLEY, SIGNED, OIL ON CANVAS, River Scene with Fisherfolk, 9 ½? x 17 ½?
CHARLES ARCHER, SIGNED AND DATED 69 LOWER RIGHT, MONO TYPE, ?The Lake?, 11 ½? x 16?; together with CHARLES 495 ARCHER, MONO TYPE, ?The Hamlet?, 14? x 18?, (2)
ARTHUR DEAN, SIGNED LOWER RIGHT, WATERCOLOUR, Coastal Scene with Rocks, 11 ½? x 20 ½?; together with C J NORTON, 496 SIGNED, WATERCOLOUR, York Minster, 14? x 9?, (2)
497 DANIELLE LE BRICQUIR, SIGNED, MIXED MEDIA ON CANVAS, ?Un Dimanche Heureux?, 26? x 21?, unframed
498 BAXTER MORGAN, SIGNED, OIL ON CANVAS, Deer in Landscape, 15? x 19?
ANTHONY DUGDALE, SIGNED, TWO OILS ON CANVAS, Woodcock in Flight over Woodland and Mallard Alighting, 17? x 23? and 499 15? x 20?, (2)
500 DICK RICE, WATERCOLOUR, American Airbase, Dick Rice was the Art Editor of the East Anglian Magazine in the 1950s, 19? x 23?
501 W PLUMSTEAD, SIGNED, OIL ON BOARD, ?The Landscape ? after Edward Seago?, 18? x 22?
502 MISS ANNIE ALLISIN, WATERCOLOUR, River Landscape, 14? x 13?
JOSEF NUYTTENS, SIGNED AND DATED ?14, PEN, INK AND WATERCOLOUR, Half-length Portrait of a Lady wearing Hat and Fur, 503 16? x 14?, (A/F)
504 A K WALL, SIGNED AND DATED ?66, OIL ON BOARD, Landscape with Farmstead, 19? x 29?
505 UNSIGNED, OIL ON CANVAS, Shipping off a Coast, 19? x 31?
506 DOROTHY HEPWORTH, PENCIL DRAWING, Old Mrs Barns, 18? x 11 ½?, Provenance: The Artist?s Studio Sale
ATTRIBUTED TO THOMAS LINDSAY, WATERCOLOUR, Couple in Country Lane, 16? x 13?; together with PAUL EAREE, SIGNED, 507 OIL ON BOARD, Still Life, 23? x 17?, (2)
508 JOHN MUNNINGS, SIGNED AND DATED ?75/76, TWO OILS ON CANVAS, Farmworkers and Horses, etc, 17? x 23?, (2)
ALAN BUCKLE, SIGNED, MIXED MEDIA, Abstract Composition; together with S STEWART, SIGNED AND DATED 97, MIXED MEDIA, 509 Inscribed ?Suir Valley? and, RUIZ, SIGNED AND DATED 72, MIXED MEDIA, New York Skyline, assorted sizes, (3)
510 H LINTOR, SIGNED, WATERCOLOUR, Middle Eastern Landscape, 16? x 6 ½? 511 UNSIGNED, OIL, River Landscape with Highland Cattle, 13 ½? x 17 ½?
UNSIGNED, OIL ON PANEL, Still Life Study of Mixed Flowers in a Vase, 23? x 20?; together with INDISTINCTLY SIGNED, OIL, of a 512 Lady (2)
513 G B WRIGHT, SIGNED, OIL ON CANVAS, inscribed verso ?The Fountain ? 1968?, 19 ½? x 23 ½?
514 ROY HODDS, SIGNED LOWER LEFT, TWO WATERCOLOURS, Cottage and Cottage Ruins, 7 ½? x 12? and 10? x 13?, (2)
EDWARD DARBY, SIGNED, WATERCOLOUR, Norfolk Broads, 9? x 12 ½?; together with JOHN STEVENS, SIGNED, OIL ON 515 CANVAS, inscribed verso ?Dusk ? Thurning?, 11? X 15?, (2)
516 19TH CENTURY ENGLISH SCHOOL, OIL ON CANVAS, Figures by a Mill, 9? x 14?
ROBERT WILLIAM ARTHUR ROUSE, SIGNED, OIL ON BOARD, Landscape, 8? x 11 ½?; together with a further SIGNED 517 WATERCOLOUR by the same Artist, (2)
JOAN WANKLYN, SIGNED, WATERCOLOUR, inscribed verso ?Ponies on Christmas Eve, Exmoor?, (illustration for the magazine 518 Ponies in Britain, circa 1960s), 9? x 12?
519 19TH CENTURY PEN, INK AND WATERCOLOUR, Indian View with Figure on Elephant, 16? x 10?
520 ARTHUR WINTER SHAW, SIGNED, WATERCOLOUR, Farmworkers in a Field, 9? x 14?
521 ATTRIBUTED TO JAMES DUFFIELD HARDING, WATERCOLOUR, Travellers in Landscape with Windmill, 10? x 13 ½?
522 UNSIGNED, GOUACHE ILLUSTRATION, Two Walkers, 10? x 11?
523 JOHNSON HEDLEY, SIGNED, WATERCOLOUR, Windsor Castle from the River, 11 ½? x 16?
524 LAMBERT, SIGNED, WATERCOLOUR, Figures Promenading (possibly Brighton), 7 ½? x 10 ½?
525 R S ROGERS, SIGNED, WATERCOLOUR, A Cricket Match before Salisbury Cathedral, 12? x 18?
526 CHARLES MATTHEWS, INITIALLED (LOWER RIGHT), WATERCOLOUR WITH GUM ARABIC APPLIED, ?Alpine Scene?, 6? x 8 ½?
527 BARBARA McADAM, SIGNED, OIL/CANVAS, Church and Churchyard with distant Sea View, 13? x 17?
528 HERBERT WILLIAM TODD, SIGNED, WATERCOLOUR, Village Street Scene with Figure resting in foreground, 9 ½? x 14?
ALF V WOOLNER, SIGNED AND DATED 1907, PAIR OF OILS, Still Life Studies of Carnations in a green Bowl and Narcissi in a brown 529 Bowl, 9 ½? x 13 ½?, (2)
530 AN EARLY 20TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, ?Norwich Cathedral from the Castle Hill?, 10 ½? x 14? EARLY 20TH CENTURY ENGLISH SCHOOL, OIL ON ARTISTS BOARD, Head and Shoulders Portrait of a Lady wearing a blue Dress, 531 14? x 11?
EARLY 20TH CENTURY EAST ANGLIAN SCHOOL, WATERCOLOUR, East Norfolk Coastal View with Figures and Pleasure Boats by 532 a Pier, 9? x 12 ½?
19TH CENTURY EAST ANGLIAN SCHOOL, WATERCOLOUR, Figures on Mousehold Heath, Norwich with Cathedral and Castle in 533 distance, 9 ½? x 12?, (A/F)
534 UNSIGNED, OIL ON CANVAS, Shipping at Sea, 14? x 18?, unframed
535 SIMPSON, SIGNED, OIL, Rural Landscape with Farmstead and Cottages, 19? x 24?, unframed
HARRY TAYLOR, SIGNED, GOUACHE AND WATERCOLOUR, Continental Wooded Landscape with Houses in distance, (inscribed 536 verso), 9 ½? x 13? and; 19TH CENTURY ENGLISH SCHOOL, WATERCOLOUR, Cattle before a Ruined Abbey, 8? x 12 ½?, (2)
537 ANTON PERIGON, SIGNED, PAIR OF WATERCOLOURS, Inscribed ?Jerusalem? and ?The Pool of Betheson?, 9? x 20 ½? (2)
538 CIRCLE OF JOHN ANTHONY PARK, OIL ON BOARD, Shipping in Harbour, 9 ½? x 7 ½?
539 ATTRIBUTED TO JOSIAH SLATER, PENCIL AND CRAYON, Young Child in Bonnet, 8? x 7?
540 AN EARLY 20TH CENTURY ENGLISH SCHOOL, OIL/CANVAS, River and Mountain Landscape at Sunrise, 9 ½? x 15 ½?
541 P R WESTCOTT, SIGNED, GOUACHE, inscribed verso ?Model III?, 22? x 14 ½?
542 UNSIGNED, PASTEL, Head and Shoulders Portrait of a Young Girl, 20? x 17?, oval
543 D MACLEAN, SIGNED, MODERN, OIL, Still Life Study of Mixed Flowers in a Bowl, 21 ½? x 17 ½?
544 POGGIO, SIGNED AND DATED ?74, OIL ON BOARD, Shipping Becalmed, 24? x 30?
545 W BAKER, SIGNED AND INDISTINCTLY DATED, PAIR OF WATERCOLOURS, Lakeland Scenes with Ruined Towers, 15? x 23? (2)
546 EDITH TODD, SIGNED, OIL ON CANVAS, Still Life Study of Mixed Flowers in a Vase, 23? x 19 ½?
547 H C CAPSON, SIGNED, OIL ON CANVAS, inscribed verso ?On the Lugy?, 22? x 18?
548 W C C E, INITIALLED AND DATED 96, OIL ON CANVAS, Head and Shoulders Portrait of a Lady Wearing Green Dress, 25 ½? x 21 ½?
549 D B BALDRY, SIGNED, OIL ON CANVAS, East Anglian Landscape, 19? x 29?
550 INDISTINCTLY SIGNED, OIL ON CANVAS, Italian Market, 24? x 36?
551 MARGARET WATSON, OIL ON CANVAS, Still Life and Shell, 30? x 36? 552 CHINESE SCHOOL, SIGNED WITH SYMBOLS AND DATED ?64, WATERCOLOUR, Town Scene with Figures, 21? x 29?
553 DAVID COX, SIGNED AND DATED ?47, SEPIA WATERCOLOUR, Figure by a Church, 12? x 9?
554 HAROLD WOOD, SIGNED AND DATED ?69, MIXED MEDIA ON BOARD, ?Coriolanus or The Roman Matron?, 47? x 35?
555 PAUL BRADDON, SIGNED LOWER LEFT, WATERCOLOUR, ?Rheims Cathedral, France?, 30? x 20?
556 TIM DOLBY, SIGNED, WATERCOLOUR, ?African Fish Eagle?, 26? x 19?
NICKOLAS PAVLOFF, SIGNED AND DATED 60 LOWER LEFT, OIL ON CANVAS, Portrait of an American Society Lady wearing a 557 Green Dress, 29? x 24 ½?
558 18TH/19TH CENTURY, ENGLISH SCHOOL, OIL ON CANVAS, Primitive/Naïve Landscape, 12? x 15?
559 P LANGMEAD (AFTER JOHN RUSSELL), PASTEL, Gypsy Fortune Teller, 18? x 14?
560 HUBERT WILLIAMS, SIGNED AND DATED 1969, PASTEL, Head and Shoulders Portrait of a Lady, 19? x 13?
561 JEAN DRYDEN ALEXANDER (1911-1994), SIGNED LOWER RIGHT, OIL ON BOARD, ?The Fortune Teller?, 18? x 14?
JEAN DRYDEN ALEXANDER (1911-1994), SIGNED LOWER RIGHT, MIXED MEDIA ON PAPER, ?Thelveton Hall, Buildings?, 13? x 562 15?; together with JEAN DRYDEN ALEXANDER (1911-1994), SIGNED LOWER LEFT, MIXED MEDIA ON PAPER, ?Austrian Tyrol?, 11? x 14?, (2)
563 JEAN DRYDEN ALEXANDER (1911-1994), OIL ON PAPER, ?The Brown Umbrella, Study in Red 1975?, See Label Verso, 19? x 27?
564 JEAN DRYDEN ALEXANDER (1911-1994), SIGNED LOWER LEFT, WATERCOLOUR, ?Walton 1986?, 10? x 14?
JEAN DRYDEN ALEXANDER (1911-1994), SIGNED IN PENCIL TO MARGIN, DRYPOINT ETCHING, Inscribed ?The Lesson circa 565 1950?, 4? x 3 ¼?; together with a RED CONTE DRAWING of a Reclining Nude and; CHARCOAL Coastal Scene by the same Artist, (3)
JEAN DRYDEN ALEXANDER (1911-1994), MIXED MEDIA ON PAPER, ?Cavendish in Suffolk 1966 with Mrs Blyth, Miss Skippper, 566 Fletton (The Best Kept Village in that Part)?, 10? x 14?
JEAN DRYDEN ALEXANDER (1911-1994), SIGNED VERSO, WATERCOLOUR, ?Shenfield Common near Brentwood, Essex?, 10? x 567 14?; together with JEAN DRYDEN ALEXANDER (1911-1994), PASTEL, Country Lane, 10? x 14?, (2)
JEAN DRYDEN ALEXANDER (1911-1994), SIGNED LOWER RIGHT, PASTEL, ?Ann Dunster?, See Label Verso, 17? x 12 ½?; 568 together with JEAN DRYDEN ALEXANDER (1911-1994), SIGNED LOWER RIGHT, PASTEL, ?Farm, Dickleburgh Feb 1976?, 8? x 13?, (2)
569 JEAN DRYDEN ALEXANDER (1911-1994), SIGNED VERSO, OIL ON BOARD, ?The Setting Sun, Thelverton 1959?, 11? x 13 ½?
JEAN DRYDEN ALEXANDER (1911-1994), SIGNED VERSO, MIXED MEDIA ON PAPER, ?Wells Next Sea, Norfolk, Hard Standing, 570 Storm Clouds Abrewin 1955?, 9? x 10 ½? 571 JEAN DRYDEN ALEXANDER (1911-1994), OIL ON PANEL, inscribed verso ?Woman in an Orange Dress 1948?, 17? x 12 ½?
572 G A, MONOGRAMMED AND DATED ?89, WATERCOLOUR, inscribed verso ?Keswick from Greta Bridge, Cumberland?, 12? x 19?
573 CORNELIUS PEARSON, SIGNED AND DATED 1889, WATERCOLOUR, Anglers in River Landscape, 11? x 18?
574 F V ST CLARE, SIGNED GROUP OF THREE WATERCOLOURS, ?Rydal Water?, ?Ullswater?, ?Friars Crag?, 16? diam, (3)
J Y ROWE, SIGNED AND DATED 1965/1971, TWO OILS ON CANVAS, ?Johanna Youlten? and ?Mabel Youlten?, 16? x 13? and 20? 575 x 16?, (2)
576 JAMES WILLIAM WHITTAKER, SIGNED AND DATED 1851, WATERCOLOUR, inscribed ?On the Lleedwr?, 13? x 19?
ARTHUR HERBERT BUCKLAND (BORN 1870, BRITISH), OIL ON BOARD, SIGNED AND DATED 1928 LOWER RIGHT AND 577 INSCRIBED WITH TITLE VROS, ?The Compleat Angler?, 17 ½? x 23 ½?
INDISTINCTLY SIGNED, MODERN OIL, A Fairground, 23? x 27?; Provenance: Eaton Gallery, 34 Duke Street, St James, London ? see 578 label verso
DEREK INWOOD, SIGNED, OIL ON BOARD, inscribed verso ?Lady in Red?, 25? x 20?; together with DEREK INWOOD, SIGNED, OIL 580 ON BOARD, inscribed verso ?Woman painting in Studio?, 24? x 30?, (2)
581 DEREK INWOOD, SIGNED, OIL ON CANVAS, inscribed verso ?View from Studio?, 24? x 30?, unframed
DEREK INWOOD, ONE SIGNED, GROUP OF THREE UNFRAMED OILS ON BOARD, Lady with Guitar, Reclining Female on a Beach 582 and Henley 2, assorted sizes, (3)
583 DEREK INWOOD, SIGNED LOWER LEFT, OIL ON BOARD, ?Sheringham Prom?, 14? x 19?
584 DEREK INWOOD, OIL ON CANVAS, inscribed verso ?Bennet Middleton?s Dilly Cart?, 23? x 28?
DEREK INWOOD, OIL ON CANVAS, Lady with Guitar and Cup, 24? x 30?; together with DEREK INWOOD, SIGNED LOWER RIGHT, 585 OIL ON BOARD, ?Help me Up?, 23 ½? x 29 ½?, (2)
DEREK INWOOD, SIGNED LOWER RIGHT, TWO OILS ON BOARD, ?Blue Jug and Yellow Table? and ?Red Jug and Yellow Table?, 586 20? x 16? and ?24? x 20?, (2)
DEREK INWOOD, SIGNED, TWO OIL PASTELS, ?Boating Pond, West End Sheringham? and ?View from HRU Shed, Sheringham?, 587 11? x 15? and 9? x 11 ½?, (2)
DEREK INWOOD, SIGNED, TWO OIL PASTELS, ?Tractor Station, West End, Sheringham? and ?Slipway, Sheringham?, 10? x 16? 588 and 9? x 13?, (2)
589 DEREK INWOOD, SIGNED, TWO OIL PASTELS, ?Coast near Salthouse? and ?Henley on Thames?, 8? x 12 ½? and 9 ½? x 14?, (2)
DEREK INWOOD, SIGNED LOWER RIGHT, OIL ON BOARD, Inscribed Verso ?Studio and Garden, Victoria Street, Sheringham 590 2010?, 16? x 20?; together with DEREK INWOOD, SIGNED LOWER RIGHT, OIL ON BOARD, Artist in his Studio, 10 ½? x 13 ½?; together with a further UNSIGNED, OIL by the same Artists of a Country ...[more] DEREK INWOOD, SIGNED, TWO OIL PASTELS, ?Sandcastle and Boat in Creake?, ?Man with Sky Blue Trousers?, 9 ½? x 16? and 591 9? x 14?, (2)
DEREK INWOOD, SIGNED, OIL ON BOARD, ?Flagstaff House?, 11 ½? x 15 ½?; together with DEREK INWOOD, SIGNED, OIL 592 PASTEL, ?Flagstaff House, Sheringham?, 10? x 14?, (2)
593 DEREK INWOOD, SIGNED, TWO OIL PASTELS, ?Temple, Sheringham Park? and ?Interior Scene?, 7? x 9? and 13? x 19?, (2)
DEREK INWOOD, SIGNED, TWO OIL PASTELS, ?Figure on a Jetty? and ?Beeston Bump from the Burlington?, 11 ½? x 18? and 10 594 ½? x 14?, (2)
CHRIS COGHILL, SIGNED VERSO, TWO OILS ON CANVAS, Reclining Nude and Still Life Study, 22? x 34?, unframed and 26? x 30?, 595 (2)
596 JOHN BEAVEN, SIGNED, OIL ON CANVAS, Still Life Study of Mixed Flowers in a Vase, 24? x 20?, unframed
597 JOHN BEAVEN, SIGNED, OIL ON CANVAS, Still Life Study of Bottle Wine, Book, Violin, Vase, etc, 34? x 29?
598 JOHN BEAVEN, SIGNED, OIL ON BOARD, Portrait of a Lady, 27? x 20 ½?
599 JOHN BEAVEN, SIGNED, OIL ON BOARD, A Busy Street Scene, 18? x 24?
600 JOHN BEAVEN, ONE SIGNED, TWO MIXED MEDIAS ON BOARD, Abstract Compositions, 22? x 8? and 25? x 12?, (2)
601 JOHN BEAVEN, OIL ON BOARD, Abstract Composition, 14 ½? x 19?
602 JOHN BEAVEN, OIL ON BOARD, Cityscape, 17? x 20?
603 JOHN BEAVEN, SIGNED, OIL ON BOARD, Abstract Composition, 25? x 33?
604 ENGLISH SCHOOL (19TH CENTURY), OIL ON CANVAS, Portrait of Mother, Child and Dog, 35? x 27?
605 *JEANETTE CARR (BORN 1940, BRITISH), MIXED MEDIA, SIGNED LOWER RIGHT, Pelicans, 25? x 35?