June 01,1922
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Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
Hacking Politics How Geeks, Progressives, the Tea Party, Gamers, Anarchists and Suits Teamed up to Defeat SOPA and Save the Internet
Hacking Politics How Geeks, Progressives, the Tea Party, Gamers, Anarchists and Suits Teamed Up to Defeat SOPA and Save the Internet EDITED BY DAVID MOON, PATRICK RUFFINI, AND DAVID SEGAL Hacking Politics THE ULTIMATE DOCUMENTATION OF THE ULTIMATE INTERNET KNOCK-DOWN BATTLE! Hacking Politics From Aaron to Zoe—they’re here, detailing what the SOPA/PIPA battle was like, sharing their insights, advice, and personal observations. Hacking How Geeks, Politics includes original contributions by Aaron Swartz, Rep. Zoe Lofgren, Lawrence Lessig, Rep. Ron Paul, Reddit’s Alexis Ohanian, Cory Doctorow, Kim Dotcom and many other technologists, activists, and artists. Progressives, Hacking Politics is the most comprehensive work to date about the SOPA protests and the glorious defeat of that legislation. Here are reflections on why and how the effort worked, but also a blow-by-blow the Tea Party, account of the battle against Washington, Hollywood, and the U.S. Chamber of Commerce that led to the demise of SOPA and PIPA. Gamers, Anarchists DAVID MOON, former COO of the election reform group FairVote, is an attorney and program director for the million-member progressive Internet organization Demand Progress. Moon, Moon, and Suits Teamed Up PATRICK RUFFINI is founder and president at Engage, a leading digital firm in Washington, D.C. During the SOPA fight, he founded “Don’t Censor the to Defeat SOPA and Net” to defeat governmental threats to Internet freedom. Prior to starting Engage, Ruffini led digital campaigns for the Republican Party. Ruffini, Save the Internet DAVID SEGAL, executive director of Demand Progress, is a former Rhode Island state representative. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Camera (1920-1922)
7 l Page To>o "The Digest of the Motion Picture Industry” CAM ERA A Liberal Privilege of Conversion Besides the safety of enormous assets and large and increasing earnings, besides a substantial and profitable yield, there is a very liberal privilege of conversion in the $3 , 000,000 Carnation Milk Products Company Five-Year Sinking Fund 7 % Convertible Gold Notes notes convertible at option after November I creased in past five years. These are , over 400% 1921, and until ten days prior to maturity or redemption into Total assets after deducting all indebtedness, except this note, 7% Cumulative Sinking Fund Preferred Stock on the basis of amount to more than four times principal of this issue. I 00 for these notes and 95 for the stock. With these notes Net earnings for past ten years have averaged more than four at 96J/2 this is equivalent to buying the stock at 91 /i- and one-half times interest charges, and during the past five Thus you see that at your option you have either a long- years more than seven times. term, high yielding preferred stock or a short-term, high- There is no other bonded or funded indebtedness and at yielding note. Preferred stock is subject to call at 1 1 0 and present no outstanding preferred stock. accrued dividends, and the usual features of safety. You will want to invest your savings and surplus funds in This Company is one of the largest and most successful of its this decidedly good investment. Call, write or phone for kind in America. -
William A. Brady: Theatre Entrepreneur
WILLIAM A. BRADY: THEATRE ENTREPRENEUR By NEVIS EZELLE HAGLER, JR, A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1975 *J^-J UNIVERSITY OF FLORIDA 5185 3 1262 08552 ACKNOWLEDGEMENTS I wish to express rny appreciation to the research staff and director of the Theatre Collection at the Lincoln Center Library of the Performing Arts and to Mr. Louis Rachow, of the Players Club, for their valuable assistance and guidance. Special appreciation is extended to two of the theatre's most gracious actresses, Miss Helen Kayes and Miss Madge Kennedy, for their recollec- tions, assistance, and time. My gratitude is also ex- tended to Dr. Richard L. Green, Dr. Clyde G. Sumpter, Dr. Sidney Homan, and Dr. Norman Markel, for their aid in reading the study and offering valuable criticism, A special note of appreciation is due Dr. L. L. Zimmerman, the chairman of this work, for his encourage- ment, criticism, and, most importantly, for his friendship, PREFACE During his lifetime, William A. Brady was one of the most active and successful producers in the American theatre. Since his death, in 1950, his reputation has faded into relative obscurity. No study of his career has been made, and he is mentioned only briefly and with- out regularity in works dealing with the American theatre of the first half of the twentieth century. This study will examine his life and career as a theatrical producer in order to demonstrate the ways in which Brady's career exemplified certain aspects of the early twentieth century American theatre. -
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Clara Beranger Also Known As: Clara S. Beranger, Charles S. Beranger, Mrs. William DeMille, Mrs. Albert B. Berwanger Lived: January 14, 1886 - September 10, 1956 Worked as: adapter, scenarist, screenwriter, writer Worked In: United States by Lori Rossiter A gifted and dedicated writer, Clara Beranger managed a career spanning three decades, as a scenarist and screenwriter and, in her later years, as a book writer and lecturer. As a woman who thrived in the fledgling art form, Beranger leaves behind an impressive footprint—credits on eighty silent films of which sixteen are extant and four sound films as well as a handful of published interviews in which she is outspoken and passionate about women working in the industry. Privately, she began an affair with the director and screenwriter William C. deMille that led to years of successful professional collaboration. As one of the most prolific female pioneer writers, Beranger moved with ease between creating her own stories and adapting novels, plays, and others’ scenarios to the screen. Credited mostly as Clara S. Beranger but once as Charles S. Beranger, a pseudonym, Beranger excelled in dramas of domestic relations and wrote a handful of Baby Marie Osborne comedies. She is noted today for such career highlights as Anna Karenina (1915), an adaptation of Leo Tolstoy’s classic novel; Dr. Jekyll and Mr. Hyde (1920), from Robert Louis Stevenson’s novella The Strange Case of Dr. Jekyll and Mr. Hyde; and the adaptation of a popular novel and Pulitzer Prize-winning play of its day, Miss Lulu Bett (1921), which was placed on the National Film Registry of the Library of Congress in 2001. -
The Theatre Magazine; an Analysis of Its Treatment of Selected Aspects of American Theatre
This dissertation has been 63-3305 microfilmed exactly as received MEERSMAN, Roger Leon, 1931- THE THEATRE MAGAZINE; AN ANALYSIS OF ITS TREATMENT OF SELECTED ASPECTS OF AMERICAN THEATRE. University of Illinois, Ph.D., 1962 Speech-Theater University Microfilms, Inc.. Ann Arbor. Michigan aa*" *i Copyright by ROGER LEON MEERSMAN 1963 _ < -.-• J-1'.-. v» •>; I, THE THEATRE MAGAZINE: AN ANALYSIS OF ITS TREATMENT OF SELECTED ASPECTS OF AMERICAN THEATRE BY ROGER LEON MEERSMAN B.A., St. Ambrose College, 1952 M.A. , University of Illinois, 1959 THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Speech in the Graduate College of the University of Illinois, 1962 Urbana, Illinois UNIVERSITY OF ILLINOIS THE GRADUATE COLLEGE September 20, 1962 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION Ttv Roger Leon Meersman FNTTTT.PX> The Theatre Magazine: An Analysis of Its Treatment of Selected Aspects of American Theatre BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE rw Doctor of Philosophy ./$<j^Y±4S~K Afc^r-Jfr (A<Vf>r In Charge of Thesis yrt rfnSSL•o-g^ . Head of Department Recommendation concurred inf Cw .MluJ^H, ^ya M< Committee ( WgJrAHJ- V'/]/eA}tx.rA on UP, ^A^k Final Examination! fl. ^L^^fcc^A f Required for doctor's degree but not for master's DS17 iii ACKNOWLEDGMENTS I sincerely wish to thank the members of my committee, Professors Karl Wallace, Wesley Swanson, Joseph Scott, Charles Shattuck and Marvin Herrick for establishing high standards of scholarship and for giving me valuable advice in the courses I took from them. -
The National Book Critics Circle Campaign to Save Book Reviewing, 2007
The National Book Critics Circle Campaign to Save Book Reviewing, 2007 The National Book Critics Circle 2007 “Campaign to Save Book Reviewing,” launched April 23, 2007 as an initiative at the NBCC March 2007 board meeting, included more than 100 original blog posts from authors, critics, librarians, booksellers, passionate readers. The posts on Critical Mass over the first five weeks of the campaign offer a snapshot of American literary culture circa spring 2007, which was evolving faster than many readers, authors and book critics could absorb. Solicited from authors, editors, journalists, book critics and others involved with books and literature, the posts offered a diverse and wide‐ranging set of viewpoints‐‐as might be expected from a group of critics and passionate writers and readers. Among them: Richard Powers, George Saunders, Rick Moody, Lee Smith, Andrei Codrescu, Roxana Robinson, AWP (Association of Writers and Writing Programs) president Catherine Brady, Lawrence Ferlinghetti, Richard Ford, Nadine Gordimer, Sara Paretsky, Stewart O'Nan, Nicholas Christopher, Bill Roorbach; book editors from the Los Angeles Times, the Washington Post, the Milwaukee Journal Sentinel, the Pittsburgh Post‐ Gazette, the American Book Review, the San Francisco Chronicle, the New Orleans Times Picayune, the Jewish Forward, as well as Bob Mong, editor of the Dallas Morning News, Mark Sarvas, who writes the literary blog The Elegant Variation, and Carrie Kania, who described an inclusive approach to getting the word out about books she publishes: print, radio, television, online, including MySpace pages, literary blogs, bookstore websites. (Read the blog and the comments for the flavor of the sometimes heated discourse.) The campaign also included a series of related op ed pieces, editorials, interviews, literary blog posts, reports and reactions. -
List of 7200 Lost US Silent Feature Films 1912-29
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 12/29/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – approximately 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) -
Lincoln A. Behr Theater Program Collection
McLean County Museum of History Lincoln A. Behr Theater Program Collection Processed by William Lawrence Collection Information Volume of Collection: 1 Box Collection Dates: 1907-1914 Restrictions: None Provenance: Donated by Martha Behr Miller Reproduction Rights: Permission to reproduce or publish material in this collection must be obtained in writing from the McLean County Museum of History Location: Archives Notes: None Brief History Lincoln A. Behr was born in Bloomington June 18, 1896. Behr enjoyed going to the theater as a form of entertainment. Behr and Lyle Barber, a noted pianist, were good friends and often traveled to Chicago to see plays and shows. He lived in Bloomington until 1948 when he relocated to St. Louis, Missouri. He was an employee of the Gulf, Mobile, and Ohio Railroad until he retired in 1956. He and his wife Charlotte moved to Florida where he died on January 1, 1964. Scope Note This collection contains theater and concert programs from several Bloomington theaters including the Chatterton, the Majestic, and the Castle. The collection was donated by his daughter Martha Behr Miller, a former volunteer. 1 Box 1: Chatterton Opera House (flat box) Folder 1: Programs April and Fall, 1910 1.1.1 Opening Program, April 7, 1910, entertainment was Miss Lina Abarbanell in “Madam Sherry” (2 copies) 1.1.2 “1910-1911 Season,” “The Isle of Spice,” (before September 12, 1910) 1.1.3 “1910-1911 Season,” “My Cinderella Girl,” (September 30, 1910?) 1.1.4 “The Time, The Place, and The Girl,” ca. Fall of 1910 1.1.5 “The Commuters,” ca.