Max Richter Memoryhouse (Reissue)

Total Page:16

File Type:pdf, Size:1020Kb

Max Richter Memoryhouse (Reissue) MAX RICHTER MEMORYHOUSE (REISSUE) Originally released in 2002 but long out of print, Max Richter’s gorgeous debut album will finally see a much-awaited reissue via FatCat’s 130701 imprint. Recorded by Richter with the BBC Philharmonic Orchestra and critically lauded on its original release, Memoryhouse is quite deservedly held very dear to the broad-reaching “post-classical” field. Championed as much in musical academia as by fans of film score and of contemporary music, Richter’s pieces share common ground with composers such as Henryk Górecki, Arvo Pärt, Philip Glass, Michael Nyman and Steve Reich in their depth, patience and articulacy, but also capture the swooning serenity and grace of quieter moments from Sigur Rós or Godspeed You! Black Emperor. Contemporaries Nico Muhly, Eluvium, Jóhan Jóhansson, or labelmate Hauschka provide a loose com- Release date: 1/26/10 parison point, but Max’s evocative sense of vision is stunningly singular, Format: LP as is his extraordinary ability to suddenly open up a piece of music like NOT AVAILABLE FOR EXPORT opening one’s eyes to glorious sunshine. File Under: Avant-Garde/ Modern Composition Memoryhouse is bright, sparkling, exhilarating, warming, gripping, heart- breaking, comforting and rousing, and never loses its awe-inspiring sense of identity and imagination. It is enveloping – one can get lost in the FAT1309LP lovingly-composed intricacies and interaction between instruments – or UPC: 600116130914 can be a subtle, albeit chill-inducing, soundtrack to the everyday. Box 25 Also Available: SELLING POINTS Memoryhouse FAT1309CD Long-awaited reissue of Richter’s out of print debut Full national press campaign 24 Postcards In Full Colour FAT1307CD College/public radio campaign by Chouette Richter recently won a European Film Award for the score The Blue Notebooks to the Academy Award-nominated Waltz With Bashir FAT1304CD Songs From Before TRACKLISTING FAT1305CD 1. Europe After The Rain 10. Jan’s Notebook 2. Maria The Poet (1913) 11. Arbenita (11 years) 3. Laika’s Journey 12. Garden (1973) / Interior 4. The Twins (Prague) 13. Landscape With Figure (1922) 5. Sarajevo 14. Fragment Exclusively distributed by SC Distribution 6. Andras 15. Lines On A Page (One Hundred Violins) Phone: (812) 335-1572 Fax: (812) 323-8494 7. Untitled (Figures) 16. Embers US domestic sales contact Jacqui Refice: [email protected] 8. Sketchbook 17. Last Days International sales contact Alex Mann: [email protected] 9. November 18. Quartet Fragment (1908) fatcat-usa.com.
Recommended publications
  • 1. Sci-Fi and Fantasy
    How Film & TV Music Communicate – Vol. III – text copyright © 2015 Brian Morrell Chapter 1 SCIENCE FICTION & FANTASY This chapter deals in detail with the sci-fi / fantasy genre and analyses the music for a number of films where music plays an integral role in articulating the story and the underlying context and narrative. Films and music analysed include A Perfect Sense (Max Richter) Contagion (Cliff Martinez) K-Pax (Edward Shearmur) Limitless (Paul Leonard-Morgan) The Mothman Prophecies (Tomandandy) Shore) The 13 th Floor (Harald Klosser) Pleasantville (Randy Newman) Signs (James Newton Howard) The Adjustment Bureau (Thomas Newman) The Core (Christopher Young) The Village (James Newton Howard) Volcano (Alan Silvestri) The Event (Scott Starrett) Super 8 (Michael Giacchano) A PERFECT SENSE Max Richter A Perfect Sense is a story about two people who fall in love just as an epidemic begins to gradually rob the world’s population of their senses, one by one. The epidemic sweeps the globe, gradually rendering the public unable to function. First, people start crying for no reason. After drying up their tears, they notice they have lost their ability to smell; this is followed eventually by a loss of taste, hearing and finally, sight. The epidemic itself is not given a major part in the movie. The film focuses instead on the two lovers and the rest of the people dealing with the situation. This in part explains the functionality of the music, which is meant to underpin the emotional context of the movie, rather than the science fiction. The main protagonists are a scientist (Susan) and a chef (Michael).
    [Show full text]
  • Jeroen Van Veen MAX RICHTER B.1966 from 1994 Until 2004 I Frequently Played Concerts with the Dutch Based DJ Paul Solo Piano Music Adriaanse
    RICHTER SOLO PIANO MUSIC PLAYED BY Jeroen van Veen MAX RICHTER b.1966 From 1994 until 2004 I frequently played concerts with the Dutch based DJ Paul Solo Piano Music Adriaanse. From time to time we listened to the music of Max Richter; the music he produced was somehow what we did, only we used classical music and remixed that with clicks and cut’s. The name Max Richter came across a few times more; 1. Andras 4’51 11. Leo’s Journal 1’53 when I was working at my Minimal Piano Collection I discovered many pieces for 2. The Blue Notebooks 1’21 12. The Tartu Piano 2’27 four pianos and more dedicated to the Piano Circus; guess what: the Ensemble was 3. Circles from the rue Simon- 13. The Twins (Prague) 2’42 co-founded by Max! A few of these pieces I recorded on my Album Minimal Piano Crubellier 1’10 14. Vladimir’s Blues 2’03 Collection II (BC8551). 4. Departure 1’41 15. Written On The Sky I 2’37 On this Album you can hear all his published solo piano music by Chester Music. 5. The Family 2’48 16. Horizon Variations II 3’20 I added one piece Reflection from ‘Waltz with Bashir’. The music is an arrangement/ 6. Fragment 1’56 17. Waltz With Bashir Reflection variation on Schubert’s Piano Sonata in A major, D.959 2nd Movement (Andantino). 7. From the rue Villin 1’30 (End Title) 1’42 I also found another edition of Horizon Variations and I concluded the album with 8.
    [Show full text]
  • Concerts from the Library of Congress 2012-2013
    Concerts from the Library of Congress 2012-2013 LIBRARY LATE ACME & yMusic Friday, November 30, 2012 9:30 in the evening sprenger theater Atlas performing arts center The McKim Fund in the Library of Congress was created in 1970 through a bequest of Mrs. W. Duncan McKim, concert violinist, who won international prominence under her maiden name, Leonora Jackson; the fund supports the commissioning and performance of chamber music for violin and piano. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Please take note: UNAUTHORIZED USE OF PHOTOGRAPHIC AND SOUND RECORDING EQUIPMENT IS STRICTLY PROHIBITED. PATRONS ARE REQUESTED TO TURN OFF THEIR CELLULAR PHONES, ALARM WATCHES, OR OTHER NOISE-MAKING DEVICES THAT WOULD DISRUPT THE PERFORMANCE. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. THE LIBRARY OF CONGRESS Atlas Performing Arts Center FRIDAY, NOVEMBER 30, 2012, at 9:30 p.m. THE mckim Fund In the Library of Congress American Contemporary Music Ensemble Rob Moose and Caleb Burhans, violin Nadia Sirota, viola Clarice Jensen, cello Timothy Andres, piano CAROLINE ADELAIDE SHAW Limestone and Felt, for viola and cello DON BYRON Spin, for violin and piano (McKim Fund Commission) JOHN CAGE (1912-1992) String Quartet in Four Parts (1950) Quietly Flowing Along Slowly Rocking Nearly Stationary Quodlibet MICK BARR ACMED, for violin, viola and cello Intermission *Meet the Artists* yMusic Alex Sopp, flutes Hideaki Aomori, clarinets C.J.
    [Show full text]
  • Music Editor
    DEL SPIVA MUSIC EDITOR FILM: The Old Guard Studio: Netflix Director: Gena Prince-Bythewood Editor: Terylin A. Shropshire Composer: Volker Bertelmann & Dustin O’Halloran Top Gun Meverick Studio: Paramount Pictures Director: Joseph Kosinsky Editor: Chris Lebenzon Composer: Harold Faltermeyer & Hans Zimmer Just Mercy Studio: Warner Bros Director: Destin Daniel Cretton Editor : Nat Sanders Composer: Joel P West DeadPool 2 Studio: Twentieth Century Fox Director: David Leach Editor : Craig Alpert, Elisabet Ronaldsdóttir Composer: Tyler Bates The Defiant Ones Studio: HBO Director: Allen Hughes Editor : Doug Pray Composer: Atticus Ross Blade Runner 2049 Studio: Alcon entertainment Director: Denis Villenueve Editor : Joe Walker Composer: Johann Johannson Roman J. Israel, Esq. Studio: Sony Director: Dan Gilroy Editor : John Gilroy Composer: James Newton-Howard The Glass Castle Studio: Lionsgate Entertainment Director: Destin Daniel Cretton Editor : Nat Sanders Composer: Joel P West Gold Studio: The Weinstein Company, Black Bear Pictures Director: Stephen Gaghan Editor : Rick Grayson Composer: Daniel Pemberton Shots Fired (TV Series) Studio: Twentieth Century Fox Directors: Gina Prince—Bythewood, Jonathon Demme, Malcom D. Lee, Millicent Shelton, Reggie Bythewood Editors Teri Shropshire, Micky Blythe, Jacques Gravett, Nancy Richardso Composer: Terence Blanchard DEL SPIVA MUSIC EDITOR C oco Studio: Lions Gate Director: RZA Editor : Yon Van Kline Keanu Studio: New Line Director: Peter Atencio Editor : Nicholas Mansour Composer: Steve Jablonsky Saints & Strangers (TV Mini-Series) Studio: Sony/NatGeo Director: Gina Mathews Editor : Colby Parker, Jr. Composer: Lorne Balfe Won, Golden Reel: Best Music Editing, TV Long Form Pete’s Dragon Studio: Disney Director: david Lowery Editor : Lisa Zeno Churgin Deepwater Horizon Studio: Lionsgate Director: Peter Berg Editor : Colby Parker, Jr.
    [Show full text]
  • Bio Jacoba 5.2.21
    JACOBA BARBER-ROZEMA BIOGRAPHY Canadian soprano Jacoba Barber-Rozema has been praised for her expressive, clear voice, her acting abilities and skills in a wide variety of art forms and musical genres. As a young singer in Toronto, Jacoba performed as a soloist with the Canadian Opera Company and the Canadian Children’s Opera Company. She holds a Bachelor’s from the Schulich School of Music (McGill University, Montreal) where she studied and coached with Dr. Tracy Smith-Bessette and Michael McMahon and performed with Opera McGill: Dalinda (Ariodante), Ida (Die Fledermaus), Anna Gottlieb (The Impresario) and directed an adapted version with the characters gender’s flipped of the opera Une Demoiselle en Loterie (Offenbach). In 2018, she took home the 3rd place prize in the Classical Singer Competition in Boston, Massachusetts and the Outstanding Achievement in Voice Award of McGill University. She is currently one of a handful of Canadians to hold a coveted Foreign Graduates in the Field of Music grant from the German Academic Exchange Service (D.A.A.D.) as she completes her Masters in Opera at the Theaterakademie August Everding at the Prinzregententheater, Munich with Prof. Julian Prégardien and Talia Or. Most recently, Jacoba conceptualized, wrote and starred in the acclaimed Bechdel-Opera, a feminist satirical opera collage at the Theaterakademie, directed by Malte C. Lachmann. Jacoba has been a part of the workshop/creation process playing Kathleen for the musical adaption of Ann-Marie Macdonald’s Fall On Your Knees (National Arts Centre, Citadel Theatre & Vita Brevis Arts) and playing Beatrice in James Garner & Patrick Hansen’s opera adaptation of Shakespeare’s Much Ado About Nothing (Guildhall, London, England).
    [Show full text]
  • 100 Piano Classics
    100 Piano Classics: In The The Best Of The Red Army Lounge Choir Samuel Joseph Red Army Choir SILCD1427 | 738572142728 SILKD6034 | 738572603427 CD | Lounge Album | Russian Military Songs Samuel Joseph is 'The Pianists' Pianist'. Born in Hobart, Re-mastered from the original session tapes, the recordings Tasmania he grew up performing at restaurants, events and for this 2CD set were all made in Moscow over a number of competitions around the city before settling in London in years. They present the most complete and definitive 2005. He has brought his unique keyboard artistry to many collection of recordings of military and revolutionary songs celebrated London venues including the Dorchester, the by this most versatile of choirs. Includes Kalinka, My Savoy, Claridges, the Waldorf and Le Caprice. He has Country, Moscow Nights, The Cossacks, Song of the Volga entertained celebrities as diverse as Bono to Dustin Boatmen, Dark Eyes and the USSR National Anthem. Hoffman along with heads of state and royalty. Flair, vibrancy and impeccable presentation underline his keyboard skills. This 100 track collection highlights his astounding repertoire Swinging Mademoiselles - The Adventures Of Robinson Groovy French Sounds From Crusoe - Original TV The 60s Soundtrack Various Artists Robert Mellin & Gian-Piero SILCD1191 | 738572119126 Reverberi CD | French FILMCD705 | 5014929070520 CD | TV Soundtracks Long before England started swinging in the mid-1960s, One of the most evocative children's TV series of the 1960s France was the bastion for cool European pop sounds. is equally matched by Robert Mellin and Gian-Piero Sultry young French maidens, heavy on mascara and a Reverberi's enchanting score familiar to any young viewer of languid innocence cast a sexy spell with what became the period.
    [Show full text]
  • Classical Revival in 2020
    THE CLASSICAL REVIVAL IN 2020 A report by BPI, Deezer and the Royal Philharmonic Orchestra Deezer, BPI and the Royal Philharmonic (RPO) present their first ever collaborative report which brings together streaming data with consumer opinion research. Using Deezer’s streaming data, the report highlights the demographic profile of Classical listeners across a range of countries and whether that has changed during lockdown. The market research data (provided by the RPO) reports on consumer attitudes to music during the period of home isolation. The RPO has seen online and social media audience engagement soar during lockdown and it has premiered several online concerts. All the organisations involved in this report share a commitment to broadening the range and appeal of Classical music to a broader and younger audience. Please address any questions to: Chris Green: [email protected] Hannah Wright: [email protected] INTRODUCTION RPO: Guy Bellamy: [email protected] • In a one-year period (April 2019- 2020), there was a 17% increase of Classical listeners on Deezer worldwide. • In the last year, almost a third (31%) of Deezer’s Classical listeners in the UK were under 35 years old, a much younger age profile than those who typically purchase Classical music. • RPO’s research found that under 35s were the most likely age group to have listened to orchestral music during lockdown (59%, compared to a national average of 51%). • There were a greater number of female KEY listeners in the UK listening to Deezer’s FINDINGS Classical playlists during lockdown. • Classical fans preferred mood-based music during lockdown.
    [Show full text]
  • Today the Barbican Announces Details of Sounds and Visions – a Marathon Weekend of Classical and Contemporary Music, and Film Curated by Max Richter and Yulia Mahr
    PRESS RELEASE: Friday 12 January 2018 Today the Barbican announces details of Sounds and Visions – a marathon weekend of classical and contemporary music, and film curated by Max Richter and Yulia Mahr Sounds and Visions The Barbican’s marathon weekend in 2018 curated by Max Richter and Yulia Mahr Barbican Hall & foyer, Barbican Cinemas 1 & 2, LSO St Luke’s, Milton Court Concert Hall, St Giles’ Cripplegate Friday 11 – Sunday 13 May 2018 Tickets £10 – 35, plus free events www.barbican.org.uk/soundsandvisions Produced by the Barbican On sale to Barbican Members on Wednesday 17 January 2018 On general sale on Friday 19 January 2018 Acclaimed composer Max Richter and artist Yulia Mahr have been announced as the curators of the Barbican's marathon weekend in 2018. Their ambitious programme is a marathon journey into music, image, and their meeting points in today’s culture. Richter and Mahr’s programme follows previous curation by respected musicians and artists including Nico Muhly, Bryce Dessner and Nils Frahm. Co-curators Richter and Mahr said: “StudioRichterMahr, our 25 year collaboration, has taken many forms over the years. From the cafés of Hackney, our kitchen table in Edinburgh, the studios and gallery in Berlin, to its current incarnation; deep in the English countryside, our work has encompassed all manner of collisions between sound and image, and this marathon weekend, ‘Sounds and Visions’ sums up one of our central concerns - that creativity exists as a social project that can illuminate the lives of individuals and society as a whole, and that art exists beyond all boundaries.” Numerous events both ticketed and free, including concerts and film screenings, will take place across the Barbican Hall, foyers, cinemas, and the neighbouring venues of LSO St Luke’s, Milton Court Concert Hall and St Giles’ Cripplegate.
    [Show full text]
  • Fain Has the Honeyed Tone, Spectacular Technique and Engrossing Musicality of an Old-School Virtuoso Tied to a Contemporary Sensibility.” – LOS ANGELES TIMES
    “Fain has the honeyed tone, spectacular technique and engrossing musicality of an old-school virtuoso tied to a contemporary sensibility.” – LOS ANGELES TIMES With his adventuresome spirit and vast musical gifts, violinist Tim Fain has emerged as a mesmerizing presence on the music scene. The “charismatic violinist with a matinee idol profile, strong musical instincts, and first rate chops” (Boston Globe), was seen on screen and heard on the Grammy nominated soundtrack to the film Black Swan, can be heard on the soundtrack to Moonlight and gave “voice” to the violin of the lead actor in the hit film 12 Years a Slave, as he did with Richard Gere’s violin in the film Bee Season. Fain captured the Avery Fisher Career Grant and launched his career with Young Concert Artists. He electrified audiences in performances with the Pittsburgh, Chautauqua, and Cabrillo and Baltimore (both with Marin Alsop) Symphonies, at Lincoln Center’s Mostly Mozart Festival, with the Orchestra of St. Luke’s, and most recently with the American Composers Orchestra at Carnegie Hall. Fain has also appeared with the Mexico City, Tucson, Oxford (UK), and Cincinnati Chamber Symphonies, Brooklyn, Buffalo and Hague Philharmonics, National Orchestra of Spain (with conductor Dennis Russell Davies), and the Curtis Symphony Orchestra in a special performance at Philadelphia’s Kimmel Center. In addition, he was the featured soloist with the Philip Glass Ensemble at Carnegie Hall in a concert version of Einstein on the Beach and continues to tour the US and Europe in a duo-recital
    [Show full text]
  • Luciano Berio, Max Richter, Paul Mccartney and More
    Musik in the Air Presents PROJECT: Remembering the Future Miki Aoki, piano Emre Engin, violin Zexun Shen (Jason), cello Featuring works by Luciano Berio, Max Richter, Paul McCartney and more. Saturday, October 31, 2020 at 2:00 pm ET A pre-concert talk will start 45 minutes before the concert Reception with a Q&A session will be hosted on zoom immediately following the concert 1 ♫ Program ♫ On the Nature of Daylight Max Richter (1966-0000) Zexun Shen (Jason), cello Miki Aoki, piano Selections from 6 Encores for Piano Luciano Berio (1925-2003) Wasserklavier Erdenklavier Luftklavier Feuerklavier Miki Aoki, piano Two Pieces for String Duo György Ligeti (1923-2006) Ballad and Dance Hommage à Hilding Rosenberg Emre Engin, violin Zexun Shen (Jason), cello A Leaf Paul McCartney (1942-0000) Andante semplice Poco piu mosso Allegro ritmico Andante Allegro ma non tanto Moderato Andante semplice II Miki Aoki, piano Mercy Max Richter (1966-0000) Emre Engin, violin Miki Aoki, piano Sequenza VIII for violin Luciano Berio (1925-2003) Emre Engin, violin 2 ♫ Concert in Brief ♫ This is the kind of program where the audience may wonder about the connection between a classical composer (Luciano Berio), One of the Beatles (Paul McCartney) and one of today’s most successful movie/TV series soundtrack composers (Max Richter). Luciano Berio, an avant-garde European composer (Italian) was born in 1925. It is hard to imagine that he had any connection to a group like the Beatles. It is surprising, but true that both sides had great admiration for each other. Paul McCartney was searching for new ideas for his music.
    [Show full text]
  • Kevin O'hare Director of the Royal Ballet
    Kevin O’Hare Director of The Royal Ballet Approved, OK to use Kevin O’Hare was born in Yorkshire. Having started dancing at an early age, he trained at The Royal Ballet School from the age of 11 and, through an exchange programme, Royal Danish Ballet. On graduating he joined Sadler’s Wells Royal Ballet under the direction of Peter Wright and was promoted to Principal in 1990 at the same time as the company relocated to Birmingham, becoming Birmingham Royal Ballet. Performing across the UK and worldwide, he danced all the leading classical roles including Siegfried, Florimund, Albrecht and Romeo (in the first performance of Kenneth MacMillan’s new production of Romeo and Juliet for BRB), and created the role of Amynta in David Bintley’s full-length Sylvia. He also danced in major works by Ashton, Balanchine, Cranko, MacMillan, Van Manen, Tharp and Tudor. During his performing career he worked with Ashton, De Valois, MacMillan, Bintley and Wright, among others, as well as creating many roles. He has made guest appearances with companies all over the world, and produced many galas and choreographic evenings. He retired from dancing in 2000 to work with the RSC, training in company management. He returned to BRB as Company Manager in 2001 and joined The Royal Ballet as Company Manager in 2004. He was appointed Administrative Director in 2009 and Director in July 2012. Since then, in addition to presenting the Company’s heritage repertory, he has demonstrated his commitment to new work by commissioning many one-act and five full-length ballets.
    [Show full text]
  • Film Music: History and Function from 1930 to Present
    Film Music: History and Function from 1930 to Present Units: 4 ​ Term—Day—Time: Fall 2020—Tuesdays and Thursdays—4:00–5:50pm (Pacific Time) ​ Location: ONLINE ​ Instructor: Tim Greiving ​ Office: Virtual ​ Office Hours: Virtually anytime ​ Contact Info: [email protected] ​ Course Description Music is the soul of film. Film scores can animate, enhance, pump blood into, subvert, and often transcend their movie. This underlooked, underappreciated art form is almost 100 years old—still an infant compared to its predecessors like opera, ballet, and theatre music, but old enough to have a rich, fascinating history worth exploring. In this course we’ll take a trip through that history, at times skimming along the surface, at times diving deep. With the aid of film clips, live watch parties, and the occasional special guest, you’ll gain a solid knowledge of and appreciation for the most-heard, least-noticed art form of the past century. (Because we’re cramming one hundred years of history into a single—shortened!—semester, we’ll primarily focus on Hollywood film music, although a few classes will be devoted to ​ ​ international films and composers. We’ll also limit our study to feature films, without spending ​ ​ time on television or videogame music.) Recommended Reading • King Kong chapter from Music by Max Steiner, by Steven. C. Smith (Blackboard / Content) ​ ​ ​ • “The sound of movie music,” New York Times, March 28, 1976 ​ ​ ​ ​ • “Underscoring Richard Wagner's influence on film music,” L.A. Times, June 17, 2010 ​ ​ ​ ​ • “John Williams’ early life: How a NoHo kid and UCLA Bruin became the movie music man” ​ L.A.
    [Show full text]