DOCSLIB.ORG

1. Saltwater Band (Feat Geoffrey Gurrumul Yunupingu) Djilawurr  2000 Transmitter Records

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1. Saltwater Band (Feat Geoffrey Gurrumul Yunupingu) Djilawurr  2000 Transmitter Records CTP Template: CD_6PR1 COLOURS Compact Disc Booklet: Six Page Roll-fold (Outer) CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title 1 Saltwater Band 8 Shellie Morris - Swept away (feat. Geoffrey Gurrumul Yunupingu) - Djilawurr (S. Morris) cc. Shellie Morris. (G. Yunupingu) SFM Publishing administered by Licensed courtesy of Shellie Morris. NSCD120 SonyATV Australia. 2004 Skinnyfish Music Pty www.shelliemorris.com/ Ltd. Licensed courtesy of Skinnyfish Music Pty www.myspace.com/shelliemorris / Ltd. AUSFO0401007. www.skinnyfishmusic. com.au 9 Dan Sultan - Your love is like a song (D. Sultan) Mushroom Music Publishing Australia. 2 Archie Roach - Liyarn ngarn 2005 Dan Sultan.Licensed courtesy of Dan (A. Roach) Mushroom Music Publishing. Sultan. www.myspace.com/dansultan 2007 Liberation Music. www.dansultan.com Licensed courtesy of Archie Roach / Liberation Music. 10 Ruby Hunter - Down city streets www.archieroach.com.au (R. Hunter) Mushroom Music Publishing. P Ruby Hunter. Licensed courtesy of Ruby Hunter. 3 George Rrurrambu - Ronu wanga www.myspace.com/rubyhuntertunes (N. Murray) Universal Publishing Australia. 1. Saltwater Band (feat Geoffrey Gurrumul Yunupingu) Djilawurr 2000 Transmitter Records. 11 Peter Rotumah feat the Black Arm Band - Licensed courtesy of Skinnyfish Music Pty Ltd. Remembrance 2. Archie Roach Liyarn ngarn AUSFO0012009. www.skinnyfishmusic.com.au (P. Rotumah) cc. Peter Rotumah/ Arts House. 3. George Rrurrambu Ronu Wanga Licensed courtesy of Peter Rotumah/ Arts House. 4 Mark A Hunter - Legend www.blackarmband.com.au 4. Mark A Hunter Legend (M A Hunter) SFM Publishing administered by SonyATV Australia. 2008 Skinnyfish Music 12 Tom E Lewis - Sunshine after rain 5. Saltwater Band (feat Geoffrey Gurrumul Yunupingu) Gopuru Pty Ltd. Licensed courtesy of Skinnyfish Music (T E Lewis) SFM Publishing administered by Pty Ltd. AUSFO0819010. www.skinnyfishmusic. SonyATV Australia. 2005 Skinnyfish Music Pty 6. Wildflower Manginburru Bininj com.au Ltd. Licensed courtesy of Skinnyfish Music Pty Ltd. AUSFO0506004. www.skinnyfishmusic.com.au 7. Nabarlek Little journey to Manmoyi 5 Saltwater Band 13 June Mills - I’ll be the one 8. Shellie Morris Swept away (feat. Geoffrey Gurrumul Yunupingu) - Gopuru (J. Mills) SFM Publishing administered by So- (G. Yunupingu) SFM Publishing administered by 9. Dan Sultan Your love is like a song nyATV Australia. 2005 Skinnyfish Music Pty Ltd. SonyATV Australia. 1999 Skinnyfish Music Pty Licensed courtesy of Skinnyfish Music Pty Ltd. Ltd. Licensed courtesy of Skinnyfish Music Pty AUSFO0504001. www.skinnyfishmusic.com.au 10. Ruby Hunter Down city streets Ltd. AUSFO9901001. www.skinnyfishmusic.com.au 14 Nabarlek - Mawah 11. Peter Rotumah feat. The Black Arm Band Remembrance (W. Naborlhborlh) SFM Publishing administered by 12. Tom E Lewis Sunshine after rain 6 Wildflower - Manginburru bininj SonyATV Australia. 2007 Skinnyfish Music Pty (J.Nganjmirra /B.Burunali) SFM Publishing Ltd. Licensed courtesy of Skinnyfish Music Pty 13. June Mills I’ll be the one administered by SonyATV Australia. Ltd. AUSFO073045. www.skinnyfishmusic.com.au 2009 Skinnyfish Music Pty Ltd. Licensed cour- tesy ofSkinnyfish Music Pty Ltd. AUSFO0915002. 14. Nabarlek Mawah www.skinnyfishmusic.com.au Compilation & sleeve-notes by Jane Cornwell. Album concept, sequencing & co-ordination by * This CD includes the names of people now deceased 7 Nabarlek - Little journey to Manmoyi (T.Guymala) SFM Publishing administered by Lewis Robinson. Special thanks to all the licensors: SonyATV Australia. 2007 Mark & Emma @ Skinnyfish, Jill Shelton, Skinnyfish Music Pty Ltd. Licensed courtesy of Peter Rotumah, Shellie Morris & Buzz !ompson. Skinnyfish Music Pty Ltd. !anks also to Jane Cornwell, Pete Hayward & AUSFO0713036. www.skinnyfishmusic.com.au Alicia Hosking..
Load more

Recommended publications
  • Contents Visitors
    DEBATES – Thursday 24 August 2017 CONTENTS VISITORS ................................................................................................................................................. 2247 Darwin Middle School ............................................................................................................................ 2247 SPEAKER’S STATEMENT ....................................................................................................................... 2247 Daffodil Day ........................................................................................................................................... 2247 ASSEMBLY MEMBERS AND STATUTORY OFFICERS (REMUNERATION AND OTHER ENTITLEMENTS) AMENDMENT BILL ................................................................................................................................... 2247 (Serial 27) .............................................................................................................................................. 2247 CRIMINAL CODE AMENDMENT (DANGEROUS NAVIGATION OF VESSELS) BILL ............................ 2249 (Serial 28) .............................................................................................................................................. 2249 VISITORS ................................................................................................................................................. 2251 SPEAKER’S STATEMENT ......................................................................................................................
    [Show full text]
  • Program 2 27 July – 19 September
    Program 2 27 July – 19 September Program 3 of 4 | 2021 July 27 Tue 7.00 Locked Down 24 Tue 7.00 Hi, Mom BELL 28 Wed 7.00 Summer of ‘85 (Été 85) 25 Wed 7.00 Aalto Café Cinema Free to Members 29 Thur 7.00 June Again 26 Thur 7.30 The United States vs Billie Holliday Star 30 Fri 7.00 Land 27 Fri 7.00 Greenfield 8.45 Locked Down 8.30 Aalto BELL 31 Sat 7.00 Valerie Taylor: Playing with Sharks OC 28 Sat 7.00 Spirit Untamed 8.45 Summer of ‘85 (Été 85) BELL 8.45 Rosemary’s Way BELL 29 Sun 7.00 Samsara Territory Day August 30 Mon 7.00 Moon Rock for Monday BELL 1 Sun 7.00 Nomadland Fundraiser for Garuda FC 31 Tue 7.00 Death of a Ladies’ Man 2 Mon 7.00 Land 3 Tue 7.00 Breaking Bread September 4 Wed 7.00 Locked Down BELL Star 1 Wed 7.00 The United States vs Billie Holliday BELL 5 Thur 7.00 Final Account 2 Thur 7.00 Space Jam: A New Legacy BELL 6 Fri 7.00 Space Jam: A New Legacy 3 Fri 7.00 The Godmother (La Daronne) BELL 9.15 June Again 9.00 Death of a Ladies’ Man 7 Sat 7.00 Land BELL 4 Sat 7.00 Moon Rock for Monday 8.45 Final Account BELL 9.00 Greenfield BELL 8 Sun 7.00 Fast and Furious 9 5 Sun 7.00 Blazing Saddles Fundraiser for Friends of DSO Fundraiser for GRANT 6 Mon 7.00 Unsound 9 Mon 7.00 Memory Box Darwin Festival Presents 7 Tue 7.00 Three Summers (Três Verões) Star 10 Tue 7.00 Carmilla 8 Wed 7.00 The Xrossing Star 11 Wed 7.00 Hi, Mom 9 Thur 7.00 Death of a Ladies’ Man BELL 12 Thur 7.00 Djäkamirr NT Premiere 10 Fri 7.00 Valerie Taylor: Playing with Sharks BELL Fundraiser for Mum on Country Project 8.45 Moon Rock for Monday BELL 13 Fri 7.00 Breaking
    [Show full text]
  • Music Education)
    The University of Sydney SYDNEY CONSERVATORIUM OF MUSIC BACHELOR OF MUSIC (Music Education) 3rd YEAR MUSIC EDUCATION STUDENTS PROFESSIONAL EXPERIENCE (PEx) HANDBOOK 2019 PEx 2 Junior Secondary Teaching Practice MUED 3606 Semester 2, 2019 Student Teacher: _________________________________________________ Supervising Teacher: _____________________________________________ Email: ___________________________ Phone: _____________________ 1 USYD BMus (Music Education) MUED3606 Professional Experience Handbook MUED 3606 Junior Secondary Professional Experience (PEx) PEx/Practice Teaching Dates Monday June 3 and finishing and Friday July 5 for Government Schools and Friday June 28 for some non-Government Schools. Then a final one or two week block from July 22- August 2 Please Note: Student teachers are expected to organise a pre-prac visit anytime in the week commencing. The purpose of this visit is to meet the supervising teacher(s), Music Dept. Head, school staff and administration, and to organise teaching timetable. Academic PEx Co-ordinator PEx Administrator Dr Jennifer Rowley Cathy (Shuang) Chen Room 2082 Room: 2151 Phone: 9351 1328 Phone: 9351 1231 Fax: 9351 1287 Fax: 9351 1287 [email protected] [email protected] Mailing Address and Website PEx Co-ordinator Sydney Conservatorium of Music Macquarie St Sydney NSW 2000 LMS: https://canvas.sydney.edu.au/ Contact Details: School: ________________________________________________________________________ Principal: ______________________________________________________________________
    [Show full text]
  • Gurrumul's Mother's Buŋgul Gurrumul's Grandmother's
    A PERTH FESTIVAL COMMISSION BUŊGUL GURRUMUL’S MOTHER’S BUŊGUL GURRUMUL’S GRANDMOTHER’S BUŊGUL GURRUMUL’S MANIKAY With West Australian Symphony Orchestra Produced by Skinnyfish Music and Perth Festival Image: Jacob Nash Founder Principal Partner Community Partner This project was initiated by the Yunupiŋu family and Skinnyfish Music Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs and knowledge on their kwobidak boodjar. They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers and custodians and the vital role Noongar people play for our community and our Festival to flourish. BUŊGUL GURRUMUL’S MOTHER’S BUŊGUL GURRUMUL’S GRANDMOTHER’S BUŊGUL GURRUMUL’S MANIKAY PERTH CONCERT HALL | FRI 7 – SUN 9 FEB | 90MINS Hear from creators and artists in a Q&A session after the performance on Sat 8 Feb. Sat 8 Feb Aboriginal and Torres Strait Islander audience members are advised that this performance contains the voice and image of a deceased person. There is a special relationship in the performing arts between creator, performer and audience. Without any one of those elements, the ceremony of performance ceases to exist. In choosing to be here, we thank you for your act of community as we celebrate the artists on the stage and the imaginations of those who have given them environments to inhabit, words to embody and songs to sing. Perth Festival 2020 is a celebration of us – our place and our time. It wouldn’t be the same without you. Iain Grandage, Perth Festival Artistic Director FANFARE You were called to your seat tonight by ‘Match’ composed by 21-year-old UWA student Jet Kye Chong.
    [Show full text]
  • IMJ Final April V3
    INDIGENOUS MUSICAL JOURNEYS: REPORT SINGING ON COUNTRY CAMP PROJECT BACKGROUND ACKNOWLEDGMENTS The Southern Cross University Centre for Tourism, Leisure and Work received funding through an Australian Government TQUAL: Strategic Tourism Development Grant to conduct a study in relation to the potential for Indigenous music tourism opportunities. This includes the potential to brand, market and link existing Indigenous music and cultural activities, events and festivals in regional and remote locations within the Northern Territory and the potential for Indigenous communities in the Northern Territory to develop Indigenous traditional language singing as special interest ‘music tourism’ activities. TQUAL Grants is an Australian Government funded initiative.! The Indigenous Musical Journeys (IMJ) project is a Southern Cross University study conducted within the remote town of Borroloola and the Gulf Country region in the Northern Territory and in partnership with the Gulf Country Musecology project of the Mabunji Aboriginal Resource Association. Cover Page photo 1: Marjorie Keighram, Roddy Harvey, Jemima Miller and Dinah Norman – Photo © Benjamin Warlngundu Ellis Bayliss. Cover Page photo 2: Marjorie Keighran, Hazel Godfrey, Shirley Simon, Maureen Timothy – Photo © Benjamin Warlngundu Ellis Bayliss. Cover Page photo 3: Peggy Mawson, Elizabeth Lansen and Lynette Lewis – Photo © Sandy Edwards. The author would like to thank all the Borroloola and Gulf Country singers, Indigenous cultural consultants and interpreters, Tom Dick, Kerry Brown,
    [Show full text]
  • The Black Arm Band Hidden Republic
    BIOGRAPHIES David Arden Sally Dastey Bevan Gabanbulu Ruby Hunter Rachael Maza Long Steven Richardson NEW AUSTRALIAN WORK Artist, Repertoire Adviser Artist (Gapanbulu Yunupingu) Artist Artist, Stage Direction, Spoken Word Script Conception, Direction World Artist Premiere David Arden has worked with many Aboriginal As one-third of Tiddas, Sally Dastey released Ruby Hunter is an Aboriginal woman of the Originally from the Torres Strait Islands, Rachael Steven Richardson has broad experience in the artists, from Hard Time Band and Koori Youth two acclaimed albums and four singles with Gapanbulu Yunupingu (Bevan Gabanbulu’s Ngarrindjeri clan of South Australia and was the Maza Long comes from a family of actors that arts spanning 20 years in a variety of artistic, Band to Bart Willoughby and Mixed Relations. accompanying videos, and was awarded an ARIA stage name) is the grandson of Yothu Yindi lead first Aboriginal woman to record her own album. spans three generations. A graduate of the producing and programming roles. He holds a As a guitarist with Archie Roach, he has toured Award. She launched her solo career with Secrets singer Mandawuy Yunupingu, and current yidaki She has recorded two albums, Thoughts Within Western Australian Academy of Performing Arts, Fine Arts degree in visual arts and also studied extensively both nationally and internationally. To Keep (2002) and has performed at numerous (didjeridu) player with Yothu Yindi. Gapanbulu and Feeling Good, and has toured extensively in she has had an impressive career in theatre, film, contemporary dance at Victorian College of the He has also written and performed songs for festivals while working on a range of projects Yunupingu has performed everywhere from Australia and overseas.
    [Show full text]
  • Land, Song, Constitution: Exploring Expressions of Ancestral Agency, Intercultural Diplomacy and Family Legacy in the Music of Yothu Yindi with Mandawuy Yunupiŋu1
    Popular Music (2010) Volume 29/1. Copyright © Cambridge University Press 2010, pp. 81–102 doi:10.1017/S0261143009990390 Land, song, constitution: exploring expressions of ancestral agency, intercultural diplomacy and family legacy in the music of Yothu Yindi with Mandawuy Yunupiŋu1 AARON CORN Pacific & Regional Archive for Digital Sources in Endangered Cultures, F12 – Transient, The University of Sydney, NSW 2006, Australia E-mail: [email protected] Abstract Yothu Yindi stands as one of Australia’s most celebrated popular bands, and in the early 1990s became renowned worldwide for its innovative blend of rock and indigenous performance traditions. The band’s lead singer and composer, Mandawuy Yunupiŋu, was one of the first university-trained Yolŋu educators from remote Arnhem Land, and an influential exponent of bicultural education within local indigenous schools. This article draws on my comprehensive interview with Yunupiŋuforan opening keynote address to the Music and Social Justice Conference in Sydney on 28 September 2005. It offers new insights into the traditional values and local history of intercultural relations on the Gove Peninsula that shaped his outlook as a Yolŋu educator, and simultaneously informed his work through Yothu Yindi as an ambassador for indigenous cultural survival in Australia. It also demonstrates how Mandawuy’s personal history and his call for a constitutional treaty with indigen- ous Australians are further grounded in the inter-generational struggle for justice over the mining of their hereditary lands. The article’s ultimate goal is to identify traditional Yolŋu meanings in Yothu Yindi’s repertoire, and in doing so, generate new understanding of Yunupiŋu’s agency as a prominent intermediary of contemporary Yolŋu culture and intercultural politics.
    [Show full text]
  • Résumé Date of Birth 1 October 1976, Tampere, Finland
    Erkki Veltheim: Résumé Date of Birth 1 October 1976, Tampere, Finland Nationality Australian/Finnish Address 120 Garton Street, Princes Hill, VIC 3054 Telephone +61 (0)407 328 105 Email [email protected] Website erkkiveltheim.com Soundcloud soundcloud.com/erkkiveltheim Professional Appointments/Positions 2013-2016 Chamber Made Opera: Artistic Associate 2005- Australian Art Orchestra: Violinist, Violist, Electric Violinist 1998- ELISION Ensemble: Violist Academic history 2008-2010 Master of Arts, Victoria University 2002-2004 Bachelor of Arts and Sciences, University of Melbourne (not completed) 1999-2000 Postgraduate Diploma in Solo Studies, Guildhall School of Music and Drama, London 1995-1997 Bachelor of Music (Performance), Victorian College of the Arts Other educational programs 1996-1998 Australian National Academy of Music short courses Grants, Awards and Prizes 2019 Melbourne Prize for Music 'Distinguished Musicians Fellowship 2019' 2019 2018 Australian Music Prize (AMP) for Djarimirri by Gurrumul (co-composer, arranger, conductor) 2018 4 ARIA Awards for Djarimirri by Gurrumul (co-composer, arranger, conductor) 2014 Sidney Myer Creative Fellowship 2013 Australia Council for the Arts Project Fellowship 2013 Finalist in the Melbourne Music Prize Outstanding Musician of the Year Award 2010 Finalist in the Melbourne Music Prize Outstanding Musician of the Year Award 2008 Australian Postgraduate Award 2004 Dean's Award, Faculty of Arts, University of Melbourne 1999 Keith and Elizabeth Murdoch Traveling Fellowship (Victorian College
    [Show full text]
  • Un Éden Cyclable ? À En Croire Les Politiques, Le Luxem- Bourg Serait En Passe De Devenir Un Vrai Paradis Pour Les Vélos
    woxx déi aner wochenzeitung l’autre hebdomadaire 1494/18 ISSN 2354-4597 2.20 € 21.09.2018 Un éden cyclable ? À en croire les politiques, le Luxem- bourg serait en passe de devenir un vrai paradis pour les vélos. Un vœu pieux, au vu de l’enfer cycliste quotidien. Regards p. 6 EDITO NEWS REGARDS 0 1 4 9 4 Grün und Rot – Leben vor dem Tod S. 2 Double imposition Big Mac p. 3 Das größte Loch Europas S. 14 Claude Turmes und Étienne Schneider Bonne nouvelle pour la place Der Kampf um den Hambacher Forst ziehen eine Bilanz der Energie- financière : la Commission européenne scheint verloren. Doch die Klima- Transition … bevor ihr Mandat abläuft a blanchi le pays dans l’affaire Aktivist*innen, die den Wald besetzen, 5 453000 211009 und die Welt untergeht. MacDonald’s. geben nicht auf. 2 NEWS woxx | 21 09 2018 | Nr 1494 EDITORIAL ErNEuErbarE ENErgiEN NEWS Politik-Recycling r aymond Klein Energie- und Nachhaltigkeits- nen auf die Begünstigungen bei der ministerium haben die Fortschritte jüngsten Steuerreform zurückführen. bei der Energiewende vorgestellt. Doch von einem Durchbruch ist man Mehr Grün als Rot, aber immer noch weit entfernt. 2010 hatte das Wirt- zu viel Grau. schaftsministerium ein Ziel von zehn Prozent E-Cars für 2020 angekündigt. Was haben Étienne Schneider Derzeit liegt man mit 1.250 Wagen ge- und Claude Turmes gemeinsam? Bei- rade mal im Promille-Bereich. de sind Autofahrer. Der eine besitzt Was die 23 Prozent erneuerbare mehrere Luxuskarossen, der andere Energien angeht – das Klimabünd- hat vor Kurzem ein Elektroauto gemie- nis fordert 50 Prozent.
    [Show full text]
  • Indigenous Music
    Hot topics Indigenous music From little things, big Mathinna: a girl's journey things grow directed & between two cultures by written by Trevor Graham. David Page. Walsh Bay, Camberwell East, Vic: NSW: Nikinali Music, 2008. Australian Film Finance CD 305.89 PAG Corporation & City Pictures, This CD is a soundtrack to a 1993. 55 min. DVD FRO Bangarra Dance Theatre production “inspired by a young A documentary about Kev Carmody, girl's journey between two cultures. Born on Tasmania's whose 1989 debut album, Pillars of Flinders Island in 1835, adopted into the household of Society, was described by Rolling Governor Sir John and Lady Franklin, sent to the Queen's Stone as “the best album ever Orphan School and ultimately abandoned with her people at released by an Aborigine and arguably the best protest album Oyster Cove. Mathinna's story is one of vulnerability and ever made in Australia.” This film looks at Kev up close – searching in an era of confusion and intolerance.” – Publisher cattle mustering in southern Queensland, making music in website. A study guide is also available. suburban Sydney and playing Long Bay Jail. Classification: Distributor recommends - Exempt (for educational use only). Move it mob style directed & produced by Shona Devlin. From the desert to the Vibe Australia, 2012. 20 x 30 sea by Jason Lee Scott. min. DVD MOV Sydney: Desert Sea Music, “Move it mob style is a 20 episode 2001. CD 305.89 SCO dance-based fitness television series. Showcasing Aboriginal and Torres “The lyrics are reflective of Strait Islander hip hop and popular Jason’s life thus far, dealing with music Move it mob style is all about everything from the love he has good beats: using dance to stay for his family to his cultural healthy.” – Back cover.
    [Show full text]
  • Oz Island Finds Better Life with Too Solid Release
    MEDIA RELEASE Monday, 20 August 2012 For immediate release Oz Island finds Better Life with Too Solid release WITH the heritage of some of Australia’s most recognised musicians, Oz Island is set to find a Better Life with the release of its debut album next month. With mentors and family lineage including Saltwater Band and Mark Bin Baker (Mary G), the north Australian men making up Oz Island are taking their music to the world in a reggae message. Already having shared the stage with the likes of Christine Anu, Troy Cassar-Daley and Last Kinection, the band is on the precipice of greatness. Ranging in age between 30 and 19, each Oz Island member is a trained musician through Abmusic either having graduated from or finishing a Diploma in Music. Shy front man Japeth James has family from Maningrida and across Arnhem Land in the Northern Territory, including sharing blood with members of the Saltwater Band, which launched Geoffrey Gurrumul Yunupingu’s solo career. He has the same quiet manner as his famous family, until you get him in front of a microphone where his seductive and smooth voice comes alive. Guitarist, Fabian Cox started honing his skills as a boy, watching his dad and Mark Bin Baker (aka Mary G) in their band in the suburbs of Perth in the 90s. “Being chosen for the TOO SOLID recording deal has made been a huge step up for us in our careers and our confidence in our music,” 30-year-old Fabian said. “We love our reggae, the music is so upbeat that you can’t help but have hope, which is why I think it is popular in many communities.
    [Show full text]
  • Healing Stone the Best of Yothu Yindi
    HEALING STONE THE BEST OF YOTHU YINDI HISTORY is one thing. Mandawuy Yunupingu has been living it since his father signed a bark petition to the Australian Parliament in 1963 demanding recognition of the Yolngu people. As an educator, storyteller, cultural ambassador, 1992 Australian of the Year, and founder and chairman of the Yothu Yindi Foundation and the Garma Festival of Traditional Culture, his immense historic legacy is all but carved in stone. MUSIC is something else. It carries stories of time immemorial, the raw emotions of here and now and messages of hope and change for an eternal future. Songs are forever in the moment. Always with the gift of remembering, always with the power to heal. "HEALING STONE" is the first new song by Yothu Yindi in 12 years. Co-written by Mandawuy and INXS tunesmith Andrew Farriss, it’s as culturally urgent, profoundly personal and ultimately universal as any song in the world-renowned Arnhem Land band's 27-year history. "'HEALING STONE' is a song about disease and prevention. And it is a message – a simple message to the whole community that kidney disease is a massive problem in Aboriginal communities across Australia and that understanding and action is needed to fix it,” Mandawuy says. "I was diagnosed with End Stage Renal Disease four years ago, and I just hope that this song, and telling my story, helps build that understanding and action – action to improve prevention and treatment of this dietary affliction and help create a better future for my people." The stunning video for "HEALING STONE" pulls no punches.
    [Show full text]