DOCSLIB.ORG

Indigenous Music

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Indigenous Music Hot topics Indigenous music From little things, big Mathinna: a girl's journey things grow directed & between two cultures by written by Trevor Graham. David Page. Walsh Bay, Camberwell East, Vic: NSW: Nikinali Music, 2008. Australian Film Finance CD 305.89 PAG Corporation & City Pictures, This CD is a soundtrack to a 1993. 55 min. DVD FRO Bangarra Dance Theatre production “inspired by a young A documentary about Kev Carmody, girl's journey between two cultures. Born on Tasmania's whose 1989 debut album, Pillars of Flinders Island in 1835, adopted into the household of Society, was described by Rolling Governor Sir John and Lady Franklin, sent to the Queen's Stone as “the best album ever Orphan School and ultimately abandoned with her people at released by an Aborigine and arguably the best protest album Oyster Cove. Mathinna's story is one of vulnerability and ever made in Australia.” This film looks at Kev up close – searching in an era of confusion and intolerance.” – Publisher cattle mustering in southern Queensland, making music in website. A study guide is also available. suburban Sydney and playing Long Bay Jail. Classification: Distributor recommends - Exempt (for educational use only). Move it mob style directed & produced by Shona Devlin. From the desert to the Vibe Australia, 2012. 20 x 30 sea by Jason Lee Scott. min. DVD MOV Sydney: Desert Sea Music, “Move it mob style is a 20 episode 2001. CD 305.89 SCO dance-based fitness television series. Showcasing Aboriginal and Torres “The lyrics are reflective of Strait Islander hip hop and popular Jason’s life thus far, dealing with music Move it mob style is all about everything from the love he has good beats: using dance to stay for his family to his cultural healthy.” – Back cover. Supported by heritage (he has ties to the the Australian Department of Health and Aging. Classroom Kokatha, Wirangu and Mirning nations) and his activity sheets for primary and secondary students are encouragement of the younger generation.” – Deadly Vibe available for download at: website. http://www.moveitmobstyle.com.au/activities/ Classification: Unclassified. Get out while you can by Dan Sultan & Scott Murundak: songs of freedom Wilson. Melbourne: written & directed by Natasha Mushroom Music, 2009. Gadd & Rhys Graham. CD 305.89 SUL Collingwood, Vic: Madman “Get out while you can, Dan Entertainment, 2011. 85 min. Sultan’s second album is an DVD MUR electrifying romp through rockabilly, blues, country, soul “From the concert halls of the Sydney and rock and roll.” – Black Arm Band website. Opera House to remote Aboriginal communities in the Northern Territory, Murundak charts one of the most Gurrumul by Geoffrey significant events in Australian music Gurrumul Yunupingu. history as The Black Arm Band sing up the country's troubled Winnellie, NT: Skinnyfish past through their stories of struggle, survival and hope.” – Music, 2008. Back cover. Classification: M CD 305.89 GUR Ngarraanga by Emma “With the release of this, his first Donovan. Sydney: VGM, solo album Geoffrey highlights the tremendous talent he has to 2009. CD 305.89 DON offer Indigenous music in Emma Donovan’s 5-track EP entitled Australia, and indeed, the world.” Ngarraanga (Remember) is “Emma’s – Artist website. tribute to the Stolen Generations. The songs include Emma’s traditional language intercepted with spoken word.” – Artist website. Resources available from the NSW Teachers Federation Library 23-33 Mary St Surry Hills NSW 2010 Locked Bag 3010 Darlinghurst NSW 1300 Ph 02 9217 2113 Fax 02 9217 2481 E [email protected] Web www.nswtf.org.au click on Services tab October 2013 Hot topics Indigenous music Of earth & sky: the Ruby’s story by Ruby music of David Page. Hunter & Archie Roach. Nikinali Music, 2010. London: Australian Art CD 305.89 PAG Orchestra Recordings, This CD contains the 2005. CD 305.89915 RUB soundtracks to two Bangarra “For Ruby’s story … Ruby and Dance Theatre productions, Archie [Roach] wrote a suite of Artefact and Riley. The former “is songs which traced their lives inspired by dynamics between from early childhood to present man and object that have meaning to culture, spirit and place. day.” – AAO website. This work honours symbols of ancient and modern rituals and reclaims the spirit of these artefacts. Riley ... is a celebration of the life of Aboriginal photographer and filmmaker, the late Ursula Yovich live by Michael Riley and his internationally acclaimed cloud series.” – Ursula Yovich. Sydney: Publisher website. Cicada International, 2010. CD 305.89 URS One people one land by “Recently listed as one of the Monica Brown. Sydney: top 21 most iconic women of Emmaus Productions, the Australian stage, page and 2001. CD 782.25 BRO screen … Ursula Yovich has defied the odds to become one “A fabulous CD collection of Australia’s most loved and celebrated performers.” – Artist featuring a children's choir website. performing with Monica Brown. A unique and invaluable resource for themes such as: Australian Yabun: ‘song with a Identity & Spirituality; The Sacredness of our land; beat’. Sydney: Gadigal Reconciliation; The cultural diversity of our Nation. Ideal for Information Services special events and celebrations such as National Aboriginal Corporation, Reconciliation Day, Anzac Day, NAIDOC Week and Australia Day.” – Artist website. Includes ‘Waltzing Matilda’ & ‘Advance 1999. CD 305.89 YAB Australia Fair’ – Instrumental and vocal. Includes songs by Leah Purcell, Marlene Cummins The rough guide to and Frances Williams. “A Australian Aboriginal compilation of Sydney's music. London: World newest Indigenous talent.” – Cover. Music Network, 2008. Yarramundi and the CD 305.89 ROU four leaf clover by “Compiled by leading Australian Jacinta Tobin. Australia: journalist Bruce Elder, this Jacinta Tobin, 2001. compilation is a musical overview of the current and CD 305.89 TOB important issues faced by Aboriginal Australians … Includes “Durag traditional songs about songs by Geoffrey Gurrumul Yunupingu, Archie Roach, Sydney's Aboriginal heritage, Seaman Dan, Kev Carmody and more.”– ABC website. the Durag (Dharug) people, environmental and cultural Rrakala by Geoffrey issues.” – Back cover. Gurrumul Yunupingu. Winnellie, NT: Skinnyfish Music, 2011. CD 305.89 GUR “Titled 'Rrakala'; a sub-group of people within the Gumatj clan, Gurrumul’s songwriting and choice of songs reflects deeper into his Warning: Aboriginal and Torres Strait Islander viewers Aboriginal identity. It follows in the should exercise caution when watching these programs footsteps of the multi ARIA award winning double platinum as they may contain images of deceased persons. debut album released in February 2008 and which has gone on to sell half a million copies world-wide.” – Artist website. Resources available from the NSW Teachers Federation Library 23-33 Mary St Surry Hills NSW 2010 Locked Bag 3010 Darlinghurst NSW 1300 Ph 02 9217 2113 Fax 02 9217 2481 E [email protected] Web www.nswtf.org.au click on Services tab October 2013 .
Load more

Recommended publications
  • Your Candidates Metropolitan
    YOUR CANDIDATES METROPOLITAN First Peoples’ Assembly of Victoria Election 2019 “TREATY TO ME IS A RECOGNITION THAT WE ARE THE FIRST INHABITANTS OF THIS COUNTRY AND THAT OUR VOICE BE HEARD AND RESPECTED” Uncle Archie Roach VOTING IS OPEN FROM 16 SEPTEMBER – 20 OCTOBER 2019 Treaties are our self-determining right. They can give us justice for the past and hope for the future. The First Peoples’ Assembly of Victoria will be our voice as we work towards Treaties. The First Peoples’ Assembly of Victoria will be set up this year, with its first meeting set to be held in December. The Assembly will be a powerful, independent and culturally strong organisation made up of 32 Victorian Traditional Owners. If you’re a Victorian Traditional Owner or an Aboriginal or Torres Strait Islander person living in Victoria, you’re eligible to vote for your Assembly representatives through a historic election process. Your voice matters, your vote is crucial. HAVE YOU ENROLLED TO VOTE? To be able to vote, you’ll need to make sure you’re enrolled. This will only take you a few minutes. You can do this at the same time as voting, or before you vote. The Assembly election is completely Aboriginal owned and independent from any Government election (this includes the Victorian Electoral Commission and the Australian Electoral Commission). This means, even if you vote every year in other elections, you’ll still need to sign up to vote for your Assembly representatives. Don’t worry, your details will never be shared with Government, or any electoral commissions and you won’t get fined if you decide not to vote.
    [Show full text]
  • DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11Am, 18.7.2013
    THE NATIONAL ABORIGINAL & TORRES STRAIT ISLANDER MUSIC, SPORT, ENTERTAINMENT & COMMUNITY AWARDS DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11am, 18.7.2013 BC TV’s gripping, award-winning drama Redfern in the NBA finals, Patrick Mills, are finalists in the Male Sportsperson Now is a multiple finalist across the acting and of the Year category, joining two-time world champion boxer Daniel television categories in the 2013 Deadly Awards, Geale, rugby union’s Kurtley Beale and soccer’s Jade North. with award-winning director Ivan Sen’s Mystery Across the arts, Australia’s best Indigenous dancers, artists and ARoad and Satellite Boy starring the iconic David Gulpilil. writers are well represented. Ali Cobby Eckermann, the SA writer These were some of the big names in television and film who brought us the beautiful story Ruby Moonlight in poetry, announced at the launch of the 2013 Deadlys® today, at SBS is a finalist with her haunting memoir Too Afraid to Cry, which headquarters in Sydney, joining plenty of talent, achievement tells her story as a Stolen Generations’ survivor. Pioneering and contribution across all the award categories. Indigenous award-winning writer Bruce Pascoe is also a finalist with his inspiring story for lower primary-school readers, Fog Male Artist of the Year, which recognises the achievement of a Dox – a story about courage, acceptance and respect. Aboriginal and Torres Strait Islander musicians, will be a difficult category for voters to decide on given Archie Roach, Dan Sultan, The Deadly Award categories of Health, Education, Employment, Troy Cassar-Daley, Gurrumul and Frank Yamma are nominated.
    [Show full text]
  • VIBE ACTIVITIES Issueyears 186 3-4
    Years 3-4 Y E A R Name: 3-4 VIBE ACTIVITIES IssueYears 186 3-4 The 2012 Deadlys – Female Artist of the Year page 7 JESS BECK JESSICA MAUBOY FEMALE ARTIST Originally hailing from Mingbool (near Mt Jessica Mauboy first graced Australian Gambier, SA), Jess drifted into singing while television as a shy 16 year old on studying acting at Adelaide University, Australian Idol in 2006. She was runner- OF THE YEAR but she admits music was always her first up that season, but was subsequently love. Jess wanted to be a performer from signed to Sony Music Australia. In an early age. While studying a Bachelor of February 2007 she released her debut Rainmakers with Neil Murray, founder of Creative Arts (Acting) at Flinders University, LP, The Journey, and in 2008, recorded the Warumpi Band. Following her recording Adelaide, she developed an interest in jazz her album Been Waiting which achieved debut on the Paul Kelly single Last Train, and cabaret. She auditioned for a band, double platinum sales, garnered seven Anu’s debut album Stylin’ Up produced which later became the Jess Beck Quartet. ARIA award nominations and produced numerous hit singles including Monkey Jess released her debut album Hometown her first number-one single Burn, as well and the Turtle, Party, Wanem Time and the Dress earlier this year. It is a combination as the album’s other top-10 hits, Because beautiful My Island Home, the song that of jazz, folk and Indie pop. Since then, she and Running Back. In 2010 she released was to become her signature tune.
    [Show full text]
  • Music Education)
    The University of Sydney SYDNEY CONSERVATORIUM OF MUSIC BACHELOR OF MUSIC (Music Education) 3rd YEAR MUSIC EDUCATION STUDENTS PROFESSIONAL EXPERIENCE (PEx) HANDBOOK 2019 PEx 2 Junior Secondary Teaching Practice MUED 3606 Semester 2, 2019 Student Teacher: _________________________________________________ Supervising Teacher: _____________________________________________ Email: ___________________________ Phone: _____________________ 1 USYD BMus (Music Education) MUED3606 Professional Experience Handbook MUED 3606 Junior Secondary Professional Experience (PEx) PEx/Practice Teaching Dates Monday June 3 and finishing and Friday July 5 for Government Schools and Friday June 28 for some non-Government Schools. Then a final one or two week block from July 22- August 2 Please Note: Student teachers are expected to organise a pre-prac visit anytime in the week commencing. The purpose of this visit is to meet the supervising teacher(s), Music Dept. Head, school staff and administration, and to organise teaching timetable. Academic PEx Co-ordinator PEx Administrator Dr Jennifer Rowley Cathy (Shuang) Chen Room 2082 Room: 2151 Phone: 9351 1328 Phone: 9351 1231 Fax: 9351 1287 Fax: 9351 1287 [email protected] [email protected] Mailing Address and Website PEx Co-ordinator Sydney Conservatorium of Music Macquarie St Sydney NSW 2000 LMS: https://canvas.sydney.edu.au/ Contact Details: School: ________________________________________________________________________ Principal: ______________________________________________________________________
    [Show full text]
  • Hop, Skip and Jump: Indigenous Australian Women Performing Within and Against Aboriginalism
    JOURNAL OF RESEARCH ONLINE MusicA JOURNAL OF THE MUSIC COUNCIL OF AUSTRALIA Hop, Skip and Jump: Indigenous Australian Women Performing Within and Against Aboriginalism Introduction KATELYN BARNEY was in The University of Queensland library talking to one of the librarians, James, about my PhD research. He asked, ‘So, what are you researching again?’ and I replied, ‘Well, I’m working with Indigenous Australian1 women ■ Aboriginal and Torres Strait Iwho perform contemporary music, you know, popular music singers’. James Islander Studies Unit looked confused, ‘Oh, so are you going to interview that guy from the band The University of Queensland 2 Yothu Yindi ?’ This was not the first time I had been asked this and inwardly I Brisbane sighed and replied, ‘No, I’m just focusing my research on Indigenous Australian QLD 4072 women’. Streit-Warburton’s words immediately reverberated in my mind: ‘Ask Australia an Australian to name an Aboriginal singer and there is a fair chance that the answer will be Yothu Yindi’s Mandawuy Yunupingu. Ask again for the name of an Aboriginal woman singer and there is an overwhelming chance that the answer will be Deafening Silence. Deafening Silence is not the name of a singer; it is the pervasive response to most questions about Aboriginal women.’ (1993: 86). As Email: [email protected] I looked at James, I wondered if anything had really changed in more than 10 years. The account above highlights how Indigenous Australian women performers continue to be silenced in discussions and discourses about Indigenous Australian 3 www.jmro.org.au performance.
    [Show full text]
  • VERA BLUE: the BLUEPRINT VERA BLUE It’S Been a Long Road to Vera Blue’S Debut Album Perennial, but for Label Universal, It’S Still Just the Beginning
    AUGUST 2017 | THEMUSICNETWORK.COM AUSTRALIAN SINGLES REPORT VERA BLUE: THE BLUEPRINT VERA BLUE It’s been a long road to Vera Blue’s debut album Perennial, but for label Universal, it’s still just the beginning. alk to a few Vera Blue fans in Her debut album Perennial entered the ST the crowd at Splendour in the ARIA charts at #6 (with the tragic anomaly AT Grass – where the singer popped of Chester Bennington’s death bumping ST TS Tup no less than three times, Linkin Park into the top spots), and she’s S cameoing onstage with Peking Duk and racked up over a million monthly listeners Slumberjack as well as her own epic set on Spotify and counting, showing just – and you’ll fnd any number of diferent how hungry for the full-length her fans things brought them there. One or two had grown. Vera Blue’s true range is may have followed Celia Pavey since clear for the frst time – from the witchy her appearance under her own name beats of potential single ‘Lady Powers’ on The Voice in 2013; plenty will have to the sly and soaring new anthem to been drawn in by the indelible chorus independence, ‘Regular Touch’, which 2015 – 'Hold' on Illy’s 2016 hit ‘Papercuts’, where Vera represents her strongest appeal to 18 million plays on Blue’s haunting, hooky guest vocal was commercial FM yet. Spotify a standout. But mostly it’s simply that she boasts one of the most powerful “It's about having that sense of voices in Australian music, as distinctive contentment and happiness, not as her sheet of luminous red hair, and a needing attention or affection to feel #2 songwriting talent to match that draws complete and of purpose,” she says.
    [Show full text]
  • Gurrumul's Mother's Buŋgul Gurrumul's Grandmother's
    A PERTH FESTIVAL COMMISSION BUŊGUL GURRUMUL’S MOTHER’S BUŊGUL GURRUMUL’S GRANDMOTHER’S BUŊGUL GURRUMUL’S MANIKAY With West Australian Symphony Orchestra Produced by Skinnyfish Music and Perth Festival Image: Jacob Nash Founder Principal Partner Community Partner This project was initiated by the Yunupiŋu family and Skinnyfish Music Perth Festival acknowledges the Noongar people who continue to practise their values, language, beliefs and knowledge on their kwobidak boodjar. They remain the spiritual and cultural birdiyangara of this place and we honour and respect their caretakers and custodians and the vital role Noongar people play for our community and our Festival to flourish. BUŊGUL GURRUMUL’S MOTHER’S BUŊGUL GURRUMUL’S GRANDMOTHER’S BUŊGUL GURRUMUL’S MANIKAY PERTH CONCERT HALL | FRI 7 – SUN 9 FEB | 90MINS Hear from creators and artists in a Q&A session after the performance on Sat 8 Feb. Sat 8 Feb Aboriginal and Torres Strait Islander audience members are advised that this performance contains the voice and image of a deceased person. There is a special relationship in the performing arts between creator, performer and audience. Without any one of those elements, the ceremony of performance ceases to exist. In choosing to be here, we thank you for your act of community as we celebrate the artists on the stage and the imaginations of those who have given them environments to inhabit, words to embody and songs to sing. Perth Festival 2020 is a celebration of us – our place and our time. It wouldn’t be the same without you. Iain Grandage, Perth Festival Artistic Director FANFARE You were called to your seat tonight by ‘Match’ composed by 21-year-old UWA student Jet Kye Chong.
    [Show full text]
  • Celebrate 50 Years of Play School with ABC
    Celebrate 50 years of Play School with ABC PRESS RELEASE: UNDER EMBARGO UNTIL 09:00, 11 May 2016 In 2016, iconic Australian television program Play School celebrates 50 years on air as the nation’s most respected, trusted and longest-running children’s series. To mark this momentous milestone, the ABC will present a variety of special content throughout the birthday month of July, celebrating the occasion with three generations of Australians who have grown up with Play School as an essential part of their childhood. Since its initial broadcast on July 18, 1966, Play School has been entertaining Australian preschoolers, providing them with new experiences and learning opportunities through music, crafts, stories, games, ideas and information. The series aims to encourage a child to wonder, to think, to feel and to imagine, and strives to reflect a modern, diverse Australian society. Fellow national TV treasure Kate Ritchie will present Big Ted's Excellent Adventure: 50 Years of Play School, a documentary that takes a nostalgic journey through Aussie childhood, reliving the laughter and delights of half a century of Play School while charting 50 years of the nation’s social history. Well known Australians, including, Mikey Robins, Hannah Gadsby, Nazeem Hussain, Craig McLachlan and members of the original Wiggles, share their personal memories of the show, alongside anecdotes from past and present Play School presenters, including Benita Collings, John Waters and Justine Clarke. Young and old alike will enjoy an exciting series of Play School Celebrity Covers. The mini-episodes feature a star-studded line up of popular Australian personalities turning their hand at being a Play School presenter, entertaining viewers with a familiar Play School song or story.
    [Show full text]
  • Media Kit Emma Donovan & the Putbacks
    MEDIA KIT EMMA DONOVAN & THE PUTBACKS CHEVRON LIGHTHOUSE SUN 9 FEB TICKETS: $39 Click here for images EMMA DONOVAN AND THE PUTBACKS Acclaimed Indigenous vocalist Emma Donovan and Melbourne rhythm combo The Putbacks burst on to the Australian scene with their album Dawn in 2015, announcing a new voice in Australian soul music. Emma’s songwriting is optimistic, impassioned, and bruisingly honest, The Putbacks’ music is fluid, live and raw, and the collaboration has won friends and admirers all over the world. The project was born of Emma and the band’s shared love for classic US soul and the protest music of Indigenous Australia. Shades of every soul record you ever liked sneak through: Al Green’s Hi Recordsera? Check. Aretha’s Classic Atlantic recordings? Check. Stacks of Stax? Check. It’s all there, but there’s also a whole lot of Coloured Stone and Warumpi Band influences giving this project a uniquely Australian slant. Emma grew up singing church songs with her grandparents on the North coast of New South Wales and her first secular gigs were singing in the family band, The Donovans, with her mother and five uncles. Throughout her career, she has toured and recorded with many of the mainstays of Indigenous music from Archie Roach to Dan Sultan and was a leader of the Black Arm Band project. It was in The Black Arm Band that Emma met members of The Putbacks and their journey together began. The Putbacks are stone cold pros, grizzled veterans of all the tours and all the studios. As individuals, they’re the players behind so many bands it’s difficult to list, but let’s start with Hiatus Kaiyote, The Bombay Royale, D.D Dumbo, Swooping Duck and The Meltdown.
    [Show full text]
  • Womadelaide 1992 – 2016 Artists Listed by Year/Festival
    WOMADELAIDE 1992 – 2016 ARTISTS LISTED BY YEAR/FESTIVAL 2016 47SOUL (Palestine/Syria/Jordan) Ainslie Wills (Australia) Ajak Kwai (Sudan/Australia) All Our Exes Live in Texas (Australia) Alpine (Australia) Alsarah & the Nubatones (Sudan/USA) Angelique Kidjo (Benin) & the Adelaide Symphony Orchestra (Australia) APY Choir (Australia) Asha Bhosle (India) Asian Dub Foundation (UK) Australian Dance Theatre “The Beginning of Nature” (Australia) Calexico (USA) Cedric Burnside Project (USA) DakhaBrakha (Ukraine) Datakae – Electrolounge (Australia) De La Soul (USA) Debashish Bhattacharya (India) Diego el Cigala (Spain) Djuki Mala (Australia) Edmar Castañeda Trio (Colombia/USA) Eska (UK) – one show with Adelaide [big] String Ester Rada (Ethiopia/Israel) Hazmat Modine (USA) Husky (Australia) Ibeyi (Cuba/France) John Grant (USA) Kev Carmody (Australia) Ladysmith Black Mambazo (South Africa) Mahsa & Marjan Vahdat (Iran) Marcellus Pittman - DJ (USA) Marlon Williams & the Yarra Benders (NZ/Australia) Miles Cleret - DJ (UK) Mojo Juju (Australia) Mortisville vs The Chief – Electrolounge (Australia) Mountain Mocha Kilimanjaro (Japan) NO ZU (Australia) Orange Blossom (France/Egypt) Osunlade - DJ (USA) Problems - Electrolounge (Australia) Quarter Street (Australia) Radical Son (Tonga/Australia) Ripley (Australia) Sadar Bahar - DJ (USA) Sampa the Great (Zambia/Australia) Sarah Blasko (Australia) Savina Yannatou & Primavera en Salonico (Greece) Seun Kuti & Egypt 80 (Nigeria) Songhoy Blues (Mali) Spiro (UK) St Germain (France) Surahn (Australia) Tek Tek Ensemble
    [Show full text]
  • The Black Arm Band Hidden Republic
    BIOGRAPHIES David Arden Sally Dastey Bevan Gabanbulu Ruby Hunter Rachael Maza Long Steven Richardson NEW AUSTRALIAN WORK Artist, Repertoire Adviser Artist (Gapanbulu Yunupingu) Artist Artist, Stage Direction, Spoken Word Script Conception, Direction World Artist Premiere David Arden has worked with many Aboriginal As one-third of Tiddas, Sally Dastey released Ruby Hunter is an Aboriginal woman of the Originally from the Torres Strait Islands, Rachael Steven Richardson has broad experience in the artists, from Hard Time Band and Koori Youth two acclaimed albums and four singles with Gapanbulu Yunupingu (Bevan Gabanbulu’s Ngarrindjeri clan of South Australia and was the Maza Long comes from a family of actors that arts spanning 20 years in a variety of artistic, Band to Bart Willoughby and Mixed Relations. accompanying videos, and was awarded an ARIA stage name) is the grandson of Yothu Yindi lead first Aboriginal woman to record her own album. spans three generations. A graduate of the producing and programming roles. He holds a As a guitarist with Archie Roach, he has toured Award. She launched her solo career with Secrets singer Mandawuy Yunupingu, and current yidaki She has recorded two albums, Thoughts Within Western Australian Academy of Performing Arts, Fine Arts degree in visual arts and also studied extensively both nationally and internationally. To Keep (2002) and has performed at numerous (didjeridu) player with Yothu Yindi. Gapanbulu and Feeling Good, and has toured extensively in she has had an impressive career in theatre, film, contemporary dance at Victorian College of the He has also written and performed songs for festivals while working on a range of projects Yunupingu has performed everywhere from Australia and overseas.
    [Show full text]
  • PLAYLIST 900 Songs, 2.3 Days, 7.90 GB
    Page 1 of 17 MAIN PLAYLIST 900 songs, 2.3 days, 7.90 GB Name Time Album Artist 1 Waterloo 2:43 101 Hits - Are We There Yet?! - CD4 Abba 2 Hello 3:57 ADELE 3 They Should Be Ringing (Single Edit) 3:28 Adore 4 The Memory Reel 3:24 LEAVES Advrb 5 You Look Good In Blue 2:18 triple j Unearthed Al Parkinson 6 Closer 3:55 Alana Wilkinson Alana Wilkinson 7 Good For You 3:37 Good For You Alana Wilkinson 8 fixture picture 4:07 Designer Aldous Harding 9 Good Conversation 3:16 The Turning Wheel Alex Hallahan 10 Don't Be So Hard On Yourself 4:18 Alex Lahey 11 Everybody's Laughing 3:50 Watching Angels Mend Alex Lloyd 12 Easy Exit Station 3:01 Watching Angels Mend Alex Lloyd 13 January 3:03 Ali Barter 14 I Feel Better But I Don't Feel Good 3:32 Alice Skye 15 Push 3:14 Alta 16 Remember That Sunday 2:37 Alton Ellis 17 Keep My Cool (with intro) 3:01 Aluka 18 Moana Lisa 3:44 I Woke Up This Morning After a Dream Amaringo 19 Sacred 4:44 Amaringo 20 I Got You 2:58 Love Monster Amy Shark 21 All Loved Up 3:30 Love Monster Amy Shark 22 Sisyphus 4:07 Andrew Bird 23 The Beloved - with intro 5:57 Carved Upon the Air Anecdote 24 The Sea - with intro 4:25 Carved Upon the Air Anecdote 25 No Secrets 4:18 101 Aussie Hits [CD2] The Angels 26 Pasta 4:38 Salt Angie McMahon 27 Missing Me 3:17 Salt Angie McMahon 28 Ring My Bell 3:17 Gold_Sensational 70's_ [Disc 1] Anita Ward 29 Nobody Knows Us - with intro 4:44 Nobody Knows Us Anna Cordell 30 You - with intro 5:41 Nobody Knows Us Anna Cordell 31 Train In Vain 4:44 Medusa Annie Lennox 32 Pale Bue Dot 3:04 Stay Fresh Annual
    [Show full text]