Tour Guides in Agra & Fatehpur Sikri

Total Page:16

File Type:pdf, Size:1020Kb

Tour Guides in Agra & Fatehpur Sikri Tour Guides In Agra & Fatehpur Sikri DISCOVER INDIA PROGRAM 2017-18 Certificate This is to certify that the work incorporated in the report titled “Tour Guides in Agra and Fatehpur Sikri” submitted by the undersigned research team was carried out under my supervision. Such material as has been obtained from other sources has been duly acknowledged. Sr. No. Name Designation Signature 1 Aditya Jha Visual Documentation 2 Advait Makhija Group Leader and On-field Research 3 Amalina Sengupta Accounts and On-field Research 4 Aman N Shah Accounts and On-field Research 5 Anish Jayaraman Content Writing 6 Deepta Iyer Logistics and On-field Research 7 Enasha Thakker Creativity 8 Hardika Zaveri Creativity 9 Maitreyi Menon Content Writing 10 Manasi Pant Content Writing 11 Sharvari Karandikar Content Writing 12 Shreya Negandhi Creativity 13 Tamanna Rajabali Creativity and Visual Documentation 14 Vishwambhar Vaidyam Visual Documentation Name of the Mentor: Dr. Juhi Sidharth Signature: Date: ii Table of Contents Sr. No. Particulars Page no. 1 1.0. Introduction 1 1.1. Geographical Location 1.1.1. Location 1.1.2. Climate 1.2. Economy and Education 1.3. Historical Overview 1.3.1. History of The Region 1.4. Research Statement 1.5. Research Aims and Objectives 1.6. Research Methodology 1.7. Limitations 2 2.1. Literature Review: Evaluation of Secondary Sources 11 2.1.1. Roles of a Tour Guide 2.1.2. Types of Tour Guides 2.1.3. Training 2.1.4. Conduct 2.1.5. Challenges to The Guides and The Industry 2.1.6. Gender 2.1.7. Religion 2.1.8. Economy 2.1.9. Demonetization 2.1.10. Narratives 2.2 Gaps in Literature 2.3 Conclusion FINDINGS AND ANALYSIS 3 3.0. Tour Guides in Agra and Fatehpur Sikri: Their Work and 28 Lives 3.1. Ambassadors, Performers and Interpreters 3.2. From the Colonial Era to The Present Day 3.3. The Training Process 3.4. Incentives 4 4.0. Tourism Industry in Agra: Problems and Challenges 41 4.1. The Commission System 4.2. Corruption 4.3. The Advent of Technology 4.4. Poor Infrastructure 4.5. Unlicensed Guides and Lapkas 4.5.1. Types of Unlicensed Tour Guides 4.5.2. Contrasting Perspectives 4.6. Policy Measures iii 5 5.0. Women Tour Guides in a Male-dominated Industry 57 5.1. Gendered Profession 5.2. Role of Family 5.3. Safety and Reputation 5.4. Relationship with Male Tour Guides 5.5. Empowering Profession 5.6. Conclusion 6 6.0. Narrating Facts and Legends of Agra and Fatehpur Sikri 68 6.1. Multiple Versions of History 6.2 Tour Guides as Entertainers and Performers 6.3. Stories About The Taj Mahal 6.3.1. The Emerging Myth of Tejo Mahalaya 6.4. Narratives Surrounding Fatehpur Sikri 7 7.0. Conclusion: Overview 79 7.1. Relevance and Utility of Research 8 8.0. References 84 9 9.0. Appendix 87 10 10.0 Glossary 151 List of Graphs, Tables and Images Images and Illustrations Sr. No. Title Fig. 1 Map of Uttar Pradesh, highlighting Agra Fig. 2 Streets of Agra Fig. 3 Department of tourism in Jamia Millia Islamia, Delhi Fig. 4 A tour guide conducting a tour Fig. 5 Young man selling us his souvenirs Fig. 6 A local vendor trying to sell his souvenirs Fig. 7 Yellow triangle highlights the golden triangle of tourism Fig. 8 Shahnawaz Khan proudly showing us his license Fig. 9 ASI sign board Fig. 10 Tourist receiving a souvenir iv Fig. 11 Vendor trying to convince a tourist to purchase Fig. 12 female tour guides (first from the right) conducting a tour Fig. 13 Listening to stories of Fatehpur Sikri tour guide Fig. 14 Listening to stories of Taj Mahal tour guide Illus. 1 Glimpses of female tour guides Illus. 2 Glimpses of male tour guides Tables Sr. No. Title 1 Research Methodology used for various stakeholders 2 Religious denominations in Agra 3 Literature Review Matrix Graphs Sr. No. Title 1 Seasonality in tourist arrivals v Acknowledgement We have worked with diligence to have been able to successfully complete the journey that Discover India Program entailed, however, it was widely contributed to by the support and guidance of numerous people and organizations that we interacted with over the course of ten days in multiple regions of the cities of Agra and Delhi. We would like to sincerely thank all of those involved for allowing us to contribute to the research and documentation of one of India’s oldest professions. We would like to thank Discover India Program for providing us with a unique opportunity to explore beautiful cities in the wondrous country of India and for allowing us to be a part of a larger than life experience. We express our gratitude to the DIP Collegium, for their supervision and assistance and our hosts in Agra and Delhi for being welcoming and supportive throughout our journey. This opportunity would not have presented itself to us if it weren’t for FLAME University, Vice Chancellor, Dr. Devi Singh, and Associate Dean, Dr. Santosh Kudtarkar. Thank you so much to the chair of DIP, Dr. Poonam Gandhi, and the co-chair, Dr. Ravikant Kisana, for making this experience possible. We are highly indebted to our Faculty Mentor, Dr. Juhi Sidharth, for guiding and encouraging us by providing constant positive reinforcement that made us more determined and pushed us to work harder. It would be remiss of me if we did not express our gratitude to the members of the community who encouraged the research with warmth and their enthusiasm in being part of an academic project such as this. The group of expressive and insightful interviewees that we engaged with were kind enough to provide us with an immense amount of information without holding back and we are thankful for the same. We would also want to thank the staff of the various hotels, shops, restaurants and cafés for providing us with a space to engage with our interviewees. We express our gratitude to every individual who aided our research over the last six months-- this project would not have been possible without your invaluable support. vi Abstract Tourism in India is one of the most rapidly growing industries and a tour guide has a substantial role to play in helping its economy grow. Agra and Fatehpur Sikri are home to multiple World Heritage Sites and tour guiding has become markedly popular in these cities. Despite being one of the oldest professions in the world, research on the life and work of tour guides is surprisingly limited, especially in the case of India. The report contextualizes the work of tour guides in Agra and Fatehpur Sikri and proceeds to explore their livelihood by understanding the evolution of the profession, the impact of numerous changes in governmental policies, the countless challenges that tour guides have to face in their line of work, and the varying roles that they interpret and assume. Moreover, there is added attention given to exploring the experiences of women who work as tour guides and the influence of various political, cultural and religious factors on the narratives surrounding the Taj Mahal and Fatehpur Sikri. The report establishes the significance of tourism in Agra and Fatehpur Sikri by providing a historical and geographical context of the region, followed by an understanding of what defines a quintessential tour guide. Due to the lack of scholarly work on tour guides in the Indian context, most of the existing literature gave a non-native perspective on what the job of a tour guide entails. The nature of the profession makes tour guiding region-specific because of which it is imperative to understand it in an Indian context. Primary data for the study was collected on-field from a representative sample of individuals of the tourism industry in Agra, Fatehpur Sikri and Delhi through observations, interviews and focus-group discussions. The report explores and analyses the evolution of the profession, the multiple roles that a tour guide assumes, the different types of licensed and unlicensed guides, and the factors that shape an individual’s choice to enter this dynamic profession. The variation in narratives of the Taj Mahal and Fatehpur Sikri are explored and the causes for the same are analysed. Additionally, the assortment of challenges that a guide faces due to legislative, executive and judiciary bodies at a regional and a country level, and other social structures are also investigated. The joys as well as challenges faced by a female who choose to enter a male dominated profession are explored as well. The report attempts to address the necessity of research on the unexplored domain of tour guiding in Agra and Fatehpur Sikri and presents a detailed account of the work and the lives of tour guides. vii INTRODUCTION CHAPTER 1.0: INTRODUCTION The cities of Agra and Fatehpur Sikri are steeped in history and are custodians of Mughal architecture. Marble-tops inlaid with semi-precious stones that create intricate floral and geometric patterns known as pietra dura are representative of Agra and its association with Mughal artwork. And, of course, Agra is home to the Taj Mahal, one of the seven wonders of the world. Approximately sixty-two lakh tourists make their way to the Taj every year1. The city is also home to several lesser known heritage sites such as Sikandra, Humayun’s Mosque, and Kanch Mahal. Fatehpur Sikri, Akbar’s capital, lies at a distance of a mere 16 kilometres from the city. While several sectors such as the accommodation sector, transport sector and the souvenir sector are major contributors to the maintenance and encouragement of tourism (Srivastava, 2011), the role of tour guides as carriers and communicators of culture and history emerges as exceptionally important (McDonnell, 2001).
Recommended publications
  • In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
    In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being.
    [Show full text]
  • Rotary Tour to India
    Incredible Rotary in India Itinerary Dream • Explore • Celebrate Start planning your tailor-made holiday by contacting one of our specialists... Why book with us Over 20 years of experience with more than 100,000 tourists served Our Mission is to be passionately committed to Total Quality Travel World Class Destination Management Company Recognized by Government of India, Ministry of Tourism One Stop Shop for all your travel needs to Asia & Middle East Support of Highly Professional and Experienced Team Vast Network and Robust Infrastructure across the country 100% Tailor Made Customised Tours to suit your needs 24/7 Customer Service Support Available Secure online payment options Best Price Guaranteed 100% Tailor-made Expert Knowledge The Best Guides Your entire holiday is All our specialists have Make the difference between a designed around your travelled extensively or good trip and an outstanding one requirements lived in their specialist Hand-picked by us or our local Explore your interests at regions partners as the best available your own speed Make the most of your time Offering more than just dates Select your preferred and budget and names, they strive to offer a style of accommodation One specialist will handle real insight into their country Create the perfect trip your trip from start to finish with help of our specialists Office : 29, Wadhwa House, Nikhil Garden Phase 1 , Taj Nagari Phase 2 , Agra 282001 , UP – INDIA Ph: +91- 562 -6459375 / email: [email protected] / web: www.calindiatours.comm Tour Itinerary | Al and Sherri Muniz Group | March 2018 Incredible Rotary in India Tour Golden Triangle Tour of north India is one of the most popular and well-received tourist circuits of the country.
    [Show full text]
  • Research Paper Impact Factor
    Research Paper IJBARR Impact Factor: 3.072 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 HISTORY OF INDIAN CINEMA Dr. B.P.Mahesh Chandra Guru * Dr.M.S.Sapna** M.Prabhudev*** Mr.M.Dileep Kumar**** * Professor, Dept. of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. **Assistant Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***RGNF Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Mysore-570006, Karnataka, India. Abstract The Lumiere brothers came over to India in 1896 and exhibited some films for the benefit of publics. D.G.Phalke is known as the founding father of Indian film industry. The first Indian talkie film Alam Ara was produced in 1931 by Ardeshir Irani. In the age of mooki films, about 1000 films were made in India. A new age of talkie films began in India in 1929. The decade of 1940s witnessed remarkable growth of Indian film industry. The Indian films grew well statistically and qualitatively in the post-independence period. In the decade of 1960s, Bollywood and regional films grew very well in the country because of the technological advancements and creative ventures. In the decade of 1970s, new experiments were conducted by the progressive film makers in India. In the decade of 1980s, the commercial films were produced in large number in order to entertain the masses and generate income. Television also gave a tough challenge to the film industry in the decade of 1990s.
    [Show full text]
  • Air Quality Trends and Action Plan for Control of Air Pollution from Seventeen Cities
    NATIONAL AMBIENT AIR QUALITY MONITORING SERIES : NAAQMS/29/2006-07 Air Quality Trends and Action Plan for Control of Air Pollution from Seventeen Cities CENTRAL POLLUTION CONTROL BOARD MINISTRY OF ENVIRONMENT & FORESTS Website: www.cpcb.nic.in e-mail: [email protected] September 2006 Air Quality Trends and Action Plan for Control of Air Pollution from Seventeen Cities FOREWORD COVER PAGE PERSONNEL INVOLVED CONTENTS FULL TEXT FOREWORD Urbanisation in India is more rapid in and around National Capital as well as the State Capitals and, over the years, these cities have become major centers for commerce, industry and education. Enormous increase in number of vehicles has resulted in increased emission of air pollutants and, as a result, levels of air pollutants such as respirable suspended particulate matter are found to exceed the prescribed standards in these cities. The Honorable Supreme Court has also identified sixteen cities in addition to Delhi for which action plans are being formulated and implemented to control air pollution. An attempt has been made in this report to address the pollution problem in these seventeen cities namely Agra, Ahmedabad, Bangalore, Chennai, Delhi, Faridabad, Hyderabad, Jharia, Jodhpur, Kanpur, Kolkata, Lucknow, Mumbai, Patna, Pune, Solapur and Varanasi. Trends of air pollutants are determined to find the effects of various actions taken so far to control air pollution. Action plans as developed by respective State Governments have also been covered. I am thankful to my colleagues Dr. B. Sengupta, Member Secretary, Dr. R.C. Trivedi, Additional Director and Sh. Naresh Badhwar, Environmental Engineer and Ms. Meetu Puri, SRF for their contribution in preparation of this report.
    [Show full text]
  • Decisions Taken by BCCC
    ACTION BY BCCC ON COMPLAINTS RECEIVED FROM 16 APRIL 2014 TO 31 AUGUST 2017 S.NO Programme Channel Total Nature of Complaints Telecast date of the Action By BCCC Number of programme reviwed Complaints by BCCC Received A : SPECIFIC CONTENT RELATED COMPLAINTS A-1 : Specific Content related complaints Disposed 1 Crime Patrol Sony 3 Episode 09-05-2017: It is shown that a girl Asha gets trapped with a gang 09-05-2017 Episode 09-05-2017: BCCC viewed the episode and found that this crime- of human smugglers. She is sold to Bina from Rajasthan and to please her 01-08-2017 based show did not denigrate the child. The show came out with a positive clientele, both Indian and foreign, she starts giving her injections which will 07-08-2017 messaging and the depiction was not considered to be outlandish or lead to her body’s growth. Asha will start looking like a 14-15 years old girl. grotesque. The complaint was DISPOSED OF. It is shown that Asha has her periods and her dress is blood-stained. This Episode 01/08/17: BCCC viewed the episode and found that the mother is objectionable and it denigrates children. wanted to discipline her son by inflicting torture on her. In the process the child Episode 01-08-2017: It shows a child talking about how he got gifts from gets detached from the family members and runs away from the house. In the everyone when he was born and even now he get presents from everyone second story a seven-year-old sister is shown to murder her sibling who is two in the form of beatings.
    [Show full text]
  • 2 Days Taj Mahal Tour from Delhi by Car India, National Capital Territory of Delhi | 2 Days | 1 - 9 Pax
    2 Days Taj Mahal Tour from Delhi By Car India, National Capital Territory of Delhi | 2 days | 1 - 9 Pax Overview Spend 2 days visiting some of India’s most iconic monuments. Take in the beauty of the Taj Mahal, both at sunrise and sunset. Tour the Agra Fort and visit the Baby Taj and Sunset Point. Enjoy an excursion to the magnificent Fatehpur Sikri also known as the Ghost Town. Detailed Itinerary Day 1: Delhi to Agra 08.00: Pick-up in Delhi and drive to Agra by air-conditioned car 11:30: Check in at the hotel (the guide will meet you in the hotel lobby) 13:00: Visit the tomb of Itmad ud Daulah (also known as the Baby Taj) 14:00: Lunch at a multi-cuisine restaurant (not included in the tour price) 15:00: Visit Agra Fort, where Emperor Shah Jahan was imprisoned 16.30: Visit the Mahtab Garden and take in the sunset at the Taj Mahal 20:00: Drop off at hotel for the overnight stay in Agra city Day 2: Agra to Delhi 06:00: After an early breakfast, your driver will pick you up at your hotel 06:20: Visit the Taj Mahal with your guide to marvel at the outstanding beauty of India’s most renowned monument at sunrise 09:30: Enjoy a full breakfast and check out of the hotel 10.00: Head out on an excursion to Fatehpur Sikri, a perfectly preserved red stone ghost town that was the estranged capital of Emperor Akbar, built in 1569 AD.
    [Show full text]
  • Page 01 Nov 27.Indd
    THURSDAY 27 NOVEMBER 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Michelin-star Japanese COMMUNITY chef works magic at • MediaOne show Sharq Village and Spa to feature history of television P | 5 P 6 | ROBOTICS • Deregulation at heart of Japan’s new robotics revolution P | 7 Mention African style and the fashion crowd thinks FILM Lagos, or Johannesburg. But Uganda’s emerging • Before you see Mockingjay, here’s what you need to designers — using a mix remember from Catching Fire of local craft and global savvy — are hoping to give P | 8-9 them a run for their money. HEALTH • Hookah smokers are inhaling benzene P | 11 TECHNOLOGY • Tech shopping: Video games for adults and children UGANDAN P 12 | DESIGNERS LEARN ARABIC • Learn commonly used Arabic words MAKE A MARK and their meanings P | 13 2 PLUS | THURSDAY 27 NOVEMBER 2014 COVER STORY Ugandan designers seek cut of Africa fashion market By Amy Fallon ention African style and the fashion crowd thinks Lagos, or Johannesburg. MBut Uganda’s emerging designers — using a mix of local craft and global savvy — are hoping to give them a run for their money. Fashion in the east African nation may be viewed as frivolous by many, with the industry under resourced and local designers facing fierce competition from cheaper secondhand clothes and Chinese imports. But tickets for Kampala’s first ever Fashion Week earlier this month sold out swiftly, with models strutting the catwalk showing everything from sequined hot pants to accessories made from cow horn, to a dress made from the country’s unique bark cloth.
    [Show full text]
  • List of Class Wise Ulbs of Uttar Pradesh
    List of Class wise ULBs of Uttar Pradesh Classification Nos. Name of Town I Class 50 Moradabad, Meerut, Ghazia bad, Aligarh, Agra, Bareilly , Lucknow , Kanpur , Jhansi, Allahabad , (100,000 & above Population) Gorakhpur & Varanasi (all Nagar Nigam) Saharanpur, Muzaffarnagar, Sambhal, Chandausi, Rampur, Amroha, Hapur, Modinagar, Loni, Bulandshahr , Hathras, Mathura, Firozabad, Etah, Badaun, Pilibhit, Shahjahanpur, Lakhimpur, Sitapur, Hardoi , Unnao, Raebareli, Farrukkhabad, Etawah, Orai, Lalitpur, Banda, Fatehpur, Faizabad, Sultanpur, Bahraich, Gonda, Basti , Deoria, Maunath Bhanjan, Ballia, Jaunpur & Mirzapur (all Nagar Palika Parishad) II Class 56 Deoband, Gangoh, Shamli, Kairana, Khatauli, Kiratpur, Chandpur, Najibabad, Bijnor, Nagina, Sherkot, (50,000 - 99,999 Population) Hasanpur, Mawana, Baraut, Muradnagar, Pilkhuwa, Dadri, Sikandrabad, Jahangirabad, Khurja, Vrindavan, Sikohabad,Tundla, Kasganj, Mainpuri, Sahaswan, Ujhani, Beheri, Faridpur, Bisalpur, Tilhar, Gola Gokarannath, Laharpur, Shahabad, Gangaghat, Kannauj, Chhibramau, Auraiya, Konch, Jalaun, Mauranipur, Rath, Mahoba, Pratapgarh, Nawabganj, Tanda, Nanpara, Balrampur, Mubarakpur, Azamgarh, Ghazipur, Mughalsarai & Bhadohi (all Nagar Palika Parishad) Obra, Renukoot & Pipri (all Nagar Panchayat) III Class 167 Nakur, Kandhla, Afzalgarh, Seohara, Dhampur, Nehtaur, Noorpur, Thakurdwara, Bilari, Bahjoi, Tanda, Bilaspur, (20,000 - 49,999 Population) Suar, Milak, Bachhraon, Dhanaura, Sardhana, Bagpat, Garmukteshwer, Anupshahar, Gulathi, Siana, Dibai, Shikarpur, Atrauli, Khair, Sikandra
    [Show full text]
  • About Balaji Telefilms
    Private and Confidential Unique, Distinctive, Disruptive Investor Presentation Unique, Distinctive, Disruptive Disclaimer Certain words and statements in this communication concerning Balaji Telefilms Limited (“the Company”) and its prospects, and other statements relating to the Company‟s expected financial position, business strategy, the future development of the Company‟s operations and the general economy in India & global markets, are forward looking statements. Such statements involve known and unknown risks, uncertainties and other factors, which may cause actual results, performance or achievements of the Company, or industry results, to differ materially from those expressed or implied by such forward-looking statements. Such forward-looking statements are based on numerous assumptions regarding the Company‟s present and future business strategies and the environment in which the Company will operate in the future. The important factors that could cause actual results, performance or achievements to differ materially from such forward-looking statements include, among others, changes in government policies or regulations of India and, in particular, changes relating to the administration of the Company‟s industry, and changes in general economic, business and credit conditions in India. The information contained in this presentation is only current as of its date and has not been independently verified. No express or implied representation or warranty is made as to, and no reliance should be placed on, the accuracy, fairness or completeness of the information presented or contained in this presentation. None of the Company or any of its affiliates, advisers or representatives accepts any liability whatsoever for any loss howsoever arising from any information presented or contained in this presentation.
    [Show full text]
  • Past and Present
    2nd Scandinavian Symposium on Furniture Technology & Design Marquetry Past and Present May 2007 Vadstena Sweden Cover photo: Detail of ‘Scarab table’ by Rasmus Malbert. Photo taken by © Rasmus Malbert. This publication was made possible thanks to Carl Malmstens Hantverksstiftelse Editor Ulf Brunne Director of Studies Carl Malmsten Furniture Studies Linköping University Tel. +46 (0) 13 28 23 20 e-mail: [email protected] Layout Elise Andersson Furniture Conservator Tel. +31 (0) 686 15 27 06 / +46 (0) 704 68 04 97 e-mail: [email protected] Foreword The Marquetry Symposium in Vadstena 2007 was all over the world. The presentations covered a the second international symposium hosted by Carl multitude of aspects and were well inline with our Malmsten Centre of Wood Technology & Design ambition to include both historical, theoretical, at Linköping University. Since then we not only technical and design related aspects. changed our name, we also moved to new purpose- Even if the symposium, as intended, covered both built premises and above all, updated our programs historical and modern applications we conclude in order to meet future challenges. Carl Malmsten that presentations of contemporary works and Furniture Studies, which is our new name, is techniques were in minority. It is therefore with great satisfaction we during the past few years have Marquetry has since ancient times been used to registered a growing interest not only in traditional decoratedefinitely furniture back on track! and interiors. Starting with basic marquetry but also in the use of marquetry on but intricate geometric patterns in the Middle Ages, industrially manufactured design furniture.
    [Show full text]
  • Encounters with the Past: Sustainable Tourism and Cultural History in Agra for the Taj National Park
    ENCOUNTERS WITH THE PAST 357 Encounters with the Past: Sustainable Tourism and Cultural History in Agra for the Taj National Park KENNETH MCCOWN California State Polytechnic State University, Pomona PROJECT HISTORY reduce sprawl, pollution and environmental damage from wind-borne particulates. No further develop- Several cross-cultural encounters influenced the ment beyond the existing squatter villages would direction and development of this project. The be permitted in the park boundaries, thus making governments of the United States and India signed a pre-emptive move to keep tourist infrastructure a memorandum of understanding for site planning from eyesight of the Taj Mahal. Taj National Park, of cultural heritage sites in the city of Agra. This led acting in tandem with the proposed and Taj Nature to a series of studies by the United States National Trail and existing Shah Jahan Park afford a sizeable Park Service, the Civil Engineering Department of three-sided buffer zone around the spectacular the University of Roorkee, the National Transpor- monument. This park creates a greenbelt area tation Planning and Research Center, the Center around the Taj, as required by a court order in 1994. for Advanced Development Research, and Delhi These green spaces keep large amounts of vehicular University. The reports covered possible strate- traffic away from the Taj, and reduce and absorb gies for the development in Agra, and addressed diesel emissions in close proximity to the monu- aspects of Agra's environment, focusing primarily on ment. The two proposed parks, and Shah Jahan park the immediate surroundings of the Taj Mahal. The work in conjunction with other regionally planned results of those studies indicated critical issues re- green belts protect the Taj from erosion from sand garding Agra's tourism industry and environmental particles windswept out of the Thar Desert outside conditions.
    [Show full text]
  • Exploration of Arabesque As an Element of Decoration in Islamic Heritage Buildings: the Case of Indian and Persian Architecture
    Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Exploration of Arabesque as an Element of Decoration in Islamic Heritage Buildings: The Case of Indian and Persian Architecture Mohammad Arif Kamal Architecture Section Aligarh Muslim University, Aligarh, India Saima Gulzar School of Architecture and Planning University of Management and Technology, Lahore, Pakistan Sadia Farooq Dept. of Family and Consumer Sciences University of Home Economics, Lahore, Pakistan Abstract - The decoration is a vital element in Islamic art and architecture. The Muslim designers finished various art, artifacts, religious objects, and buildings with many types of ornamentation such as geometry, epigraphy, calligraphy, arabesque, and sometimes animal figures. Among them, the most universal motif in ornamentation which was extensively used is the arabesque. The arabesque is an abstract and rhythmic vegetal ornamentation pattern in Islamic decoration. It is found in a wide variety of media such as book art, stucco, stonework, ceramics, tiles, metalwork, textiles, carpets, etc.. The paper discusses the fact that arabesque is a unique, universal, and vital element of ornamentation within the framework of Islamic Architecture. In this paper, the etymological roots of the term ‘Arabesque’, its evolution and development have been explored. The general characteristics as well as different modes of arabesque are discussed. This paper also analyses the presentation of arabesque with specific reference to Indian and Persian Islamic heritage buildings. Keywords – Arabesque, Islamic Architecture, Decoration, Heritage, India, Iran I. INTRODUCTION The term ‘Arabesque’ is an obsolete European form of rebesk (or rebesco), not an Arabic word dating perhaps from the 15th or 16th century when Renaissance artists used Islamic Designs for book ornament and decorative bookbinding [1].
    [Show full text]