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Contrasts International Contemporary Music Festival Lviv / 01-11.10.2015
musical art of the XXI century CONTRASTS INTERNATIONAL CONTEMPORARY MUSIC FESTIVAL LVIV / 01-11.10.2015 01.10.2015 / Thursday 19:00 / S. Lyudkevych Concert Hall / MUSICAL PREMIERES OF 21ST CENTURY Academia Lviv Chamber Orchestra/UA Arthur Mykytka/UA, artistic manager & concert master / Myroslav Skoryk/UA, artistic director Gryphon Trio/CA: Annalee Patipatanakoon, violin Roman Borys, cello James Parker, piano Zhanna Masliak/UA, flute Zoia Khodan/UA, flute Ricardo Calderoni/BR, conductor Ihor Pylatiuk/UA, conductor Heitor Villa-Lobos/BR/1887-1959/ Aria from Bachianas Brasileiras No. 5 (1938/45)▲ Transcription for string orchestra by Myroslav Skoryk (1984) Edmundo Villani-Côrtes/BR/*1930/ Catedral da Sé for string orchestra (1955)▲ Ricardo Calderoni/BR Double Concerto for two flutes and orchestra (1980)▲ Claudio Santoro/BR/1919-1989/ Ponteio for string orchestra (1953)▲ Vladimir Genin/RU-DE/*1958/ Threnody for the Victims in Ukraine for strings (2014)** Vitaly Vyshynsky/UA/*1983/ Dodes’ka-den for string orchestra and percussion (2011)▲ Bohdana Frolyak/UA/*1968/ Music of Dreams for violin, cello, piano and string orchestra (2015)* * - world premiere ** - Ukrainian premiere ▲ - for the first time on Contrasts Performance of Gryphon Trio was made possible with support from the Ukrainian Canadian Foundation of Taras Shevchenko 02.10.2015 / Friday 11:00 / Art-café Kvartyra 35 Coffee with a composer: Alexander Shchetynsky/UA conversation on the theme: What is opera? moderator – Vitaly Vyshynskyi/UA 16:00 / Foyer of Lviv Philharmonic / Opening -
Journal of History Culture and Art Research (ISSN: 2147-0626) Tarih Kültür Ve Sanat Araştırmaları Dergisi Vol
Journal of History Culture and Art Research (ISSN: 2147-0626) Tarih Kültür ve Sanat Araştırmaları Dergisi Vol. 9, No. 4, December 2020 DOI: 10.7596/taksad.v9i4.2817 Citation: Berehova, O., Volkov, S. (2020). Modern Opera of the Late 20th- Early 21st Centuries: World Trends and Ukrainian Realities. Journal of History Culture and Art Research, 9(4), 217-235. doi:http://dx.doi.org/10.7596/taksad.v9i4.2817 Modern Opera of the Late 20th- Early 21st Centuries: World Trends and Ukrainian Realities Olena Berehova1, Sergii Volkov2 Abstract The ways of transformation of the opera genre at the new historical stage of its development are traced. The integrative aspects of the interaction of opera with other musical genres and types of art, features of the content, aesthetics, genre and style principles, stylistics of modern opera art are revealed. It was found that the basis of the latest operas are historical and mythological, biblical and fairy-tale, tragic and comic plots, masterpieces of ancient and modern drama, prose, and poetry. A wide panoramic review of operas created in recent decades has shown that among the topics that concern artists today, the most relevant are: the greatness and decline of the spiritual leader, the ephemerality of human life, indifference and coldness of modern society, depressing human loneliness, loss of identity, man's destiny in the world, crime and punishment, repentance for sins committed, carnal passions and violence, decomposition and self-destruction of the individual, idealized love, dreams, memory, the subconscious -
The Ukrainian Weekly 1996, No.5
www.ukrweekly.com INSIDE: ^ Primakov travels to Kyiv to fay groundwork for Yeltsin visit - page 3. e Radio Canada International saved by Cabinet shuffle - page 4. 9 Washington Post correspondent shares impressions of Ukraine - page 5. THE UKRAINIAN WEEKLY Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXIV No. 5 THE UKRAINIAN WEEKLY SUNDAY, FEBRUARY 4, 1996 S1.2542 in Ukraine Ukraine's coal miners stage strike Parliament cancels moratorium to demand payment of back wages on adoptions, sets procedures by Marta Kolomayets during this harsh winter - amidst condi by Marta Kolomayets children adopted by foreigners through Kyiv Press Bureau tions of gas and oil shortages - and Kyiv Press Bureau Ukrainian consular services until they should be funded immediately from the turn 18 and forbids any commercial for KYIV - Despite warnings of mass state budget. KYIV - The Parliament on January 30 eign intermediaries to take part in the strikes involving coal mines throughout lifted a moratorium on adoption of As The Weekly was going to press, adoption process. Ukraine, Interfax-Ukraine reported that Ukrainian children by foreigners and Coal Industry Minister Serhiy Polyakov The law, which takes effect April 1, as of late Thursday evening, February I, voted to establish a new centralized mon had been dispatched to discuss an agree will closely scrutinize the fate and workers from only 86 mines out of 227 ment with strike leaders. According to itoring agency that will require all adop whereabouts of Ukraine's most precious had decided to walk out. They are Interfax-Ukraine, the Cabinet of Ministers tions in Ukraine to pass through, the resource - its children. -
Book Reviews
Canadian Slavonic Papers Revue Canadienne des Slavistes ISSN: 0008-5006 (Print) 2375-2475 (Online) Journal homepage: https://www.tandfonline.com/loi/rcsp20 Book Reviews Alexandra Popoff, Serhy Yekelchyk, David Goldfrank, Andriy Zayarnyuk, Robert Collis, Kazimiera J. Cottam, Alla Nedashkivska, Irina Astashkevich, Maxim Tarnawsky, Max Bergholz, Brian Horowitz, Sharon A. Kowalsky, Christopher Ely, Alexander M. Martin, Ralph Lindheim, Gerald M. Easter, Gunter Schaarschmidt, Eugene Miakinkov, George Chuchman, Nadine Thielemann, George Thomas, George Cummins, Zarema Kumakhova, Céline Marangé, Christopher Burton, Vera Tolz, Megan Swift, Kevin Kain, George Soroka, Alison Rowley, Seth Graham, J.-Guy Lalande, Jan Raska, Katharine Hodgson, John Stanley, Harold Schefski, Geneviève Cloutier, Barbara Henry, Andrew Demshuk, Martina Björklund, Gerhard Schildberg-Schroth, Zina Gimpelevich, Andrew Dombrowski, N.G.O. Pereira, Lasha Tchantouridzé, Karen Gammelgaard, John Dingley, Sarah Clovis Bishop, Yuri Leving, Laurie Bernstein, Lynne Viola, Annie Gérin, Ljiljana Šarić, Tristan Landry, Victor Taki, Julia Vaingurt, Leonard Friesen, Donald J. Raleigh & M. Mark Stolarik To cite this article: Alexandra Popoff, Serhy Yekelchyk, David Goldfrank, Andriy Zayarnyuk, Robert Collis, Kazimiera J. Cottam, Alla Nedashkivska, Irina Astashkevich, Maxim Tarnawsky, Max Bergholz, Brian Horowitz, Sharon A. Kowalsky, Christopher Ely, Alexander M. Martin, Ralph Lindheim, Gerald M. Easter, Gunter Schaarschmidt, Eugene Miakinkov, George Chuchman, Nadine Thielemann, George Thomas, -
46Th SEASON PROGRAM NOTES Week 1 July 15-July 21, 2018
th SEASON PROGRAM NOTES 46 Week 1 July 15-July 21, 2018 Sunday, July 15, 6 pm or the interplay of the two instruments in done in eight days “and three sleepless Monday, July 16, 6 pm L’aube enchantée. The flute and harp have nights” of work. And then there was the distinctive roles here. The harp introduces matter of proper clothing. Ravel was the RAVI SHANKAR (1920 – 2012) the piece and often functions as a drone as most fastidiously dressed composer who L’aube enchantée (The Enchanted Dawn) it accompanies the melodic instrument, the ever lived (for his American tour of 1928, (1976) flute. But it would be a mistake to regard he would take along 20 pairs of pajamas the harp purely as an “accompanying” and 50 pastel shirts); now he hurried to his Ravi Shankar had a profound impact on instrument—it introduces a series of complex tailor to order the proper clothes for a yacht Western music in the 1960s, and musicians rhythmic patterns, often plays by itself, and trip. In his haste, Ravel left the manuscript as diverse as Philip Glass and George is an equal partner in the musical enterprise. of the new harp piece sitting on the tailor’s Harrison have expressed how greatly The flute, the “melodic” instrument, may counter. Fearing the worst, he returned from Shankar impacted their own music. But have a simple melody at first, but its part the trip several weeks later to find that the Shankar was, in turn, just as interested in takes on a complexity of its own as the tailor had carefully saved it for him. -
Concert Program
Oksana Dyka, soprano Angelina Gadeliya, piano • Solomiya Ivakhiv, violin I. Bellini Vincenzo Bellini Casta Diva (1801-1835) from Norma (1831) Program Mozart Wolfgang Amadeus Mozart Porgi, amor, qualche ristoro (1756-1791) from The Marriage of Figaro (1786) Rossini Gioachino Rossini Selva opaca, Recitative and Aria (1792-1868) from Guglielmo Tell (William Tell, 1829) Ms. Dyka • Ms. Gadeliya II. Shchetynsky Alexander Shchetynsky An Episode in the Life of the Poet, (b. 1960) an afterword to the opera Interrupted Letter (2014) World Premiere Ms. Ivakhiv • Ms. Gadeliya III. From Poetry to Art Songs 1: Settings of poems by Taras Shevchenko Shtoharenko Andriy Shtoharenko Yakby meni cherevyky (1902-1992) (If I had a pair of shoes, 1939) Silvestrov Valentin Silvestrov Proshchai svite (b. 1937) (Farewell world, from Quiet Songs, 1976) Shamo Ihor Shamo Zakuvala zozulen’ka (1925-1982) (A cuckoo in a verdant grove, 1958) Skoryk Myroslav Skoryk Zatsvila v dolyni (b. 1938) (A guelder-rose burst into bloom, 1962) Mussorgsky Modest Mussorgsky Hopak (1839-1881) from the opera Sorochynsky Fair (1880) Ms. Dyka • Ms. Gadeliya 2 Program — INTERMISSION — I V. Beethoven Ludwig van Beethoven Allegro vivace (1770-1827) from Sonata in G Major, Op. 30 (1801-1802) Vieuxtemps Henri Vieuxtemps Désespoir (1820-1881) from Romances sans paroles, Op. 7, No. 2 (c.1845) Ms. Ivakhiv • Ms. Gadeliya V. From Poetry to Art Songs 2: Settings of poems by Taras Shevchenko Lysenko Mykola Lysenko Oy, odna ya odna (1842-1912) (I’m alone, so alone, 1882) Rachmaninov Sergei Rachmaninov Poliubila ya na pechal’ svoyu, (1873-1943) Op. 8, No. 4 (I have given my love, 1893) Stetsenko Kyrylo Stetsenko Plavai, plavai, lebedon’ko (1882-1922) (Swim on, swim on, dear swan, 1903) Dankevych Konstantyn Dankevych Halia’s Aria (1905-1984) from the opera Nazar Stodolia (1960) VI. -
The Article Under Consideration Deals with the Meaning of Film Music in the Work of Ukrainian Composers in the Cultural Context
UDC 78.01-791.43.01 А. Ovsiannikova-Тrel CULTURAL ASPECTS OF THE STUDY OF THE FILM MUSIC OF UKRAINIAN COMPOSERS The article under consideration deals with the meaning of film music in the work of Ukrainian composers in the cultural context. The origins of composer's practice in Ukrainian cinema and their influence on the subsequent development of film music are discussed. An attempt was made to identify the problem field of cultural studies of the cinematic music of Ukrainian composers (film music as sounding reality, the communicative function of the musical-sound image and etc.), including the modern ones – V. Silvestrov, O. Kiva, V. Guba, A. Shchetinsky. Keywords: film music, cinematograph, musical-sound image, composer's practice, author's music, applied music. In the rich and diverse world of the music culture of Ukraine of the 20th century, the creativity of professional composers, representing the national academic tradition, is of main importance. Names of the classicists of Ukrainian music – Borys Lyatoshynsky, Platon and George Mayborod, K. Dankevich, Igor Shamo, Ivan Karabits, Yevgen Stankovych, Myroslav Skorik, Vladimir Guba, Valentyn Silvestrov – are related to our primary, traditional ideas about the national originality and identity of Ukrainian music. And as usual, we are familiar mainly with the traditional genres of musical art, which constitute the main and undoubtedly the most valuable part of the creative heritage of the listed composers – symphonies, operas, chamber music, choral works. However, in the work of almost every one of the above-mentioned composers, there is a less serious (due to its applied function) and simpler (in comparison with the author's classics) kind of musical art that reveals to us one more aspect of their talent. -
The Ukrainian Weekly 2014, No.42
www.ukrweekly.com INSIDE: l Kerry on talks with Lavrov regarding Ukraine – page 6 l 5th annual Ukrainian Festival at UACCNJ – page 11 l Our community: Toms River, Wildwood, New York – page 14 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXXII No. 42 THE UKRAINIAN WEEKLY SUNDAY, OCTOBER 19, 2014 $2.00 Tributes to Kyiv Mohyla Academy celebrate its 400th anniversary Chicago, D.C. events note university’s leading role in today’s Ukraine by Marta Farion CHICAGO – Tributes to Kyiv Mohyla Academy held in Chicago and Washington during mid-September marked the beginning of yearlong plans to celebrate the 400th anniversary of the founding of Kyiv Mohyla Academy, for centuries a catalyst in educating Ukraine’s leaders. These events, presented as a “Salute to Ukraine,” were also an occasion to honor the courage of the people of Ukraine in their ongoing, heroic defense of both personal dignity and their nation’s independence. The “Salute to Ukraine” events were held first at the University Club of Chicago on September 14, and then on September 16 at a reception in Washington in the Caucus Room of the Cannon House Office Building of the U.S. Vadym Gyliuk Congress. Hundreds of guests, including members of the Members of Kyiv Mohyla Foundation committees and board of directors with National University of Kyiv Mohyla Ukrainian community, political leaders and representa- Academy members at the 400th anniversary event in Washington. Fifth from left is Vyacheslav Bryukhovetsky, tives, scholars, diplomats, and members from the NGO and honorary president of NUKMA; sixth from left is NUKMA President Serhiy Kvit. -
During 2014, What Started out As the Euro-Maidan
No. 3 THE UKRAINIAN WEEKLY SUNDAY, JANUARY 18, 2015 5 2014: THE YEAR IN REVIEW From Euro-Maidan to Revolution of Dignity uring 2014, what started out as the Euro-Maidan was transformed into the Revolution of Dignity. By Dyear’s end, Ukraine had a new president, a new Verkhovna Rada and a new government. And, at the end of the year, the Rada voted to abandon the country’s previ- ous “non-bloc” status and set a course for NATO member- ship. A civilizational choice had been made. As the year began, there was concern about the regular presidential election that was to be held in March 2015 as the opposition – that is the pro-Western parties of Ukraine – appeared to have no unified election strategy other than being against Viktor Yanukovych. Ukrainian Democratic Alliance for Reform (UDAR) Chair Vitali Klitschko was call- ing on his rivals to ditch their campaigns and unite behind his single candidacy. The expected Batkivshchyna candi- date, Arseniy Yatsenyuk, and Svoboda party candidate Oleh Tiahnybok said they would compete independently in the first round of the presidential election. Billionaire confectionary magnate Petro Poroshenko also was plan- ning to throw his hat into the ring. The concern among observers was that so many candidates could cannibalize the pro-Western vote or spread it too thinly, letting anoth- Vladimir Gontar/UNIAN er victory slip through their fingers. On January 10 came The scene on January 20 on Kyiv’s Hrushevsky Street, where violent clashes between the Berkut and protesters news of a rift between Euro-Maidan activists and leaders broke out on January 19 and were continuing. -
Compact Discs / DVD-Blu-Ray Recent Releases - Spring 2017
Compact Discs / DVD-Blu-ray Recent Releases - Spring 2017 Compact Discs 2L Records Under The Wing of The Rock. 4 sound discs $24.98 2L Records ©2016 2L 119 SACD 7041888520924 Music by Sally Beamish, Benjamin Britten, Henning Kraggerud, Arne Nordheim, and Olav Anton Thommessen. With Soon-Mi Chung, Henning Kraggerud, and Oslo Camerata. Hybrid SACD. http://www.tfront.com/p-399168-under-the-wing-of-the-rock.aspx 4tay Records Hoover, Katherine, Requiem For The Innocent. 1 sound disc $17.98 4tay Records ©2016 4TAY 4048 681585404829 Katherine Hoover: The Last Invocation -- Echo -- Prayer In Time of War -- Peace Is The Way -- Paul Davies: Ave Maria -- David Lipten: A Widow’s Song -- How To -- Katherine Hoover: Requiem For The Innocent. Performed by the New York Virtuoso Singers. http://www.tfront.com/p-415481-requiem-for-the-innocent.aspx Rozow, Shie, Musical Fantasy. 1 sound disc $17.98 4tay Records ©2016 4TAY 4047 2 681585404720 Contents: Fantasia Appassionata -- Expedition -- Fantasy in Flight -- Destination Unknown -- Journey -- Uncharted Territory -- Esme’s Moon -- Old Friends -- Ananke. With Robert Thies, piano; The Lyris Quartet; Luke Maurer, viola; Brian O’Connor, French horn. http://www.tfront.com/p-410070-musical-fantasy.aspx Zaimont, Judith Lang, Pure, Cool (Water) : Symphony No. 4; Piano Trio No. 1 (Russian Summer). 1 sound disc $17.98 4tay Records ©2016 4TAY 4003 2 888295336697 With the Janacek Philharmonic Orchestra; Peter Winograd, violin; Peter Wyrick, cello; Joanne Polk, piano. http://www.tfront.com/p-398594-pure-cool-water-symphony-no-4-piano-trio-no-1-russian-summer.aspx Aca Records Trios For Viola d'Amore and Flute. -
The Ukrainian Weekly 1991, No.46
www.ukrweekly.com Published by the Ukrainian National Association Inc., a fraternal non-profit association j crainian Weekl V Vol. LIX No. 46 THE UKRAINIAN WEEKLY SUNDAY, NOVEMBER 17,1991 50 cents Ukraine's army takes beginner's stepsTravel to Ukraine despite difficulties and criticism Visas now issued at Boryspil JERSEY CITY, N.J. - Although lagging behind. The U.S. response to a by Marta Kolomayets vention on Consular Relations, ex Soviet Defense Minister Yevgeny Ukrainian army was more or less plained the various types of visas Shaposhnikov has recently announced negative, perhaps because of "an NEW YORK - Tourists and busi- available and their costs. He reported that he supports a Ukrainian army, the unspoken desire to support Gorba nesspeople traveling to Ukraine no that a 12-hour transit visa will cost perceptions of it in the West are still chev," as one U.S. official in Kiev put it. longer have to undergo the, at times, about S25 (U.S.); a 24-hour transit visa, largely negative, as reported recently in The U.S. also has valid worries about excruciating experience of getting a visa about S30 (U.S.) a transit visa for 72 the Christian Science Monitor and The how Ukraine will pay for a 400,000 at the Soviet embassies or consulates in hours will cost about S40 (U.S.) New York Times. person army in the midst of an the West. The cost of an entry/exit visa will run Although as late as October 20, Gen. economic crisis and restructuring. According to Viktor Kyryk, chief of about S50 (U.S.). -
The Ukrainian Weekly 2014, No.46
www.ukrweekly.com INSIDE: l Aldridge and Shevchenko: “Two Icons and Friends” – page 8 l Review of Oles Sanin’s new film, “The Guide” – page 9 l Archeological research in Baturyn continues – pages 10-11 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXXII No. 46 THE UKRAINIAN WEEKLY SUNDAY, NOVEMBER 16, 2014 $2.00 Patriarch Sviatoslav leads consecration Illegal elections prompt debate of new bishop for eparchy of Parma on strategy for the Donbas by Zenon Zawada collectively known as the Donbas. OSCE Secretary General Lamberto KYIV – Ukrainian President Petro Zannier warned on November 12 of a possi- Poroshenko announced on November 3 his ble imminent attack on the key Azov Sea intention to eliminate the self-governance port city of Mariupol in the Donetsk region, zones he pushed for as part of the September which remains under Ukrainian control. 5 Minsk ceasefire protocols after the illegal Ukraine’s Ambassador to the United Nations elections in the occupied districts of the Yuriy Sergeyev warned on November 11 that Donbas region, which essentially sealed Russia is planning a “full-scale invasion.” Russian-separatist forces’ control of the area. It’s widely believed the Russian govern- Since then, however, he has not made ment wants to capture territory along the Azov clear just what will be the new legal status Sea coastline, through the Zaporizhia and of the separatist-controlled districts. And Kherson regions, to create a transport corridor with another Russian military offensive to Crimea, which is isolated from Russia. expected before the winter, perhaps as Indeed the only direct link between early as this weekend, it’s also unclear Crimea and the Russian mainland is the fer- whether Mr.