Madonna borderline lyrics

Continue Madonna's 1984 single BorderlineThe front sleeve of Madonna's American 7 vinyl singles from the album MadonnaB-sideThis about mePhysical attractionIsdayFebruary 15, 1984 (1984-02-15)RecordedFebruary 1983StudioSigma Sound (New York, GenreDance-poppost-discoLength5:18LabelSireWarner Bros.Songwriter(s) Reggie LucasProducer(s)Reggie Lucas John Jelebyana BeniusMadon singles chronicle Lucky Starr (1983) is a song recorded by American singer Madonna for her debut album Madonna (1983). It was released on February 15, 1984 by Sire Records as the album's fifth single. Written and composed by the producer Reggie Lucas, the song was remixed by the then John J. Jellyen Benitez. The singer uses exquisite and expressive vocals to release lyrics about unfulfilled love. Contemporary critics and authors applauded the song, calling it harmoniously the most complex song by Madonna and praising its dance nature. In the United States, Frontier became Madonna's first top ten hit on the Billboard Hot 100, reaching number ten in June 1984. In the UK, it reached number two after being re-released as the only one in 1986. Elsewhere, the song reached the top 10 in a number of European countries, while also being in ireland's chart. Borderline placed number 84 on Blender magazine's 500 greatest songs list since you were born, while time put it on their all-time list of 100 songs. The accompanying music video depicts Madonna with a Latin American man as her friend, whom she returns to after being seduced into posing and modelling for a British photographer. The video generates academic interest in the use of power as symbolism. The video, in heavy rotation on MTV, is a major tool in establishing Madonna's early success, and she is credited with resisting the taboo of interfaith relations within it. Madonna performed the virgin tour song (1985) and Lepsy and a sweet tour (2008) in which a punk-rock version of the song was performed. Grannell is covered by artists including Duffy, Jodie Watley, Countinga Crowe and Flaming Lips. In 1982, Madonna worked with producer Reggie Lucas on her debut album. She had already composed three songs when Lucas brought one of her compositions to the project, calling it Borderline. [1] However, after the song was recorded, Madonna was unhappy with the final version, feeling that Lucas was using too many instruments and not considering his ideas for the song. [1] This leads to a dispute between the two. After completing the album, Lucas left the project without changing the songs to Madonna's specifications. That's why Madonna brought her then-boyfriend John Jeleen Benitez to remix Border and two more When I heard the latest version, Seymour Stein, head of Sears Records, said: I dared to believe that this would be a huge, most important thing I've ever had after hearing Borderline... The passion she put into this song, I thought, couldn't stop this girl. [2] Borderline recording and composition was recorded in February 1983 and represented a change in Madonna's normal vocal tone. The song speaks of a love that has never been fulfilled. [4] According to the author Santiago Foz-Hernandez in his book Madonna'Udwini Worlds, the lyrics of the song as Something You Love Me Don't Let Me Be/ I Don't Want to Be Your Prisoner, so the baby won't set me free depicts a rebellion against male chauvinism. [5] Madonna uses a sophisticated and expressive voice, supported by Lucas's instruments. [4] The song is considered the best example of the working relationship between Lucas and Madonna, while Lucas pushed the singer to discover the emotional depth of the song. Although it sounds icy, the choir is contemporary in style, and the song's vocal range was later used by Madonna as its own reach throughout her music career. [6] It opens with a keyboard-rich intro played on a fender-road piano and the playful synthesis of a melody provided by Fred Zarr. [7] Bassist Anthony Jackson doubled Dean Gant's synth bass to provide a solid and more complex structure. [7] The chords in the song were inspired by the 1970s disco in Philadelphia, as well as the musical style of Elton John. [7] The chord sequences evoke Bachman-Turner Overdrive's song You Ain't Seen Nothing Yet, while the synth phases display Madonna's typical musical style. The song is set for a total time of moderate pace of 120 beats per minute. It is composed in the key to D Major, and Madonna's vocal range stretches from F♯3 to B4. The song follows in the chord progression of D-C-G in the first verse of BM-M-A-A-F♯ in the pre-chorus and changes to A-F♯-A-A and G-D-A in the choirs. [9] Madonna's critical reception performed a rock version of Borderline during her sticky leg" Sweet ". Its author, J.K. Rowling, said: We're not going [4] He added that Madonna's voice made the song so close to an old Motown production that a hit could have been made in the 1980s. The author of the album Rock 'n' Roll Gold Rush in his book Rock 'n' Roll Gold Rush says the song echoes boogie with catfish-style magnetism and magnetism. Author Rikky Rooksby, in his book, The Complete Guide to the Music of Madonna, calls it harmoniously the most complex song on her debut album. [7] Steven Thomas Earleweine of AllMusic called the song Effervescent. [11] Sal Chinkemani of Slugant called the song pointing. [12] Commentator Dave Marsh in his book Heart of Rock and Soul says that music is too good to deny, no matter whose value system violates. [13] Journalist Roxanne Orgill, in her book, Shout, Sister, Shout!, commented that Borderline is the song that makes Madonna the star she is. [14] Tom Duffy of the Orlando Sentinel commented that Borderline is a song that represents Madonna, a helium-induced pop star and a cheese kitten. [15] The song is number 84 in Blender magazine 500 greatest songs since your birth. [16] Time also included him on the list of critics All Times 100 songs, stating that Madonna continues to sing smarter songs (Material Girl), more performances (Like A Prayer), sexier songs (Justify My Love). But Borderline, her first top 10 hit, captures the essence of her pop poster, its freshness, simplicity and vitality. [17] Pitchfork Media looked at the song's 106th best since the 1980s, stating that Borderline was one of the first bricks laid in Madonna's mythology, a four-minute emotional helium that became her first top 10 hit on the heels of an iconic music video. [18] At the 1984 Borderline Music Awards. Borderline received two nominations, in the Best New Artist and Best Choreography in Music Video categories, but did not win. In September 2014, the song was number two on Rolling Stone's list of 100 best singles since 1984. Carrie Grant described the song as a melodic synth-paluza with a very short ending, also noting that Madonna's vocals were limited by the song but sounded emotional. The radio remix, which cuts off nearly three minutes from the melody, boasts one of Madge's most iconic fades, standing like la la, in the void. [2] Madonna's commercial performance became Madonna's first hit when she reached number ten on the Billboard Hot 100 list on June 16, 1984. It was charted in 30 weeks, becoming Madonna's longest single in the US (tied with Take Your Bow in 1995). The song reached number four in the hot dance and play chart. It has also become a crossover success by drawing on the Hot Adult Contemporary Songs chart at number 23. On October 22, 1998, the song was certified by the American Recording Industry Association (RIAA) to send one million copies. [20] In Canada, the song debuted at number 56 in the rpm issue on August 4, 1984, and reached number 25 on September 15, 1984. [22] The song is on the chart for 14 weeks. [23] In the United Kingdom, where the song was released on 2 June 1984, it reached only number 56. However, after reissuing the song on January 1, 1986, she spent nine weeks in the British chart, peaking at number two. [24] The song was certified by the British (BPI) in February 1986 [25] According to the Official Classification Company, the song sold 310 000 copies in the United Kingdom. [26] Across Europe, the song was headlined by Ireland and entered the top ten in Belgium and the Netherlands. [28] [29] He reached number 23 in Switzerland and number 12 in Australia. [30] [31] The Borderline music video was shot on location in Los Angeles, California from January 30 to February 2, 1984, and was the first clip Madonna made with director Mary Lambert, which later also referred to Like a Virgin, Material Girl, La Isla Bonita and Like a Prayer. The author of long jill's album is known for that it was 15000000000000000000000000000000000000000000000000000000000000000000000000000000 [33] The video is seen as one of madonna's career moments and is regularly shown on MTV. Madonna, in her usual kind of toy boy, dances with one of the dancers on the street of the Spanish quarter, thus describing the kind of life she led before she began her music career. In the video, Madonna plays a young street girl lured by a British photographer who posts her picture on the cover of a magazine and makes romantic advances. The girl is emotionally torn between the photographer and her Latin American boyfriend (Louis Louis), with which her troubled relationship reflects the struggle many Latinos encounter with their husbands. [34] The narrator's video interweaves the two stories of relationships together in color and black and white. In the color sequences, Madonna sings, flirts and seduces her boyfriend, and in the black-and-white sequences she poses for the photographer who also judges her. [36] The video shows Madonna in her usual style during these years, with hair in a hay bowl and wearing lace gloves, high boots with thick socks and a trademark boy-toy belt. She changed her clothes from one shot to another, both in black and white, wearing an unusual range of clothes, including late tops, T-shirts, cardigans and sweaters paired with cropped trousers and jeans, as well as several evening dresses. [35] Posing for the photographer, Madonna looks at the camera with a challenge in her eyes, depicting sexual aggression. At one point, he began spraying graffiti on some lifeless classical statues, presenting himself as a transgressor who broke the rules and attempted to innovate. Lambert says that in making the video Borderline uses no formula, and that inventing it while we move. In January 1997 on Rolling Stone, Lambert described the video and his storyline as Boy and Girl enjoying the simple pleasures of barrio love, the girl being tempted by fame, the boy becoming famous, the girl becoming famous, but her new reaction to behavioral trifles (all she does is spray her paint expensive sports car) brings her back to her true love. [5] The depiction of street life Madonna's life in the scrawny, multiracial streets and clubs she inhabited as her career began, while the depiction of haute couture reflected the popularity and success she experienced. [33] When I screened Borderline for Madonna's manager, Freddie DeMane, he was hysterical that I combined black and white footage with colorful footage. No one's ever done this before. He made me look at it for all the secretaries in the office and see how they reacted because he felt I had crossed a line that shouldn't be crossed. – Director Mary Lambert on the use of colour and black and white footage in the music video. [37] With the video, Madonna helps break the taboo of interracial relations. Although Madonna initially denied her Latino boyfriend in favour of the photographer, she later rejected it, suggesting her desire to control her own sexual pleasures and cross established pop borders on lyrics like You Just Keep Pushing My Love Over the Border. [36] Madonna's contrasting image, first as a messy blonde in the street sequence and later as a glamorous haute couture blonde, suggests that one can build her own image and identity. Madonna's street image depicted in the video allowed her to appeal to Latino and black youths. [36] The Borderline video attracted the early attention of scientists[5] who noted the symbolism of power in the two contrasting scenes. The photographic studio is decorated with classic sculptures and nude statues bearing a spear, phallic symbols. By contrast, the phallic symbols depicted in the Latin American neighborhood include a street lamp that Madonna hugs and a pool replica held by Madonna's boyfriend. [5] The author of femininity, not normal views of oppression, has shown with these scenes his complex views of femininity as a supreme power, not as normal views of oppression. Carol Chirk's author says the video of Border and Happy Star establishes Madonna not as the neighbor, but as a sassy, smart and hard-core funny woman. Professor Douglas Kellner, in his book Media Culture: Cultural Studies, Identity, and Politics Between Modern and Postmodern, commented that the video depicts motives and strategies that helped Madonna on her journey to become a star. [38] The clothes Madonna wore in the video were later used by designers such as Karl Lagerfeld and Christian Lacroix. [35] Live Madonna performs during the Clown Concert in Melbourne, Australia in March 2016. The song was performed by Madonna on The Virgin Tour (1985) and The Sticky and Sweet Tour (2008). Madonna performed the song in a black, micro-top and a similar skirt, with a button on her belly button and multiple crucifixes of different sizes hanging from different parts of her body. In its original version, appears behind silhouette and descending steps while perming hands and singing. [39] The performance was not included in Madonna Live: The Virgin Tour VHS in 1985. [41] Borderline was added to madonn'a Sticky&"" first leg list " Sweet Tour " in 2008, during the Old School section of the show, in which Madonna wore gym shorts, sneakers and long socks. [42] The outfit was designed by Jeremy Scott and is a reference to Madonna's old days in New York. [43] Madonna performed a punk-pop version while playing a purple electric guitar before a background showing Keith Haring's cartoons and graphic images. [44] John Pareles of the New York Times called enthusiastic performance and punk-pop. [45] Nikesa Mumbi Moody Moody of USA Today called it a shaken spectacle. [44] Karin Ganz of Rolling Stone called it cheap pop-style song in the style of so on. The song was not included in the 2009 part of the tour and was replaced by a rock version of Madonn's 1985 single Dress You Up. [47] In June 2016, Madonna appeared on The Tonight Show starring Jimmy Fallon and ended the show by performing a slow, souly version of Borderline watched by then-President Barack Obama. [48] An acoustic version of Borderline was featured at Madonna's one-off concert in Melbourne. The show began with Madonna riding a tricycle in a clown costume with a beak dress and pink and yellow socks. She begins the performance by saying: 'I don't have bipolar disorder, but I'm a bit borderline. By getting on with his jokes, using them as a sedic in songs. [50] Cover versions see also: Madonna's List of Song Covers and Madonna Album List In 2000 included the electro-productive cover of The Song of Nivek Ogre of OhGr, the compilation album Virgin Voices: A Tribute To Madonna, Vol. 2. Almwich's Heather Fares said Ogre's version missed the target. [51] Chicago pop-punk band Showoff recorded a cover of the 2002 compilation album Punk Goes Pop.[52] In 2006, singer Jodie Watley covered the song for her album The Makeover. Watley's version reached the UK version in October 2009. [53] The album through Wilderness included an acoustic folk cover of The Chapin Sisters song. In 2008, singer Duffy performed Borderline on Radio 1 in Mote Park, Maidstone, Kent, England. [55] Flamingos and Star and White Dwarfs recorded the cover of the song for Warner Bros. Records' 2009 compilation, Revolution in Sound. AllMusic's Stephen Thomas Erlewin described the recording as scrolling Madonna's version from the inside out. [56] Grafing Crowe performed the song at the Royal Palace in 2003. on 17 March 2009 it was published on the MP3 group's website. The performance was criticized by ABC News, calling it anticlimactic. In 2010, the show Glee covered the song in the episode Madonna's Power in the song Open Your Heart, performed by Corey Monteith and Lea Michele. [58] In 2010, the song was featured live, in an acoustic version by Scottish singer Steve Mason. Track listings and formats US 7 single[59] Borderline (7 Remix) – 4:02 Think of Me – 4:55 UK 7 & Limited Edition picture disc[60] Borderline (7 Remix) – 4:02 Physical Attraction (Edit) – 3:56 UK 12 single[61] Borderline (U.S Remix) – 6:57 Borderline (Dub Remix) – 5:48 Physical Attraction (LP Version) – 6:42 Germany / UK CD Maxi Single (1995)[62] Borderline – 5:17 Borderline (U.S Remix) – 6:57 Physical Attraction (LP Version) – 6:42 US 12 maxi single[63] Borderline (New Mix) – 6:57 Lucky Star (New Mix) – 7:14 US 12 promotional maxi single[64] Borderline (New Mix) – 5:29 Borderline (Instrumental) – 5:48 Australian 12 single[65] Borderline (U.S Remix) – 6:57 Borderline (7 Remix) – 4:02 Borderline (Dub Remix) - 5:48 German 12 single[66] Borderline (U.S Remix) – 6:57 Borderline (Dub Remix) – 5:48 Physical Attraction (LP version) – 6:42 Credits and personnel Madonna – lead vocals Reggie Lucas – writer , producer, guitars, drums Fred Zarr – synthesizer, electric and acoustic piano Dean Gant – synthesizer, electric and acoustic piano Ed Walsh – synthesizers Anthony Jackson – bass Ira – guitar Bobby Malah – tenor saxophone Gwen Gutri – vocals Brenda White – von Vocals Chrissy Faith – vocals Loans adapted from the album. [3] Clastoy parts (1984–1986) Peakposition Australia (Kent Music Report) 12 Belgium (Ultratop 50 Flanders)[28] 3 Top Singles of Canada (RPM)[22] 25 Iceland (RV)[25][RV][28] 67] 9 Ireland (IRMA)1 Netherlands (Single Top 10 [39] 3 New Zealand (recording music NZ)[29] 47 Switzerland (Schweizer Hitparade)[23] 23 United Kingdom Single (OCC)[69] 47 Switzerland (Schweizer Hitparade)[23] 23 United Kingdom Single (OCC)[69] 56 UK Single (OCC)[24] 1986 Re-leaves 2 US Billboard Hot 100[70] 10 USA adult Contemporary (Billboard)[71] 23 American Dance Club Songs (Billboard)[72] 4 Ranking (72) Position Australia (Kent Music Report)[75] US Billboard Hot 100[73] 35 Ranking (1986) Position UK Singles (Official Chart Company)[74] 50 US Certifications Region Certified Region Certified Units//. UK sales (BPI)[25] Gold 310,000[26] USA (RIAA)[20] Gold 500,000 ^ sales based on certification shipments only on the basis of certification see also list of single singles from 1986 (Ireland) References ^ b Tararrelli 2002 76 ^ of b Grant , Carrie (September 16, 2014). Madonna, Border – 100 Best 1984 Rolling Stone. Retrieved September 17, 2014. ↑ 1000000000000000000000000000000000000000000000000 Madonna. - Sir Records. 1983. 9 23867-1.CS1: other (link) ^ b c Taraborrelli 2002, 78 ^ b d Foz-Hernandez &gla Jarmans-Ivens 2004, p. 1. Musicnotes.com Alfred Publicing. Retrieved May 29, 2009. ↑ 10000000011111999119999999999999999999999999999999999999999999999999999999999999999999999999999999999983. View > Madonna. All the music. Dig up Corporation. Retrieved July 20, 2009. September 9, 2001. Madonna: Madonna (Remaster). Slane magazine. Retrieved July 20, 2009. 1999 was 1999, p. 502 ^ Orgill 2001, p. 1. 80 ^ Duffy, Tom (June 21, 1987). Madonna's many faces. Orlando Sentinel. Retrieved November 21, 2010. ^ 1 April 2009. X and Y playlist: The 500 greatest songs from your birth. Chicago Tribune. Retrieved July 20, 2009. [19] All Times 100 Songs: Borderline. Hour. Retrieved December 16, 2011. The best songs of the 1980s Vihra. Retrieved February 19, 2016. Billboard Video Music Awards nominees. Billboard. 96 (44): 49. November 3rd, 1984, 2510. Retrieved March 10, 2013. In early 2015, the Recording Industry Association of America. Retrieved March 10, 2013. If necessary, click Advanced , and then click Format , and then select One, and then click SEARCH. [19] 1999 Rpm. PPM Music Publications Ltd. is archived from the original on October 10, 2012. ^ B Top RPM singles: issue 8602. Rpm. Library and Archives Canada. Retrieved May 27, 2014. [1] 120 000 000 100 000 000 000 000 000 000 00 Rpm. PPM Music Publications Ltd. was archived from the original on 10 October 2012. In early 2015, official class company. Retrieved June 19, 2020. In early 2015, British phonograph. Retrieved March 10, 2013. Select singles in the Format field. Select Gold in the Certification field. Type a boundary line in the Search for BPI rewards box, and then press Enter. Mtv. MTV Networks. Retrieved December 20, 2010. In early 2015, the Irish Singles Scheme. Retrieved May 27, 2014. In early 2015 at 19:Ultratop.be 00 h Ultratop 50. Retrieved May 27, 2014. In early 2015 at 7:00 p.m. Single Top 100. Retrieved May 27, 2014. In early 2015, it was Swisscharts.com. Swiss singles chart. Retrieved May 27, 2014. ↑ [1993] The Australian Charter Book 1970–1992 (doc. Australian Class Book, St Ives, N.S.W. ISBN 0-646-11917-6. Immaculate Collection (VHS). warner's home video. 163 , 163 , 163 , i.e. 163 , 163 , i.e. 163 , i.e. 163, i.e. 163 , i.e. 163 , 163 , 163 , i.e. 163 , 163 , i.e. p. 36 ^ a b d e Kellner 1995, p. 270 ^ b Tannenbaum & marks 2011, p. 15 ^ Kellner 1995, p. Madonna is naughty, pretty and talented. Boston Globe. Retrieved November 21, 2010. ^1000000000000000000000000000000000 Madonna Live: The Virgin Tour (VHS). warner's home video. August 25, 2008. Madonna's tour begins, the costumes don't disappoint. New York. New York Media Ltd. Retrieved July 20, 2009. August 25, 2008 - Madonna costumes for her sticky and sweet tour. Women's clothes daily. Preliminary publications. Retrieved July 22, 2009. ↑ 100000000000000000000000000000000000000000000000000000000000000000000000000 Madonna gives fans a treat with Sticky and Sweet. Usa Today. Retrieved May 5, 2009. 1999: Madonna: Concert more aerobic than erotic. The New York Times. Retrieved July 22, 2009. Ganz, Karen (October 7, 2008). Madonna's sticky and sweet tour is turning into New York with reworked hits, virtual Britney. Rolling Stone. Retrieved May 5, 2009. In early 2015, Madonna.com. 27 June 2009 Archive of the original of 22 June 2011. Retrieved July 22, 2009. At the beginning of 2015, the Tate Tate was 6,000 miles away. Billboard. 10 June 2016 Retrieved June 10, 2016. ^ [19] Madonna at a Forum in Melbourne for The Tears of the Clown Show. News.com.au. Retrieved April 14, 2016. Tan, Monica (March 11, 2016). Madonna clowns at the Melbourne Show after three hours late. The keeper. Retrieved May 19, 2018. 1999 Virgin Voices: A Tribute to Madonna, 2 > review All the music. Retrieved July 22, 2009. [19] Punk goes pop ARTISTdirect.com. Director of the artist. Retrieved July 22, 2009. ^ Lewis, Pete (October 3, 2009). Interview by Jodie Watley. Blues and soul. Retrieved April 27, 2010. They say it's your birthday in Madonna. Covermesongs.com. Retrieved November 21, 2010. May 10, 2008 - Duffy performs a very special version of Madonna's border. Radio 1's Big Weekend. BBC. Retrieved July 22, 2009. He's 15 years old since 1999 Covered: A Revolution in Sound: Warner Bros. Records & Review. All the music. Retrieved July 22, 2009. ↑100, 1999. Is Madonna's borderline the song to cover? ABC News. Archive of the original of 25 July 2009. Retrieved July 22, 2009. [19] Glee: Madonna breaks into William McKinley High School. MTV News. Retrieved April 21, 2010. ^ [7.7000000000000000000000000000000000000000 Madonna. - Sir Records. 1984. 7- 29354.CS1 weight - Sir Records. 1984. W9260P. 12-inch single liner notes in the UK. Madonna. - Sir Records. 1984. W 9260T. 1. 100000000000000000000000000000000000000000000000000000000000000000000000 Madonna. - Sir Records. 1995. 7599 20218-2.CS1: Other (connection) ^ Borderline (US 12-inch maxi single-list notes). Madonna. - Sir Records. 1984. 9 20212-0 A.CS1: Other (link) ^ Borderline (US 12-inch promotional maxi single liner notes). Madonna. - Sir Records. 1984 Cs1 maint: other (link) ^ Borderline (Australian 12-inch single liner notes). Madonna. - Sir Records. 1984. 0.20220.CS1 head. Madonna. - Sir Records. 1984. 920212-0.CS1 head. - No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no [Charts.nz 1] 1999 Top 40 singles. Retrieved May 27, 2014. ↑100. Official classroom company. Retrieved June 19, 2020. ↑100. Billboard. Retrieved May 27, 2014. [1] 1999 Billboard. Retrieved May 27, 2014. [1] 1999 Billboard. Retrieved May 27, 2014. 1984 ended the single. Billboard. 96 (52): 5, 14. 22 December 1984 2510. Retrieved March 10, 2013. The 100 best singles. Music week. London, England: Spotlight publications: 24. January 24, 1987 Bibliography Partyour, Bob; Stodart, Scott (2007). Greenwood Publishing Group. ISBN 978-0-313-33000-1.CS1 1.ref=harvey (link) Chirk, Carroll (2002). Madonnastail. Omnibus Press. ISBN 0-7119-8874-9.CS1 main channel: ref= harv (link) Cresswell, Toby (2006). 1001 songs: The great songs of all time and the artists, stories and secrets behind them. Thunder mouth press. ISBN 1- 56025-915-9.CS1 main channel: ref= harv (link) Dean, Maury (2003). Rock 'n' roll gold rush: non-cyclopedia single. Algora Publishing. ISBN 0-87586-207-1.CS1 main channel: ref=harv (link) Foz-Hernandez, Santiago; Yarman-Evens, Freya (2004). Madonna drowned out the worlds. Ashgate Publisher, LTD ISBN 0-7546-3372-1.CS1 maint: ref=harv (link) Waiter, Douglas (1995). Media culture: cultural research, identity and politics between modern and postmodern. - No, no, no, no, no, no, no, no, ISBN 0-415-10570-6.CS1 channel: ref=harv (link) Marsh, Dave (1999). Heart of Rock and Soul: 1,001 greatest singles ever made. 030680901X. Citation journal requires |journal= (help)cs1: ref=harvey (link) Metz, Allen; Benson, Carol (1999). Madonna's companion: Two decades of commentary. Music group for sales. ISBN 0-8256-7194-9.CS1 main channel: ref= harv (connection) Orgill, Roxanne (2001). Shout out, sister, shout: Ten girl singers who shaped a century. Simon and Schuster. ISBN 0-689- 81991-9.CS1 main channel: ref= harv (connection) Rooksby, Rikky (2004). A complete guide to Madonna's music. Omnibus Press. 0-7119-9883-3.CS1 tanbaum, Rob; Markey, Craig (2011). I want my MTV: An uncensored history of the music video revolution. Penguin books. ISBN 978-1101526415.CS1 channel: ref= harv (link) Taronborelli, Randy J. (2002). Madonna: An intimate biography. Simon and Schuster. ISBN 0-7432-2880-4.CS1 main: ref=harv (link) External links Borderline (music video) on YouTube Retrieved by Madonna_song, Madonna_song,.

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