DOCSLIB.ORG

THE STRANGLERS the House That Jacques Built and Other Stories from the Betes Noires of Pop FEARGAL SHARKEY from Derry Days to LA Nights

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
THE STRANGLERS the House That Jacques Built and Other Stories from the Betes Noires of Pop FEARGAL SHARKEY from Derry Days to LA Nights eTHE YEAR END GALLUP CHARTS FOR 1987! THE STRANGLERS The house that Jacques built and other stories from the betes noires of pop FEARGAL SHARKEY From Derry days to LA nights. A spotty Herbert made good returns DURUTTI COLUMN Morrissey and me by Vini Reilly BROS Are they anything more than three pairs of nicely filled trousers? Plus: WESTWOR MORRIS AND TH THE PO L I V E S £OtO AND THE BUNNYMEN DEPEQfE MODE THE Rf:IYTHM SISTERS LEE 'SCRATCH' PERRY 1 2 SINGLES henry willioms claws his woy through t'pou, the woodentops, ond lots lots more . 14 ALBUMS johnothon richmon, the mekons, the jazz The Cure have built up a worldwide butcher following, and yet they remain shadowy 1 6 BROS when will they be fomous? very soon, it seems figures whose history is virtually unknown. 18 BPM This is about to change with the release, 22 CHARTS on January 22, of 'The Cure' (Zomba 2 8 CHARTFILE Books £8.95), a comprehensive 32 THE STRANGLERS retrospective of the music and life of the no kinks in their armour! first IO years of the band. Extensive 3 4 CHARTFILE SPECIAL interviews with R obert Smith, old the top-selling bands of lost year snapshots of Cure happenings and press 3 6 YEAR-END CHARTS cuuings have been put together by the what sold most in '87 group's designer, Andy Vella, reliving the 3 8 TONY BALONEY the master of the poison pen lets you get o glorious moods and memories associated word in edgeways with the albums, singles and tours of one 39 WESTWORLD of the greatest acts to emerge since the the sonic boom boys (and girl) return to earth halcyon days of punk. 40 FEARGALSHARKEY Ifyou have ever loved, smiled, or cried warbling his way back to the top with the Cure, this book is for you. 42 LIVES biff bang pow, echo and the bunnymen, depeche mode et al . .. 44 LIP naughty nancy culp reveals all .. 4 6 MORRIS MINOR & THE MAJORS we reveal their driving force DURUffl COWMN morrissey ond me . JOHNNY THUNDERS toles from the edge 4 8 THE POGUES cor blarney! Prepare for yet another Kinks song lo hit the charts in a new guise, folks. Yep, after the Strang­ lers' version of 'All Day And All Of The Night', the marvy Foll have gone and done a great job on 'Vlctoria' which looks destined lo follow their cover of 'There's A Ghost In My House' onto the nation's daytime airwaves. That is if a certain Radio 1 DJ can tell the difference between 'Victoria' and 'Hit The North' - something he failed lo do I'other day while ploying o series of Kinks cover versions. The single is a laster for the new LP out in Feb. Ws gonna be a biggie kids! e EDITOR Betty Page e DEPUTY EDITOR/FEATURES Eleanor Levy e NEWS EDITOR Robin Smith e DESIGN Graham Black e PRODUCTION EDITOR Kevin Murphy e LIVE/ALBUM REVIEWS Nancy Culp e FILM/VIDEO Edwin J Bernard e CONTRIBUTORS Lysette Cohen, Ian Dickson, James Hamilton, Alan Jones, Lesley O'Too le, Roger Morton, Pete Paisley, Paul Sexton, Andy Strickland, Lisa Tilston, Chris Twomey, Jane Wilkes, Henry W illiams e PHOTOGRAPHERS Eugene Adebari, Jayne Houghton, Karen McConnell, Barry Plummer, Patrick Quigly, Joe Shutter , Steve Wright e ADVERTISEMENT MANAGER Carole N orvell-Read e SENIOR ADVERTISEMENT REPRESENTATIVE Tracey Rogers e AD PRODUCTION MANAGER Tony Dixon e TELE SALES MANAGER Eddie Fitzgerald e CIRCULATION MANAGER Peter Shaw e MANAGING DIRECTOR Mike Sharman. Published weekly by Spotlight Publications Ltd, Greater London House, Hampstead Road, London NWI 7QZ. Telephone: 387 6611, ISSN 0 144-5804. Typeset by Phase Communications and printed by Nene River Press ( division of Severn Valley Press Ltd), Peterborough. Colour by CK Litho. e THANKS TO Carole Linfield, Jane Cameron, Mary Hallissey Cover photo: Martyn Strickland 2 RN\ OK chaps and chapesses, lers get the new year off to a suitably hi-tech stort with a fantastic Eurythmics CD competition! Index has done deals, cul through red tape ond spared no expense to attain l O copies of the CD single 'Shame' which includes an extra seven minute live version of 'There Must Be An Angel (Playing With My Heart)'. All you lucky people hove to do to win one of these fabulous prizes is answer the three questions below. l. According lo the B-side of 'Shame', Annie has a lover back where POGUES ON THE ROAD a) Bock of beyond, b) Bock in Japan, c) Bock to the future? The Pogues begin a long awaited 2. Dave Stewart recently became a tour next month. They'll be kicking father, but who was the mother o) Annie Lennox, b) Siobhan Fahey, off with a gig at Leicester De Mont­ cl Belinda Carlisle? fort Hall on February 23, followed 3. The E~rythmics' video was titled a) 'Hard Days Nighr, b) 'Eurythmics In by Birmingham Forum 24, Newcastle Flame', c) 'Eurythmics Live'? City Hall 26, Aberdeen Capitol 27, Send your answers on a postcard to rm Eurythmics Competition, Greater Edinburgh Playhouse 28, Leeds London House, Hampstead Road, London NWl 7QZ to arrive no later University March I, Hanley Victoria than Monday February l . Hall 2, Manchester Apollo 3, Liver­ pool Royal Court 4, Bristol Studio 6, Swansea Mayfair 7, Nottingham Royal Centre 8, Sheffield City Hall 9, Cambridge Corn Exchange I I, Brighton Centre 12, Southampton Mayflower 13, London Town And Country Club 14, I 5, 16. $quare jawed hemes, Ll'Villg Ia A lox, release their single 'Love Is The Art' this week. Guaranteed to make thousands of young ladies go all wobbly at the knees again, the song is taken from the Boxy Boys' current album. Living In A Box are c:urrently writ­ ing and recording fresh material for their forthcoming album and dreaming . about Betty Page. THE SCREAMING BLUE MESSIAHS, who look set to grab o healthy slice of chart action with their single 'I Wanna. Be A Flintstone' will be touring in HOUSEMARTINS SPLIT February. They'll be playing The Housemartins have confirmed they will be spliting up - a week after hinting Bristol Bierkeller February 3, they were at the end of their career in an rm interview. "I think we've definitely come to the end of an era as the Housemartins," said Coventry Polytechnic 4, Man­ bass player Norman Cook. "It's like we've done everything we could as the old chester International 6, Leicester Housemartins, to the point of doing it twice to prove that it can be done again." University 7, Leeds Warehouse 8, However, the Housemartins won't finally be calling it a day until June this year; Sheffield University 9, Nottingham and between now and then we can expect a new single or another album. However, their recent company remains tight lipped about the Housemartins' Rock City 10 , London Town And future plans. Country Club 12. Are you ready "There are a lot of future projects, but we can't confirm what these are going to to rock 'n' rubble? be," said a Go! Discs spokesperson. R IV\ 3 EARBENDERS Jonathan Setzer 'You Cage' Throwing Muses (4AD LP track) 'fish' Throwing Muses (4AD LP track) 'Exhuming McCarthy' REM (IRS LP track) Andy Strkkland 'If I Should Fall From Grace With God' the Pogues (Pogue Mahone LP) A band that's more famous for taking off its clothes than for its music? A blatant 'Brighter Now' f\azorcuts (Creation LP track) attempt to procure a coveted Index slot? Surely, it could never work - oh well, 'Victoria' the Fall (Beggars we're only human! These four naturalists are the Red Bot Chili Peppers, an Banquet 45) American West Coast punk/funk outfit who've set their hearts on crushing our Ian Didcson gentle island race under a barrage of white hot rhythms and who display a pen­ 'Sign Your Name' Terence Trent D'Arby (CBS 45) chant for striptease. Fleet Street will surely catch on soon, but in the meantime 'Gale Force Wind' Microdisney you can catch up with the Red Hot Chili Peppers' new single, 'Fight Like A Brave', (forthcoming Virgin 45) or see the boys on tour. Be· warned though, the picture on the right captures the 'Heatseeker' AC/DC (Atlantic 45) One young lody you probably won't have band in typical encore stage dress so you may wish to get that last bus home come across yet is Taylor Dane. Her after all. debut single, 'Tell It To My Heart', is cur­ rently top 10 in the US Billboard charts INDEX couldn't believe it when we read Chartfile last week and discovered and looks set to do as well over here. that listeners to London's Capital Radio had voted Led Zeppelin's album track Displaying much of the vocol talent she 'Stairway To Heaven' as their favourite piece of music. Also in Capital Radio's lent to Hunter Hayes' club smash of a few Hall Of Fame Top 500 Record Chart were Gerry Rafferty's 'Baker ,Street' and years bock, 'This Time', her first solo outing 'I'm Not In Love' by 10cc. What happened to the once hip city that gave the world the Sex Pistols! We is a galloping electro-donce number, more at Index are deeply disturbed at having to share breathing space with such than o little reminiscent of Shannon's 'Let boring people. See If you can teach these dunderheads a thing or two by The Music Ploy', and that can't be bad. sending us a list of your IO favourite records of all time and we'll run a All this from a girl who used to listen ta selection of 'em.
Load more

Recommended publications
  • TCUJ Elections Held Today Bylaurenheist of Students Who Have Run in the for Us to Run Back and Forth to the Daily Editorial Board Past
    THE DAILY Thursday, Februarys 20,1997 Volume XXXIV, Number 22 -b )WhereYou Read It First IC Reitman First merchant set to discusses accept points Monday disciplinary College Pizza wiring ends four-month wait by JOHN O’KEEFE wait. I think it’s a great boost for everyone verdicts Daily Editorial Board concerned, especially the students. They’ve The first of four restaurants to join the been waiting for this for a long time,” Sacca byTARASHINGLE off-campuspoints program will begin using said. Daily Staff Writer the debit-card system next week, nearly The program will allow students to use The Tufts Community Union Judiciary four months after the original kickoff date, their Tufts IDSmuch like a debit card when Panel has closed two disciplinary cases the director of dining services said yester- ordering food from any ofthe participating pending from last semester, said Associate day. merchants. Dean of Students Bruce Reitmzn. Patti Lee, who has coordinatedthe long- Themoneywillbededucted immediately One white student, whom the TCUJ awaited Merchants On Points program for from the student’s points account. Money found guilty of “racial harassment without the University, said she expects to install can be added to this account anytime dur- clear intent,” will spend this semester on the necessary equipment at College Pizza ing the year in $25 increments. Probation Level 11. In addition, the student on Friday and to have the system operating Unlike cash or credit-card payments, must complete 75 hours of community ser- there on Monday. bills paid with points are exempt from the vice and undergo alcohol abuse counsel- The other three restaurants in the pro- state’s five percent meal tax because the ing.
    [Show full text]
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) Red Sonic Trajectories - Popular Music and Youth in China de Kloet, J. Publication date 2001 Link to publication Citation for published version (APA): de Kloet, J. (2001). Red Sonic Trajectories - Popular Music and Youth in China. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:08 Oct 2021 L4Trif iÏLK m BEGINNINGS 0 ne warm summer night in 1991, I was sitting in my apartment on the 11th floor of a gray, rather depressive building on the outskirts of Amsterdam, when a documentary on Chinese rock music came on the TV. I was struck by the provocative poses of Cui Jian, who blindfolded himself with a red scarf - stunned by the images of the crowds attending his performance, images that were juxtaposed with accounts of the student protests of June 1989; and puzzled, as I, a rather distant observer, always imagined China to be a totalitarian regime with little room for dissident voices.
    [Show full text]
  • Feargal Sharkey Speaker Profile
    Feargal Sharkey Musical Legend and Co-founder of The Undertones Feargal Sharkey first found fame as the lead vocalist of punk band The Undertones, famous for hit singles such as Teenage Kicks. Since then Feargal has worked in the business side of music including, for a number of years, being head of UK Music, which represents the UK's commercial music industry. Feargal has been recognised for his outstanding achievements in the field of musi In detail Languages Feargal Sharkey was a co-founder of The Undertones at their He presents in English. inception in 1976. His best-known solo material is the 1985 UK chart-topping single penned by Maria McKee, A Good Heart, a Want to know more? worldwide number 1 in 1985. In the business side of the music Give us a call or send us an e-mail to find out exactly what he industry he was initially an A&R manager for Polydor Records, could bring to your event. and then Managing Director of EXP Ltd. He was appointed a Member of the Radio Authority for five years from 1998 to 2003. How to book him? He became Chairman of the UK Government task force the Live Simply phone, fax or e-mail us. Music Forum in 2004 to evaluate the impact of the Licensing Act 2003 on the performance of live music, and gave public evidence before the Culture, Media and Sport Committee in 2008. What he offers you Having enjoyed some 12 years of world tours and hit albums, Feargal Sharkey is keen for us to adapt, progress and develop to help secure a solid foundation from which a successful, vibrant and world dominating British online industry can be built.
    [Show full text]
  • Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000.
    [Show full text]
  • "World Music" and "World Beat" Designations Brad Klump
    Document généré le 26 sept. 2021 17:23 Canadian University Music Review Revue de musique des universités canadiennes Origins and Distinctions of the "World Music" and "World Beat" Designations Brad Klump Canadian Perspectives in Ethnomusicology Résumé de l'article Perspectives canadiennes en ethnomusicologie This article traces the origins and uses of the musical classifications "world Volume 19, numéro 2, 1999 music" and "world beat." The term "world beat" was first used by the musician and DJ Dan Del Santo in 1983 for his syncretic hybrids of American R&B, URI : https://id.erudit.org/iderudit/1014442ar Afrobeat, and Latin popular styles. In contrast, the term "world music" was DOI : https://doi.org/10.7202/1014442ar coined independently by at least three different groups: European jazz critics (ca. 1963), American ethnomusicologists (1965), and British record companies (1987). Applications range from the musical fusions between jazz and Aller au sommaire du numéro non-Western musics to a marketing category used to sell almost any music outside the Western mainstream. Éditeur(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 0710-0353 (imprimé) 2291-2436 (numérique) Découvrir la revue Citer cet article Klump, B. (1999). Origins and Distinctions of the "World Music" and "World Beat" Designations. Canadian University Music Review / Revue de musique des universités canadiennes, 19(2), 5–15. https://doi.org/10.7202/1014442ar All Rights Reserved © Canadian University Music Society / Société de musique Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des des universités canadiennes, 1999 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne.
    [Show full text]
  • Smash Hits Volume 34
    \ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5.
    [Show full text]
  • Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley
    Radio 2 Paradeplaat last change artiest: titel: 1977 1 Elvis Presley Moody Blue 10 2 David Dundas Jeans On 15 3 Chicago Wishing You Were Here 13 4 Julie Covington Don't Cry For Me Argentina 1 5 Abba Knowing Me Knowing You 2 6 Gerard Lenorman Voici Les Cles 51 7 Mary MacGregor Torn Between Two Lovers 11 8 Rockaway Boulevard Boogie Man 10 9 Gary Glitter It Takes All Night Long 19 10 Paul Nicholas If You Were The Only Girl In The World 51 11 Racing Cars They Shoot Horses Don't they 21 12 Mr. Big Romeo 24 13 Dream Express A Million In 1,2,3, 51 14 Stevie Wonder Sir Duke 19 15 Champagne Oh Me Oh My Goodbye 2 16 10CC Good Morning Judge 12 17 Glen Campbell Southern Nights 15 18 Andrew Gold Lonely Boy 28 43 Carly Simon Nobody Does It Better 51 44 Patsy Gallant From New York to L.A. 15 45 Frankie Miller Be Good To Yourself 51 46 Mistral Jamie 7 47 Steve Miller Band Swingtown 51 48 Sheila & Black Devotion Singin' In the Rain 4 49 Jonathan Richman & The Modern Lovers Egyptian Reggae 2 1978 11 Chaplin Band Let's Have A Party 19 1979 47 Paul McCartney Wonderful Christmas time 16 1984 24 Fox the Fox Precious little diamond 11 52 Stevie Wonder Don't drive drunk 20 1993 24 Stef Bos & Johannes Kerkorrel Awuwa 51 25 Michael Jackson Will you be there 3 26 The Jungle Book Groove The Jungle Book Groove 51 27 Juan Luis Guerra Frio, frio 51 28 Bis Angeline 51 31 Gloria Estefan Mi tierra 27 32 Mariah Carey Dreamlover 9 33 Willeke Alberti Het wijnfeest 24 34 Gordon t Is zo weer voorbij 15 35 Oleta Adams Window of hope 13 36 BZN Desanya 15 37 Aretha Franklin Like
    [Show full text]
  • Rules and Guidelines
    64TH GRAMMY AWARDS® RULES AND GUIDELINES ® Contents © 2021 Recording Academy | May not be reproduced in whole or in part without express permission. INTRODUCTION THESE ARE THE OFFICIAL RULES FOR THE GRAMMY AWARDS. All GRAMMY Awards ballots are cast by Recording Academy Voting Members and are subject to classification and qualifications under rules or regulations approved by the Board of Trustees. From time to time, the Board may vote to amend the qualification criteria for consideration for a GRAMMY Award or other award. 2 GRAMMY AWARDS YEAR CALENDAR GRAMMY AWARDS YEAR CALENDAR 2020 – 2021 Sept.1, 2020 – Sept. 30, 2021 Release Eligibility Period March 1, 2021, 11:59 P.M. PT Deadline to apply for membership for 64th GRAMMY Awards. Fees must be paid in order to qualify for voting. July 6, 2021, 9 A.M. PT Media Company Registration begins Aug. 24, 2021, 6 P.M. PT Media Company Registration ends July 13, 2021, 9 A.M. PT First-round Online Entry Process (OEP) Access Period begins July 29, 2021, 6 P.M. PT First-round Online Entry Process (OEP) Access Period ends Aug. 17, 2021, 9 A.M. PT Final-round Online Entry Process (OEP) Access Period begins Aug. 31, 2021, 6 P.M. PT Final-round Online Entry Process (OEP) Access Period ends Oct. 22, 2021 - Nov. 5, 2021 First-round Voting TBD Nominations announced Dec. 6, 2021 - Jan. 5, 2022 Final-round Voting 14 days after the announcement of nominations Deadline for errors and omissions to the nominations 2022 Jan. 31, 2022 64th Premiere Ceremony Jan. 31, 2022 64th GRAMMY Awards 3 TABLE OF CONTENTS 2 INTRODUCTION
    [Show full text]
  • Top 4000 Is Marco De Best Vertegenwoordigde Nederlandse Artiest in De Grootste Hitlijst Aller Tijden!
    Vanaf 1 december t/m 24 december luister je van 07.00 tot 21.00 uur naar de Top 4OOO op Radio 1O! NR Artiest Titel Jaar 4000 THE O’JAYS I LOVE MUSIC 1976 3999 KANE GANG CLOSEST THING TO HEAVEN 1984 3998 WILL DOWNING A LOVE SUPREME 1988 3997 THE BEATLES DAY TRIPPER 1965 3996 THE J. GEILS BAND CENTERFOLD 1982 3995 THE JUDDS WHY NOT ME 1989 3994 ROBBIE WILLIAMS SOMETHING BEAUTIFUL 2002 3993 DAVID DUNDAS JEANS ON 1977 3992 SHANIA TWAIN I’M GONNA GETCHA GOOD 2002 3991 MICHAEL JACKSON GONE TOO SOON 1993 3990 STEVE WINWOOD WHILE YOU SEE A CHANCE 1981 3989 LOS DEL RIO MACARENA 1996 In 1993 kwam ´Macarena´ van het Spaanse zangduo Los Del Río voor het eerst uit. Het nummer brak echter pas echt door toen de Bayside Boys er in 1996 een remix van maakten en het een wereldwijde zomerhit werd. Helaas is het daar ook bij gebleven. 3988 TIME BANDITS I’M SPECIALIZED IN YOU 1983 3987 ROD STEWART I DON’T WANT TO TALK ABOUT IT 1977 3986 A-HA THE LIVING DAYLIGHTS 1987 3985 TAMMY WYNETTE STAND BY YOUR MAN 1975 3984 KOOL & THE GANG TOO HOT 1980 3983 WENDY & LISA ARE YOU MY BABY 1989 3982 QUEEN HEAVEN FOR EVERYONE 1995 3981 KIM WILDE NEVER TRUST A STRANGER 1988 3980 ENGLAND DAN & JOHN FORD-COLEY I’D REALLY LOVE TO SEE YOU TONIGHT 1976 3979 EURYTHMICS IT’S ALRIGHT 1986 3978 THE REAL THING CAN YOU FEEL THE FORCE 1979 3977 UB40 HOMELY GIRL 1989 3976 JAKI GRAHAM BREAKING AWAY 1986 3975 THE BEACH BOYS DARLIN’ 1968 3974 THE CORRS BREATHLESS 2000 3973 JULIAN LENNON TOO LATE FOR GOODBYES 1984 3972 MARVIN GAYE LET’S GET IT ON 1973 3971 I.O.S.
    [Show full text]
  • Human Bullets : a Soldier's Story of Port Arthur
    UNIVERSITY OF CALIFORNIA, SAN DIEGO 3 1822016070989 mmm\ mi f U VERS TV OF CALIF, L 31822016070989 Central University Library University of California, San Diego Note: This item is subject to recall after two weeks Date Due 1 5 I9S4 JAN 6 1994 Cl 39 (1/91) UCSDLib. 385 Wash'n St. Boston HUMAN BULLETS HUMAN BULLETS A SOLDIER'S STORY OF PORT ARTHUR BY TADAYOSHI SAKURAI LIEUTENANT I. J. A. WITH AN INTRODUCTION BY COUNT OKUMA TRANSLATED BY EDITED BY MASUJIRO HONDA ALICE MABEL BACON BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY COPYRIGHT 1907 BY HOUGHTON, MIFFLIN AND COMPANY ALL RIGHTS RESERVED Published October iqarj CONTENTS EDITOR'S PREFACE vu INTRODUCTION BY COUNT OKUMA ix AUTHOR'S PREFACE xiii I. MOBILIZATION 3 II. OUR DEPARTURE 14 III. THE VOYAGE 22 IV. A DANGEROUS LANDING 27 V. THE VALUE OF PORT ARTHUR . 37 VI. THE BATTLE OF NANSHAN 42 VII. NANSHAN AFTER THE BATTLE 52 VIII. DIGGING AND SCOUTING 63 IX. THE FIRST CAPTIVES 70 X. OUR FIRST BATTLE AT WAITU-SHAN 77 XI. THE OCCUPATION OF KENZAN 84 XII. COUNTER-ATTACKS ON KENZAN 89 XIII. ON THE DEFENSIVE 100 XIV. LIFE IN CAMP no XV. SOME BRAVE MEN AND THEIR MEMORIAL 118 XVI. THE BATTLE OF TAIPO-SHAN 126 XVII. THE OCCUPATION OF TAIPO-SHAN 137 v XVIII. THE FIELD AFTER THE BATTLE 147 XIX. THE FIRST AID STATION 158 XX. FOLLOWING UP THE VICTORY 166 XXI. THE STORMING OF TAKU-SHAN 174 XXII. SUN FLAG ON TAKU-SHAN 184 XXIII. PROMOTION AND FAREWELLS 194 XXIV. THE BEGINNING OF THE GENERAL ASSAULT 204 XXV.
    [Show full text]
  • B'lb°Ard® HOT DANCE MUSIC,. Áw W O Z CLUB PLAY W W 3 V; O L- 3 Ór 12 -INCH SINGLES SALES Compiled from a National Sample of Dance Club Playlists
    FOR WEEK ENDING JANUARY 6, 1990 B'lb°ard® HOT DANCE MUSIC,. áw w o z CLUB PLAY w W 3 v; o l- 3 ór 12 -INCH SINGLES SALES Compiled from a national sample of dance club playlists. 3 TITLE Compiled from a national sample of retail store and one -stop sales á = ARTIST 3 TITLE reports. I- N 3U LABEL = ARTIST - & NUMBER /DISTRIBUTING LABEL ti N 3 U LABEL & NUMBER /DISTRIBUTING LABEL * * No.1 * * * * No.1 * * 1 1 1 9 RHYTHM A&M NATION SP -12335 3 weeks at No. 1 JANET JACKSON 1 1 1 14 PUMP UP THE JAM V SBK -19701 7 weeks at No. 1 TECHNOTRONIC FEATURING FELLY O 3 3 7 TWO TO MAKE IT RIGHT VENDETTA VE.7031 /A &M SEDUCTION 2 2 2 7 RHYTHM NATION A &M SP -12335 JANET JACKSON 3 2 2 10 LOVE ON TOP OF LOVE- KILLER KISS CAPITOL V -155o8 GRACE JONES 3 3 6 TWO TO MAKE IT RIGHT VENDETTA VE.7031 /A&M SEDUCTION 5 5 7 LET THE RHYTHM PUMP ATLANTIC 0 -86273 ® DOUG LAZY 4 4 11 OVER AND OVER ATLANTIC 0 -86282 0 PAJAMA PARTY 10 6 6 8 C'MON AND GET MY LOVE FFRR 886 799.1/POLYGRAM D -MOB 5 6 6 9 LOVE ON TOP OF LOVE - KILLER KISS CAPITOL v -155oa GRACE JONES 6 7 7 7 BABY DON'T SAY GOODBYE EPIC 49 73101 /E.P.A. DEAD OR ALIVE 6 5 5 12 NEW JACK SWING SOUND OF NEW YORK MOT- 4654/MOTOWN WRECKS -N- EFFECT 7 9 9 8 ITS GONNA BE ALRIGHT JIVE 1 290-1-JD/RCA RUBY TURNER 7 10 10 8 SWING THE MOOD ATCO 0-96512 JIVE BUNNY AND THE MASTERMIXERS 8 4 4 11 GET BUSY JIVE 1274 -1 -JD /RCA MR.
    [Show full text]
  • High Concept Music for Low Concept Minds
    High concept music for low concept minds Music | Bittles’ Magazine: The music column from the end of the world: August/September New albums reviewed Part 1 Music doesn’t challenge anymore! It doesn’t ask questions, or stimulate. Institutions like the X-Factor, Spotify, EDM and landfill pop chameleons are dominating an important area of culture by churning out identikit pop clones with nothing of substance to say. Opinion is not only frowned upon, it is taboo! By JOHN BITTLES This is why we need musicians like The Black Dog, people who make angry, bitter compositions, highlighting inequality and how fucked we really are. Their new album Neither/Neither is a sonically dense and thrilling listen, capturing the brutal erosion of individuality in an increasingly technological and state-controlled world. In doing so they have somehow created one of the most mesmerising and important albums of the year. Music isn’t just about challenging the system though. Great music comes in a wide variety of formats. Something proven all too well in the rest of the albums reviewed this month. For instance, we also have the experimental pop of Georgia, the hazy chill-out of Nils Frahm, the Vangelis-style urban futurism of Auscultation, the dense electronica of Mueller Roedelius, the deep house grooves of Seb Wildblood and lots, lots more. Somehow though, it seems only fitting to start with the chilling reflection on the modern day systems of state control that is the latest work by UK electronic veterans The Black Dog. Their new album has, seemingly, been created in an attempt to give the dispossessed and repressed the knowledge of who and what the enemy is so they may arm themselves and fight back.
    [Show full text]