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Interior and Exterior Views

We have exciting news: at the Tuesday, April 24 community meeting we will be showing off the new library building designs. This meeting will include a presentation at the beginning of the meeting about the design, materials and site. The presentation will be followed by a Q & A, then viewing of display boards.

Childcare and translation services (in Spanish) will be available. Light refreshments will be served. A majority of Council may be present, but no official business will be conducted and no actions will be taken.

What more information? Visit: milwaukieoregon.gov/library.

Women Take the Lead: Female Directors

Last month, we celebrated International Women’s Day; a day to celebrate the

achievements of half the planet and point out the gender imbalances in many

occupations. Never is the discrepancy more striking than in the director’s chair where

women make up a measly 7% of all directors. Only one woman has won a Best Directing

Oscar and only four have been nominated. But these sad statistics don’t reflect that women are creating some of the most exciting and innovative films around. Here’s a short

list to get you started: Kathryn Bigelow - The only female director to win an Oscar, she has been steadfast in making the films she wants; serious movies for adults. Check out: The Hurt Locker (2008) – An incredibly intense film about soldiers assigned to a bomb disposal unit in Baghdad. Winner of six Academy Awards including Best Director. Nancy Meyers- A female auteur, her films are the equivalent of being wrapped in a fuzzy blanket with a warm cup of cocoa. Watch: Something’s Gotta Give (2003): This very grown-up comedy stars Jack Nicholson as a lifetime swinger with a taste for younger women. When he suffers a heart attack at the home of his latest trophy girlfriend, he finds himself developing an attraction for her mother (Diane Keaton). Sofia Coppola - Coming from cinematic royalty (her father is Francis Ford Coppola, director of The Godfather), she has proven herself a sensitive and thoughtful writer and director. Required viewing:

Food for Fines

To celebrate this week, all of the

libraries are offering a “Food for Fines” promotion. Bring in a non-

perishable food item (please no damaged or expired items) and the library will waive $1.00 of library fines for every item you donate. All food will go to local food banks.

Lost in Translation (2003): A faded movie star and a lonely young woman form a rocky friendship when their paths cross in Tokyo. Coppola won an Oscar for her writing and was nominated for her directing. Bill Murray and Scarlett Johansson star. Jane Campion- New Zealand born writer/director Campion now makes her home in Australia. She is known for her female-centric themes. Don’t miss:

Plant Sale Returns!

Mira Nair - Born in India and educated at Harvard, Nair began her career as an actor and documentarian. Her films give an intimate look into the Indian culture and family structure. A must see: Monsoon Wedding (2001): Set in the upper middle class, this story of an arranged marriage in New Delhi shows the striking contrast between the modern and ancient traditions of contemporary India. Lina Wertmuller- The first woman to be nominated for Best Director, she is known for her whimsical and lengthy titles that were shortened for international release. My favorite: Swept Away (1974): A rich spoiled woman and a communist deckhand are stranded together on an island where their roles become reversed. This film shows how the societal framework of rich and poor can be a delicate balance.
The Friends of the Ledding Library annual plant sale will be held on Saturday, May 12 from 9 a.m. to 4 p.m. at the Pond House. If you are interested in donating plants or volunteering please contact Friends of the Ledding Library President Sandy Armstrong at 503.786.8770 or Nancy Wittig at 503-786-7582.
I hope that an initial viewing of these films will inspire you to binge on more of these great

directors’ body of works. Happy viewing!

Amelia Heinl AKA The Movie Maven

Ledding Library of Milwaukie, 10660 SE 21st Ave, Milwaukie, OR 97222 ● 503.786.7580 ● milwaukieoregon.gov/library

Library Hours: Mon - Thurs: 10 a.m. - 9 p.m., Fri - Sat: 10 a.m. - 6 p.m. & Sun: 12 - 6 p.m.

music - 2 - 3 p.m. Presented by the Friends of the Ledding Library. transferred to the country's highestsecurity prison, he catches the

Programs for Adults

attention of the seasoned chief executioner Rahim. Aiman's desire to become the hangman's apprentice is not only professional but born of an unspeakable urge to reconnect with a past that haunts him. Far from being a conventional prison movie, this slowburning psychological thriller is a stunning and tightly focused and ambitious look at all the lives affected by capital punishment.

Apr. 8 - 14 - National Library Week:

Food for Fines - The Libraries in

APRIL 2018

Sun Mon Tue We Thu

Clackamas County would like you to join them in celebrating National Library Week. To celebrate this week,

all of the libraries are offering a “Food for Fines” promotion. Bring in a non-

perishable food item (please no damaged or expired items) and the library will waive $1.00 of library fines for every item you donate. All food will go to local food banks.

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Apr. 21 - Poetry writing

Workshop with Paulann Petersen - 10 a.m. - 4 p.m. in the Pond House.

For Children’s Programs visit:

www.milwaukieoregon.gov/library

Register* for this event at

[email protected]. *Fee and

registration required.

Every Monday - Crafty Writers and

Readers - 7 - 8 p.m. in the Fiction Room. Once a week, we meet, study, critique, write, and share.
Apr. 24 - Library Improvement Project

Community Meeting – 6 – 8 p.m. at the Milwaukie Masonic Lodge, 10636 SE Main St. Milwaukie, OR 97222. Come view the current library design including interior and exterior building views, materials and site design. www.craftywriters.club

Mondays by appointment - Library2Go

and Cloud Library Help. Use your laptop, tablet, eReader or smart phone to access digital books. To schedule an appointment, contact Robert at 503.786.7546.

Apr. 11 - Ed Skoog Poetry

Reading – 7 - 8 p.m. in the Pond House. Ed Skoog is the author of

Every Thursday - Knit Nite -

6:30 - 8 p.m. in the Fiction Room. Knitters and crocheters of all skill levels are welcome. three books of poems,

Mister Skylight, Rough

Day (winner of the Washington State Book Award) and

Run the Red Lights, all published by

Copper Canyon Press. Light refreshments will be served.
Apr. 4 - Beading Group - 6 - 7 p.m. in the Fiction Room. Open beading group for adults led by Connie Parker.

Apr. 25 – Ledding Book Club -

7 – 8 p.m. in the Fiction Room. This month we will

discuss The Road to Little Dribbling by Bill Bryson.

Apr. 18 – Milwaukie/Sellwood

Book Club – 7 – 8 p.m. in the Fiction Room. The book

American Psycho by Brett Ellis

will be discussed. A Milwaukie area book club led by

Apr. 4 - Poetry Open Mic:

Humorous Poetry - 7 - 8 p.m. in the Pond House. Plan on 5-7 minutes to share your

own or other people’s

Mark you calendar!

May 12 – Friends of the Ledding Library Plant Sale – 9 a.m. – 4 p.m. at the Pond House. Questions, please call Nancy at 503.786.7582.

humorous poems. If time allows, we’ll

welcome additional readings. Sign-up in advance to read with Daniel Hobbs at [email protected]. Light refreshments will be provided. community volunteer Patricia Cronin, email Cronin to join the club at

[email protected].

Apr. 19 - Beading Group - 1 - 2 p.m. in the Fiction Room. Open beading group for adults led by Connie Parker.

Coming Soon:

Library Relocation & Reopening dates

Apr. 5 – Daylight Book Group –

11 a.m. – 12 p.m. in the Fiction Room. Join this group of daytime book lovers for an interesting hour of book
Goodbye Open House! - a chance to say goodbye to the building. Write your favorite library on a memory wall, take photos, eat cake and share memories with other patrons and former and current staff.

Apr. 19 - Indie Film Night:

showing the film

Apprentice from Singapore

in English & Malay with English subtitles - 6:30 - 9 p.m. in the Pond House. discussion and review of the book

Song of Solomon by Toni Morrison.

Apr. 7 - First Saturday Music

Series: Silky Mayer & Friend playing R&B, Latin and Jazz

Apprentice: When ambitious young

correctional officer Aiman is

Ledding Library of Milwaukie, 10660 SE 21st Ave, Milwaukie, OR 97222 ● 503.786.7580 ● milwaukieoregon.gov/library

Library Hours: Mon - Thurs: 10 a.m. - 9 p.m., Fri - Sat: 10 a.m. - 6 p.m. & Sun: 12 - 6 p.m.

Recommended publications
  • PARAMOUNT PICTURES and ICON PRODUCTIONS Present 61.02 SCENE 4 - MT

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    PARAMOUNT PICTURES and ICON PRODUCTIONS PRESENT COMBINED CONTINUITY AND SPOTTING LIST FOR "WHAT WOMEN WANT" December 22, 2000 13.07 SCENE 1 - PARAMOUNT ANIMATED LOGO FADES IN/OUT. (MUSIC IN) 37.02 SCENE 2 - ICON PRODUCTIONS ANIMATED LOGO FADES IN/OUT. 55.00 SCENE 3 - MT. GRAPHIC #1 FADES IN/OUT OVER BLACK: PARAMOUNT PICTURES and ICON PRODUCTIONS present 61.02 SCENE 4 - MT. GRAPHIC #2 FADES IN/OUT OVER BLACK: an ICON / WIND DANCER production MT. GRAPHIC #4 FADES IN/OUT OVER BLACK: a film by NANCY MEYERS MT. GRAPHIC #5 FADES IN/OUT OVER BLACK: MEL GIBSON MT. GRAPHIC #6 FADES IN/OUT OVER BLACK: HELEN HUNT MT. GRAPHIC #7 FADES IN/OUT OVER BLACK: WHAT WOMEN WANT 91.10 SCENE 5 - EXT. STREET - DAY 1 GRAPHIC ON BLACK RISES AS IF PAINTED ON INTERIOR OF DELIVERY TRUCK DOOR AS IT IS OPENED REVEALING CITY AS DELIVERY MAN REACHES IN AND GRABS STACKS OF NEWSPAPERS. (NEW MUSIC IN) GIGI (V.O.): You know the expression, "A man's man"? 108.13 SCENE 6 - EXT. STREET - NIGHT TILT DOWN FROM MARQUEE LIGHTS TO MFS ON GROUP OF MEN FAVORING ONE WITH CIGAR IN CENTER. GIGI (V.O.): A man's man is the leader of the pack. The kind of man other men look up to, admire and emulate. MT. GRAPHIC #8 OVER ACTION: MARISA TOMEI 121.02 SCENE 7 - EXT. STREET - DAY FS ON MAN CROSSING STREET INTO BG AND TURNING TO ADDRESS TWO WOMEN WALKING TO FG. GIGI V.O.: A man's man is the kind of man who just doesn't get what women are about.
  • 22Nd NFF Announces Screenwriters Tribute

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  • Smoothing the Wrinkles Hollywood, “Successful Aging” and the New Visibility of Older Female Stars Josephine Dolan

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  • Introduction Love Actually: Romantic Comedy Since the Aughts

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  • Joe Hutshing , A.C.E

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  • Zain Effendi Composer Born in Colorado, Zain Effendi Began Life As a Passionate Composer of Symphonic Music at a Very Early Age

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  • Press Release Imdbpro and Reframe 2017 Stamp Recipients FINAL2 Embargov1 6 7 18

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  • Film Locations in San Francisco

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    Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros.
  • 12YAS Notes FINALX

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    ABOUT THE FILMMAKERS STEVE M cQUEEN (Directed by, Produced by) is a British artist and filmmaker. In 2008, M cQueen’s critically acclaimed first feature HUNGER won the Camera d’Or at the Cannes Film Festival among countless other international prizes. He followed with 2011’s incendiary film experience, SHAME, a provocative drama about addiction and secrecy in the modern world. The film received numerous accolades and awards with M cQueen winning the CinemAvvenire Award and FIPRESCI Prize at the Venice Film Festival as well as nominations from BAFTA, the British Independent Film Awards, the London Film Festival, Evening Standard British Film Awards and the Independent Spirit Awards. In 1996, M cQueen was the recipient of an ICA Futures Award, in 1998 he won a DAAD artist’s scholarship to Berlin and in 1999 - besides exhibiting at the ICA and at the Kunsthalle in Zürich - he also won the Turner Prize. McQueen has exhibited at the Art Institute of Chicago, the Musee d’Art Moderne de la Ville de Paris, Documenta (2002 and 2007) and at the 53rd Venice Biennale in 2009 where he represented Britain. His work is held in museum collections around the world including Tate, the Museum of Modern Art, and the Centre Pompidou. In 2003, he was appointed Official War Artist for the Iraq war by the Imperial War Museum and subsequently produced the poignant and controversial project Queen and Country, which commemorated the deaths of British soldiers who died in the Iraq War by presenting their portraits as a sheet of stamps. In 2002, he was awarded the OBE and the CBE in 2011.
  • 1 Femininity, Ageing and Performativity in the Work of Amy

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    1 Femininity, Ageing and Performativity in the Work of Amy Heckerling Frances Smith, University College London Abstract: This article concerns the complex negotiation of ageing and femininity in Amy Heckerling’s two most recent films: I Could Never Be Your Woman (2007) and Vamps (2012). These films are positioned as part of the contemporary postfeminist media culture, (Gill, 2007) noting the scrutiny received by the ageing female body, and its changing status under the prevailing cultural norms of femininity. However, Heckerling’s films also demonstrate a sense of play with these gender norms, and so calls to be read also in terms of Judith Butler’s theorisation of performativity (1990; 1993; 2004). This article contends that Heckerling’s representation of liminality and indeterminacy—in her teen movies, and later work alike—provides a way for women to carve out an autonomous identity that humorously demonstrates the absurdity of mediatised constructions of femininity. Her work, then, is more complex than has hitherto been acknowledged, and the piece concludes by calling for the director and screenwriter to be repositioned as a significant female voice in 21st century screen media. A pivotal scene occurs towards the middle of Amy Heckerling’s I Could Never Be Your Woman (2007) when television producer Rosie (Michelle Pfeiffer) enters the reception area of a TV studio where two other producers are discussing casting. As one (Peter Polycarpou) proposes a series of accomplished female actors, the other (Mackenzie Crook) dismisses them variously as “hags”, or, in the case of actor Emma Thompson, “Brit hag”. Even those women who have taken steps to stall the ageing process do not escape this scrutiny.
  • With Lost Kids, Dysfunctional Families and Too Much Food, the Holidays Have Always Been a Perfect Backdrop for Comedy, Drama and Even Action

    With Lost Kids, Dysfunctional Families and Too Much Food, the Holidays Have Always Been a Perfect Backdrop for Comedy, Drama and Even Action

    Season’s Greetings With lost kids, dysfunctional families and too much food, the holidays have always been a perfect backdrop for comedy, drama and even action. Here’s how some directors have celebrated the occasion. CITY LIGHTS: (opposite) The Gotham Plaza set for Tim Burton’s Batman Returns (1992) was based on the Rockefeller Center Christmas tree. It was built on Stage 16 on the Warner Bros. lot, one of Hollywood’s biggest stages. (above) Bob Clark directs Peter Billingsley (who would later become a director himself) in the perennial A Christmas Story (1983). Filmed in Cleveland, Clark said he wanted the film to take place “amorphously [in the] late ’30s or early ’40s,” but a specific year is never mentioned. 50 dga quarterly PHOTOS: (Left) MGM/UA ENTERTAINMENT COMPANY/PHOTOFEST; (Above) AlamY dga quarterly 51 52 film required more than 400 special effects shots. effects special 400 than more required film Strauss-Schulson’s Todd in tree perfectChristmas the for looking York New in time wild a have House) White the at feature after directing Allen on the TVthe on Allen after directing series feature shirt)from scene a prepares (left, Pasquin white rooftop in John as a over Allen) (Tim Claus Santa fly to H RUD I G dga H H O H quarterly L PH PH O L I A da N YS: YS: D F RIEN Harold (John Cho) and Kumar (Kal Penn, on leave from his job his from leave on Penn, (Kal Kumar and Cho) (John Harold D S: S: Reindeer borrowed from the Toronto Zoo get ready get Zoo Toronto the from borrowed Reindeer The Santa Clause Santa The A Very Harold & Kumar 3D Christmas 3D Kumar & Harold Very A Home Improvement Home (1994).
  • ARTHUR ROCHESTER Production Sound Mixer A.M.P.A.S., I a T S E, Lac

    ARTHUR ROCHESTER Production Sound Mixer A.M.P.A.S., I a T S E, Lac

    ARTHUR ROCHESTER Production Sound Mixer A.M.P.A.S., I A T S E, lac. 695, S.A.G. Tel: (818) 506-4637 Cell: (818) 402-9570 E-mail: arthulT(o)dhdtraxsound.com IMDb: http://wvvw.imdb..com/name/nm0734053! SOME FEATURE FILM CREDITS 2007: BROTi'lE1.tS . Dir., Adam McKay; Prods. Adam McKay, Judd Apatow, Jimmy Miller, Will Ferrell, David Householter for Columbia Pictures . 2007: . Dir., Kent Alterman; Prods. Jimmy Miller, David Householter for New Line Cinema. 2006: . Dir., Tony Scott; A Jerry Bruckheimer Production for Disney Motion Picture Group. 2004: "DO/flllNO": Dir., Tony Scott; Prods. Ridley Scott, Samuel Hidada, Barry Waldman for New Line Cinema. 2004: "SERENITY": Dir., Joss Whedan; Prod., Barry Mendel for NBC-Universal Pictures. 2003: "CELLULAR~J: Dir., David Ellis; Prods. Dean Devlin, Lauren Lloyd, Doug Curtis for New Line Cinema. 2003: "SOMETHING'S GOTTA GIVE": Dir. /Writer/Prod., Nancy Meyers; Prod., Bruce Block for Columbia Pictures. 2002: "?VI4STER AND CONlll;/ANlJER: THE FAR SWE OF THE ~VORW Dir., Peter Weir; Prod., Duncan Henderson, Alan Curtiss for 20th Century Fox. (BAFT A Winner, CAS Award Winner, Golden Satallite Award Winner and Oscar Nominee for Sound Mixing: 2004) 2001: ·'AnOUT SCHivilDT": Dir., Alexander Payne; Prod., Harry Gittes for New Line Cinema. 2000: "COLLATERAL 0 Dir., Andrew Davis; Prod., lIawk Koch for Warner Bros. 2000: "THE 1I!1POSTOR": Dir., Gary Fleder; Prod., Marty Katz, David Witz for Miramax. 1999: "l1fISSION: li'efPOSSlBLE 2": Dir., John Woo; Prods., Tom Cruise, Paula Wagner, Terence Chang, Paul Hitchcock for Paramount Pictures. (United States filming) 1999: "PLA YJT TO THE Bor,,'E'J: Dir., Ron Shelton; Prods., Stephen Chin, David Lester and David Siegel for Touchstone Pictures.