This is a repository copy of CREATIVITIES, INNOVATION, AND NETWORKS IN GARAGE PUNK ROCK : A CASE STUDY OF THE ERUPTÖRS. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/94929/ Version: Published Version Article: Gillett, Alex Giles orcid.org/0000-0001-7965-2404 and Smith, Gareth (2015) CREATIVITIES, INNOVATION, AND NETWORKS IN GARAGE PUNK ROCK : A CASE STUDY OF THE ERUPTÖRS. Artivate: A Journal of Entrepreneurship in the Arts. pp. 9-24. ISSN 2164-7747 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing
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[email protected] https://eprints.whiterose.ac.uk/ Artivate: A Journal of Entrepreneurship in the Arts Volume 4, Issue 1 http://artivate.org pp. 9-24 ______________________________________________________________________________________________________________________ CREATIVITIES, INNOVATION, AND NETWORKS IN GARAGE PUNK ROCK: A CASE STUDY OF THE ERUPTÖRS Gareth Dylan Smith, Institute of Contemporary Music Performance Alex Gillett, The York Management School, University of York Abstract The two authors are members of punk rock trio the Eruptörs.