DOCSLIB.ORG

Baba Yaga and Vasilisa the Brave Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

FREE BABA YAGA AND VASILISA THE BRAVE PDF Marianna Mayer,Kinuko Y Craft | 40 pages | 19 May 1994 | HarperCollins Publishers Inc | 9780688085001 | English | New York, United States Baba Yaga and Vasilisa the Brave by Marianna Mayer, Kinuko Y. Craft, Hardcover | Barnes & Noble® By his first wife, a merchant had a single daughter, who was known as Vasilisa the Beautiful. When the girl was eight years old, Baba Yaga and Vasilisa the Brave mother died. On her deathbed, she gave Vasilisa a tiny wooden doll with instructions to give it a little to eat and a little to drink if she were in need, and then it would help her. As soon as her Baba Yaga and Vasilisa the Brave died, Vasilisa gave it a little to drink and a little to eat, and it comforted her. After a time, her father remarried; the new wife was a woman with two daughters. Vasilisa's stepmother was very cruel to her, but with the help of the doll, she was able to perform all the tasks imposed on her. When young men came wooing, the stepmother rejected them all because it was not proper for the younger to marry before the older, and none of the suitors wished to marry Vasilisa's stepsisters. One day the merchant had to embark on a journey. His wife sold the house and moved them all to a gloomy hut by the forest. One day she gave each of the girls a task and put out all the fires except a single candle. Her older daughter then put out the candle, whereupon they sent Vasilisa to fetch light from Baba Yaga and Vasilisa the Brave Yaga 's hut. The doll advised her to go, and she went. While she was walking, a mysterious man rode by her in the hours before dawn, dressed in white, riding a white horse whose equipment was all white; then a similar rider in red. She came Baba Yaga and Vasilisa the Brave a house that stood on chicken legs and was walled by a fence made of human bones. A black rider, like the white and red riders, rode past her, and night fell, whereupon the eye sockets of the skulls began to glow. Vasilisa was too Baba Yaga and Vasilisa the Brave to run away, and so Baba Yaga found her when she arrived in her mortar. Baba Yaga said that Vasilisa must perform tasks to earn the fire, or be killed. She was to clean the house and yard, wash Baba Yaga's laundry, and cook her a meal. She was also required to separate grains of rotten corn from sound corn, and separate poppy seeds from grains of soil. Baba Yaga left, and Vasilisa despaired, as she worked herself into exhaustion. When all hope of completing the tasks seemed lost, the doll whispered that she would complete the tasks for Vasilisa, and that the girl should sleep. At dawn, the white rider passed; at or before noon, the red. As the black rider rode past, Baba Yaga returned and could complain of nothing. She bade three pairs of disembodied hands seize the corn to squeeze the oil from it, then asked Vasilisa if she had any questions. Vasilisa asked about the riders' identities and was told that the white one was Daythe red one the Sunand the black one Night. But when Vasilisa thought of asking about the disembodied hands, the doll quivered in her pocket. Vasilisa realized she should not ask, and told Baba Yaga she had no further questions. Baba Yaga and Vasilisa the Brave return, Baba Yaga enquired as to the cause of Vasilisa's success. On hearing the answer "by my mother's blessing", Baba Yaga, who wanted nobody with any kind of blessing in her presence, threw Vasilisa out of her house, and sent her home with a skull-lantern full of burning coals, to provide light for her step-family. Baba Yaga and Vasilisa the Brave her return, Vasilisa found that, since sending her out on her task, her step-family had been unable to light any candles or fire in their home. Even lamps and candles that might be brought in from outside were useless for the purpose, as all were snuffed out the second they were carried over the threshold. The coals brought in the skull-lantern burned Vasilisa's stepmother and stepsisters to ashes, and Vasilisa buried the skull according to its instructions, so no person would ever be harmed by it. Later, Vasilisa became an assistant to a maker of cloth in Russia's capital city, where she became so skilled at her work that the Tsar himself noticed her skill; he later married Vasilisa. In some versions, the tale ends with the death of the stepmother and stepsisters, and Vasilisa lives peacefully with her father after their removal. This lack of a wedding is unusual in a tale with a grown heroine, although some, such as Jack and the Beanstalkdo feature it. The white, red, and black riders appear in other tales of Baba Yaga and are often interpreted to give her a mythological significance. In common with many folklorists of his day, Alexander Afanasyev regarded many tales as primitive ways of viewing nature. In such an interpretation, he regarded this fairy tale as depicting the conflict between the sunlight Vasilisathe storm her stepmotherand dark clouds her stepsisters. She interprets Baba Yaga as the "wild feminine" principle that Vasilisa has been separated from, which, by obeying and learning how to nurture, she learns and grows from. Edith Hodgetts included an English translation of this story in her collection Tales and Legends from the Land of the Tzar. Aleksandr Rou made a film entitled Vasilisa the Beautiful inhowever, it was based on a different tale — The Frog Tsarevna. There is also a Soviet cartoon — Vasilisa the Beautifulbut it is also based on the Frog Tsarevna tale. The book was edited by Irina Zheleznova, who also translated many of the stories in the book from the Russian including Vasilisa The Beautiful. The book was also translated in Hindi and Marathi. The feminist fantasy anthology Did You Say Chicks?! Baba Yaga and Vasilisa the Brave and DeCandido's story was followed up in the succeeding volume Chicks 'n Chained Males with the sequel "Death Becomes Him," which is credited to Frants alone and features Koschei the Deathless as the antagonist. The book also includes other characters of slavic folklore, such as a Domovoi making an appearance. The novel Vassa in the Night by Sarah Porter is based on this folktale with a modern twist. In Annie Baker 's play The Antipodesone of the characters, Sarah, Baba Yaga and Vasilisa the Brave a story from her childhood that is reminiscent of the story of Vasilisa. From Wikipedia, the free encyclopedia. Russian folk tale. For the feature film, see Vasilisa the Beautiful film. For the animated film, see Vasilisa the Beautiful film. Children's literature portal. Vasilisa the Beautiful. Women Who Run with the Wolves. Ballantine Books. Vassa in the Night. Tor Teen, New York. Slavic folklore. Vila Drekavac Kikimora Mavka Upyr. Notes: 1 historicity of the deity is dubious; 2 the deity status is dubious. Hidden categories: CS1 errors: empty unknown parameters Webarchive template wayback links Articles with short description Short description matches Wikidata Articles containing Russian-language text Commons category link is on Wikidata. Namespaces Article Talk. Views Read Edit View Baba Yaga and Vasilisa the Brave. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons Wikisource. Wikimedia Commons has media related to Vasilisa the Beautiful Bilibin. Wikisource has original text related to this article: Vasilisa the Beautiful. Vasilisa the Beautiful - Wikipedia Baba Yaga and Vasilisa the Brave helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Kinuko Y. Craft Illustrator. Sweet, lovely Vasilisa lives with her jealous stepmother and stepsisters on the edge of a dark forest inhabited by the evil witch Baba Yaga. One night the stepmother sends Vasilisa to visit Baba Yaga, an errand from which the Baba Yaga and Vasilisa the Brave girl has little chance of returning alive. A stylized and classy offeri Sweet, lovely Vasilisa lives with her jealous stepmother and stepsisters on the edge of a dark forest inhabited by the evil witch Baba Yaga. A stylized and classy offering. Get A Copy. Hardcover40 pages. More Details Original Title. Other Editions 2. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Baba Yaga and Vasilisa the Braveplease sign up. Be the first to ask a question about Baba Yaga and Vasilisa the Brave. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Start your review of Baba Yaga and Vasilisa the Brave. Oct 09, Melki rated it it was amazing Shelves: girl-powerfolk-fairy-taleswascally-witchesbaba-yaga. Vasilisa's tale begins much like a Cinderella story. Left alone with an evil stepmother, and two ill-tempered stepsisters, her life has become one of drudgery. As Baba Yaga and Vasilisa the Brave years pass, her stepmother comes to realize that she will never marry off her homely, dim-witted daughters as long as the beautiful Vasilisa is around. So, Vasilisa is sent on a terrifying errand - to fetch a light from the dreaded Baba Yaga.
Recommended publications
  • Vasilisa the Beautiful and Baba Yaga by Alexander Afanasyev Book

    Vasilisa the Beautiful and Baba Yaga by Alexander Afanasyev Book

    Vasilisa the Beautiful and Baba Yaga by Alexander Afanasyev book Ebook Vasilisa the Beautiful and Baba Yaga currently available for review only, if you need complete ebook Vasilisa the Beautiful and Baba Yaga please fill out registration form to access in our databases Download here >> Hardcover:::: 28 pages+++Publisher:::: The Planet (July 15, 2017)+++Language:::: English+++ISBN-10:::: 1910880353+++ISBN-13:::: 978- 1910880357+++Product Dimensions::::8 x 0.2 x 10 inches+++ ISBN10 ISBN13 Download here >> Description: The famous Russian fairy tale about a brave girl sent by her jealous stepsisters to fetch fire from frightful witch Baba Yaga was recorded by the renowned folklorist Alexander Nikolayevich Afanasyev (1826–1871), who collected and published more than 600 Russian folk tales in the middle 19th century.The illustrations included in this edition were created in the early 20th century by Ivan Yakovlevich Bilibin, a famous Russian illustrator and stage designer, who was inspired by Slavic folklore throughout his career. He was a prominent figure in the artistic movement Mir Iskusstva and contributed to the Ballets Russes. “Vasilisa the Beautiful and Baba Yaga” is a traditional Russian fairytale retold by Alexander Afanasyev and translated into English by Post Wheeler in the 2017 edition published by Planet Books. In the story, Vasilisa is given a magic doll by her mother as she is dying. She tells Vasilisa to give the little doll some food and drink and then it will help her solve whatever problem she’s facing.Indeed, the doll saves her over and over, even when faced with the ogre Baba Yaga, who threatens to eat Vasilisa if she doesn’t do everything she’s told.
  • MAN in NATURE Pre-Christian Eastern Slavic Reflections on Nature

    MAN in NATURE Pre-Christian Eastern Slavic Reflections on Nature

    MAN IN NATURE Pre-Christian Eastern Slavic Reflections on Nature Molly Kaushal What follows is a simple account of how, in earlier times, the Eastern Slavs, particularly the pre-Christian Russians, interacted with nature. Pre-Christian slavic religion was mainly based on nature worship. Fire, Earth and Water figured prominently in its beliefs and ritual practices. The forces of nature were personified, feared, and revered, and the Slavs developed a whole pantheon of gods and goddesses. However, the three main gods of their pantheon were linked together not in a hierarchical way, but in a mutually complementary way, where each was incomplete without the other. A whole cycle of rituals revolved around various forces of nature and their personified images. The arrival of Christianity as the official religion and the establishment of the Russian Orthodox Church culminated in the banning of many folk ritual practices which were pre-Christian in origin, and in the persecution of those who practised them. Yet, a complete annihilation of earlier beliefs and practices could never be accomplished. Pre- Christian beliefs and gods exerted such a strong influence upon the Russian mind that the only way to come to terms with them was through incorporating them in the mainstream of the Christian order. Water, Fire, and the Mother Earth Goddess were, and have remained, the most powerful images of Russian religious beliefs and practices, and folk memory has remained loyal to the personified and non- personified images of these elements. According to some scholars, Rusi, or Russians as we call them, have their origins in the word Roce.
  • The Russian Ritual Year and Folklore Through Tourist Advertising

    The Russian Ritual Year and Folklore Through Tourist Advertising

    THE RUSSIAN RITUAL YEAR AND FOLKLORE THROUGH TOURIST ADVERTISING IRINA SEDAKOVA This article analyzes the ritual year in modern Russia as Članek analizira praznično leto v moderni Rusiji, kot ga reflected in tourism spam letters circulated between 2005 odsevajo turistična oglasna sporočila med letoma 2005 in and 2012. These texts are the main source of data for this 2012. Tovrstna besedila so glavni vir podatkov za to študijo, study because they illustrate major tendencies in govern- saj odsevajo pomembnejše tendence vladnih, komercialnih mental, commercial, and individual attitudes towards in individualnih pogledov na ruske tradicionalne šege in Russian traditional customs and official holidays. They also uradne praznike. Prikazujejo tudi, kako se ohranja in demonstrate how local heritage is being maintained and rekonstruira lokalna dediščina in kako se pojavljajo in reconstructed, and how new myths and customs are appear- razvijajo novi miti in rituali, kot jih zahtevajo potrebe ing and developing to suit the needs of domestic tourism, a domačega turizma. special ethnographic calendrical type. Ključne besede: Rusija, praznično leto, pust, oglaševanje, Keywords: Russia, ritual year, carnival, advertising, tour- turistična antropologija, semiotika. ism anthropology, semiotics. INTRODUCTION This article focuses on the revitalization and re-invention of calendrical ritual celebrations in modern Russian provincial cities as a reciprocal process introduced by local authorities and tourist developers to motivate domestic tourists. This study touches on many sub- disciplines within anthropology, folklore, and linguistics. The topic partly fits into the anthropology of tourism, an academic discipline well established in Europe and the U.S. (core works are published in Smith 1989, Nash 1996, and Nash 2007 et al., but not yet presented in Russian academic investigation and teaching1).
  • The Problem of Mysteriousness of Baba Yaga Character in Religious Mythology

    The Problem of Mysteriousness of Baba Yaga Character in Religious Mythology

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Siberian Federal University Digital Repository Journal of Siberian Federal University. Humanities & Social Sciences 12 (2013 6) 1857-1866 ~ ~ ~ УДК 7.046 The Problem of Mysteriousness of Baba Yaga Character in Religious Mythology Evgenia V. Ivanova* Ural Federal University named after B.N. Yeltsin 51 Lenina, Ekaterinburg, 620083 Russia Received 28.07.2013, received in revised form 30.09.2013, accepted 05.11.2013 This article reveals the ambiguity of interpretation of Baba Yaga character by the representatives of different schools of mythology. Each of the researchers has his own version of the semantic peculiarities of this culture hero. Who is she? A pagan goddess, a priestess of pagan goddesses, a witch, a snake or a nature-deity? The aim of this research is to reveal the ambiguity of the archetypical features of this character and prove that the character of Baba Yaga as a culture hero of the archaic religious mythology has an influence on the contemporary religious mythology of mass media. Keywords: religious mythology, myth, culture hero, paganism, symbol, fairytale, religion, ritual, pagan priestess. Introduction. “Religious mythology” is examined by the author of the article (Ivanova, a new term, which is relevant to contemporary 2012, p.56). The subject of the research presented religious and cultural studies, philosophy in this article is topography or conceptual space of religion and other sciences focusing on of notional understanding of the fairytale pagan correlation between myth and religion. This culture hero – the character of Baba Yaga.
  • Middlesession 2017 February 28, March 21, March 22

    Middlesession 2017 February 28, March 21, March 22

    MiddleSession 2017 February 28, March 21, March 22 Sports of Russia and Eastern Europe Trs. Dan C and Patrick DO YOU BELIEVE IN MIRACLES?! If by “miracles” you mean exploring the popular, hockey-like sports of Russia and Eastern Europe, Tr. Patrick and Tr. Dan sure do. In our middlesession group, we will learn about the “Miracle on Ice,” try out feet at ice skating, figure out and play bandy and floorball, and possibly invent our own hybrid-sport! And we’ll eat some nice food! Eastern European Folk Dance and Song Trs. Heather and Jonathan Stand up and dance! Open your mouth and sing! Come learn a variety of folk dances from different Eastern European countries. From Macedonian line dances to Czech polkas, we will explore a wide variety of dance styles. To rest our feet periodically, we will learn some traditional songs from different countries in this region, as well as learning a bit about the different countries where these dances and songs originated. We will even have one or two workshops with local dancers and musicians! Eastern European Folktale Fun Trs. Maureen and Laurie Who are the Baba Yaga, Kikimora, and Vodyanoy? In this course, you’ll learn about these and other famous characters from Eastern European folktales. You’ll explore their stories, uncover what the stories reveal about Eastern European culture, and create your own folktale-inspired project. You could choose to create a board game starring Russian fairy tale villains and heroes, a graphic novel or movie adaptation of a Ukrainian folktale, or anything else you can imagine! We’ll also visit the University of Pennsylvania to learn from an Eastern European folklore expert.
  • Baba Yaga Story

    Baba Yaga Story

    This learning pack does not focus on specific objects in the Library’s collections. Instead it uses the traditional story of Baba Yaga to encourage children to think creatively about unusual objects in any exhibition. It can be used as part of a self-guided visit to Curious Objects, or in other museums or galleries. Magical Objects – Key Stage 1: English Contents of this learning pack Background information Retelling of the Baba Yaga story Visual aids to print for use during the story Story refrain card to print Activity sheet for use in the exhibition A3 game board for use in the classroom or at home Background information Suggestions for retelling the Baba Yaga story This story has been adapted by library staff from a traditional Russian folk tale to focus on three magical objects, each described by two adjectives. We suggest collecting a range of objects and/or printed images and giving each one to a child. Ask the children to hold up their image or object when it is mentioned in the story. If you cannot find the objects listed, use the photos of them instead. Objects: Blue silk scarf, Little wooden comb, Bright red ribbon, Pestle and mortar, Glass bottle. All the children can join in the rhyming refrain which is printed at the end of the story text. 1 Retelling of the Baba Yaga Story The story of Baba Yaga and Vasilisa the Brave Once, long ago, on the edge of a deep dark forest there lived a little girl named Vasilisa. She lived in a cottage with her father who loved her very much.
  • Karty Slovanských Bohyní Baba Jaga

    Karty Slovanských Bohyní Baba Jaga

    KARTY SLOVANSKÝCH BOHYNÍ BABA JAGA Nechat jít, katarze, osvobození, roztržení pout, pouštění, transformace, stařena Baba Jaga přichází, aby ti do života pomohla integrovat její kvality. Ovládá všechny přírodní síly, divoké a nezkrotné, ale umí být i laskavá. Je svobodná, protože nenáleží žádnému muži a jako čarodějnice může být klidně i ošklivá. Je nespoutaná a volná. Má přístup k prameni živé a mrtvé vody, vyzná se v lese, poslouchají ji vládci noci, smrti a znovuzrození. Nepotřebuje nikomu nic dokazovat. Je jako mystická šamanka, která ti pomáhá najít skrytou moudrost a čistou pravdu. Někdy je potřeba věci nejdříve pustit, aby se mohly transformovat. Dovol si prožívat její kvality, například ve fázi stařeny během tvého menstruačního cyklu. BELA Voda, emoce, léčení, čištění, podvědomí, přijetí, čistota Bela k tobě přichází a nese poselství, že je čas ponořit se do svých vnitřních vod a přijmout, přeléčit a pustit zadržované emoce nebo situaci. Je tvým podvědomím, hlubokým a neprozkoumaným. Možná tě právě v tuto chvíli přemáhají emoce. Abys mohla vykročit vpřed, musíš stará zranění, která tě drží v uzavřeném kruhu, přijmout a s láskou pustit. Vnímej Belinu přítomnost na březích vodních toků, kde jí můžeš o svých starostech povídat. Ona poslouchá a léčí. Nebo si doma připrav solnou očistnou koupel. Dovol si vše procítit a odevzdat. Pak si do koupele můžeš přidat bylinky a vůně, aby pronikly do celého tvého těla. Nezapomeň, že pro vodu neexistují překážky, umí je obtéct, podemlít, prosáknout, dokud nedosáhne svého cíle. Využij jejích kvalit. DEVANA Lov, nezávislost, ochránkyně zvířat, panna, iniciátorka, divokost Devana přichází z divokých lesů a přináší ti luk a šíp, aby ses mohla postavit na vlastní nohy a už nikdy nebýt na nikom závislá v tom, jak hrdě kráčíš svou cestou divokosti.
  • GURPS Classic Russia

    GURPS Classic Russia

    RUSSIA Empire. Enigma. Epic. By S. John Ross Additional Material by Romas Buivydas, Graeme Davis, Steffan O'Sullivan and Brian J. Underhill Edited by Spike Y Jones and Susan Pinsonneault, with Mike Hurst Cover by Gene Seabolt, based on a concept by S. John Ross Illustrated by Heather Bruton, Eric Hotz and Ramón Perez GURPS System Design by Steve Jackson Scott Haring, Managing Editor Page Layout and Typography by Amy J. Valleau Graphic Design and Production by Carol M. Burrell and Gene Seabolt Production Assistance by David Hanshaw Print Buying by Monica Stephens Art Direction by Carol M. Burrell Woody Eblom, Sales Manager Playtesters: Captain Button, Graeme Davis, Kenneth Hite, Dean Kimes, Marshall Ryan Maresca, Michael Rake Special Thanks to: Tim Driscoll, for laughing at the good bits; Scott Maykrantz, for bringing "opinionated" to the level of art; Dan Smith, for his encouragement and unique good humor; Moose Jasman, for studying Russian history at just the right time; and to Ivan Grozny, for being such a criminally insane, despotic villain — every book needs one. This book is dedicated to the memory of Reader's Haven, the finest bookshop ever to go out of business in Havelock, North Carolina, and to the garners there, for "putting the quarter into John." GURPS and the all-seeing pyramid are registered trademarks of Steve Jackson Games Incorporated. GURPS Russia, Pyramid and Illuminati Online and the names of all products published by Steve Jackson Games Incorporated are registered trademarks or trademarks of Steve Jackson Games Incorporated, or used under license. GURPS Russia is copyright © 1998 by Steve Jackson Games Incorporated.
  • Slavic Pagan World

    Slavic Pagan World

    Slavic Pagan World 1 Slavic Pagan World Compilation by Garry Green Welcome to Slavic Pagan World: Slavic Pagan Beliefs, Gods, Myths, Recipes, Magic, Spells, Divinations, Remedies, Songs. 2 Table of Content Slavic Pagan Beliefs 5 Slavic neighbors. 5 Dualism & The Origins of Slavic Belief 6 The Elements 6 Totems 7 Creation Myths 8 The World Tree. 10 Origin of Witchcraft - a story 11 Slavic pagan calendar and festivals 11 A small dictionary of slavic pagan gods & goddesses 15 Slavic Ritual Recipes 20 An Ancient Slavic Herbal 23 Slavic Magick & Folk Medicine 29 Divinations 34 Remedies 39 Slavic Pagan Holidays 45 Slavic Gods & Goddesses 58 Slavic Pagan Songs 82 Organised pagan cult in Kievan Rus' 89 Introduction 89 Selected deities and concepts in slavic religion 92 Personification and anthropomorphisation 108 "Core" concepts and gods in slavonic cosmology 110 3 Evolution of the eastern slavic beliefs 111 Foreign influence on slavic religion 112 Conclusion 119 Pagan ages in Poland 120 Polish Supernatural Spirits 120 Polish Folk Magic 125 Polish Pagan Pantheon 131 4 Slavic Pagan Beliefs The Slavic peoples are not a "race". Like the Romance and Germanic peoples, they are related by area and culture, not so much by blood. Today there are thirteen different Slavic groups divided into three blocs, Eastern, Southern and Western. These include the Russians, Poles, Czechs, Ukrainians, Byelorussians, Serbians,Croatians, Macedonians, Slovenians, Bulgarians, Kashubians, Albanians and Slovakians. Although the Lithuanians, Estonians and Latvians are of Baltic tribes, we are including some of their customs as they are similar to those of their Slavic neighbors. Slavic Runes were called "Runitsa", "Cherty y Rezy" ("Strokes and Cuts") and later, "Vlesovitsa".
  • HISTORY of UKRAINE and UKRAINIAN CULTURE Scientific and Methodical Complex for Foreign Students

    HISTORY of UKRAINE and UKRAINIAN CULTURE Scientific and Methodical Complex for Foreign Students

    Ministry of Education and Science of Ukraine Flight Academy of National Aviation University IRYNA ROMANKO HISTORY OF UKRAINE AND UKRAINIAN CULTURE Scientific and Methodical Complex for foreign students Part 3 GUIDELINES FOR SELF-STUDY Kropyvnytskyi 2019 ɍȾɄ 94(477):811.111 R e v i e w e r s: Chornyi Olexandr Vasylovych – the Head of the Department of History of Ukraine of Volodymyr Vynnychenko Central Ukrainian State Pedagogical University, Candidate of Historical Sciences, Associate professor. Herasymenko Liudmyla Serhiivna – associate professor of the Department of Foreign Languages of Flight Academy of National Aviation University, Candidate of Pedagogical Sciences, Associate professor. ɇɚɜɱɚɥɶɧɨɦɟɬɨɞɢɱɧɢɣɤɨɦɩɥɟɤɫɩɿɞɝɨɬɨɜɥɟɧɨɡɝɿɞɧɨɪɨɛɨɱɨʀɩɪɨɝɪɚɦɢɧɚɜɱɚɥɶɧɨʀɞɢɫɰɢɩɥɿɧɢ "ȱɫɬɨɪɿɹ ɍɤɪɚʀɧɢ ɬɚ ɭɤɪɚʀɧɫɶɤɨʀ ɤɭɥɶɬɭɪɢ" ɞɥɹ ɿɧɨɡɟɦɧɢɯ ɫɬɭɞɟɧɬɿɜ, ɡɚɬɜɟɪɞɠɟɧɨʀ ɧɚ ɡɚɫɿɞɚɧɧɿ ɤɚɮɟɞɪɢ ɩɪɨɮɟɫɿɣɧɨʀ ɩɟɞɚɝɨɝɿɤɢɬɚɫɨɰɿɚɥɶɧɨɝɭɦɚɧɿɬɚɪɧɢɯɧɚɭɤ (ɩɪɨɬɨɤɨɥʋ1 ɜɿɞ 31 ɫɟɪɩɧɹ 2018 ɪɨɤɭ) ɬɚɫɯɜɚɥɟɧɨʀɆɟɬɨɞɢɱɧɢɦɢ ɪɚɞɚɦɢɮɚɤɭɥɶɬɟɬɿɜɦɟɧɟɞɠɦɟɧɬɭ, ɥɶɨɬɧɨʀɟɤɫɩɥɭɚɬɚɰɿʀɬɚɨɛɫɥɭɝɨɜɭɜɚɧɧɹɩɨɜɿɬɪɹɧɨɝɨɪɭɯɭ. ɇɚɜɱɚɥɶɧɢɣ ɩɨɫɿɛɧɢɤ ɡɧɚɣɨɦɢɬɶ ɿɧɨɡɟɦɧɢɯ ɫɬɭɞɟɧɬɿɜ ɡ ɿɫɬɨɪɿɽɸ ɍɤɪɚʀɧɢ, ʀʀ ɛɚɝɚɬɨɸ ɤɭɥɶɬɭɪɨɸ, ɨɯɨɩɥɸɽ ɧɚɣɜɚɠɥɢɜɿɲɿɚɫɩɟɤɬɢ ɭɤɪɚʀɧɫɶɤɨʀɞɟɪɠɚɜɧɨɫɬɿ. ɋɜɿɬɭɤɪɚʀɧɫɶɤɢɯɧɚɰɿɨɧɚɥɶɧɢɯɬɪɚɞɢɰɿɣ ɭɧɿɤɚɥɶɧɢɣ. ɋɬɨɥɿɬɬɹɦɢ ɪɨɡɜɢɜɚɥɚɫɹ ɫɢɫɬɟɦɚ ɪɢɬɭɚɥɿɜ ɿ ɜɿɪɭɜɚɧɶ, ɹɤɿ ɧɚ ɫɭɱɚɫɧɨɦɭ ɟɬɚɩɿ ɧɚɛɭɜɚɸɬɶ ɧɨɜɨʀ ɩɨɩɭɥɹɪɧɨɫɬɿ. Ʉɧɢɝɚ ɪɨɡɩɨɜɿɞɚɽ ɩɪɨ ɤɚɥɟɧɞɚɪɧɿ ɫɜɹɬɚ ɜ ɍɤɪɚʀɧɿ: ɞɟɪɠɚɜɧɿ, ɪɟɥɿɝɿɣɧɿ, ɩɪɨɮɟɫɿɣɧɿ, ɧɚɪɨɞɧɿ, ɚ ɬɚɤɨɠ ɪɿɡɧɿ ɩɚɦ ɹɬɧɿ ɞɚɬɢ. ɍ ɩɨɫɿɛɧɢɤɭ ɩɪɟɞɫɬɚɜɥɟɧɿ ɪɿɡɧɨɦɚɧɿɬɧɿ ɞɚɧɿ ɩɪɨ ɮɥɨɪɭ ɿ ɮɚɭɧɭ ɤɥɿɦɚɬɢɱɧɢɯ
  • Slovenské Bájeslovie

    Slovenské Bájeslovie

    ^ BL 9M0 C95P3 1876 C.l RÓBA 5>'^j:' -í-C- CJOEHCKE r, A K (M O B L. SLOVENSKÉ BÁJESLOYIE. SOSIT TRVY. písal VILIAM PAULÍNY- TÓTH, b. podpredeeda Matice Slovenskej, C. len uenej Srbskej spolonosti v Belehrade, . len Srbskej Matice Novom Sade, inSpektor evanj. A. v. cirkiíi a Skól Nitraiiského seniorátu, správca Tur. Sv. Martinskej úastinárskej sporitelne, estný nieSfan v Kekeméte, na Starej Turej, v Tur. Sv. Martine, v Mošovcach, v Kláštore, v Nem. Lupi a t. ä. Cena I. sošitu 1 zl. r. r. TURC. SV. MARTIN. TLAOU KKÍHTLAÍIABSKO-ÚASTIxAE. SPOLKU. — NAKLADOM SPISOVATEOVÝM 1870. «Í$=S- Chyby tlaee y I. sošite. Na str.: SLOVENSKÉ BAJESLOVIE. PÍSAL VILIAM PAULÍNY- TOTH, b. podprerlserfa Matice Slovenskej, . len uenej Srbskej spolonosti v Belehrade, 6. len Srbskej Matice v Novom Sade, inšpektor evanj. A. v. cirkví a ékl Nitranského seniorÄtu , správca Tur. Sv. Martinskej úastinárskej sporitelne, estný raeSan v Kekemte, na Starej Turej, v T. S. Martine, v MoSoTcaoh, v Kláštore, v Nem. Lupi a t. d. —i* « > ^ p TUR. SV. MARTIN. r*' ^TLACOU KNÍHTLAClABSKO-TCASTINÄR. SPOLKU. — NÁKLADOM SPISOVATEIOVÍM. 1876, yn :a i mj^ if\ 11 HIT''' SLOVUTNÝM A VEAOTBNÝM PÁNOM LENOM MATICE SLOVENSKEJ S BRATSKOU lCTOU VENUJE SPISOVATE-. Digitized by the Internet Archíve in 2010 with funding from University of Toronto http://www.archive.org/details/slovenskbjesOOpaul ; Drahí bratia moji! Od viacej rokov úfal som sa, že toto moje skromné dielce raz Matica Slovenská — ako mi to v jednom jej valnom shromaždení už i prisMbené bolo — za hodné uzná k prijatiu a vydaniu, a že Vám, Drahí Bratia moji! touto cestou sdeli môc budem vj^sledok mojich dlhých trudovín, jímžto — ponúc od r.
  • Pojmovanje, Doživljanje in Odnos Do Smrti Pri Naših Prednikih Slovanih

    Pojmovanje, Doživljanje in Odnos Do Smrti Pri Naših Prednikih Slovanih

    UNIVERZA V LJUBLJANI FAKULTETA ZA DRUŽBENE VEDE MATEJA SMONKAR – ROJEC POJMOVANJE, DOŽIVLJANJE IN ODNOS DO SMRTI PRI NAŠIH PREDNIKIH SLOVANIH Diplomsko delo Ljubljana 2008 UNIVERZA V LJUBLJANI FAKULTETA ZA DRŽBENE VEDE MATEJA SMONKAR – ROJEC Mentorica: izr. prof. dr. Vesna V. Godina POJMOVANJE, DOŽIVLJANJE IN ODNOS DO SMRTI PRI NAŠIH PREDNIKIH SLOVANIH Diplomsko delo Ljubljana 2008 moji mami POJMOVANJE, DOŽIVLJANJE IN ODNOS DO SMRTI PRI NAŠIH PREDNIKIH SLOVANIH V mnogih kulturah poznamo personifikacijo smrti. Kaže se kot okostnjak s koso, ki ne prizanaša sleherniku, ker smo pred njo vsi enaki. Gre za predstave, ki so nastale iz poganskih razmišljanj in iz katerih smo ljudje prišli do enega izmed ključnih spoznanj: vsako življenje se začne z rojstvom in se neizbežno konča s smrtjo. Pri naših prednikih Slovanih je bil zaključek posameznikovega življenja družbeno obredno zelo poudarjen. Smrt je bila v vsakdanjem življenju prisotna drugače kot danes. Slovani so svoje mrtve, katere so delili na »čiste« in »nečiste« pokojnike, pokopavali na različne načine (upepeljevanje, skeletni pokop), na različnih mestih (ob cerkvah, v hišah, v čolnih, v izdolbenih drevesnih deblih, na saneh, v krstah). Verjeli so v posmrtno življenje ter v dušo, vezano na telo, in v svobodno dušo, o čemer pričajo številni arheološki podatki o načinih pokopavanja ter različne šege in verovanja. Številne šege in navade naših prednikov so se ohranile vse do danes, vendar je njihov prvotni pomen pozabljen ali drugače razlagan ter zgolj še navada. Ključne besede: Slovani, smrt, pogrebne šege in navade, slovanski grobovi, žrtvovanje. OUR ANCESTORS' COMPREHENSION, EXPERIANCE AND RELATION WITH DEATH The personification of death is known in many cultures.