6 U l t H i S f olto ST^Tt ST t> 3 / 0 O A U là U N -N li» dhc £amrentun V o lu m e XCII,I g o J ? IS. $ iu 1 9 « £au»uznca Universrhj, fcjppkfon. U)i6.

m ere of- late, tkereVia&i been a cessation of ine I ate ancient" intercourse betunrt scholars, artists, musicians, arid craftsmen of this realm, 1 B È B

orasmuch as th e relief of a druerse community F* and it5 members, vuho othccinise are likeUj to perish or become, ineffectual and perilous to ihe commonweal, is necessary to the common good,

< i\r it be witnessed hu all tiere present that this nineteenth dag of fltaq ui th<2 ijear nineteen hnn- dced and sftuentij-three, is proclaimed a dau of reuels on the (jreen at -Lauurence for the nleasuce and enjoyment of the people :

m ith the. soundina of horas, letihe ' f o x ^jatteij licenaissance fair conuneuce 1 In Reply

To the Editor: Jtett&ti. to the £dito*. . .In reply to Ms. Goldgar’s letter Camrpnttan Letters may be submitted to the Lawrentian office or to staff members in last No w eek’s Law rentian: unsigned letters will be printed although the writer s name ma y be deleted “ Where upon is there a great pool of Vol. XCII • No. 27 request. Copv deadline is 11 p.m. Wednesday. letters must be typed, double spaced. Letters submitted late or in incorrect form may not appear in qualified the issue women clamoring to be of the following Friday. The Lawrentian reserves the nght to make hired minor by Lawrence? Or do Published each week of the college year except during examination editorial changes or shorten letters without changing meaning qualifications m atter?” Good periods and vacations by The Lawreniian of Lawrence University. questions, we agree. Of course Pnnted by Timmers Printing Company of Appleton Year subscription qualifications are important. $S, overseas airmail SIS; sea mad S6 Second class postage pqid at Ap­ however pety and momentary, of Few—if any—would want pleton. Wisconsin S4911. Yankee Ingenuity creating, of being "responsible” unqualified women as their to the situation, of completing a lawyers, doctors, or professors. Tff the Editor: challenge. That there are few women in 1 was reading C.N.’s letter C.N., and those who think in a these professions and elsewhere (Lawrentian, May 11, 1973) over similar way, must feel that he- raises the more important breakfast when the Muse struck: she is ultimately powerless to questions: What discriminations Coming from New England, I affect and control his-her own life are there in society that prevent l i e am fond of evoking for myself given the “small physical ab­ the training and hiring of Lawrence HF traditional adages like “New normality” or other personal qualified women? And what can England pragmatism” and shortcomings we all share. There be done about it? Discrimination Leadership “ Yankee ingenuity” in solving Fund is a tragedy in C.N.’s request, the for women (that is, a con­ life’s day-to-day demands on my tragedy of playing “Helpless”, scientious effort to open creativity. I may be feeling a that pathetic denial of all human possibilities to the qualified degree of cultural centrism when STUDENT SCHOLARSHIP FUND DRIVE potential. fem ales) does m ake sense to 1 find myself surprised that a —STEVE TOWER combat existing discrimination MAY 25 and 26, 1973 fellow student is not pragmatic W est Prospect against women. DONATION $1 00* by getting himself a straw, or ingenious by getting his own milk F u rth e rm o re , la n g u a g e is glass and pouring the orange Thank You MAY 2 5 - never an “irrelevant detail.” juice from the anatomically Linguistic sexism is powerful, it To the Lawrence Student Body: April Fools Concert - Memorial incompatible juice glass into it often reflects institutional and I would like to take this op­ Chapel - 9 p.m. himself. other forms of cultural sexism portunity to thank the I>awrence At a far deeper level, I am As women, we have lost the Student Body for presenting me unsettled by this new demand power to name, and without this MAY26 with the Mrs H. K. Babcock that Lawrence University expand power we cannot determine our Student-Faculty Touch Football Award. Having known the con­ its ubiquitous servant-caretaker own identities When we “insist — Union Hill - 2 p.m. tributions of a number of the role. I get the impression from that it must be ‘Ms.’ and previous recipients, I am proud C.N. that he-she feels Lawrence ‘chairperson,’ ” we are insisting LUJE - THE Jazz Band street that the student body views my is the provider of all, and that it is on the right to be who we want to dance concert, Union Street — 9 contribution as commensurate beneath his-her dignity to do be p.m. something for him-herself, and with those of the past winners of thus perhaps derive some this award. I am particularly We’re glad Ms. Goldgar •Your $1.00 donation will support the satisfaction that, “Dammit, I honored to receive the Babcock realizes that there are changes to thought of that and did it Award because it rewards those be made and applaud her work student scholarship fund drive of the Law­ values which 1 personally hold rence Leadership Fund. myself.” I will take the liberty to for the passage of the Wisconsin construe C.N.’s request as a put- most dear. Finally, the value of Equal Rights Amendment, but down of his-her own capabilities, an award is in large part derived that is not enough. The point is The student scholarship fund drive of the Lawrence and, unwittingly, those of others’, from the group which is not to join in a male-dominated Leadership Fund is an appeal to Lawrence students to in this w ay: By asking Lawrence presenting it, and therefore it is society; the point is to work to donate a dollar in support of the scholarship fund, to take on one more responsibility with great pleasure that I accept change that society to one where resulting in more scholarship funds for incoming for his-her welfare, C.N. is this award from the Lawrence sexism (AND racism, AND students. denying both the capability of Student Body. heterosexism) are recognized as taking that responsibility him- In Friendship and Peace, the dehumanizing forces that On May 25 and 26, Law rence students will be in­ herself, and the excitement, —MORTON I). SCHWARTZ they are. volved in three activities. On May 25 there will be an April Fool’s Concert in the Chapel at 9 p.m. On May 26, The past week and a half of there will be a student-faculty touch football game on Human Equal Rights seminars Union Hill at 2 p.m., and that night the Jazz Band will has brought to campus several give an impromtu concert on Union Street. Please come, articulate and intelligent and give your support to the scholarship drive. Campus Notes feminists. None of them were “whining.” They were beautiful and strong. J-Hoard Nominations New Student Week —MYRA 801FER Nominations for the I^awrence There will be a general meeting —KAREN GRISWOLD University Judicial Board are for all people interested in due in the LUCC office by working on New Student Week The time has come again for the reins of power at theWednesday, May 23rd. The 1973, Thursday evening, May 24, Lawrentian to change hands. Anyone interested in being Judicial Board, composed of five at 7 p.m. in the Union Cof­ editor for Fall and Winter terms next year may submit astudents, five faculty members feehouse. Everyone is welcome. petition to HobFritz, ext. 536, by May 25. from the Committee on Ad­ Funny, Funny, Ha-Ha ministration, and chaired by the English Majors Dean of Students, judges All English majors are invited Call it hypersensitivity or violations of all-university rules. to Mr. Tjossem’s, 911 East whatever you like, but I maintain There are openings for one Hancock Street, at 8 p.m. Wed­ my reaction to ‘‘Brokaw sophomore, two juniors, (one nesday evening. M ay 23. Tenement Week”, is more human than that of most Lawrentians. TERM III EXAM SCHEDULE man, one woman) and two Professor Bink Noll of Beloit seniors (one man, one woman). College will be our guest and will Perhaps this can largely be at­ read his poetry. tributed to the fact that I have Monday, June 4 Seniors! lived in real tenem ents and fail to A.M. — 11:10 MWF; German 38 Due to lack of response, Seniors Honor Council see the humor therein. Perhaps it P.M. — 2:50MWF; Eng 10B will not have to contribute nor If you are a m em ber of the is resentment that causes me to participate in any fund raising Lawrence community (i.e. be disgusted at a crowd of upper- Tuesday, June 5 activities. The Finance Com­ student, faculty member or middle class students, sup­ A M — 9:50 MWF mittee has made arrangements administrator) you may posedly intellectuals, mocking P.M . — 1:30 MWF; Eng 46, Phil 61, Span 33 to obtain the money through nominate a Lawrence student for w elfare recipients. There is no other channels. Honor Council sometime before humor in poverty-nothing at all If any Senior has brilliant ideas Wednesday, June 6 May 24 Six of the eight positions amusing about living in a rat- and suggestions for the Senior are open at this time. infested, roach-covered, brick A M — 9:50 TTS class gift, please contact Nancy Nominations are being accepted prison which has no heat in the P.M. — 8:30 MWF; Gov 41 Desmond, Ext 450or leave a note by the Dean’s office and these winter and no air in the summer. for Joanne McQuaid at Kohler Honor Council members: Students here equate Brokaw Thursday, June 7 — 8:30 TTS Seniors: come and work at the Linda Baron Hall to a tenement because they Dunking stand at the Mark Cowett are disgruntled by the fact that it Renaissance Fair tomorrow as Mark Dillingham is not as luxurious or attractive part of the money will go to Dick Jerde as the mansions in which they finance Commencement week Mary Donn Jordan w ere raised, but they have no activities Come and dunk your Katherine Miller conception of how much nicer I'dilor in Chief Io n M o o k favorite professor' Ann W ebster Business Manager I err\ Kent than an actual tenement Brokaw M anaging I ililor Mark Cebulski Student Colloquium is. News ami I -'calure l o i ilitors Status of Women Barh Bill. Sue Janskx Next Tuesday, May 22 , the Sports I ililor Stexe Sueis Ms. Margaret C. Dunkle, Students’ mockery of welfare- I healer anil Ari\ I tliior Mary lo Hibhert Science Department will present research associate with the mother stereotypes indicates a I ilitor I m erims ( î e o r g e W y e t h a Student Honors Colloquium as Project on the Status and failure to realize that these Conirihuting I iliiors Joe Bruce. Sarah I arson part of the Science Colloquium Education of Women at the women are the true heroines in I iliiorial \ssislants Daxid Duperault. (îarx series The Colloquium will take Association of American this society- their garments and R u h a r i l s o n place in 161 Youngchild at 4:30 ( olleges, will be heard on “A manners are unrefined because p.m Photography I iliiors Betsx l olxxell. I ont Nell Chance to Know,” on WLFM at they are devoted to trying to eke \ilxertistng M anager Sam MeCreedx Jim Pinta, a geology major, 6:30 p.m. Sunday, May 20 . out survival for their children Cireiilaiioit Managers Marx Sue Bach. I arrx 'Nilsonwill present his work on “ A Ms Dunkle is responsible for instead of running to Saks' Fifth Stan I>ax I onx W elhouse K e \ iew er\ Petregraphic and X ray Dif­ coordinating the administration Avenue to find a new ensem ble to \rtisl J o a n O g d e n fraction Analysis of En­ of Project activities. She wear on the yacht while the kids H I I’ O R I I R s chantment Lake, Fein Creek, and provides assistance to in­ get sent off to boarding school I imla Rehar. Margie Briggs. Matthew Brocknteiei lohn Rruee <. Beanyiiri Creek Formations, stitutions concerning equal op­ May I propose a “Brokaw Cohen. Rruee ('arisen. Have Inure. I’ennx Hayes. Daviil llauglaiul.M ichigan.” portunity, develops topical and Castle Week", dedicated to the Chris McCarthx Cindx I’ercak Susan Reeves Connie Spheens. Inula “The Feast of Dead” will be the Stieve. John Valentine. in depth m aterials on issues of mockery of the effectations of the topic discussed by Annette Ar concern to educators and elite, leisure class? That would Production Rachel Barnes, ('.ail C'olman Mope Hois. I hercsc In/cham beau in the presentation of women, and works with never go over, would it'’ It hits pairiek. Ionise Irexln-rger. Doug ('.old, Nane\ Maxwell. I imla Sttexeher honors paper in an­ educational associations and too close to home! thropology government agencies. —GAIL ADEKPCITOR Marat/Sade: The Comments and The Critics What It Could Have Been by Em ily Miller “I was disappointed in the Secondly, if Mr. Jordan did not production of Marat-Sade but feel that the acting was pen­ Articles to the Editor only when I look at what it could worthy, was the singing? How have been ”, so saith Harold could such liveliness and talent .Jordan, theater critic. To Mr. escape even a sleeping critic? Jordan, I say that I was disap­ Enough said. pointed in the review of Marat- Perhaps another observation, Sade, but only when I look at Mr Jordan, might have been that what it could have been. the Stansbury theater stage did not look like it has for the Marat/Sade - A Beginning When reviewing a play, it is usually customary to include previous two terms There was a comment on something besides set on it. And lighting to highlight the seat in which the critic first that set and the people on it. And discovered his boredom. the people had costumes on. And For Appleton Audiences Granted, Mr. Jordan did point out their hair and faces looked dif­ some of the more “outstanding” ferent than they do when you see We are thrust into Charenton, a costume designs, but that in itself them eating lunch In plain, plain by Peter W. Webster of the patient at Charenton af- sanatorium or perhaps an is not enough. I’m sure Mr. English, there was some I should like to react to Mr. filicted with cerebral palsy Her asylum; we meet the salt of the Kesdekian is very pleased that technical work involved in the Jordan’s “review’’ of the sympathetic performance earth and are told that the per­ Mr. Jordan got his jollies for the production. And in my opinion, Lawrence University Theatre remains at the high intensity we formance we are about to witness have come to expect from her. night, but does he have to spend that aspect of Marat-Sade was Company’s production of Marat- Sade. It appears that Mr Jordan is a form of therapy for the 15 column inches describing the superb. The inmate playing Marat is patients. We expect, then, a experience? But so what? I was not the has misunderstood his role as described as a paranoiac. critic and I would like to offer an transformation in the characters The first insertion I request is critic And a week after the show Thomas Ehlinger played Marat, alternative approach—for what from “loonies” to “sane people.” some commentary on the acting closes, who cares what is said but after three viewings I could it’s worth 1 cannot claim to be The corollary, the dramatic in the production. (There was about the play? The excitement not find Mr. Ehlinger the either a critic or a connoisseur of image or metaphor, becomes more to the show, hopefully, than for those involved is certainly paranoiac. As Marat his per­ drama. obvious applied to the audience. Bonnie’s consistency and Paul’s over, and the damage of a formance was indeed impressive, However I expect a good Most of the actors in this “teasing” ability.) As the nothing-review is done. Mr. both vocally and physically, but critique to educate or to be in­ production are successful in their patients were a significant part of Jordan, no matter what you that separate dimension of in­ formative about the production to transitions. Bonnie Morris’s Marat-Sade, it would have been thought about the above- mate at Charenton fifteen years the prospective audience. After performance was particularly nice to see some mention of them mentioned aspects of Marat- after the real Marat’s murder did reading Harold’s review I can’t outstanding in this respect. She They were not all superior actors, Sade, don’t the people in and on not carry to me past his entrance say I learned a hell of a lot about maintained a delicate balance of but then again, there were some the production deserve some in the first act. mention of the results of their the play, about the performance, her identity as an encephalitic The Marquis de Sade presents that certainly deserved a critic’s and least ot all about the inmate of Charenton and her praise. intense work? an almost insoluble problem to playwright. Perhaps Mr. Jordan ‘adopted’ role as Charlotte the actor. Of the inmates, he did not have sufficient time to Corday, Marat’s murderess. Also alone does not change his identity reflect adequately on the notable is Paul Nelson’s per­ in this play within a play, and production due to the copy formance as Jacques Roux whose very little is revealed about him deadlines for this rag. burning eyes were at once those through the text. We are led to Commendation From Focusing on one aspect of the of the lunatic and those of the inferences about his behavior but play, as I shall attempt here, one idealist. none can be specified- let alone might develop a more coherent Mark Malinauskas makes an verified. Paul Doepke has Grub Street Critic review and incorporate other interesting application of not demonstrated his ability in by Sir William Fainall, formances, I must praise his facets of the production relating following the advice he, as a previous roles, but as the Hampshire House, London witty and tasteful approach. to that theme. Let us address director, often gives to his casts. Marquis we are disappointed in In passing through the Ap­ Anytime a critic can reduce a ourselves to the purpose of the That is, too often when an actor his performance. I should think, pleton area I happened to pick up sensitive performance such as play; at this point a flaw in the does not speak on stage for a however, that the problem is not a Lawrentian, which from what I that of Marat or Sade, to it’s bare play and in the production is prolonged time, he lapses from entirely with Paul. Here the silk gather is your university’s essentials, and handle them with evinced. We are told in one his assumed identity in his role to purse adage is particularity weekly newspaper Evidently one cute, trite phrases, with obvious sentence that, from its “himself”- his offstage identity. applicable. Weiss does not reveal of your fellow school mates left it concern for his reader’s delight. I heavy handed repetition, Malinauskas ably shifts from the enough about de Sade to us as the in the bus station, and this is say well done. And your line becomes trite; Marat speaks: Herald to ‘lunatic’ adding that audience or to Paul as an actor to where I came upon it. While about “jollies,” Mr. Jordan, I “The important thing is to pull dimension of reality to the fashion a solid character. As a paging through it I noticed a commend you for your powers of yourself up by your own hair, production which contributed to result Mr. Doepke is a victim of review of Marat-Sade by a cer­ observation. It is well known that turn yourself inside-out, and look Weiss’s goal reflected in Marat’s the playwright’s weaknesses. tain Mr. Jordan. I too am a a true critic must have a sharp at the whole world with fresh aforementioned statement. literary critic. I hail from London eye, enabling him to spot that eyes.” Fine. With this one line in Miss Susan Medak, as Simonne (Con’t on p. 5 col. 4) and most of my work is done which the less observant person mind, the whole production can Evrard, maintains a superb within and in continuation of the might let slide as tastefully ef­ be evaluated. equilibrium of Marat’s nurse and famous Grum Street tradition, fective. which if I do say so myself, is Another note of praise I bestow quite respected throughout the upon the review is it’s tone of town. I could not help but notice condescension. The clever critic Mr. Jordan’s quick witted and will always look down upon a articulate discourse upon the said production and pick out small Characters ProvideUnity play, and was so inspired by his details to criticize, giving a display of critical talent that I strong impression that the by Kathy Neubecker My God, Harold, it’s 3rd term and that what I think you do, which have quickly designed a short reviewer is a very intelligent Something happened at you’re getting careless with your could be anything?) I thought note of commendation from one man. releasing only bits of Stansbury Theatre on Wednesday praise fund. Paul did a great portrayal of a genius to another. I do not have genious from a vast storehouse of night at 8 p.m. in the center You said not a word about the fat, bourgeois thinker who had much time before my bus for intellectual wealth. (Isn’t it funny section, row G, seat 203. Harold clown characters Cucurucu, had to reconcile the abstract, Milwaukee departs, so I humbly Harold, how little we critics of- Jordon got bored. Why? . . He Kokol, Polpoch, and Rosignol shiny side of his thinking with its apologize for the hasty ap­ tentime really know.) said something about it being who as an interpretive body uglier, realer side. I think I pearance of my prose, but my Naturally included with a well possible for the whole to be less rendered the play somewhat missed his teasing - how un­ avid enthusiasm for the review tuned tone of condescension, a than the sum of its parts Marat- more comprehensible to us fortunate. However, in spite of does not enable me to cease my nearly totally negative view Sade . . . oh yes, it wasn’t masses. Not to mention en­ that. I did manage to glean from pen, something with which, I am should be expressed A well mechanically perfect, he means. joyable! What individual sure, Mr. Jordan will readily it all a sensual interpretation of known rule of thumb is that a Harold, you should have been strength of character they each history to take home and . . sympathize. critic should always be negative in my seat. I was riveted to the had-and yet such marvelous store. In my distribution of praise I in order to keep art in it’s place. edge of it in spite of the fact that unitv. That must have taken first commend Mr Jordan for his And about Marat you thought For if art and artistic per­ the parts didn’t add up to the . . . considerable effort. ability to be bored It is a sign of a he was excellent, but his size formance were allowed to or whatever it was you said. I was Praiseworthy, don’t you think? bothered you a bit? . . . ! I liked true and brilliant critic to be become popular and gain positive too incredibly busy watching the You didn’t say. bored even during heights of his facial expression and general response with too many people, fascinating little idiot-actions of The “basic wholesomeness” of emotional intensity. For if the comportm ent, too. Might I’m afraid Harold, that people the kooks to even notice that the play-now there’s an issue someone of slighter build been critic ever became involved in might actually start listening to there was something lack luster that’s fun to play with! I agree that which he was reviewing, how more effective, you wonder7 I artists. O pity to a world that about the production. In fact, I with you, the play is overflowing tend to think not After all, Marat could any sensible or just would respect, and perhaps even thought it was amazing that for with rich, suggestive, seductive - criticism ever evolve. In fact, I did embody an enormous amount propagate artistic activity. two and a half hours the inmates there’s lots of voluptuous smut of ideology and bis physical size have developed for myself a Enough on events I am con­ remained consistent and isolated And perhaps, as you say, much resolution, and from the ap­ rather enhanced that point Ah, fident won’t come to pass. My bus within their own insane realities more could have been made of it. but of course Harold, I’m pearance of his review, so has is now boarding so I must come to and at the same time pooled their But still, it was not badly done forgetting - I’m female! Think of Harold, that I shall never become a close. Even though I have never roles to build a solid base from and I think some sort of sweaty, the jollies I’d have missed out on excited about anything, and made your acquaintance Harold, which the action of the play could lusty element was communicated had Marat’s body been smaller! remain as consistantly as I feel that I know you through evolve. You concede at least that to the “basically wholesome” Really Harold, it’s getting a bit possible a bored and boring your writing And isn’t that what Paul Nelson and Bonnie Morris audience. Besides, what exactly difficult to find faulty points isn’t person, thus upholding the writing is all about, an expression did exceptionally fine jobs with is a “legitimate chance to be it9 Why such a bent negative quality of a true critic. This may of the self? I commend you. I their roles; but would it have dirty” ? Who decides'’ criticsim? Marat-Sade was a lot sound like a contradiction in lieu have never seen Marat-Sade but I been possible for them to “rise Ah yes, the title roles They more than a solid production, it of the aforementioned en­ have read it, and with a long above the production” without were difficult roles, weren’t they was the remarkable outcome of a thusiasm shown for Harold’s tradition of criticism behind me, the equally fine individual and and I’m so glad you considered great deal of hard work and review, but I must say that even I can assure you that your teamwork of the others’’ And them well done. Why is it then, talent Actors, crew, musicians the most boring people are oc­ critique of the play could not have upon these two figures, unique that only a couple extraneous all did a tremendous job and I’m casionally inspired, and after all been better had I done it myself within your criticism because things about them stuck in your sure a great many more of us isn’t contradiction a sign of Your Humble Servant, you found nothing wrong with mind7 For instance, the enjoy«*d it than were bored Is it complexity? SIR WILLIAM FAINAI L them, you bestowed one entire “stripping and whipping” scene so painful to admit that it was In regard to Mr. Jordan’s able Hampshire House sentence of tired praise, apiece! and Paul Doepke’s chance to good? critique of the actor’s per­ London “tease a bit”. (I)o you mean by Jazz Band Seniors To Leave In Style

by Ron Fink Kim Richmond and performed by featuring both strings and voices On Sunday, May 20th at 8:00 the band on last term’s concert, and were also first performed on p.m., the chapel will be the scene will feature senior Keith Mon­ last year’s spring concert. The of this year’s final home concert tross on trumpet, not to mention first is “Another Lonely Sprint;,’' by the Lawrence Jazz Ensemble. Jim Vosper who manages to get a beautiful ballad which is likely It will be especially noteworthy, in a few licks on trombone. to deeply move quite a few because it is also the last home Closing the first half will be people, including its composer. concert for this year’s seniors, “Adam’s Apple,” a blues chart The concert will close with “One and , as such, will mark the end of written by Alan Broadbent for the for the Road,” a fitting climax in an important period in the Woody Herman band. more ways than one, considering development of the band over the Opening the second half of the what the post-concert celebration last three years. Next year, the concert will be ¿mother Nordahl at the “Connie Hilton” will be Jazz Ensemble will be without arrangement called “Encore like. the services of Bill Probst, Keith Tune,” which is an up-tempo All of this should add up to quite Jackson. Keith Montross, Kurt funky “Billy Boy.” The third a sentimental occasion for the Dietrich, and Fred Sturm This is piece by Harmon will feature the the first class to have been part of lower brass of the band, including members of the band, andbeyond the band when it was a fraternity- senior bass trombonist Fred that, one of the finest per sponsored pick-up group that met Sturm, and is entitled “Bottoms formances by the Lawrence Jazz Ensemble. Although the band THESE LADIES are practicing for the Senior Women’s for six weeks during spring term Up." This will be followed by an will actually close out the year in avenue which departs from Kohler Hall tonight at 9:00 p.m.and put on one concert, and to arrangement by Strum of a Duke have seen it develop into a Ellington ballad called “Tonight Chicago during the weekend of Seniors are advised to bring their beanies unless they wish to June 15-18, where it is to incur the wrath of Grand Marshal Phyllis Peter. nationally-acclaimed jazz en­ I Shall Sleep with a Smile on my semble. The year before John Face.” It will feature Jeff represent the Midwest at the Harmon arrived at Lawrence, Pietrangelo on fluegelhorn and is National Collegiate Jazz Fred Sturm, then a sophomore, scored for strings. Then comes Festival. Sunday night’s concert in the Chapel will be of special led the band as student-director another Sturm composition, a importance for the seniors who This was the first year that the jazz suite entitled “A New Day,” LUJE to Play band played together throughout first performed last year and also will be performing for the last the school year. It was also scored for strings. The last two time where it all began three years ago. during this year that the band pieces are Harmon originals became a fully accredited en­ Season Finalesemble within the Conservatory. The success that the band has (LUN)—1The prize winning band’s director in its first term, been fortunate to achieve is due Lawrence University Jazz En­ after it was created and to a large extent to the con­ semble will present its last organized by a group of Con­ tribution of this year’s Broomell’s Play concert of the 1972-73 season at 8 servatory students as a student- graduating class. p.m Sunday in the Chapel. Ad­ designed course. Appropriately, seven of the mission will be free. The Jazz. Band, which has been twelve pieces on the program will As in last year’s season finale, under John Harmon’s direction be original compositions or the concert will call upon the since September, 1971, won first arrangements. Five original Opens atUWGB Lawrence Strings and the place honors this year in the Eau compositions by Harmon will be Lawrence Concert Choir for Claire Jazz Festival and the performed. An oldie-but-goodie/ (LUN)—An original play by a dary figures, using poetry, performances of Senior Fred Midwest Collegiate Regional “Meet the LUJE,” written by its 19(59 Lawrence graduate will be chants, rounds, and dances to Sturm’s “A New Day” and Band Jazz Festival at Elmhurst, III., leader, will open the concert and presented by the University of create an atmosphere of myth Director John Harmon’s “One for College. As winner of the regional will serve as an introduction to Wisconsin-Green Bay Com­ and magic. the Hoad.” Harmon’s com­ festival, the Lawrence Jazz Band the band to anyone who still munication-Action Heritage Broomell recently spent a year position will spotlight the talents will represent the Midwest in the needs one. Another original by Ensemble on Thursday, Friday, in Europe on a Watson of five members of the band who National Collegiate Jazz Festival Harmon on the first half of the and Saturday, May 17-19. Fellowship following graduation to be held in Chicago in June. will be departing I^awrence via concert was written expressly for “SELVA: A legend of the from Lawrence, composing and graduation in June. The final program for this year senior lead trombonist Kurt studying folk music. He describes includes arrangements by Forest and the Wolf”, by Ron The graduating seniors are Dietrich and is entitled “Kur- Broomell of Minocqua, is a short the play as a “legend made up of Keith Montross, trumpet; Kurt several well-known jazzmen, tains.'The other pieces on the play based loosely on several a combination of many in­ Dietrich and Sturm, trombonists; from Butch Nordal to Duke first half include a moderate rock Indian legends involving creation fluences, from Kwakiuti Indian Keith Jackson, horn, and Bill Ellington, as well as several chart called “Fancy,” and a and the cycles of nature. The myths to a poem by Luis de Probst, reeds—all of whom have originals by Band Director medium swing one, featuring Borges, and from pantheism to Harmon Among the Harmon work, directed by Jack E . Frisch, contributed substantially to the the saxophone section, entitled will be staged at 8:15 p.m. in the my own imagination.” band’s success since its creation tunes will be the introductory “Smiles.” Both are by arranger- Lecture-Performance Hall at the The Green Bay production, as an official ensemble in the “Meet the LUJE” (Lawrence composer Marius “Butch” which is the first for the play, has spring of 1971. Sturm, who has University Jazz Ensemble), and UWGB Shorewood Campus, Nordahl of North Texas State Green Bay. been in preparation for several provided several of the band’s the popular “Another Lonely University. A rock ballad called months as part of a course taught most popular charts, was the Spring”. “Salina Came Home,” written by The author of the play, who was by Jack Frisch at UWGB. The a music education major at the group has presented SELVA in Conservatory also wrote the several locations in Green Bay songs and music used in SELVA and in Minocqua. The per­ Dancers to A Chorus of “Night Creatures formance this week at Shorewood and Water Sounds” is combined Campus is free and open to the Give Concert with several traditional legen- public. A dance concert? At Lawrence? “Yes!” is the en­ thusiastic response of the twenty Lawrence students dancing in the concert on May 25th in Stan- sbury. The dancers have prac­ ’73-’74 Music Series ticed long and hard under the I’m happy to inform you of the young pianist by the name of direction of Ms. Wende P. Har­ 1973-74 Artist Series and James Fields. mon, who has choreographed Chamber Music Series. I hope I should tell you, however, that most of the program. that you'll find some of the events because of increased costs, we Variety describes the nature of on both of next year’s series will will be able to offer the special the concert The first two num be ones that you won’t want to student discount prices on Artist bers, a jazz center, show the miss. Series tickets onlv until JUNE 1. basic warmups the dancers go Jazz freaks will not want to be 1973. Until June f, we will offer a through Different methods of left out when “the Count” comes student discount price of $7 for communication among the to town. Count Basie and his the Series. After that time all dancers are explored in both Orchestra, the first jazz artists Artist Series tickets will be sold group and solo numbers. Jazz booked on the Series in recent individually at the current face and modern dance movements years, will appear in the Chapel value of $3 per concert. Season build upon the basic fun­ Apr. 5 (please note the change of tickets for the Chamber Music damentals of ballet. date from Nov. 2). The Artist Series will remain on sale until African dance is also in­ Series also will present violinist the first concert of the series, but corporated into the program with Charles Treger. remembered on tickets may be purchased for one number choreographed and cam pus for his performance at individual concerts as well after performed entirely by black the L lT 125th Anniverary Concert. Oct. i. dancers. The African music Elisabeth Schwarzkopf, soprano, Order NOW to save 40 per cent contrasts with the contemporary will be presented in concert Feb. on Artist Series tickets and 25 music of Blood. Sweat, and 14; and the E arly Music Consort percent on Chamber Music Series Tears, Roberta Flack, Santana. of London will be the last concert tickets. Requests for change of Three Dog Night, and even an on the Series next Apr 19 seating will be honored to the best original John Harman com­ The Chamber Music Series will of our ability. position from the Lawrence bring to campus Jeffrey Van, I hope to see you next season University Jazz Ensemble classical guitarist, and Vern Cordially: repertoire. Sutton, tenor, on Jan. 11. Billed as —KEY IN FENNER The concert will be held in “not a ralbum on their production Visually, I have seen hands. The sounds that on few productions anywhere that Please previous albums seemed to be out have been as successful. Mr. of any kind of meaningful context Bizarre Fruit Kesdekian places his actors in have been fused on this album the space he and the designer, with fine musicianship, smooth by Hope Davis Mr Joch Woodruff, have created Polvony vocals, and passable lyrics to The Main Hall lawn appears to be the breeding ground of ina aesthetically pleasing designs that also communicate the main form an album that is actually previously unknown plant species closely resembling the As of May 15, the dosing date of message of the play. He paints fun to listen to. This fusion can garden variety lollipop. The first appearance of this the Lawrence Leadership Fund’s best be noticed on cuts like “The with these materials, and we see Campus Gift Campaign, phenomenon two years ago Spring Term caused quite a stir on Great Gig in the Sky’’ (great the world through his eyes. His $19,163.50 has been contributed concluding soul vocal) and campus and was reported in several confectiological journals. success in pulling us up by the by various members of the “Brain Damage” (excellent When the plants did not reappear last year it was speculated hair and turning us inside-out is faculty, staff, and ad collage of sounds and background that their appearance had been due to either a natural act ofquestionable. ministration monologue). Pink Floyd has God or perhaps spontaneous generation. With their reoc-I am reminded of the Beatles’ According to Mojmir Povolny, finally put its finger on a winning currance Tuesday morning hopes were kindled that an organic song “Being for the Benefit of chairman of the Campus Gift formula. origin might be determined. Mr. Kite.” (“ . . . There will be a Campaign, the faculty con­ show tonight on trampoline . . .” ) Speaking of winning formulas, By comparison with notes and drawings made by mem­ tributed $9583, the administration A line from that song particularly the J. Geils Band seem to have bers of the Biology Department two years ago it was ascer­ $8204.50, and the staff $1366. 67 appropriate here is “Mssrs. K percent of the faculty contributed found (or maybe carved) their tained that these lollipop-like plants were indeed of the same niche in the pop music world. and H assure the public their funds to the drive, as did 59 Their latest release, “ Bloodshot" species as the original crop. The same white stalk, virtually production will be second to none percent of the administration and (Atlantic SD 7260), aside from nonexistent root system, and clear pod covering the sweet,. . .” It is usually a gala affair. I 47 percent of the staff. Total being pressed on red vinyl, is an brightly colored fruit were noted. Intensive research on thedon’t advocate smut for smut’s participation through con­ impressive album. Although they part of several students, who hope to develop the topic sake into as some have and thought tributions to the Campus Gift experiment with the reggae beat honors papers, has led to the tentative identification of the show tastefully handled in Campaign were made by 57 (“Give It To Me” ), the band plant as a terrididae fungis, a wild variety of the long that respect. But my hair wasn’t percent overall obviously knows its strength- domesticated lollis poppy, commonly found in Woolworth’s.tugged hard enough. My in The funds were collected over a testines felt no external pressure. erotic blues rockers (e.g “Back It has been hypothesized that the clear brittle pod is made period of one and one-half I submit there is an overem­ months. to Get Ya,” ‘Hold Your Lovin’,” of dead leaf cells, or perhaps, is the remnant of the seed pod phasis on the visual aspects of the “Hopefully,” according to Mr “House Party” ). Probably the and serves to protect the fruit from insects while allowing the most serious criticism that could show Povolny, “the $20,000 barrier will passage of sunlight. The fungus appears to grow only during be leveled at (his album is that, in Here I must hypothesize why be broken with late pledges which contrast to their “The Morning very wet seasons. It has been suggested that the rich many of us did not feel tugged are still being accepted by the After" album, Magic Dick gets a coloration of the fruit is due to varicolored algae from theand Fox pulled. Perhaps to many of Leadership Fund. But all in all few harp solos. The rest of the River which are able to pass through the water saturated soilus, the play itself is becoming we’re very pleased with the band, however, keeps on getting and link in a lichen-like symbiotic relationship with the fungus.obsolete-passe—in the sense totals.” better. There are many questions still unanswered, such as that we have become conditioned whether the plant grows in a two-year cycle or whether itsto emotional assaults and appearance is due to a polymorphic manifestation of‘‘knock’em a out and d ra g ’em Petitions Due May 23 Batestian mimic of the common dandelion. Research un­through” tactics of recent Anyone interested in Escape into the real becoming editor of Tropos or fortunately has been cut short both years by the rapid theatrical and cinematographic productions. Who cannot ex ­ In The Shade for 1973-74 world of outdoors disappearance of the plants. This is due, no doubt, to the ad­ with . . . perience trauma watching should submit a petition to mirable appetite of the students or fruitful intellectual “Straw Dogs” or “A Clockwork Bob Fritz (ext. 576) or a cultivation. It, however, deters the researchers from studying Orange”? Weiss’s Marat-Sade member of the Board of Control LIGHTWEIGHT BACKPACK the complete life cycle of these interesting plants. It is hoped pales by comparison by Wednesday, May 23. that by taking a soil sample from the Main Hall lawn that the In most cases the play was the Tropos is typically an annual CAMPING! fungus can be grown in the laboratory. director’s choice and Mr. publication of prose and The proposed name for the new plant is sucker, in honor Kesdekianof most likely followed poetry submitted by the all those who’ve read this entire article. this rule; I am not sure, however, Lawrence community, while • GERRY lhat the audience was in mind In The Shade has usually when then the choice was made, published selected prose. The • NORTHFACE or whether LUTC’s and the formats of these publications director’s proclivities reigned. are not restrictive; however, Peter Weiss’s play and Mesrop if you are seriously interested • LOWA Kesdekian’s production are not in editing a new type of entirely successful in com campus publication, beyond municating to the audience that the format of Tropos or ITS. Packs goal which is expressed in please submit a proposal of Marat’s statement, and carried intent and budget by May 23. Frames dark's out through the confrontations Petitions are also due by Tents between Jean-Paul Marat and May 23 for the positions of the Marquis de Sade. editor of the Lawrentian and S leeping Bags We should view this as a manager of Film Classics. Hiking Boots beginning—with a very suc­ Petitions again go to Bob Fritz cleanerscessful production of a rather or a member of the Board of Cook Gear weak play—a good preparation Control Editor of the for the Appleton audience con­ l.awrentian will serve Fall cerning contemporary drama and Winter term s; manager of "ONE DAY SERVICE" lhat is, in my opinion, of a higher Film Classics will serve the quality. The way has been paved entire year. Questions about 311 EAST COLLEGE AVENUE for future productions of Genet’s the positions should be shot at The Balcony, or his Les Noirs Jon Mook, l.awrentian. or (The Blacks), two plays that deal Peter Russell, Film Classics. similarily with pertinent

A Complete Selection of Seniors, Are Your Parents Coining for Graduation? IMPORTED AND DOMESTIC Treat Them to Appleton’s Finest WINES

SKI AND SPECIALTY SPORTS ®>h o t - to Compliment Your O v v w e u - i F IJ H SH Dinner WEST COLLEGE AVENUE MOTOR INN I (Just west of the Left Guard) APPLETON Convenient Central Location on the corner of Franklin and Superior • 739-8896 Phone 414-734 2611 Awards and Prizes

HONORSDAY The following students received awards and prizes at the Honors Day Convocation 17, May 1973. The Mrs. H. K. Babock Award — Voted by the students to Morton D. Schwartz, Instructor in Economics at Lawrence University, in appreciation of his generous cooperation with undergraduate enterprises. The Louis C. Baker Memorial Award in Modern Languages — Margaret Brandis, ’74. The Baker Prize in Modern Languages — Sherry Cadenhead, ’73. The H. S. Biggers Scholarship Prize Fund--Freshman Awards: Randall Fritz, ’76; Craig Gagnon. '76; and Carl Oefelein, ’76. Upperclassman — R. Bruce Den Uyl, ’74. The Bishop’s Prize for Excellence in Greek — Ann Beldo, '74. The Business Man’s Prize in Latin — Robert Ketterer, ’74. The Iden C. Champion Award in Commerce and Industry — Glenn Morris, ’73. The Iden Charles Champion Cup for Excellence in Scholarship, Athletics, and College Spirit and Loyalty — David Rothschild, ’73. T he S alon The Chemical Rubber Company Science Achievement Award in Chemistry — Mark Aschliman, ’76. The Chemistry Award, Sponsored by the Northeast Wisconsin Section of the American Chemical Society — Stephen Holmgren, ’73. The American C hemical Society Undergraduate Award in Analytical Chemistry — Thomas Cape, ’74. The Class of 1969 Book Award, to a deserving un­ dergraduate — Jeffery Martin, ’74. The Davenport-Gilloon Book Award — Daniel Winkler, ’76, and Robot Gurke, ’75. The Armand J. Eardley Memorial Award for Out­ standing Achievement in Geology — Ann F. Budd, ’73. The Herman Erb Prizes in German — Second prize to: Greta Schmidt, ’74. Third prize to: Karen Campbell, ’76, and Patrick Cunningham, ’74. The Otho Pearre Fairfield Prize Scholarship, to a junior showing great Promise of Distinguished Service in the Promotion of Human Progress — Joseph Harper, ’74. The John Herbert and Manie E. Farley Prize Scholarship in Philosophy — Nelson Freeburg, ’73, and Jon Mook, ’73. The Christine Gerdes Award in Anthropology, Awarded to a Junior Major — Robert H. Pi hi, ’74. The Judith Ann Gustafson Memorial Award to an Out­ standing Sophomore Woman — Anne Webster, '75. The Hicks Prize in Fiction — Dwight Allen, ’73. The Martin Luther King Award, to the Black Senior Who Best Mirrors the Excellence for which I)r. King is Remembered — Barbara Milsap, ’73. The Ralph B. Landis Award for a senior athlete who has made the most outstanding contribution to the Lawrence athletic program — David Rothschild, ’73. The Whore and The Bit Player The Latin League of Wisconsin Colleges Awards Steven Del Nero, ’76, and James Isaacs, ’76. The LaYahn Maesch Prize Scholarship in Organ TWO ONE-ACT PLAYS will be presented for the final time tonight at 7:30 p.m. in the Thomas Froelich, ’74, and Fred Backaus, ’74. Cloak Experimental Theatre. Directed by Tom Stadler, The Salon was written by Henry The Peabody Prize in Latin — Stephanie Jed, ’75. James, and the scene shown here pictures Chris Been and Faffie Siekman. Jean Clennon The Peerenboom Prize Scholarship in the Field of directs The White Whore (Kllen Karsten) and the Bit Player (Marti Hemwall) in rehearsal of a scene from her show. Semantics — Donald Brunnquell, ’74. The Phi Beta Kappa Freshman Scholarship Awards-* Downer Award — Mary Dinauer, ’75, and Patricia Miller, ’75. Lawrence Award — James Merrell, ’75. Donner Concert The Phi Beta Kappa Junior Scholarship Award Thom as Keith, ’74. The Phi Sigma Award in Biology — Joseph Rota, ’73. The Pi Kappa Lambda Freshman Awards — Julie Ming s Work Presented Sunday Phelps, ’76; Jeffery Middleton, ’76. A composition by Professor of by Mari Taniguchi, associate Music,” is a piece for Women’s The Pi Kappa Lambda Sophomore Awards — Lizabeth Music Jam es Ming will receive Hella, ’75; Kathleen Kosloske, ’75. professor of music, will sing chorus and piano set to a poem by its Lawrence premiere as part of numerous selections in addition May Sarton. It was com­ The Political Science Prize — George Wyeth, ’73. the Downer Women’s Chorus to the work by Professor Ming. missioned by the Women’s The President’s Prize, to that Black Junior Who has concert in Harper Mall of the Among the selections will be Choral of Wayne State Univer­ Shown Great Academic Promise at Lawrence — Ira Music-Drama Center at 3 p.m songs by Handel, Copland, sity, Detroit, Mich., and received Rock. ’74. Sunday. Poulenc, Menotti, and Mozart. its first performance in June, The Downer Chorus, directed The William F. Raney Prize in History — Michael Ming’s composition, “Summer 1971. P rofessor Ming has been Hutcheson, ’73. recently inform ed that it will be The Alexander J. Reid Prize in English — Donald featured this year, along with Brunnquell, ’74. ELECTED TO PI KAPPA LAMBDA another of his compositions for The Elizabeth Richardson Award for Outstanding Stanley Day Lynn Trepel mixed chorus titled, “The Silent Downer College Majors in Art — Mary Forde, ’75, and Diane Droste Nancy Boston Slain”, in the .June Festival at Kurt Dietrich Laurie Werth, ’73 Jean Nocerini Wayne State. The John 11. Scidmore Memorial Award — George (lass of 1974 The concert by the Women's Wveth, ’73 Margaret E. Schmidt chorus will include selections Martha Holmes The Warren Hurst Stevens Prize Scholarship, to Junior from several operatic works featuring the voices of several Men Distinguished for High Scholarship and Useful Anne Simonett students in ensemble. The vocal Activity in University Affairs — Thomas Baer, ’74, and ensemble, singing selections Don Brunnquell, ’74. ELECTED TO MORTAR BOARD from M ozart’s Cosi fan tutti; The Tichenor Prize in English — Loyal Cowles, ’74. Linda Baron V alerie Kuehn Menotti’s “Old Maid and the The Harriet Tubman Prize, to That Black Junior Who in Elizabeth Benjamin Sarah Larson Thief,” and Bizet’s “Carmen , His Years at Lawrence Has Worked, Like Mrs. Tub­ Kathy Buksa Anne McCarthy will include soloists Diane Droste man, to Improve the Lot of his Fellow Human Beings Carrie Dorris Catherine Roth and Jean Nocerini. sopranos; — Robert Currie, ’74. Ann Dykstra Margaret E. Schmidt Lynn Trepel, mezzo-soprano, and The Ralph White Prize in Mathematics — N ancy Thea Ellery Anne Simonett William Sharp and Charles Walczak, ’75. Nancy Fey Gail Sonnemann Tillman, tenors Also to be featured as a soloist The C. Wood Prize in English— Cynthia Percak, ’73. AnneTrucano during the concert will be fresh­ man soprano Carol Anderson Eningen Is Tour Central

Berlin But the city’s troubles are States would soon recognize their “mischief night” preceding by Jim McCracken entire group journeyed to Berlin far from over It has a hard time country as the German Halloween. All the L arries in Knoke-Belgie along with professors Ron Tank attracting business and workers; Democratic Republic (GDR). Eningen gathered at the Hotel If one takes a map and draws a and Hartmut Gerlach The trip most of the two-million Current U.S. policy views it as Eninger Hof to celebrate a bir­ circle to include the area from included sightseeing in both East inhabitants are elderly. The "the Soviet zone of occupation.’’ thday . . . which eventually Norway’s arctic tundra across to and West Berlin, discussions government does grant generous While we were in Berlin both degenerated into a water fight. the Scottish moors, south past the about the problems in West loans and subsidies to individuals Great Britain and France Naturally, the hotel owner did not Isle of Jersey, the beaches of Berlin and East Germany, as and com panies, but it will be granted diplomatic recognition to consider it an appropriate prank, Portugal to the mountains of well as two days of travel through several years before the results the GDR. Since most Europeans but when we were through North Africa over to the East Germany itself. become noticeable. would probably be opposed to cleaning up, the Eninger Hof was Acropolis, north through the Most West Berliners seem to A subway ride to Friedrich- German reunification, the cleanest it’s been yet! Later plains of eastern Hungary up to agree that things have gotten platz, or a short walk through recognition that the GDR is a in the evening some students the Brandenburg Gate, he will better in the past year due checkpoint Charlie . . . not in­ separate nation would allow both went into the school building and have a rough idea of what generally to West German cluding the half-hour hassle with East and West Germany to be locked the furniture in the back students attending the Eningen Chancellor Willy Brandt’s paperwork, takes one into East admitted to the U N when the room As it happens, there exists campus have had the opportunity “Ostpolitik”—seeking better Berlin Many contrasts im­ General Assembly convenes next no key for the lock on that door, to discover A total five weeks of relations with Eastern Europe, mediately become obvious fall. (The UN. does not grant yet no complaints were heard vacation have allowed both but the principal breakthrough Fewer automobiles, less com­ membership to divided coun­ when classes had to be held students and faculty to have came last June when the mercialism; parks, streets, and tries). outside the next day. some of the greatest experiences governments of East and West monuments are named after or The second vacation came as a Since most everyone has been of their lives. Germany signed agreements to commemorate Marx, Engles, three-week break between winter traveling on a two month rail- The first one-week break oc­ lessen restrictions on travel and Lenin. Walter Ulbricht and the and spring terms. Students took pass, and this is the last weekend curred in February when the commerce to and from West Russian liberators instead of off for every place imaginable they are valid, we all find our­ Ernst Reuter, John Foster Two people found themselves selves on the move again. But as Dulles, John F. Kennedy and the held hostage overnight in of Monday we will be back in Berlin Air Lift. Signs on the west Algeria, while others rode to the Eningen participating in yet one Day s Work Dawns side of the wall sternly remind top of Mt. Vesuvius in a more pursuit which, in some you that you are about to leave limousine; still another decided small way, figures in every one of the three allied occupation she needed a four-week vacation Eningenite’s conception of how to As LU Career Sets zones, in the E ast it becom es a and spent the extra time skiing in liberalize his or her education ... Switzerland. Jim McCracken STUDY (believe it or not)! (LUN»—Gilbert and Sullivan’s academic projects. reality . . . beginning with the musical, “Trial By Jury,’’ will be faceless guards who stare at you journeyed to Marakesh, Morocco where, along with Ron Tank and presented Friday and Saturday, The Gilbert and Sullivan through binoculars even before family, had the opportunity to May 25 and 26. The public is operetta is based on the tale of a you enter the checkpoint. But the meet the Field Marshall Sir welcome to attend the free public young man who engaged himself people in the East seem to ignore Claude Auchinleck, G.C.B, Sir Appleton performance at 7:30 p.m. in the to a beautiful young woman and it all as well as those in the West. Claude served with the British Cloak Theatre of the Music- then changed his mind. The The city itself has largely been Army in India most of his life, Drama Center. young lady then takes him to rebuilt and East Germany is now and was Commander-in-Chief The musical’s 35-member cast court for his breach of promise the most developed of the East To Host when Britain granted India its is directed by senior music major and the court proceedings make Bloc nations. Workers are paid at independence in 1948. During the Stanley Day as “just something up the body of the play. A learned levels equal to white collar many interviews which took I’m doing for fun.’’ Last year Day judge and jury sing and dance professionals, which enables one Democratic place he conceded that he made was a member of a producer- along with the parties of the out of every eighteen families to mistakes such as giving Kashmir director trio of Conservatory beautiful plantiff and the own a car. Even so, there are and what is now Bangladesh to students who wrote and directed defendant. Senior Lynn Trepel severe shortages of most con­ Convention Pakistan The reason for these a musical based on Bela Lugosi’s brings the charges against David sumer goods. The people work mistakes was the short span of Sunday afternoon the 8th "Dracula”. This year's play is Ostrander, also a senior. William hard and save, but items such as time (three months) during District Annual Convention of the funded with a grant from the Sharp presides over the furniture and appliances must be proceedings. which these decisions had to be Democratic Party will be held at University’s Committee for paid for, then the customer must the Embassy Motor Lodge, high Experiemental Projects, a wait an indefinite period of time made. Sir Claude was of the Tickets for the performances opinion that with Bangladesh now way 41 at county trunk BB, in committee which lends support to are available on request free of for delivery. There is no such Appleton. This will be the first creative student projects which thing as inflation and most an independent nation, India and charge, at the university box Pakistan could settle their dif­ time in several years that the may not be directly related to office. visitors find restaurants, area convention has taken place theaters, etc. cheaper than in the ferences and turn their attentions towards their internal problems. in Appleton. West. The Field Marshall is most The events, which will begin at Holidays mean the most when The remainder of the trip took 1:30 and run throughout the af­ you're celebrating what you've us through East Germany to the famous for his planning of the battle of El Alamien while ser­ ternoon and evening. The found yourself. industrial city of Leipzig and ving as commander of the British business of the convention will be — Rod McKuen Weimar, where Goethe’s house to elect various party officers and and Buchenwald concentration Eighth Army This plan later enabled his successor. Field adopt resolutions that will be ADVENTURE CANOE TRAILS camp are located. We were able Marshall Montgomery, to defeat presented to the voting body Outfitters tor Quetico Park to speak with a number of East All events will be open to BOX 208. ATIKOKAN. ONTARIO Germans, most of whom ex­ Rommel and turn the tide of World War II l,awrence students and all other CANADA, POT ICO pressed hope that the United The final one-week break oc­ interested members of the curred just after Easter with community, and should provide an opportunity for observers to students racing to visit places- meet a large number of state and they had not yet seen. Shortly area democrats, as well as after everyone returned the FOR THE WIDEST Senator Gaylord Nelson, who will Germans celebrated May first be the key note speaker at the and (we think) best choice in The evening of April 30 is luggage, come to Pah'Iow's. 5:30dinner, also open to students We have over 500 models by equivalent to the American at cost. famous luggage makers at the price you can afford — $.95 to $170. The Vikes are No I with us at Sabre PAH-LOW'S and Luggage, Leathergoods, Gifts Sabre Lanes is No. I in Bowling 303 W. College Ave. Downtown Appleton 1330 Midway, 739-9161 — Come and visit us

New Paperbacks: —GO TO HEALTH — GO TO HEALTH will not save your life, hut it certainly will enhance it. It’s designed to get you involved and to increase your awareness of the forces - both internal and external - that in­ fluence the way vou think, act, and feel. So get off your apathy and Conkev's GO TO HEALTH.

—THE COMING OF AGE — Simone de Beauvior De Beauvior deals with the universal problems of the aged with in the framework of the family, at work, in institutions, and in society at large. ANOTHER LAWRENCE AUTHOR:

—CAPTAINS AND THE KINGS — Taylor Caldwell Mr. Tank’s (ed.) - A powerful novel about the fight a young Irish immigrant made to get to the top and the devestating price he paid to get there. Focus on Environmental Geology...is now in.

—I)AKK HORSE — Fletcher Knehel The story of a Presidential campaign made by a backstage SENIORS: Don't forget to pick up politician. Graduation Announcements and to —ALTAIK DESIGN — For all the coloring book addicts in L.U. land this unique collec­ order your Cap and Gown. tion of designs will provide hours of fun and en joyment. THE OFFICIAL RENAISSANCE Fair banner, done in forest green and white and displaying the mythological unicorn and the fox representing the Fox Valley, is displayed here by Maid of Revels, Ellen Curtin, and Bobbi Weesen, who made the banner.

Schedule of Events 10:00 a.m. — Grand March - North side of Main Hall Brass Ensemble and Festival Performers Proclamation il nnouncc m e nh Fair Crier Maypole Dance Ginger Bevis, choreographer 11:00 a.m. — Music of the Court Doctor William Chaney’s Musicians of the Lawrence Saturday Medieval Conservatory Civilization class (Part II) has Paul Hollinger, coordinator been cancelled due to the 12:00 noon — Musica In- arrival of the Renaissance. strumentorum American Recorder Society 1:00 p.m. — Musica Vocalis Marshfield High School Dunking Stand Schedule Madrigal Singers 10:30 Charles F Lauter, Jr. Lyle Iverson, director 11:00 Francis T Campos, Jr 2:00 p.m. — Puppet Theater 11:30 Corry F. Azzi Eebee Puppeteers 12:00 Richard M Canterbury Les Chanteurs du Printemps 12:30 Thomas E Headrick ¡ no p.m. Post Prandial 1:00 Parker G. Marden Singers 1:30 Lawrence D Long ley Georgiana Harris, coordinator 2:00 Richard G. Long 1:00 p.m. Human Chess Match 2:30 William T Stuart Corry Azzi and Pack Carnes, 3:00 Ronald L Grimes challengers 3:30 Michael J La Marca 5:00 p.m. Musica Cantata 4:00 Jeanne M Tissier Court Musicians 4:30 Anne J. Schutte fi:oo p.m. Commedia dell’Arte 5:00 J Bruce Brackenridge Bonnie Morris, director 7:00 p.m. — R iver’s Edge Evening Concert I^awrence Singers Karle Erickson, director Vance Wood, lutenist Calligraphy Below Union Hill at the River's E d0 B Performances on South Court

of Main Hall from 11 a.m. Sl\onvp£oîU 0 foUowino thpTrl'mi ?!lles: the Fair to order by reading the Fair Proclam ation through 6 p.m. following the Grand March, which is scheduled to begin at 10:00a m. % ran) re tice Q rcert t

(Htrnouncing

Saturday, May 19, on Lawrence Green, for one performance only — the LU Troupe presents Arlecchino Tricked or The Love of Three Armadillos, or What the Renaissance is All About. In a spectacle of fun, gaiety, conviviality, and spoof you will see the matrimonial maneuverings of three matchless couples. The acerbic Pantalone—noted Venetian merchant—woos the frank Francechina, despite the interference of her zealous husband Zanni. Isabella, the coy, capricious, and unwed daughter of Pantalone, is pursued by Turin’s most elegant and eligible bachelor, Mario Romangesi. The third couple, Columbina and Arlechinno, although of less lofty lineage, will exchange amorous glances while adroitly arranging terrific tricks. Into this intricate intrigue arrives a philandering physician, the famous Doctor from Bologna. And, as an extra added attraction, a fiery in­ fernal spirit bursts forth to lend a hand to the in­ competent Zanni. THE LAWRENCE UNIVERSITY Commedia dell’Arte Players. Come celebrate with these lovable characters in their conniving and coupling, Saturday at f> pm on Lawrence Green. It must be emphasized that the unabated enthusiasm of all the onlookers will spur the actors to greater and greater efforts. ji{ (glim pse iB ack <3 n t o

Theatre “No clear date marks the end of medieval and the beginning of Renaissance theatre. From country to country the yielding of liturgical drama to secular neoclassical drama occurred at different times; thus, the last vestiges of the cycles can be found in England at the same time that Greek plays were first being revived in Italy. Never­ theless between the 15th and 17th centuries, the character of European drama underwent a major change. On the one hand, the artistic impulses generated by the rich and the widespread medieval theatre divested of religious purpose, flowered in the theatre of England and Spain before passing away. On the other, the Greek and Roman theatre tradition, rediscovered and newly appreciated indicated lines of development that excited the imagination and stimulated fresh artistic effort.” “The popular, communal audience, essentially religious in character, slowly disappeared. Instead appeared two types of audience—the general public, consisting of artisans and burghers, to whom the theatre was offered as an attraction and diversion; and a select aristocracy, which cultivated the theatre for the aristocrats’ own glory, learning, and pleasure. In some countries the two types of audience overlapped, but for the most part theatre for each type developed in its own way.”

The Encyclopedia Americana In Italy, two types of theatre emerged—the commedia erudita and intermezzi, the theatre designed and performed for the artistocracy, and the commedia dell’arte, the theatre of the streets Literature and the fairs. The commedia dell’arte is improvised by William M. Schutte comedy, performed by wandering troups, and often appearing with or without a stage, wherever there was an audience to watch their antics. In the Renaissance Literature was not a decorous affair. invented the newspaper or the periodical, was for a commedia erudita the more formal styles began to It was an explosion It produced some of the most wide range of materials. From a single press appear, and by the end of the 16th century, opera thoughtful, exciting and memorable works we have toward the end of the century might come a lurid had captivated the Italian court. inherited. It also produced vast quantities of account in verse or prose of the execution of a English theatre was exposed to the influences of material which is now of interest only to the an­ murderer, a chivalric romance in which virile the Italian stage, but for a long while retained its tiquarian and seeker of novelties but which served heroes rescued beautiful heroines from wicked popular character. Constantly operating under the needs and desires which we satisfy in other ways. enemies, a translation of Virgil’s “Georgies,” a dissertation on the types, cultivation, and uses of influence of the crown, Englishmen were the first to Johannes Gutenberg lit the fuse for the explosion peppers, a pamphlet on the art of conycatching (the successfully operate commercial theatres. Troups during the 1440’s in his small printshop somewhere “cony” was a country fellow suitable for fleecing), of men and boys acted under the patronage of in Germany. (We’re still not sure just where the a series of lame verses celebrating the death of a leading noblemen, and appeared throughout the first sheets printed from moveable type were run great man, a treatise on horsemanship, a book of country in town halls, inns, and anywhere and off ) The use of printing spread slowly over Europe, sample letters for use on all occasions, a dictionary everywhere else they could perform. picking up momentum as it moved. It was in­ of underworld slang, an account of an English naval Appearances in London were only temporary troduced into England by William Caxton in 1476, a victory off the Azores, a Latin primer, a Greek until 1572, when players were given permission to particularly propitious moment. During the next grammar, a poem celebrating the building of a perform daily in London, and entertainment century printing presses sprouted like weeds and paper mill, a book of madrigals and ayres, a became available daily for a fee. Soon after, the helped the English to displace Latin as the treatise on politics, a sensual poem on the subject of first playhouses began to be built, the most notable dominant language for serious discussion as well as Venus’ attempted seduction of Adonis, and perhaps being the Globe, built in 1599 for the Lord Cham­ every day sue. a pirated copy of the latest hit comedy “as it was berlain’s Men, later called the King’s Men, for The proliferation of presses was presided over performed before Her Majesty.” whom Shakespeare wrote. (more or less) by nervous rulers who saw them as This list only begins to suggest the diversity and The stages were generally large and bare, except potentially subversive innovations. Although they exuberance of the literary production of the period. for a fixed platform at the rear which contained two recognized and exploited—the advantages of No subject seemed too small or too recondite to doors and a enclosed area * *i the first level, and a using the press to create a positive image of the celebrate The would-be reader who strolled among balcony on the second. ruler and support for his policies, they shared with the bookstalls in Paul's Churchyard must have been When James I took the throne in 1603, court in­ all rulers a preference for a world in which the at a loss to distinguish the good from the mediocre, fluence became much more obvious and people know as little as possible about how the to find in the mass that confronted him one of those pronounced. Most all work was done toward the government conducts its business. So they tried to works of genius which also were finding their way court, because the major acting troups had been control the explosion. The results were not all that (someof them) into print: Sidney’s “Arcadia” and placed under the patronage of the royal family. they might have desired. “Astrophel and Stella,” Spenser’s “Faerie In France, the court played a still more decisive Queene,” Shakespeare’s “Sonnets,” Marlowe’s role, but the same forces that had been at work in In England by the middle of the sixteenth century “ Hero and Leander,” and, of course, the great Italy and England also influenced the theatre there. the presses were turning out a remarkable quantity dramas of Marlowe, Middleton, Jonson, and Theatrical development in France was later than in of material Although the government tried through Shakespeare. These were the finest products of the either Italy or England due to civil war in the late the Stationers Company to control and discourage explosion, but they were possible only because the 16th century. French plays kept the traditions of seditious and subversive publications, it paid little printing press and a thousand lesser writers were classical drama, and usuaily contained only a small or no attention to what else printers might choose to helping to provide an atmosphere in which they number of players, almost no violent action, and an issue. And the demand, in an age which had not yet could flourish unchanging locale.

1 emiôôance History by Anne J. Schulte

Giotto, Botticelli, Raphael, Michelangelo . . . Jules Michelet and the Swiss art historian Jacob Dante, Petrarch, Boccaccio If names like these Burckhardt converted “the Renaissance" from a Music immediately come to mind when you hear the word style concept into a period concept. Since the by Paul HoMinger “Renaissance,” your historical instincts are sound. publication of Burckhardt's Civilization of the Describing the Renaissance and what it com­ For the term originated as a description of what R enaissance in Italy (1860), many historians have some fourteenth-century Italians recognized as a prised is common sport of all historians and maintained that a new phase in European history as major change in artistic and literary styles taking students of the period, and seemingly the greater a whole a new era in politics, economics, place in their own time. We, employing a political the expertise of the writers the greater the psychology, as well as a literary and artistic variations of the interpretations. Whether the (originally an astronomical) metaphor, might call revolution began in Italy in the fourteenth cen­ this cultural shift a revolution. But contemporary period was prompted by the development of paper tury participants in the movement tended to base their and printing, the widespread use ot gunpowder, or Leaving aside the large question of how sharp a figurative language on organic processes and the influx of Byzantine philosophers fleeing fallen break with medieval patterns occurred, let us focus particularly on the Christian connotations thereof. Constantinople, theories expounded by late 19th on another issue: when did this historical period, To describe what they thought they were ac­ century writers, can be argued and disputed. Ob­ “the age of the Renaissance," end 0 Buckhardt, complishing, they chose verbs, and eventually viously a large number of forces were at work, and concentrating on Italy, proposed a terminal date nouns, expressing the idea of rebirth—rinascita, tpday we tend to go back farther and farther into early in the sixteenth century, which, not coin­ renaissance. medieval times for the roots of this intellectual and cidentally, correlates nicely with an art-historical artistic flowering. In the case of music, the stimulus As Petrarch and his friends saw it, cultural shift from High Renaissance (Raphael, the younger for change, also at work over a number of years, renewal was to be achieved not by innovation, but Michelangelo) to Mannerism. But where does that can be pin-pointed fairly well. by a return to the perceptions of the Greeks and the leave most of the re-creations in which you will be If for simplicity we momentarily ignore the Romans concerning man and his world. (Apologies participating tomorrow: Mayor Sutherland’s social, political, and economic considerations in­ to the “sisters” : Italians, in the fourteenth century Tudor-style proclamation of the opening of the Fair, volved, we find that with music the change took as in the twentieth, are male chauvinist.) They Elizabethan strolling minstrels, American colonial place when the technical skills of the northern believed (incorrectly, as medievalists delight to dunking stools? European composers were mellowed in the sunnier point out) and proclaimed (in an exagerated The problem is that somehow, at some point, “the atmosphere of Italy, the resulting product then fashion, as propagandists are want to do) that for Renaissance" moved from its native Italian soil to being given further charm by the warm con­ approximately a thousand years thinkers, writers, northern Europe, where certain Italian tendencies combined with indigenous traditions to produce new sonances and smooth writing that had developed, and artists had been groping in darkness, posing emphasis in vernacular literature, art, music, surprisingly, in the British Isles. silly questions and arriving at predictably silly politics and life-styles. In England this belated It is the spirit of pleasantness that marks the answers. Contrary to popular opinion, very few flowering culminated in the reigns of Elizabeth and Renaissance in music. The grim logic of much of “Renaissance men” challenged the basic premises James. When did the transition occur? With some Machaut’s music and the technical complexities of of the Christian faith They did, however, ask what earlier, tentative anticipations, the movement the later 14th century French Ars Nova composers, relevance a monastic or a chivalrie ethical system, seems to have caught on in a major way in the even in these writers’ most sanguine moments, a feudal or monarchical set or presuppositions about 1490’s How and why did it take place" Probably not must have convinced the listener that the promised politics, had for bourgeois individuals working and (as your great-grandparents believed) because heavenly music was not to be heard in this world; living in autonomous city-states. Very little, they northern armies, invading Italy in 1494, packed up but in the madrigals, caccias, and ballatas of the concluded. Hence they turned, quite consciously in “the Renaissance” and carried it home. (Soldiers Italian Trecento we begin to feel a human warmth their literary efforts and perhaps less so in their on foreign soil pick up all sorts of things, but not in music, just as in the frescoes of Giotto and in the visual representations, to models from the last usually the cultural achievements of the people they Decameron of Boccaccio we sense the depiction of relevant period in western civilization, classical conquer.) real people (though typically, music tagged along a antiquity. As we have seen, the whole notion of a large-scale few years after the other a rts!) Preparation for the “Renaissance” efforts to appropriate the forms transplantation of artistic and literary forms and hereafter was still kept in mind, but the conviction and norms of classical antiquity did not result in an tendencies is an artificial and implausible one. The began to emerge that matters could well be im­ exact re-creation of Greek or Roman civilization. most acceptable brief explanation seems to be that proved here on earth, and that music could make a As much as they admired Cicero’s Latin and ap Swiss, German. French, and English scholars and substantial contribution to the quality of living It is preciated his insights into fundamental human gentlemen learned from the Italian experience only this latter ability that has characterized music’s problems the choice of an appropriate life-style, when they were ready to do so, at the point when importance ever since that time. the proper response to make to a subverter of their own cultural and political situations seemed to Then, with the harmonic and contrapuntal skills republican institutions — Italian intellectuals, as require a fresh stimulus. And they appropriated for of the peregrine P^nglishman John Dunstable ef­ they themselves realized, could not literally become their own adaptation only what they considered fectively demonstrated during his trips over the Ciceros. Nor could sculptors and architects function relevant to their own situations. In the case of Continent, composers learned how to make music of in precisely the same way as their role-models. England, this included (among other things) interest to the ear even more effectively than What they were called upon to produce often served Neoplatonic literary conceits, Machiavellian before. Music remained a craft, but with the masses purposes defined in the intervening Middle Ages (a concepts of power politics, and the madrigal; it did and motets of Ockeghem and Obrecht, the chansons term probably coined by Petrarch): constructing not include classical architectural principles as of Dufay and Binchois, and the all-encompassing and embellishing temples dedicated to pagan gods developed in Italy or High Renaissance models for genius of Josquin des Pres, music moved from its and designing Christian churches obviously posed painting. mathematical-philosophical seat in the medieval different problems. Painters were left to their own What will happen tomorrow is in large part an quadrivium to its position as one of the most im­ and their predecessors’ devices to an even greater imaginative recreation of something other than mediate and approachable art forms of its, and extent, since almost nothing in the way of classical what I began by describing as “the Renaissance.” hence our time. exemplars was available to them. To the extent that The fair, which is medieval in origin, is largely a The 15th and 16th centuries saw the development mechanical copying was attempted, it failed, both manifestation of popular, not elite, culture. and codification of writing techniques that serve as in its original intention and in the judgments of Although market fairs and religious festivals the basis of much of our present day formal study in posterity. Today we admire Petrarch’s Italian lyric (sometimes combined) took place during “the age music, but music such as one would hear at public poetry, not his epic on the subject of Scipio of the Renaissance,” they were not conceived and gatherings would certainly be written with at­ Africanus. executed by the Petrarchs and Botticellis of the tractiveness, wit, and communication held up­ period. Also, as suggested, tomorrow’s Fair is a permost in importance by both the composer and What, you may ask, do these reflections have to synthetic product, not a precise historical recon­ the performer. do with the Fox Valley Renaissance Fair? Well, a struction of a fair at any particular time or place. So listen as well as watch, this Saturday. The funny thing happened on the way to the twentieth But if the Italians and the Elizabethans could sounds may seem quaint, for much of this music century. With the help of sixteenth-century borrow selectively from the past to meet their own was written over 500 years ago, but the spirit will be Protestant polemicists and eighteenth-century needs, there is every reason why w<> may profitably there—and it is this spirit, that of the joy of living, pioneers in cultural history, the French historian follow their example. that marks the best of the Renaissance. As many others have done, you might even conclude that in a matter of minutes or hours the various arts can familiarize you with the nature and ways of a remote time and people more quickly and more directly than days of memorizing the rise and fall of kings or the build-up and waning of military or commercial powers, dependent though the arts have always been on those developments. See you at the fair!

RENAISSANCE FAIR Master of Revels, David Haugland, got himself very “wrapped up” in a Maypole dance rehearsal Thursday afternoon when he substituted for the missing Maypole. $ u $ c x r $ r Ij^rcâlds io ÔIï o U

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by David llaugland dell’ arte was to develop well- A Fair Crier, heralds, players, defined characters and im­ and minstrels will be special provise on a plot outline, or attractions on the festival scenario. Each actor memorized grounds throughout the day of the declamations, pleas, reproaches, Renaissance Fair. quips, tricks, and acrobatics Fair Crier Jim Stiles and two which he could draw on to fill in heralds from Menasha High the dialogue and action of the School, Joanne Borchart and Tim scenario. Always playing the Harrmann, will amble about the same character the actor’s ar­ grounds announcing per­ tistry lay in fitting lines and formances and activities and business to the situations of the hawking the w ares of artisans on play in perform ance. the green. The Lawrence troupe’s play is The fanfares, specially written composed of fragments of by Keith Jackson for the festival, original commedia scenarios. will be played on reproductions of The actors are familiar faces to authentic heralds’ horns loaned the Lawrence community - to the Renaissance Fair by the Catherine Tatge, Steve Hunter, THE MAYPOLE DANCE, which begins a series of hourly performances which will run Menasha High School In­ Craig Berenson, Maura Silver­ until 7:00 p.m., will be performed by Fox Valley Area Council Girl Scouts from 102, 111, strumental Music Department. man, Bob Hermann, Susie Accompanying the fanfares will Medak, Tom Ehlinger, Paul 122, and several Lawrence students. be calls written and delivered by Doepke, Greg Schrimpf, and Jim Stiles for each performing Bonnie Morris. Action-packed group, special activity, and ar­ and ofter rowdy, Arlecchino tisans. Tricked is well-suited to One event announced by the Lawrence’s day of revels. Crier and heralds will be Parallelling the troupe of Arlecchino Tricked or What the strolling players in the musical Renaissance is All About or the realm will be a number of Love of Three Armadillos p er­ wandering minstrels. Eric An­ formed by the commedia derson, Ginger Bevis, Ron dell’arte troupe at 6 p.m. Prior to Christoffel, Judy Erickson, Huus Live Pieces this performance the troupe will and company, Steve Jerrett, stroll the grounds twice during Mike Magnussen, Beth Regalski, the day improvising scenes and George Stalle, and Lynn Trepel Hi-Light RF involving festival visitors in their will perform songs amorous and antics. Gary Parker of the am using. Guthrie Theater in Minneapolis, The Bawdy Balladiers - Don Minn., will lead the troupe as Brunnquell, Frederica Cagan, Chess Game they frolic amongst the trees. Liz Orelup, and Sally Scoggin - “ Queen to the left, rook Commedia dell’ arte refers to heve gathered a repertory of to the right go, go bishop, the improvised comedies per­ none too subtle ballads from get that knight! ” formed by masked characters in Elizabethan England which are As a spectator sport, chess will Italy, France, and England sure to amuse and likely to reach its climax at 4.00 p.m. during the Renaissance. The arouse their hearers. tomorrow. At that time Corry jovial and ofter crude comedies The calls of the crier, plotting Azzi, Assistant Professor of suited the festivals and revels of of the players, and notes of the Economics, and Pack Carnes, the Renaissance. minstrels will enliven the fairs’ Assistant Professor of German, The technique of the commedia festivities for all who attend. will play a chess game on the courtyard between Main Hall and Youngchild. However, all the chess pieces will be human and moving themselves. Azzi and Carnes a re fam ous among the chess players on campus for their daily game of pushing pawns in the union. Consequently, these men were chosen to champion the human pieces for the Renaissance Fair. Carnes will command the white; Azzi the black. They will take their respective positions on towers on either side of the board and shout their commands to their pieces. Deviation from these commands will be the fault of the individual chess piece. Errors in moves will be the fault of the challengers. Individual pieces will be recognized by tunics designed and constructed by Susan Parker, Betsy Krueger, and Karen Henderson. The piece’s color and a charicature will be on each tunic for identification. Support your favorite team. Shout your cheers for victory. See who loses.

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by Marilyn Broome styles of the sleeves included They were most often cut high of their superiors Their clothing The spirit and mood of almost everything from tight- around the neck, and finished was less extravagant and made Elizabethan England will be re­ fitting and straight, to leg-of- with a lace collar or a ruff, from more durable fabrics. created tomorrow at the mutton, to very full and puffy. similar to those worn by the The working class or peasant Renaissance Fair. Those of you High, stand-up collars were ladies. The doublets were fashions underwent few changes who wish to actively participate sometimes worn, but the most sometimes sleeveless and worn throughout the period. Most men in the pageantry and spectacle of prevalent style was a square over a shirt-type garment, but continued to wear shirts of the F a ir by coming in costum e neckline, cut very low. Huffs also usually the sleeves were at­ muslin or homespun. Over these, have a wide variety of fashions became very popular. These tached. The body of the doublet they usually wore unadorned and fabrics to chose from ruffs encircled the neck, ex­ was usually elaborately doublets or vests made of canvas, Traditionally, English clothing tending from one-inch to as many decorated with embroidery, homespun, leather, or wool. had varied from the simple as six-inches outwards. embossing, or jewels or slashed Their trunks were made of the homespuns of the peasants to the The skirts were generally full to reveal a colorful underlining. same fabric and were cut similar sumptous velvets and silks of the and either gathered or pleated. to those of the upper classes, but The trunks were short pants, courtiers. Until the reign of They were usually shaped in the were not paddl'd. Men often went cut very full. Their length varied Henry VII, however, fashions form of a drum, a cone, or a bell from just below the hips to knee- bare-legged, but if they wore were quite conservative. Under through the use of padded or netherstockings, they were length, however, the most the influence of Queen Elizabeth, boned petticoats, called far­ usually hand knit. Sandals, soft prevalent length was mid-thigh. however, individuality and in­ thingales. Often the skirt was work boots or knee-high, fitted These trunks were also novation in fashions ran ram­ parted from the waist to the hem leather boots were most com­ decorated, most commonly with pant, with each nobleman trying to reveal an embroidered or monly worn. embossed underskirt. slashing Trunks were sometimes to outdo the next. The results Women often wore fitted, laced Jewels were very popular with padded; at one point they were were often extreme, especially bodices over soft muslin blouses. noblewomen. They were com­ padded so heavely that special the reshaping of the human body Their skirts were long and full monly used to decorate their chairs had to be constructed in through the use of busks, stays, and covered with an apron hair, which was either tightly the House of Lords to ac­ and iron corsets on the one hand, decorated with lace. Sometimes a curled around the face, wired up commodate the noblemen who and the use of padding on the jumper-like dress was worn, and into any number of shapes, or followed this fashion. other. left open from the waist to the simply combed down and allowed Netherstockings were most Many styles came and went for hem to reveal an underskirt. to curl softly around the similar to contemporary tights. the noblewomen, however, the Women usually wore sturdy, shoulders. This latter style was They were attached to the basic garments were the bodice simple shoes or boots and most prevalent among young doublet with eyelets and lacing or covered their heads with scarves and the skirt. The bodices were women. with hooks and eyes. or wide-brimmed hats. very closely fitted and were The basic garments for the In general, the clothing of the hemmed to the shape of a sharp men were doublets, trunks, and So, you have alot of leeway in upper classes was extremely point at or below the waistline. netherstockings. Doublets were divising your costume for the luxurious and elaborate and also The sleeves were usually not jackets made from anything Fair. With a little time, extremely impractical and un­ sewn on to the bodice, but rather from velvet to leather. Usually imagination, and a good sense of comfortable. were laced on with ribbons and they were waist-length, however humor you should be able to come eyelets. Decorative epaulettes, or they often had some kind of The middle-classes wore up with something to wear to help “wings”, were added to the peplum or skirt attached which similar styles, however, they you get into the spirit of the bodice to cover the ribbons. The usually covered at least the hips. avoided much of the extremism Renaissance.

SOPRANO JEAN NOCERINI, at left, will appear in several numbers to be performed at the 11:00 a.m. concert. Relow are eight members of the 17 voice Marshfield Madrigal Singers, who will entertain fairgoers with their songs at 1:00 p.m., both events occurring on the south side of Main Hall.

Guest Performers at Fair To Complement LU Group

by David llaugland The Madrigal Singers from Marshfield High School will During the Renaissance Fair present a program of a cappella on Saturday, May 19, three madrigals at 1:00 p.m. The 17 groups of performers from voices directed by Lyle Leterson, outside the Lawrence community choral director at Marshfield will be featured during the day’s High School, will be costumed as schedule of hourly performances. members of the royal court. At 12 noon an instrumental trio Lawrence’s own Allan from Chicago, 111., will perform Jacobson. Jane Koopman, and “Musica Instrumentorum.” Dorman Smith along with five Louise Austin, David Fitzgerald, other musicians will perform at 3 and Mary Ellen Rosen, all p.m. Known as the Post Prandial members of the American Singers of Appleton, the group Recorder Society, will present will present a varied program of music of the time on instruments both a capella and accompanied of the time Costumed as jester, musical selections. knave, and maid, the trio will use As part of the 10 hours of authentic instruments such as continuous performances during soprano, alto and tenor recor­ the outdoor festival, these ders, krummhorns. kortholds, visiting perform ers will com ­ and a Rauschfeif to recreate plement performances given by sixteenth century selections. Lawrentians. Renaissance JocksAre. . .

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In the spirit of the Renaissance, A knight in shining armor will In keeping with the atmosphere six Lawrence fencers will present appear east of Main Hall at 2:30 of the Renaissance this coming a rendition of Renaissance p.m. tomorrow to preside over a Renaissance Fair will include an fencing, using the traditional mock jousting tournament. atchery exhibit for the benefit sabers, at each of their two Kevin I^aing, costumed as a and enjoyment of the par­ performances tomorrow at 1:30 knight of old, will call the jousters ticipants of the fair in general. and 3:30. The slashing motions of to the field Members of the class At to :!() and at 4:30 on Satur­ the sabers will follow the issue of of ’76 from the houses of Delta day, for one hour each, there will an insult, the challenge, and then Tau Delta and Phi Delta Theta be a demonstration of archery a clashing duel to the death will brandish lances, mount skill performed by two expert The saber is a heavier, broader shoulders, and grasp shields in an “yeomen” from Midway Archery bladed sword with a different attempt to stimulate the tour­ in Menasha. type of handle than the modern- naments of centuries past. Two targets and other day fencing foil. Foils will be For an entertaining, if not necessary paraphernalia will be used in the second part of the totally authentic, (no horses will on hand for those who wish to try fencers’ presentation, a be used) recreations of the joust, (or prove) their skills at archery. demonstration ot how tencing has follow the noble knight to the Although the English long bow developed in the period from the Green tomorrow at 2:30. would probably be the most Renaissance to the present. appropriate bow for the fair, none The featured fencers of the day are available for public use. will be Tim Black, Steve Bell, S p i r i t Nevertheless, should some ex­ Dave Duperault, Dave Fortney, pert archers be present within Chris Reiser, and Steve Smith. ifteriaissance the Lawrence community, we According to the Encyclopedia request that balancers, sites, and Americana, “Fencing did not other superfluous, 20th century develop until the 15th century, archery accessories be excluded after gunpowder ended the bow from the Fair. and arrow as a major weapon in The exhibit will be situated warfare. Once the effectiveness somehwere in the vicinity of of heavy armor was destroyed, Youngchild Hall and Sampson DAVID PARKINSON, FVRF Artist-in-Residence from the skill with the long sword, or House. Cooper School of Art in Cleveland, Ohio, has been on campus rapier, supplanted sheer strength since Monday demonstrating the various types and styles of with the earlier shorter and Renaissance art. Parkinson is a ’65 L.U. graduate. heavier weapons.” Printed works on fencing were found in Spain and Italy as early as the fifteenth century, the first actual book dealing with the art Conclude ilcriD rK cs has been positively dated at 1517. FVRF Artist Explains Craft The final event of Saturday’s Renaissance Fair will be a In residence at Lawrence this special sessions in Worcester Art concert on Union Hill performed past week, David Bigelow Center. The Appleton Gallery of by the Lawrence Singers and Parkinson of the Cooper School of Arts hosted Parkinson at a Vance Wood, a lutenist from the Art in Cleveland, Ohio, has been special meeting Tuesday University of Michigan. The presenting workshops, demon­ evening, and All Saints Episcopal concert will take place at 7 p.m. strations and lectures on a Church will host him Sunday at 2 The Singer’s program, ac­ variety of fabric-related topics. p.m. for a slide lecture on cording to director Karle Relating all of his presen­ Biblical fabrics. Parkinson’s Erickson, assistant professor of tations to the R enaissance in natural dyeing demonstrations in Music, the numbers performed association with Lawrence’s both the Theater-Drama will be “informal songs, designed Spring festival, Parkinson has stagecraft class and a studio art for whatever group may have demonstrated weaving, dyeing class supplemented these gotten together for them. The with natural materials, macrame classes’ studies of light, texture type of songs that will be sung are and glass enameling on metal. He and color. generally written for four, five, has also presented slide lectures Parkinson will continue his or six parts, and could be ac­ on the similar topics at Lawrence one-week residency by working companied with a lute or and in Appleton. outdoors on the Green during the recorder.” Audiences for Parkinson’s Renaissance Fair all day Some of the numbers that will presentations included art Saturday. He will discuss and be performed by the Singers classes at Xavier, W'est and East demonstrate numerous fabric include I Have Ere This Time, by High Schools, in addition to techniques for everyone in­ Thomas Whythorne; John terested. Dowland’s Weep You No More, Sad Fountains; Fair Phyllis I Saw by John Farmer; Thomas Morlev's Sing We and Chant It; John Willey’s Flora Gave Me Fairest Flowers. The Silver Swan by Orlando Gibbons, and other For numbers such as My Heart Doth Reg You'll Not Forget. Gay Little Nymph, and So Will I Know Who’s Happy. The Dowland piece, Weep You Bicycle No More, Sad Fountains, will be performed by the Singers and guest artist Vance Wood, a lute player from the University of Michigan. Enthusuasts: There are 19 singers in the ensemble, which will perform both madrigals, and ballets the Custom Built by Stella of France typical pieces characteristic of the Renaissance. According to for Artie for You! Erickson, “the texts of these numbers are light and secular. They portray the living con­ ditions, social situations, and Columbus alloy tubing - fully lugged frames feelings of the time. The rhythms —Campagnolo dropouts and hubs THE BAWDY BALLAD1ERS, a quartet consisting of Freddi are governed by the text stresses, Simplex Derailleurs - 3, 5 and 10 speeds Cagan, Don Brunquell, Sally Scoggin, and absent Liz Orelup and we will perform all numbers - Mavic alloy rims will entertain the masses with more than their bawdy ballads. a capella except those where we Weinmann center pull brakes join Mr Wood.” - Hutchinson gumwall tires —Canetti racing tubulars

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Ken's Sales & Services 7XN-I161 Mon. -Thurs. - F r i.-8:30-8:30 Tues. Wed. - Sat. - 8:30-5:00 Hwy. OO & N Little Chute Former Eps Discuss Bitterness

by Ron Fink keep the chapter at least fraternities again at Lawrence. The atmosphere over at what involving kitchen and residence pledging them Neither can he nominally alive, support was Will is especially disappointed was almost the “co-op” and what capacities. Howell blamed the understand what has been ac­ withdrawn for the co-op for fear that Smith did not base his will presumably be the new Sig trustees in large part, for they complished by the national, since of future struggles with the decision on an evaluation of the Ep house is one of general seem ed in general to w ant to there still won't be any “real Sig national organization. Will seem s relative merits of each alter­ disillusionment and resignation. make things as difficult for the Eps” around, if in fact that was native, but had instead opted for There is also a trace of bitterness co-op as possible. He said that what they were after in the first what was essentially an ex­ in the air. Among former Sig Eps their chief antagonist on the place. pedient “solution.” He did praise interviewed, the basic reaction to board seemed unable to un­ Dick Fritsch is a senior and has the Dean’s Office and Dean the loss of the co-op is generally derstand the difference between nothing tangible to gain or lose by Lauter in particular for his the same. They feel that they what a fraternity is and what a any decision, yet his com­ support, but Will said that he have been somewhat cheated and co-op would be Going local was mittment to the Co-op was such came to realize that when it came deceived, although they would hardly considered, since it would that he is the most vocal and. as down to a final decision, the put it in other terms. They feel mean continuing to be a he readily admits, the most bitter university would be unwilling to that those responsible for the fraternity in “organization,” and of all former Eps He felt strongly make a move against the failure of the co-op include the since the administration was that the co-op had been treated national. Contrary to popular university and the new pledge opposed to the idea anyway, unfairly; to put it mildly, that it opinion, he added, fraternities at class, besides the national probably in fear of inevitable had been given a rotten deal. He organization of Sigma Phi Ep­ Lawrence are as strong as ever. clashes with the national over the also said that the new pledges He said that had he known silon. house. Howell felt that Lauter must bear part of the respon­ earlier that the national was Chuck Will said that when the had been speaking largely for sibility for the failure of the co­ willing to go to such extremes staff representative for the himself in supporting the co-op op, since no other house available just to maintain the chapter and national came to the house and and maybe not in his official in the area was suited to their that the administration would forced them to resign from the capacity, and that Smith was plans. He felt that the new eventually back down, he would fraternity for refusing to take Overly concerned with alumni pledges are not really interested have hesitated in pursuing the ritual seriously, for neglecting and trustee relations. Howell at all in a fraternity, that they idea of a co-op. However, he responsibilities toward the does not blame the new Sig Eps have less of a spirit of wasn’t bitter toward the new national, and for failing to set up for pledging either, but he is brotherhood than do the current pledges but doubted that future proper alumni and rush certain that they are unaware of residents of the house, and that conflicts with the national will be programs; the national intended what the national had in mind in they were mostly concerned with avoided by such a “solution.” He to recolonize the house with at what kind of single they would get pointed out finally that the staff least fifteen men of “leadership to live in Fritsch added that the qualities.” This, Will pointed out, representative from the national new Sig Ep chapter is more encouraged those who were in­ had said that the organization New Pledges suited to living in Waples House terested in the “co-op,” for they had never failed in any previous than in the frat house, since they figured that professional rushers attempt to recolonize, but that do not plan to use the kitchen and would have difficulty finding unless the national had changed Join Sig Ep will constitute less than half of such men on the Lawrence its standards, they have failed to the residents in the house next develop a “real fraternity,” for The recruiting efforts of the Sig cam pus interested in pledging Ep fraternity have paid off with year. They cannot separate their what would be a new chapter in the new pledges are no more decision to join a fraternity from interested in Sigma Phi Epsilon 10 students joining the house. the quad. They went ahead with helping to destroy the co-op. He than the former Eps were. This is in addition to the one Sig plans to establish a co-operative Ep presently in Mexico who is said that he and the old Eps were living unit there and were further Dan Howell echoed much of retaining his membership. thrown out because they were not encouraged by what appeared to w hat Will had to say, adding The first student to join said a “fraternity,” but he pointed out be hearty support from the ad­ however that they should have that a major factor in his decision that the national is only fooling ministration. However, ac­ looked into the possibilities of to become a Sig Ep was the itself, for they now have less of a cording to Wrill, when President another house for the coop, challenge of rebuilding the “fraternity” than they did Smith discovered that the to feel that Smith was deceived though the fraternity house was fraternity, the same challenge before He added that the only national would actually be by the national but that perfectly suited to the co-op as which was presented by Gary goal that he could see the national content with a “skeleton crew” in ultimately he did not want “to envisioned. There were other Grimmers, National Sig Ep as having accomplished is that of the house, even if it meant only stir up a lot of mud,” and was problems with most other representative, at the meetings maintaining their name on one active member, in order to quite content to go along with six housing possibilities, usually held several weeks ago to recruit campus. He guessed that maybe new members. the national had changed their In addition to the Sig Ep policy after realizing what the retaining his membership and Lawrence campus was like. Sour the first new pledge, nine other grapes? Fritsch won’t deny it. students from one section joined Just ask him. the fraternity, after being certain What really bothered Jeff Now That You’re that their joining would not be the Herbon was that the national cause of the demise of the Co-op. representative had accused them Ready For A One major reason which they back in October of lacking gave for joining was their present brotherhood, and Herbon unity, almost fraternal in a sense couldn’t disagree more. He said Another consideration was the that there is more brotherhood advantages offered by living in a among the people now in the house on the Quad house than among the future Sig While not all of the new Eps It all boils down to a conflict m em bers believe strongly in between a national fraternity what could be considered the organization in Richmond, ideal conception of a Greek Virginia and a close group of fraternity, they all say that they people who have lived together will fulfill all obligations to the for a number of years and how National and to the IFC, as well they define “brotherhood.” as being the core for the Fritsch will graduate this year, rebuilding of Sig Ep at Lawrence. Will and Howell along with the As for other future plans of the other juniors will live off-campus group, although officers have next year, and sophomores now been elected and other business in the house will be scattered dealt with, they plan on waiting among the independents. You until next year to set definite won’t have the old Sig Eps or the goals for the fraternity’s future. “Ops” to kick around anymore. We’re Ready For You! A For the Guy Who Wants to Keep Playing After the

Game is Over.

14 JACK PURCELL Sizes to L.T.T. OXFORD

J a n u s 'f} u A J C £ & ' ★ converse;. SKI AND SPECIALTY SPORTS WEST COLLEGE AVENUE I HECKERT SHOE CO. (Just W«tt of tht Left Guard) 1119 E. COLLEGE AVE. APPLETON Cindermen Cohawks And Oles Tune Up Vie In MWC Track This past weekend the Lawrence track squad journeyed NORTHFIELD, MINN. jump winner; and Carleton’s to Illinois to compete in the an­ Defending Champion Coe and Skip McElrath, defending nual Elmhurst Invitational Meet 1971 Champion St Olaf were champion in the 100. in what may be termed their final selected by league coaches The three-place rematches will tune-up before this weekend’s Thursday (May 10) to fight it out include Keith, Korir and Conference Meet at St. Olaf. As if for the third year in a row at the Lawrence’s Jim Toliver in the the money was actually on the 51st annual Midwest Conference long jump; Korir, Rohlman and line the Viking runners all track and field championships Keith in the triple jump; and produced personal bests. May 18-19 at St. Olaf Korir, Coe’s Don Flagel and Especially productive was The poll of league coaches also Cornell’s Ted Van Dorn in the 440. Larry lea per Tom Keith, Con picked Coach Merle Cornell, which set the loop ference champ last year as a Masonholder’s Cornell squad as a mark of 43.0 in last year’s 440- sophomore, who captured both solid choice for third and gave yard relay and was runner-up as the long jump and the triple jump Jim Nelson the nod to bring Coe set another league record of in Division B His 21’2” effort in Carleton in fourth. Knox, under 3;20.0 in the 1972 mile relay, could the long jump was a blue ribbon Coach Bill Foss, was rated the win both events this year. The performance as was his 42’ l ¿" most likely squad to round out the Rams rebuilt both teams but hop, skip and jump in the triple first division in the ten-team recorded a 43.1 in the 440 and a jump. Tom’s afternoon work field. 3:18.6 in the mile at last month’s netted twelve of Lawrence’s 19 Coe Coach Wayne Phillips will Drake relays. points. go after his second straight Other top contenders: Division B was set up for championship with two veterans Shot and discus — Jim Smith, schools whose male enrollment returning to defend five titles and Monmouth; Steve Neuman, prohibits their fielding either with his 1972 record-setting mile Lawrence; Mike Bowman, Coe; WHO IS THIS famous Larry U. star? Why don’t we have large a squads or those that could relay team intact. and Rolf Iverson, St. Olaf. sports editor? compete with the larger, St. Olaf Coach Bill Thornton, Javelin — Rich Fiore, financially secure athletic who guided the Oles to the title Carleton; Ron Barker, Mon­ programs of more sizeable two years ago and the runner-up mouth and Tom Cutler, schools; Other Viking com­ spot last year, will have no Lawrence. petitors who placed include fine returning champions but could Pole Vault — Paul DeLaitsch third place efforts by senior tri­ enter a pair of contenders in and Chuck Novak, both of St. Conference playoffs this weekend captain Tom Cutler, with a 179’ nearly every event. Olaf; Lloyd Nordstrom and Dave toss in the javelin, and The 51st annual field will boats Rosene, both Lawrence, Randy sophomore Jay LaJone whose six individuals defending ten Kuhlman, Cornell; and Doug 1:58.3 half mile makes Jiim a top titles and will also include Baldwin, Coe. Vikes Hit Sudden Slump, contender in the Conference rematches between the top three Jumps — Scott Veldman, Dan Meet. finishers in last year’s 440, triple Wold and Chris Bundgaard, all The 440 relay quartet of Keith, jump and long jump events. St. Olaf; Kelly O’Brien, Ripon; Drop Four of Five GamesLaJone, Lloyd Nordstrom and tri­ Defending individual titles will Paul Stiegler, Carleton, Dave captain Jim Toliver earned a be Coe’s Kip Korir, 440 and triple Wright, Grinnell; Steve Yemm, Hitting a sudden slump after a singled, and stole second. When point with its fifth place finish to jump winner two years in a row Knox; Dan Heeren, Coe; and fairly successful northern Ed Bauman was safe on a high round out the Blue and White who also won the 220 and javelin Wilson Oquendo, Monmouth. schedule, the Vike baseball squad throw to first base by shortstop scoring. last year; Grinnell’s Barry Huff, Many Vike runners posted good Hurdles — Dan Breed and Sev dropped four of five games the Dave Rothschild, Gramarossa 1971-72 shot titlist and 1972 winner past week. came all the way around to score times but failed to place in the 18 in the discus; Cornell’s Todd Falck-Pedersen, ’ both Knox; team division. Among these were Rohlman and A1 Miller, both Coe; Saturday, Lawrence en­ while first basemen Mark Ririe, three-time champion in the tertained St. Norbert and split Cebulski protested the call. frosh Jim Beres with a 16:21 880; Coe’s Fran Rohlman, two- and Steve Sparks, Ripon. three mile, and Rich Lawrence Springs — Bob Forsyth and two hard-fourght contests. The The second contest saw time high jump titlist; Green Knights won the first game Lawrence’s Paul Yankee and St. with a 4:46 mile and seniors Lawrence’s Tom Keith, 1972 long Gene Stevens, both St. Olaf; Scott Roger Kimber with a 2:06 half Bayson and Mike True, both 5-4, while the Vikkes recovered to Norbert’s Ron Zur locked in a take the second, 3-2. taut pitcher’s duel. Lawrence mile and tri-captain Steve Swets Ripon; John Carter, Monmouth; with a 52.5 440 yard dash. Chuck Hoesch, Knox; Stuart The Vikes were led in the first scored tirst when Grogan came game by catcher Mike Grogan, home on a wild throw to third This weekend the track squad, Goldsmith, Lawrence; Mark along with every other spring Clark, Carleton; and Clanton who performed the unique feat of while trying to advance on a short passed ball. Grogan also bunted jock from the depths of Dawson, Cornell hitting three sacrifice flies in one WE RENT game. Tim Pruett accounted for home the Vikes’ second tally, in Alexander Gym, travels to 440 — Pete Miklejohn, Ripon; the fifth. Northfield Minnesota to compete Steve Swets, Lawrence; Jim the Vikes’ other run by belting his St. Norbert broke Yankee’s in the Midwest Conference Fallace, Grinnell; Fiore, first round-tripper of the cam ­ paign. shutout bid in the sixth when Championship. At this stage of ALL NEW Carleton; Falck-Pedersen, Knox. the game Lawrence must be 880 — Ross Deden and Bob Bill Greer took the loss but catcher Ed Bauman singled, went to second on a wild pitch, rated the top finisher in the Cruse, both St. Olaf; Ray Gillen, deserved a better fate The and scored on a double by Greg second division and a darkhorse Monmouth; Sparks, Ripon; Ed victim of four errors, only one of the five runs Greer allowed was Wall. candidate to break into the top FORDS! Trimble and Dave Miller, both five teams. Yankee had but one out to go in Coe; and Jay LaJone, Lawrence. earned. the seventh to sew up the win, but Distance Jim Muus, Dave St. Norbert won the game in the fell victim to three straight LO W AS Larsen and Jerry Winegarden, fifth, when Bill Riebe led off with all of St Olaf; Roger Johnston, a single, advanced to second singles, the last one a Texas Leaguer by Bauman. Carleton; Dan Hildebrand, when Greer balked, went to third $5 DAY, on a long fly out, and slid safely In the Lawrence seventh, with Grinnell; George Delperdang, Golfers Win; Cornell; and Tom Millen. Coe. across the plate on a suicide two out Tom Brown was hit with a 5e MILE squeeze bunt. pitch. Grogan, having a fine day, With two out, Gramarossa singled to center. Cebulski in Conf. Meet walked to load the bases, and Tim "Requirements:” Pruett also walked to force in the The Lawrence golfers recorded 1 You m ust be 21 winning run. a narrow victory in a triangular meet at Beloit last Saturday. The 2 Valid driver's license e x p e r i e n c e Ken Howell, who had retired the side in the seventh with one Vikes’ score of 331 was followed 3. Cash deposit you can bank on pitch, picked up the win for the by Ripon with 334, and Beloit with ... since 1870 Vikes. 343. But it was a different story at Medalist for the meet was Vike Janesville on Tuesday, as the Captain Tom Meyers, who came Vikes were beaten in a blazing in with a one-over par 72. tripleheader by Milton College 5- Dennis Davis and Gene Wright LES STUMPF FORD 0; 7-0 and 5-1. carded 85s, while Jim Cifrino Lawrence demonstrated its came with an 89. 3030 W College Ave. First worst performance of the season Thursday and Friday the Appleton National Bank in dropping the three games. linksmen traveled to Rochester, 733 6644 Baffled by a continuing array of Minnesota, Country Club for the Oh APPLETON ^ 7 Ä Nv,uEltT0N Milton pitchers, the Vikes could conference golf meet. The Vikes get no more than five hits in any placed fourth last year, and one game. hoped to improve on that finish. In the field, the Vikes were less than sterling, as they committed two errors in the first game, five in the second, and three in the COLLEGIATE NOTES third. 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