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Cumulative Michigan Notable Books List
Author(s) Title Publisher Genre Year Abbott, Jim Imperfect Ballantine Books Memoir 2013 Abood, Maureen Rose Water and Orange Blossoms: Fresh & Classic Recipes from My Lebenese Kitchen Running Press Non-fiction 2016 Ahmed, Saladin Abbott Boom Studios Fiction 2019 Airgood, Ellen South of Superior Riverhead Books Fiction 2012 Albom, Mitch Have a Little Faith: A True Story Hyperion Non-fiction 2010 Alexander, Jeff The Muskegon: The Majesty and Tragedy of Michigan's Rarest River Michigan State University Press Non-fiction 2007 Alexander, Jeff Pandora's Locks: The Opening of the Great Lakes-St. Lawrence Seaway Michigan State University Press Non-fiction 2010 Amick, Steve The Lake, the River & the Other Lake: A Novel Pantheon Books Fiction 2006 Amick, Steve Nothing But a Smile: A Novel Pantheon Books Fiction 2010 Anderson, Godfrey J. A Michigan Polar Bear Confronts the Bolsheviks: A War Memoir: the 337th Field Hospital in Northern Russia William B. Eerdmans' Publishing Co. Memoir 2011 Anderson, William M. The Detroit Tigers: A Pictorial Celebration of the Greatest Players and Moments in Tigers' History Dimond Communications Photo-essay 1992 Andrews, Nancy Detroit Free Press Time Frames: Our Lives in 2001, our City at 300, Our Legacy in Pictures Detroit Free Press Photography 2003 Appleford, Annie M is for Mitten: A Michigan Alphabet Book Sleeping Bear Press Children's 2000 Armour, David 100 Years at Mackinac: A Centennial History of the Mackinac Island State Park Commission, 1895-1995 Mackinac Island State Historic Parks History 1996 Arnold, Amy & Conway, Brian Michigan Modern: Designed that Shaped America Gibbs Smith Non-fiction 2017 Arnow, Harriette Louisa Simpson Between the Flowers Michigan State University Press Fiction 2000 Bureau of History, Michigan Historical Commission, Michigan Department of Ashlee, Laura R. -
Giving Report 2019-2020
Giving Report F I R M FOUNDATIONS 2019-2020 TABLE OF CONTENTS Our Mission 3 Letter from the President The mission of Bishop Kelley High School is to carry on the teaching ministry of Jesus Christ by providing a Catholic, Lasallian Board of Directors & education that develops individuals whose hearts and minds are prepared for a purposeful life. 4 PhilanthropyTeam 5 Letter from Bishop Konderla Our Core Values 6 Gifts to Believe in Kelley Faith in the Presence of God 9 National Merit & AP Scholars We call each other into a deeper awareness of our saving relationship with a caring and loving God through Jesus Christ. Let us remember we are in the Holy Presence of God. A Firm Foundation: 10 Celebrating Br. Alfred Concern for the Poor and Social Justice 11 Lasallian Founders Awards We call each other to an awareness to the poor and victims of injustice and respond through community service and advocacy. Enter to Learn, Leave to Serve. 12 Consecutive Years of Giving 15 Trivia Night Respect for All Persons We acknowledge each other’s dignity and identity as children of God. 16 Financial Profile Live Jesus in our hearts... forever. 18 Legacy Society Quality Education 20 Angelo Prassa Golf Tournament We provide an education that prepares students not only for college, career and vocation, but also for life through the Lasallian ideal. Teaching Minds and Touching Hearts. 20 BK Adds 7 Acres 21 Gifts to Athletics Inclusive Community 22 RCIA We are a Catholic community where diverse strengths and limitations are recognized and accepted. The Lasallian Family 22 Miscellaneous Funds 23 GO for Catholic Schools Our Vision Form Disciples | Educate for Life | Leave to Serve Speech and Debate 24 Goes to Nationals Bishop Kelley High School forms disciples of Jesus Christ in the tradition of the Roman Catholic Church. -
6086 AR Cover R1:17.310 MFAH AR 2015-16 Cover.Rd4.Qxd
μ˙ The Museum of Fine Arts, Houston annual report 2015–2016 MFAH BY THE NUMBERS July 1, 2015–June 30, 2016 • 900,595 visits to the Museum, the Lillie and Hugh Roy Tuition Attendance Revenue $3.2 Other Cullen Sculpture Garden, Bayou Bend Collection and $2.1 5% 3% $7.1 Gardens, Rienzi, and the Glassell School of Art 11% Membership Revenue $2.9 • 112,000 visitors and students reached through learning 5% and interpretation programs on-site and off-site FY 2016 • 37,521 youth visitors ages 18 and under received free Operating Operating Revenues Endowment or discounted access to the MFAH Fund-raising (million) Spending $14.2 $34.0 22% 54% • 42,865 schoolchildren and their chaperones received free tours of the MFAH • 1,020 community engagement programs were presented Total Revenues: $63.5 million • 100 community partners citywide collaborated with the MFAH Exhibitions, Curatorial, and Collections $12.5 Auxiliary • 2,282,725 visits recorded at mfah.org 20% Activities $3.2 5% • 119,465 visits recorded at the new online collections Fund-raising $4.9 module 8% • 197,985 people followed the MFAH on Facebook, FY 2016 Education, Instagram, and Twitter Operating Expenses Libraries, (million) and Visitor Engagment $12.7 • 266,580 unique visitors accessed the Documents 21% of 20th-Century Latin American and Latino Art Website, icaadocs.mfah.org Management Buildings and Grounds and General $13.1 and Security $15.6 21% • 69,373 visitors attended Sculpted in Steel: Art Deco 25% Automobiles and Motorcycles, 1929–1940 Total Expenses: $62 million • 26,434 member -
Strategic Development Plan Targets Priorities for CWAEDC Floor Plan
I LETTERS OBITUARIES GENEALOGY CALENDAR NOTICES SPORTS Page 2 Page 4 Page 6 Page 8 Page 10 Page 11 THE TRT-CITY RECORD 35(1: Vol. 107 - No. 15 RED ARROW EDITION OF THE WATERVLIET RECORD. COLOMA COURIER & HARTFORD NEWS April 10, 1991 Coloma-Watervliet task force report Will seat 2,000 Strategic development plan Floor plan okayed targets priorities for CWAEDC for Coloma H.S. gym By Sandy Deyne By Marion Leedy hallway accessible from the east The Coloma-Watervliet Area pand industrial capacity energy calls for the promotion and Basic floor plans for the Coloma side of that building to the lobby of Economic Development Corpora- utilities to potential industrial and enhancement of recreational oppor- Junior/Senior High School physical the new facility. The High School tion has finalized its Coloma commercial sites and to promote tunities of Paw Paw Lake and area education/gymnasium were ac- will also be connected directly to Watervliet Strategic Plan for and expand both rail freight and waters and the exploration of the cepted by the Board of Education of the new facility by a hallway to the Economic Development. passenger service to enhance both public/private use issue on Paw the Coloma school system Monday lobby. By both buildings entering A task force formed by the local industry and tourism. Paw Lake using watershed night. through the lobby, traffic will be CWAEDC has been participating in management guidelines. Additional Lt. Governor Glen Dings The Schematic Plan was pre- limited on the practice floors. this study since last summer. The HOUSING AND COMMUNITY priorities are to establish communi- sented to the Board and approx- The lobby, which will include a group, comprised of individuals SERVICE/DOWNTOWN, ty goals to prevent or alleviate en- imately 25 interested citizens by concession area, ticket booth, from the cities and townships of Col- MAIN STREET vironmental hazards or nuisances, James B. -
Rickey, George CV 08 08 19
Marlborough GEORGE RICKEY 1907— Born in South Bend, Indiana 2002— Died in Saint Paul, Minnesota on July 17, 2002 EDUCATION 1929— BA, Modern History, Balliol College, Oxford, England Académie L’hôte and Académie Moderne, Paris, France (through 1930) 1941— MA, Modern History, Balliol College, Oxford, England 1945— Institute of Fine Arts, New York University, New York, New York (through 1946) 1947— Studied etching under Mauricio Lasansky, University of Iowa, Iowa City, Iowa 1948— Institute of Design, Chicago, Illinois (through 1950) SOLO EXHIBITIONS 2017— George Rickey: Sculpture from the Estate, Marlborough Fine Art, London, United Kingdom 2016— George Rickey: Selected Works from the Estate 1954-2000, Marlborough Gallery, New York, New York 2015— George Rickey: Esculturas, Galeria Marlborough, Barcelona, Spain 2013— George Rickey - Sculpture from the Estate, Marlborough Gallery, New York, New York 2012— George Rickey, Galerie Michael Haas, Berlin, Germany 2011— The Art of a Kinetic Sculptor, Sculpture in the Streets, Albany, New York (through 2012) George RickeyGalerie Michael Haas, Berlin, Germany Marlborough George Rickey Indoor/Outdoor, Maxwell Davidson Gallery, New York, NY 2010— George Rickey: Important Works from the Estate, Marlborough Chelsea, New York, New York 2009— George Rickey: An Evolution, Arts Council, Cultural Development Commission and the City of Indianapolis, Indianapolis, Indiana A Life in Art: Works by George Rickey, Indianapolis Art Center, Indianapolis, Indiana Innovation: George Rickey Kinetic Sculpture, a series -
Hassan Hajjaj
MAISON mep.paris EUROPÉENNE DE LA PHOTOGRAPHIE 11.09 - 17.11.2019 HASSAN HAJJAJ MEP · Dossier de Presse / Press Kit EN COUVERTURE HH01 Hassan Hajjaj Alo Wala De la série « My Rockstars » © Hassan Hajjaj, 2015/1436 Partagez #MMPHassanHajjaj EXPOSITION DOSSIER DE PRESSE EXPOSITION En septembre, Hassan Hajjaj transforme la Maison Européenne de la Photographie en Maison Marocaine de la Photographie. La MEP est heureuse de présenter Mais au delà de l’humour parfois la première rétrospective en France de volontairement kitsch qui s’en dégage, l’artiste Hassan Hajjaj, en lui donnant elles donnent de la force au propos carte blanche pour investir la totalité engagé de l’artiste. Si Hassan Hajjaj de ses espaces. Le grand parcours, qui joue avec l’imagerie des marques, c’est retrace plusieurs années du travail de tout autant pour répondre à la question l’artiste anglo-marocain, présente de d’un « nouveau pop art aujourd’hui », nombreuses séries photographiques, qu’une façon d’exprimer son point de mais également des installations, des vue, décomplexé, sur la société de vidéos, du mobilier et des éléments de consommation et le port du voile. À décoration. Les espaces éducatifs au travers l’appropriation des marques sous-sol de la MEP abritent un studio par les jeunes femmes voilées, l’artiste où les visiteurs peuvent se prendre interroge ainsi la question de politique en photo devant un mur de papier d’identité. peint, cadre symbolique et habituel HH03 des prises de vues de Hassan Hajjaj. Ce mélange entre le fond de Hassan Hajjaj Rilene Enfin, la nouvelle librairie de la MEP son discours et la forme pop qu’il De la série « My Rockstars » © Hassan Hajjaj, 2013/1434 présente une gamme de vêtements et lui donne, se traduit jusque dans les objets décoratifs réalisés par l’artiste. -
06.04.2019–11.08.2019, ZKM Atrium 1+2 Negative Space Trajectories Of
06.04.2019–11.08.2019, ZKM Atrium 1+2 Negative Space Trajectories of Sculpture February 2019 Negative Space The last exhibition, which dealt comprehensively with the question Trajectories of Sculpture “What is modern sculpture?”, took place in 1986 at the Centre Georges Pompidou in Paris under the title »”Qu'est-ce que la sculp- Duration of exhibition ture moderne?”. The exhibition Negative Space at ZKM | Karlsruhe 06.04.–11.08.2019 picks up the spear where the Centre Pompidou dropped it. Location ZKM Atrium 1+2 Since antiquity, the history of Western sculpture has been closely Press preview linked to the idea of the body. Whether carved, modeled or cast, Thur, 04.04.2019, 11 am statues have been designed for centuries as solid monoliths – as Opening Fri, 05.04.2019, 7 pm., ZKM Foyer substantial and self-contained entities, as more or less powerful and weighty positive formations in space. Our expectations con- Press contact cerning modern or contemporary sculpture are still essentially driv- Regina Hock en by the concept of body sculpture, which is formally based on Press officer Tel: 0721 / 8100 – 1821 the three essential categories of mass, unbroken volume, and grav- ity. Whether body-related like Auguste Rodin's or abstract like E-Mail: [email protected] www.zkm.de/presse Richard Serra's, sculpture is still and foremost mass, volume, and gravity. ZKM | Center for Art and Media Karlsruhe Lorenzstraße 19 76135 Karlsruhe The exhibition Negative Space endeavors to change the dominat- ing view of modern and contemporary sculpture by telling a differ- Founders of the ZKM ent story. -
Visit-Milwaukee-Map-2018.Pdf
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2011 Forum Brochure
The Jeffrey Rubinoff Sculpture Park 2011 Yale University Forum on Art, War and Science in the 20th Century Co-chaired by sculptor Jeffrey Rubinoff and Dr. Jay Winter | May 19-23rd 2011 on Hornby Island, BC, Canada ABOUT THE JEFFREY RUBINOFF SCULPTURE PaRK The Jeffrey Rubinoff Sculpture Park is the culmination of over 35 years of effort by sculptor Jeffrey Rubinoff. In addition to creating over 90 pieces of sculpture, Rubinoff carried out sig- nificant landscaping projects to reshape the land to compliment the sculpture. Over the years, the sculptures were sited and photographed by Rubinoff with careful attention to how they work in counterpoint to the natural environ- ment of the park, as well as each other. In 2004 The Jeffrey Rubinoff Sculpture Park was officially established, “…to advance education in the arts by preserving the sculpture collection created by Jeffrey Rubinoff and making it available for the enjoyment and education of art students and the general public.” “Art is an act of will in accord with a mature conscience” – J EFFREY R UBINOFF Over the next several years, the institutional foundations of the park were formed including the construction of a multi-purpose building for educational and interpretive activities, annual forums, and music events. In May of 2008, the park was formally opened to the public with an inaugu- ral Forum, also beginning a series of dialogues called The Company of Ideas. These annual dialogues between artists and non-artists have explored ques- tions arising from the insights evolved with and from Rubinoff’s work. These forums are relevant to Rubinoff’s work as he perceives a purpose of his work is: “to extend the ancient narrative of art and consequently rekindle the historical spirit of modernism. -
Annual Report 2018
ANNUAL REPORT 2018 A highlight from 2018: sculpture network visited the Guggenheim Museum in Bilbao. In the fore- ground: Louise Bourgeois‘ monumental spider sculpture “Maman” (1999) Photo: Timian Hopf Sculpt the world! // 3 // SCULPT THE WORLD! Sculpture can move a lot - this was the conviction of the founders of sculpture network in 2004 and this conviction has remained with the association. From the beginning, our aim was to bring the components of the sculpture scene in contact with each other: artists, art lovers, museums, galleries, curators, service providers, and all others who have an interest in sculpture. sculpture network is increasingly dedicated to art education. Sti- mulating public interest in three-dimensional art is one thing, but another is conveying its meaning. Sculpture can be thought-provoking and critical, it can inspire discussion or reflection, but above all- it can inspire people to adopt different perspectives. sculpture network has made its task to convey this wonderful concept. We are pleased to have achieved our goal again in 2018: more than 6000 people in almost 100 countries attended sculpture network events. We established the new Sculpture Net- work Lab and inspired numerous art lovers with popular programs such as the Dialogues and Art Trips (this time they took place in Berlin and the Basque Country). In 2018, our focus was on the relationship between three-dimensional art and architecture. Architec- ture, it seems, is becoming increasingly sculptural. One might think of Frank Gehry. Art creates architectural spaces which can be found for example in the legendary Fat House by the Austrian Erwin Wurm. -
Kronika 2009- Találkozó 2008
A XLIX. és L. MAGYAR TALÁLKOZÓ KRÓNIKÁJA AZ ÁRPÁD AKADÉMIA XLIV és XLV. ÉVKÖNYVE PROCEEDINGS of the XLIXth (49th) ANNUAL CONGRESS (November 27-29, 2009) and Lth (50th) ANNUAL CONGRESS (November 26-28, 2010) of the Hungarian Scientific, Literary and Artistic Association PAPERS PRESENTED by Hungarian Scientists, Writers and Artists in the Western World EDITED by Lél F. Somogyi Árpád Publishing Company Cleveland, Ohio 2011 A XLIX. és L. MAGYAR TALÁLKOZÓK (2009. november 27-29. és 2010. november 26-28.) KRÓNIKÁJA Szerkesztette: Somogyi F. Lél Árpád Könyvkiadó Vállalat Cleveland, Ohio 2011 Copyright © 2011 by Árpád Publishing Company A közlemények — előadások és felszólalások — tartalmáért szerzőik felelősek! Az elhangzott és beküldött előadásokért szerzőik felelősek. A képek felvételeinek készítőit zárójelben közöljük. Kéz- iratokat és képeket nem küldünk vissza! Minden jogot fenntartunk! Copyright © 2011 by Árpád Publishing Company. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without prior written permission from the publisher except in the case of brief quotations embodied in critical articles and reviews. The views expressed in the articles are those of the authors. For additional information and our archives, visit our website at: www.hungarianassociation.com. Publisher: Árpád Publishing, c/o 6061 Pearl Rd., Cleveland, Ohio 44130 Typographer: Mrs. Ferenc (Sarolta) Somogyi Book preparation and website: Lél F. Somogyi Library of Congress Catalog Card Number: 98-68352 ISBN 0-934214-32-8 Printed in the United States of America. ÁTTEKINTÉS Előszó I. A Magyar Kongresszus megnyitása II. Áttekintés a Magyar Kongresszusról III. Díszvacsora és a magyar bál IV. Beküldött előadások V. -
The State of the Arts in the Middle East
Viewpoints Special Edition The State of the Arts in the Middle East The Middle East Institute Washington, DC Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints are another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US rela- tions with the region. To learn more about the Middle East Institute, visit our website at http://www.mei.edu Cover photos are credited, where necessary, in the body of the collection. 2 The Middle East Institute Viewpoints: The State of the Arts in the Middle East • www.mei.edu Viewpoints Special Edition The State of the Arts in the Middle East The Middle East Institute Viewpoints: The State of the Arts in the Middle East • www.mei.edu 3 Also in this series..