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Parsifal and Canada: a Documentary Study
Parsifal and Canada: A Documentary Study The Canadian Opera Company is preparing to stage Parsifal in Toronto for the first time in 115 years; seven performances are planned for the Four Seasons Centre for the Performing Arts from September 25 to October 18, 2020. Restrictions on public gatherings imposed as a result of the Covid-19 pandemic have placed the production in jeopardy. Wagnerians have so far suffered the cancellation of the COC’s Flying Dutchman, Chicago Lyric Opera’s Ring cycle and the entire Bayreuth Festival for 2020. It will be a hard blow if the COC Parsifal follows in the footsteps of a projected performance of Parsifal in Montreal over 100 years ago. Quinlan Opera Company from England, which mounted a series of 20 operas in Montreal in the spring of 1914 (including a complete Ring cycle), announced plans to return in the fall of 1914 for another feast of opera, including Parsifal. But World War One intervened, the Parsifal production was cancelled, and the Quinlan company went out of business. Let us hope that history does not repeat itself.1 While we await news of whether the COC production will be mounted, it is an opportune time to reflect on Parsifal and its various resonances in Canadian music history. This article will consider three aspects of Parsifal and Canada: 1) a performance history, including both excerpts and complete presentations; 2) remarks on some Canadian singers who have sung Parsifal roles; and 3) Canadian scholarship on Parsifal. NB: The indication [DS] refers the reader to sources that are reproduced in the documentation portfolio that accompanies this article. -
La Favorite Opéra De Gaetano Donizetti
La Favorite opéra de Gaetano Donizetti NOUVELLE PRODUCTION 7, 9, 12, 14, 19 février 2013 19h30 17 février 2013 17h Paolo Arrivabeni direction Valérie Nègre mise en scène Andrea Blum scénographie Guillaume Poix dramaturgie Aurore Popineau costumes Alejandro Leroux lumières Sophie Tellier choréraphie Théâtre des Champs-Elysées Alice Coote, Celso Albelo, Ludovic Tézier, Service de presse Carlo Colombara, Loïc Félix, Judith Gauthier tél. 01 49 52 50 70 [email protected] Orchestre National de France Chœur de Radio France theatrechampselysees.fr Chœur du Théâtre des Champs-Elysées Coproduction Théâtre des Champs-Elysées / Radio France La Caisse des Dépôts soutient l’ensemble de la Réservations programmation du Théâtre des Champs-Elysées T. 01 49 52 50 50 theatrechampselysees.fr 5 Depuis quelques saisons, le bel canto La Favorite et tout particulièrement Donizetti ont naturellement trouvé leur place au Gaetano Donizetti Théâtre puisque pas moins de quatre des opéras du compositeur originaire Opéra en quatre actes (1840, version française) de Bergame ont été récemment Livret d’Alphonse Royer et Gustave Vaëz, d’après Les Amours malheureuses présentés : la trilogie qu’il a consacré ou Le Comte de Comminges de François-Thomas-Marie de Baculard d’Arnaud aux Reines de la cour Tudor (Maria Stuarda, Roberto Devereux et Anna Bolena) donnée en version de direction musicale Paolo Arrivabeni concert et, la saison dernière, Don Valérie Nègre mise en scène Pasquale dans une mise en scène de Andrea Blum scénographie Denis Podalydès. Guillaume Poix dramaturgie Aurore Popineau costumes Compositeur prolifique, héritier de Rossini et précurseur de Verdi, Alejandro Le Roux lumières Donizetti appartient à cette lignée de chorégraphie Sophie Tellier musiciens italiens qui triomphèrent dans leur pays avant de conquérir Paris. -
Mother Goose
2017 2018 SEASON Stéphane Denève, conductor Friday, February 2, 2018 at 10:30AM Christina and Michelle Naughton, pianos Saturday, February 3, 2018 at 8:00PM RAVEL Ma mère l’oye (Mother Goose) Suite (1911) (1875–1937) Pavane de la Belle au bois dormant (Pavane of the Sleeping Beauty) Petit Poucet (Tom Thumb) Laideronnette, Impératrice des pagodes (Laideronnette, Empress of the Pagodas) Les Entretiens de la Belle et de la Bête (Conversations of Beauty and the Beast) Le Jardin féerique (The Enchanted Garden) POULENC Concerto in D minor for Two Pianos and Orchestra (1932) (1899–1963) Allegro ma non troppo Larghetto Finale: Allegro molto Christina and Michelle Naughton, pianos INTERMISSION GUILLAUME CONNESSON Flammenschrift (2012) (b. 1970) RAVEL Valses nobles et sentimentales (1911) Modéré – Assez lent – Modéré – Assez animé – Presque len – Assez vif – Moins vif – Épilogue: lent NO PAUSE RAVEL La Valse (1920) 23 ACKNOWLEDGMENTS The 2017/2018 Classical Series is presented by World Wide Technology, The Steward Family Foundation, and Centene Charitable Foundation. These concerts are presented by FleishmanHillard. These concerts are sponsored by Steinway Piano Gallery. Stéphane Denève is the Felix and Eleanor Slatkin Guest Conductor. Christina and Michelle Naughton are the Bruce Anderson Memorial Fund Guest Artists. The concert of Friday, February 2 is underwritten in part by a generous gift from Cynthia and Bill Durham. The concert of Saturday, February 3 is underwritten in part by a generous gift from Dr. Cora E. Musial. Pre-Concert Conversations are sponsored by Washington University Physicians. 24 GALLIC LIGHTNESS BY RENÉ SPENCER SALLER TIMELINKS “You will find sobriety and sadness in French music just as in German or Russian,” Francis Poulenc observed in 1950. -
General Services Administration
Barbara J. Coleman Oral History Interview – JFK#1, 01/19/1968 Administrative Information Creator: Barbara J. Coleman Interviewer: John F. Stewart Date of Interview: January 19, 1968 Place of Interview: Washington D.C. Length: 31 pages Biographical Note Coleman was a journalist, a White House press aide (1961-1962), a member of Robert Kennedy’s Senate staff, and presidential campaign aide (1968). In this interview she discusses Pierre Salinger’s press operations during the 1960 primaries and the presidential campaign, the Democratic National Convention, and Salinger’s relationship with the Kennedy administration, among other issues. Access Open. Usage Restrictions According to the deed of gift signed June 29, 1973, copyright of these materials has been assigned to the United States Government. Users of these materials are advised to determine the copyright status of any document from which they wish to publish. Copyright The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excesses of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
The Digital Concert Hall
Welcome to the Digital Concert Hall he time has finally come! Four years have Emmanuelle Haïm, the singers Marlis Petersen passed since the Berliner Philharmoniker – the orchestra’s Artist in Residence – Diana T elected Kirill Petrenko as their future chief Damrau, Elīna Garanča, Anja Kampe and Julia conductor. Since then, the orchestra and con- Lezhneva, plus the instrumentalists Isabelle ductor have given many exciting concerts, fuel- Faust, Janine Jansen, Alice Sara Ott and Anna ling anticipation of a new beginning. “Strauss Vinnitskaya. Yet another focus should be like this you encounter once in a decade – if mentioned: the extraordinary opportunities to you’re lucky,” as the London Times wrote about hear members of the Berliner Philharmoniker their Don Juan together. as protagonists in solo concertos. With the 2019/2020 season, the partnership We invite you to accompany the Berliner officially starts. It is a spectacular opening with Philharmoniker as they enter the Petrenko era. Beethoven’s Ninth Symphony, whose over- Look forward to getting to know the orchestra whelmingly joyful finale is perfect for the festive again, with fresh inspiration and new per- occasion. Just one day later, the work can be spectives, and in concerts full of energy and heard once again at an open-air concert in vibrancy. front of the Brandenburg Gate, to welcome the people of Berlin. Further highlights with Kirill Petrenko follow: the New Year’s Eve concert, www.digital-concert-hall.com featuring works by Gershwin and Bernstein, a concert together with Daniel Barenboim as the soloist, Mahler’s Sixth Symphony, Beethoven’s Fidelio at the Baden-Baden Easter Festival and in Berlin, and – for the European concert – the first appearance by the Berliner Philharmoniker in Israel for 26 years. -
Daniele Gatti Dirige L’Orchestra Del Teatro Dell’Opera Di Roma
VENERDÌ 19 MARZO ORE 20.00 OPERA AL MAXXI DANIELE GATTI DIRIGE L’ORCHESTRA DEL TEATRO DELL’OPERA DI ROMA IGOR’ STRAVINSKIJ CONCERTO DELL’ORCHESTRA DEL TEATRO DELL’OPERA DI ROMA IN STREAMING DAL MAXXI Concerto in mi bemolle “Dumbarton Oaks” Danses concertantes Suite n. 1 e n. 2 per piccola orchestra Daniele Gatti Diplomato in composizione e direzione d’orche- stra al Conservatorio Verdi di Milano, è Direttore Musicale dell’Opera di Roma e dell’Orchestra Mo- zart, consulente artistico della Mahler Chamber Orchestra. È stato Direttore principale della Royal Concertge- bouw Orchestra e ha ricoperto ruoli di prestigio per Accademia Nazionale di Santa Cecilia, Royal Philharmonic Orchestra, Orchestre national de France, Royal Opera House di Londra, Comunale di Bologna, Opernhaus Zürich. Berliner e Wiener Philharmoniker, Symphonieorchester des Bayeri- schen Rundfunks e Filarmonica della Scala sono alcune delle istituzioni con cui collabora. Dirige le nuove produzioni di Falstaffcon la regia di Carsen (Londra, Milano, Amsterdam), Parsifal con la regia di Herheim (apertura Bayreuth Festival 2008) e di Girard (Metropolitan Opera), Elektra, La bohème, Die Meistersinger von Nurnberg, Il trovatore (Sali- sburgo); alla Scala le inaugurazioni con La traviata (2013) e Don Carlo (2008), Lohengrin, Lulu, Die Meistersinger von Nürnberg, Falstaff e Wozzeck; Pelléas et Mélisande al Maggio Fiorentino, Tristan und Isolde al Théâtre des Champs-Élysées e a Roma (apertura 2016/17). Nel 2016 iniziano i concerti “RCO meets Europe” con “Side by Side”, progetto per musicisti di orchestre gio- vanili. Nel 2017/18 dirige la RCO in Salome ad Amsterdam e in con- certo in Europa, Corea del Sud, Giappone, Carnegie Hall, i Berliner Philharmoniker alla Philharmonie di Berlino, Orchestra e Coro della Scala, La damnation de Faust a Roma, l’MCO in tournée, l’Orchestra dell’Accademia Nazionale di Santa Cecilia, la BRSO, Filarmonica della Scala e Philharmonia Orchestra di Londra. -
Post-Gazette 4-24-09.Pmd
VOL. 113 - NO. 17 BOSTON, MASSACHUSETTS, APRIL 24, 2009 $.30 A COPY Boston Takes Part in Boston Mayor Thomas Menino Seeks Re-election On Wednesday, April 22, Menino seeks to earn a fifth TEA PARTY REVOLUTION 2009, Mayor of Boston term as Mayor of Boston. Thomas Menino officially Earning the reputation of announced his candidacy an “urban mechanic” he for Mayor of Boston. Mayor stressed his belief that gov- Menino joins Michael F. ernment is about helping Flaherty, Sam Yoon and people. Menino’s campaign South End businessman motto is “Moving Boston Kevin McCrea in the may- Forward.” oral race. Announcing his For further information, candidacy after serving six- vist the Mayor’s website at teen years in office, Mayor www.MayorMenino.com. Paul Revere Rides into History On April 20, 2009, Patriot’s Day in Boston is also known as Marathon Monday, but for many it is a tradition of the rides of Paul Revere and Wil- liam Dawes that has been re- enacted for the 232nd time. The parade begam at Boston City Hall and marched through the streets of the North End. A ceremony was Former North Enders and current Stoneham residents held on Hanover Street in Ricky Colarusso with his mother Caroline Colarusso took front of St. Stephen’s Church. part in the Boston “Tea Party” protests at Christopher Mayor Thomas Menino Columbus Park in Boston’s North End. kicked off the ride by hand- ing over the scroll to “Paul Tax Day brought many pro- enough already” and threw Revere” who then rode tests around the country. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Bruckner Symphony Cycles (Not Commercially Available As Recordings) Compiled by John F
Bruckner Symphony Cycles (not commercially available as recordings) Compiled by John F. Berky – June 3, 2020 (Updated May 20, 2021) 1910 /11 – Ferdinand Löwe – Wiener Konzertverein Orchester 1] 25.10.10 - Ferdinand Loewe 1] 24.01.11 - Ferdinand Loewe (Graz) 2] 02.11.10 - Martin Spoerr 2] 20.11.10 - Martin Spoerr 2] 29.04.11 - Martin Spoerr (Bamberg) 3] 25.11.10 - Ferdinand Loewe 3] 26.11.10 - Ferdinand Loewe 3] 08.01.11 - Gustav Gutheil 3] 26.01.11- Ferdinand Loewe (Zagreb) 3] 17.04.11 - Ferdinand Loewe (Budapest) 4] 07.01.11 - Hans Maria Wallner 4] 12.02.11 - Martin Spoerr 4] 18.02.11 - Hans Maria Wellner 4] 26.02.11 - Hans Maria Wallner 4] 02.03.11 - Hans Maria Wallner 4] 23.04.11 - Franz Schalk 5] 05.02.11 - Ferdinand Loewe 6] 21.02.11 - Ferdinand Loewe 7] 03.03.11 - Ferdinand Loewe 7] 17.03.11 - Ferdinand Loewe 7] 02.04.11 - Ferdinand Loewe 8] 23.02.11 - Oskar Nedbal 8] 12.03.11 - Ferdinand Loewe 9] 24.03.11 - Ferdinand Loewe 1910/11 – Ferdinand Löwe – Munich Philharmonic 1] 17.10.10 - Ferdinand Loewe 2] 14.11.10 - Ferdinand Loewe 3] 21.11.10 - Ferdinand Loewe (Fassung 1890) 4] 09.01.11 - Ferdinand Loewe (Fassung 1889) 5] 30.01.11 - Ferdinand Loewe 6] 13.02.11 - Ferdinand Loewe 7] 27.02.11 - Ferdinand Loewe 8] 06.03.11 - Ferdinand Loewe (with Psalm 150 -Charles Cahier) 9] 10.04.11 - Ferdinand Loewe (with Te Deum) 1919/20 – Arthur Nikisch – Leipzig Gewandhaus Orchestra 1] 09.10.19 - Artur Nikisch (1. -
Boston Symphony Orchestra Concert Programs, Season 121, 2001-2002
Bring your Steinway: With floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill. LONGYEAK at ^Jrisner Jiill BROOKLINE SOTHEBY'S IIIIIHillll» prophritesinc. International Realty REAL ESTAT Somethingfor any occasion.. r v.- rmffl&^*-%%& mi ^H :*-rff^„iS^ cw :' ;:-: <*HH"WCSkV ^H .1 *nt* M I l^B I 5*£$3&i BSS*8? ;' ?"^0-4> ..Vi f? i r^A*i J>- ! ; ^m^i $ DAVIE^yCOMPANY Sellers & Collectors of Beautiful Jewelry 232 Boylston Street, Chestnut Hill, MA 02467 617-969-6262 (Tel) 1-800-DAVIDCO 617-969-3434 (Fax) www.davidandcompany.com - . Every car has its moment. This one has thousands per second. f -»< H !,*•.'•". The new 3 Series. Pure drive, The New BMW 3 Series From $27,745* Test drive The Ultimate Driving Machine® bmwusa.com The Ultimate 1-800-334-4BI Driving Machine* at your authorized BMW center Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twenty-first Season, 2001-02 SALUTING SEUI OZAWA IN HIS FAREWELL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Deborah Davis Berman, Vice-Chairman Vincent M. -
CONSERVATORY LAB CHARTER SCHOOL Annual Report 2007
CONSERVATORY LAB CHARTER SCHOOL Annual Report 2007 “Making Minds Sing” a public school for learning through music Table of Contents From the Chair of the Board.............................................Error! Bookmark not defined. Executive Summary ........................................................................................................ 4 Learning Through Music...................................................Error! Bookmark not defined. Assessment and Accountability....................................................................................... 6 Accountability Plan ................................................................................................................................7 Partnerships ........................................................................................................................................... 13 Staff and Student Data ....................................................................................................................... 14 Promotion Policy................................................................................................................................... 14 Applications and Lottery................................................................................................ 17 Finances........................................................................................................................18 Board of Trustees......................................................................................................... -
Biography Daniele Gatti
Biography Daniele Gatti Daniele Gatti graduated as a composer and orchestra conductor the Royal Concertgebouw Orchestra in Europe, South Korea, at the Conservatorio Giuseppe Verdi in Milan. He is Music Director Japan, and at the Carnegie Hall in New York, all being side events of the Teatro dell'Opera di Roma and he holds the same position to Amsterdam’s traditional season. Other engagements at the Orchestra Mozart. He is also Artistic Advisor of the Mahler included the opening of the new season of the Teatro dell’Opera Chamber Orchestra (MCO). di Roma with La Damnation de Faust, a tour with the Mahler He was Chief Conductor of the Royal Concertgebouw Orchestra Chamber Orchestra, and several more performances with the (RCO) in Amsterdam and he previously held prestigious roles at Accademia Nazionale di Santa Cecilia in Rome, the Symphonieor- important musical institutions like the Accademia Nazionale di chester des Bayerischen Rundfunks in Munich, and the Philhar- Santa Cecilia, the Royal Philharmonic Orchestra, the Orchestre monia Orchestra in London. At the end of 2018 he conducted National de France, the Royal Opera House of London, the Teatro Rigoletto for the season opening of the Teatro dell'Opera di Comunale di Bologna, and Zurich’s Opernhaus. Roma. The Berliner Philharmoniker, the Wiener Philharmoniker, the His 2019 appointments were: concerts on the podium of the Symphonieorchester des Bayerischen Rundfunks, and the Orche- Orchestra dell'Accademia Nazionale di Santa Cecilia, the Filarmo- stra Filarmonica della Scala are just a few of the renowned nica della Scala, the Orchestra del Maggio Musicale Fiorentino, symphonic institutions he works with.