“Catholic,” See 1838. ** on “Protestant,” See 1529
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William Tyndale
204 WILLIAM TYNDALE, I have now set before you God's command and promise. His command is plain and peremptory: "Come out from among them." Will you disobey it? His promise is per suasive and precious: "I will be a Father unto you." Will you disbelieve it? Do not confer with flesh and blood. Do not delay your decision. Act now. "vVherefore as the Holy Ghost saith: To-day if ye will hear His voice, harden not your hearts.'' C. F. DREWES. WILLIAM TYNDALE, THE TRANSLATOR OF THE ENGLISH DIBLE. (Concluded.) Tyndale's Death in Holland. King Henry sent Sir Thomas Elyot to the Continent to drag Tyndale to England, and for a time the Reformer / wandered about in Germany to elude his pursuers, but later he again settled in Antwerp. In 1534 he reissued the Pen tateuch and the revised second edition of the New Testa ment-"Tyndale's noblest monument." The prologues and glosses "have to a considerable extent been translated from the German of Luther." In 1535 Tyndale prepared yet another edition of the New Testament, with headings to chapters of the Gospels and the Acts, but without the marginal notes. It was a crime in any Englishman to sell, buy, or read a copy of the New Testament in his native tongue. A change was coming. Richard Herman, a mer chant adventurer of Antwerp, was imprisoned for his ''help to the setting forth of the New Tes tam en t in English.'' He appealed to Anne Boleyn, now Queen of Henry VIII, and in a letter to Thomas Cromwell she requested the release of the prisoner. -
A Body Politic to Govern: the Political Humanism of Elizabeth I
A Body Politic to Govern A Body Politic to Govern: The Political Humanism of Elizabeth I By Ted Booth A Body Politic to Govern: The Political Humanism of Elizabeth I, by Ted Booth This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Ted Booth All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4409-8, ISBN (13): 978-1-4438-4409-3 To my loving wife Kristen who has supported me through all of this and to my two joys Eliza and Daisy. All I do is for you three. TABLE OF CONTENTS Abbreviations ............................................................................................. ix Acknowledgements .................................................................................... xi Introduction ................................................................................................. 1 Italian and English humanism Elizabeth and gender Gender the body politic Sources and methods Chapter One............................................................................................... 19 The Humanism of the Young Elizabeth Elizabeth’s juvenilia under Henry VIII Elizabeth’s works under Edward VI A switch -
The Opening of the Atlantic World: England's
THE OPENING OF THE ATLANTIC WORLD: ENGLAND’S TRANSATLANTIC INTERESTS DURING THE REIGN OF HENRY VIII By LYDIA TOWNS DISSERTATION Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy at The University of Texas at Arlington May, 2019 Arlington, Texas Supervising Committee: Imre Demhardt, Supervising Professor John Garrigus Kathryne Beebe Alan Gallay ABSTRACT THE OPENING OF THE ATLANTIC WORLD: ENGLAND’S TRANSATLANTIC INTERESTS DURING THE REIGN OF HENRY VIII Lydia Towns, Ph.D. The University of Texas at Arlington, 2019 Supervising Professor: Imre Demhardt This dissertation explores the birth of the English Atlantic by looking at English activities and discussions of the Atlantic world from roughly 1481-1560. Rather than being disinterested in exploration during the reign of Henry VIII, this dissertation proves that the English were aware of what was happening in the Atlantic world through the transnational flow of information, imagined the potentials of the New World for both trade and colonization, and actively participated in the opening of transatlantic trade through transnational networks. To do this, the entirety of the Atlantic, all four continents, are considered and the English activity there analyzed. This dissertation uses a variety of methods, examining cartographic and literary interpretations and representations of the New World, familial ties, merchant networks, voyages of exploration and political and diplomatic material to explore my subject across the social strata of England, giving equal weight to common merchants’ and scholars’ perceptions of the Atlantic as I do to Henry VIII’s court. Through these varied methods, this dissertation proves that the creation of the British Atlantic was not state sponsored, like the Spanish Atlantic, but a transnational space inhabited and expanded by merchants, adventurers and the scholars who created imagined spaces for the English. -
'[A] Litle Treatyse in Prynte and Euen in the English Tongue': Appeals to The
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2010 ‘[A] litle treatyse in prynte and euen in the english tongue’: Appeals to the Public during the Early Years of the English Reformation Bradley C. Pardue University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Intellectual History Commons Recommended Citation Pardue, Bradley C., "‘[A] litle treatyse in prynte and euen in the english tongue’: Appeals to the Public during the Early Years of the English Reformation. " PhD diss., University of Tennessee, 2010. https://trace.tennessee.edu/utk_graddiss/733 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Bradley C. Pardue entitled "‘[A] litle treatyse in prynte and euen in the english tongue’: Appeals to the Public during the Early Years of the English Reformation." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in History. Robert J Bast, Major Professor We have read this dissertation and recommend its acceptance: Thomas Burman, Palmira Brummett, Heather Hirschfeld Accepted for the Council: Carolyn R. -
Galloping Onto the Throne: Queen Elizabeth I and the Symbolism of the Horse
Heidegger 1 Galloping onto the Throne: Queen Elizabeth I and the Symbolism of the Horse University of California, San Diego, Department of History, Undergraduate Honors Thesis By: Hannah von Heidegger Advisor: Ulrike Strasser, Ph.D. April 2019 Heidegger 2 Introduction As she prepared for the impending attack of the Spanish Armada, Queen Elizabeth I of England purportedly proclaimed proudly while on horseback to her troops, “I know I have the body but of a weak and feeble woman; but I have the heart and stomach of a king, and of a king of England too.”1 This line superbly captures the two identities that Elizabeth had to balance as a queen in the early modern period: the limitations imposed by her sex and her position as the leader of England. Viewed through the lens of stereotypical gender expectations in the early modern period, these two roles appear incompatible. Yet, Elizabeth I successfully managed the unique path of a female monarch with no male counterpart. Elizabeth was Queen of England from the 17th of November 1558, when her half-sister Queen Mary passed away, until her own death from sickness on March 24th, 1603, making her one of England’s longest reigning monarchs. She deliberately avoided several marriages, including high-profile unions with Philip II of Spain, King Eric of Sweden, and the Archduke Charles of Austria. Elizabeth’s position in her early years as ruler was uncertain due to several factors: a strong backlash to the rise of female rulers at the time; her cousin Mary Queen of Scots’ Catholic hereditary claim; and her being labeled a bastard by her father, Henry VIII. -
The Grove. Working Papers on English Studies 27 (2020): 71-82. DOI: 10.17561/Grove.V27.A5
The Grove. Working Papers on English Studies 27 (2020): 71-82. DOI: 10.17561/grove.v27.a5 CHARLES V’S ‘ENCOMIUM MORI’AS REPORTED BY AMBASSADOR ELYOT1 EL ELOGIO DE CARLOS V A MORO SEGÚN EL EMBAJADOR ELYOT Eugenio Manuel Olivares Merino Universidad de Jaén [email protected] Abstract William Roper is the author of the first and most influential biography of Sir Thomas More, his father-in-law, finished in 1557. As stated in this source, shortly after More’s execution for high treason at the Tower of London (1535), the Emperor Charles V met Thomas Elyot then serving as ambassador at the imperial court. The content of this meeting was later on disclosed by Elyot himself to some members of More’s closest circle, among them Roper himself, whose testimony has remained the ultimate source of the episode. As soon as Charles had come to know about More’s execution, he communicated the news to Elyot and shared with him his admiration for the ex-Chancellor. Several scholars, however, have questioned the reliability of Roper’s memory in the light of historical evidence for Elyot’s whereabouts at the time of More’s death. This paper revises the main stances in the discussion of this episode, and brings into consideration other issues that might cast some light, not only on the details of this story, but also on the relationship between these two Thomases (More and Elyot) and Charles, the most powerful ruler in Europe at the time. Keywords: Thomas More; Thomas Elyot; Charles V; the King’s Matter. -
Sir Thomas More (1478-1535)
The following text was originally published in Prospects: the quarterly review of comparative education (Paris, UNESCO: International Bureau of Education), vol. XXIV, no. 1/2, 1994, p. 185–202 ©UNESCO:International Bureau of Education, 2000 This document may be reproduced free of charge as long as acknowledgement is made of the source SIR THOMAS MORE (1478-1535) Keith Watson1 Sir Thomas More, or more accurately Saint Thomas More, since he was beatified by the Roman Catholic Church in 1886 and canonized as a saint in 1935, has been variously described as ‘the most attractive figure of the early sixteenth century’,2 ‘the voice of conscience’ of the early English Reformation3 and ‘one of the three greatest figures of the English Renaissance’.4 He was a scholar, lawyer, theologian, statesman and eventual martyr, whose influence was less on the development of the Reformation in England as upon creating a particular genre of futuristic and idealistic writing about society. His most famous book, Utopia, has come to be accepted as an everyday term in the English language and ‘utopian’ is often used to refer to an idea or concept that is idealistic and highly desirable, but which at the same time is completely impracticable and unrealistic. In terms of political science, both liberals and socialists lay claim to Thomas More as a founder of some of their ideas. There has even been a room in the Kremlin devoted to Thomas More because of his apparent espousal of communism as a political ideal.5 He was born into a period of intense political and social turmoil in English history as the House of York was overthrown by Henry Tudor in 1485 and as a new, ruthless dynasty was established, a dynasty that was to have a profound influence not only on the future shape of Church/State relations, and consequently on the development of parliamentary democracy in England and Wales, but above all on the future development of the Reformation in England. -
Redating Pericles: a Re-Examination of Shakespeare’S
REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY A THESIS IN Theatre Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by Michelle Elaine Stelting University of Missouri Kansas City December 2015 © 2015 MICHELLE ELAINE STELTING ALL RIGHTS RESERVED REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY Michelle Elaine Stelting, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2015 ABSTRACT Pericles's apparent inferiority to Shakespeare’s mature works raises many questions for scholars. Was Shakespeare collaborating with an inferior playwright or playwrights? Did he allow so many corrupt printed versions of his works after 1604 out of indifference? Re-dating Pericles from the Jacobean to the Elizabethan era answers these questions and reveals previously unexamined connections between topical references in Pericles and events and personalities in the court of Elizabeth I: John Dee, Philip Sidney, Edward de Vere, and many others. The tournament impresas, alchemical symbolism of the story, and its lunar and astronomical imagery suggest Pericles was written long before 1608. Finally, Shakespeare’s focus on father-daughter relationships, and the importance of Marina, the daughter, as the heroine of the story, point to Pericles as written for a young girl. This thesis uses topical references, Shakespeare’s anachronisms, Shakespeare’s sources, stylometry and textual analysis, as well as Henslowe’s diary, the Stationers' Register, and other contemporary documentary evidence to determine whether there may have been versions of Pericles circulating before the accepted date of 1608. -
DIANNE MITCHELL the Absent Lady and the Renaissance Lyric As
DIANNE MITCHELL The Absent Lady and the Renaissance Lyric as Letter1 In a widely copied poem from the early seventeenth century, a woman’s encounter with poetic mail is imagined in terms of foreplay. “Fly paper kiss those Hands,” the male sender urges his verse, “Whence I am barrd of late / She quickly will vnloose thy bands / O wish mee then thy state” (1- 4).2 Rejecting the metaphorical bands of love in favor of the paper or silk bands sometimes employed by correspondents to secure mail in early modern England, the poet likens his reader’s unfolding of her mail to a pair of lovers’ heated fumbling with one another’s clothing. Denuded, the posted poem is subsequently kissed, fondled, and granted access to private zones such as “her Brest” (28) (the traditional location for storing love letters). “Fly paper” stands out for its erotic frankness. Yet, the conceit that routine habits of receiving, holding, and storing correspondence might facilitate intimate contact between a poem’s sender and its female reader is ubiquitous in English Renaissance lyric. Most familiar, perhaps, is its manifestation in the amorous sonnets of the 1590s, poems whose presentation as “invitations to love issued within a manuscript system of exchange” is bound up with their capacity for bodily surrogacy.3 It is no accident that William Percy refers to the poetic “writs” he sends his mistress as “liuelie patterns” (copies or models) of his “liuelesse” form (1-2), nor that, in a poem “To his absent Diana,” Henry Constable describes the inky letters of his posted sonnets as “black teares” (12).4 The famous opening sonnet of Edmund Spenser’s Amoretti, which deliberately blurs the boundary between “happy leaues” (1) and abject sender, epitomizes these deeply embodied fantasies of textual reception.5 As the lady “handle[s]” (3) or meets with papers that both emerge from and stand in for the poet’s anxiously desiring body, her touch is portrayed as enacting the erotic contact he seeks.6 This essay, however, is not about these imagined scenes of reception. -
Culpeper/Culpepper/Colepepper
COLEPEPER/CULPEPER/CULPEPPER HISTORY AND ANCESTRAL CONNECTIONS (and the beginning of the Culpepper lines in America via Virginia and including the Culpepper lineage of Lady Diana Frances Spencer.) ******** ******** CULPEPER LINEAGE (compiled by Warren Culpepper and Lew Griffin; edited and additional material by Barbara Lee Rowe) This lineage chart covers the ancestral heritage down to the family of Barbara Lee Rowe) John de Colepeper b. ca. 1140, Bay Hall, Pembury, Kent, England Sir Thomas de Colepeper the Recognitor b. ca. 1170 was Recognitor of the Grand Assize. The Grand Assize was a judicial proceeding or inquiry, and the Recognitors, who were summoned on such a tribunal, were the jurors. Their function was to investigate all cases involving questions of right. As Recognitors were probably neighbors of the disputing parties, they were bound to "recognize" and speak the truth concerning the matter at issue.1 John Colepeper b. ca. 1200, son of Sir Thomas de Colepeper. Sir Thomas Colepeper of Brenchley and Bayhall b. ca. 1230, son of John Colepeper. If the pedigrees are correct then this Sir Thomas, of Bayhall, must have been an old man in 4 Edward II or 1310 (Note: the date convention used here is "regnal" dating in which the year is the number of years into the reign of the current monarch. Thus 4 Edward II would be the 4th year of the reign of King Edward II). Assuming that the grandfather was fifty years of age when he served as Recognitor, then the two generations succeeding him must have covered a period of some eighty years. -
Redalyc.Henry Constable's Sonnets to Arbella Stuart
SEDERI Yearbook ISSN: 1135-7789 [email protected] Spanish and Portuguese Society for English Renaissance Studies España Pérez Jáuregui, Ma Jesús Henry Constable’s sonnets to Arbella Stuart SEDERI Yearbook, núm. 19, 2009, pp. 189-202 Spanish and Portuguese Society for English Renaissance Studies Valladolid, España Available in: http://www.redalyc.org/articulo.oa?id=333527606009 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Henry Constable’s sonnets to Arbella Stuart Mª Jesús Pérez Jáuregui University of Sevilla ABSTRACT Although the Elizabethan poet and courtier Henry Constable is best known for his sonnet-sequence Diana (1592), he also wrote a series of sonnets addressed to noble personages that appear only in one manuscript (Victoria and Albert Museum, MS Dyce 44). Three of these lyrics are dedicated to Lady Arbella Stuart – cousin-german to James VI of Scotland–, who was considered a candidate to Elizabeth’s succession for a long time. Two of the sonnets were probably written on the occasion of Constable and Arbella’s meeting at court in 1588, and praise the thirteen-year old lady for her numerous virtues; the other one seems to have been written later on, as a conclusion to the whole book, implying that Constable at a certain moment presented it to Arbella in search for patronage and political protection. At a time when the succession seemed imminent, Constable’s allegiance to the Earl of Essex, who befriended Arbella and yet sent messages to James to assure him of his circle’s support, raises the question of the true motivation of these sonnets. -
Theatre of Truth: Performing Public Religious Disputation in Seventeenth-Century Europe
Theatre of Truth: Performing Public Religious Disputation in Seventeenth-Century Europe by David Lorne Robinson A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Degree History University of Toronto © Copyright by David Lorne Robinson 2020 Theatre of Truth: Performing Public Religious Disputation in Seventeenth-Century Europe David Lorne Robinson Doctor of Philosophy History University of Toronto 2020 Abstract This dissertation examines the practice of public religious disputation in early seventeenth- century Europe. It takes a transnational approach, examining disputations in France, England, and the Low Countries between 1598 and 1625. This approach highlights the ways in which common social and political circumstances created a climate for frequent disputations, but also how religious controversy was communicated across political boundaries. It argues that these debates were part of a wider culture of performance and became especially prevalent in religiously-divided communities where performances of religious unity like Corpus Christi processions had become contested. These disputations took the practice of academic disputation, still well regarded by both Catholics and Protestants as an effective method of inquiry, and relocated it in the homes of lay hosts. The lay audience thereby became active participants in the performance, debating clergy and performing their own religious identity. Disputations then became the subject of a more public debate as rumours about them spread and clerics exploited oral and manuscript communications networks and printing presses to vaunt their victories and denigrate their opponents, making use of negative stereotypes to solidify religious divisions. State actors, seeing the utility of disputation in shaping public opinion, also sought to organize disputations in an effort to legitimize their religious policies.