DOCSLIB.ORG

Wavelength (October 1982)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 10-1982 Wavelength (October 1982) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (October 1982) 24 https://scholarworks.uno.edu/wavelength/24 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. FALL 1982 All these concerts are FREE and open to the public 1st Week-DUNCAN PLAZA Oct. 4 -Eorl Turbinton Quintet Oct. 5-Coliente Oct. 6-The Pfister Sisters Oct. 7-The Delta ~amblers Oct. 8-Donny Oorker and the Jazz Hounds with 131ue Lu 2nd Week-DUNCAN PLAZA Oct. 11-Percussion Jam Session Oct. 12-Tim Williams Country Oond Oct. 13-The New Orleans Performing Company (Donee) and Nature (Oond) Oct.14-11:J0-12:15 New Orleans Oollet 1 2: 15-1 :00 Dono Aero­ Gymnastics School Oct. 15-UNO Jazz Oond 3rd Week-Various Locations 3rd Week -Indoor Location...,.. Oct. 18-PAN AM PLAZA: Connie Jones and GALLIER HALL Jazz Oond the Crescent City Oct.18-0od Oyster Oond OF TAADE PLAZA: Allegro Oct.19-130A~D Oct.19-0onquette Opera 20-PIAUA D'ITAUA: New Jazz Oct. Oct. 20-11 :J0-12:15 David Thomas Quintet ~oberts (piano) Oct. 21-SPANISH PLAZA: Dirty Dozen 12:15-1 :00 James Drew Trio Oond Marching Oct. 21 - Ecoutez . 22- ~IVE~GATE : Ed Lewis Orchestra Oct Oct. 22-11 :J0-12:15 New Orleans School of Arts Children's Program 12:15-1:00 St. Mory·s Academy Donee Ensemble Sponsored by the Downtown Development District and the Arts Council of New Orleans in cooperation with the City of New Orleans. the ~ecording Industries and the Musicians Union. ISSUE NO. 24 • OCTOBER 1982 "I'm not sure, but I'm almost positive, that all music came from New Orleans. " Ernie K-D0e, 1979 Features Ellis Marsalis .. .......... .... 14 George Schmidt . .......... ... 17 Slim•s Y-Ki-Ki .............. 23 Columns Listings .................. .... 5 October ..................... 10 Caribbean . .................. 25 Radio ...................... 27 Zekespeak .................. 29 Reviews ......... .......... .. 30 Classified ................... 3 7 Last Page . ................ .. 38 Cover illustration byTair-RayYates ......... Patrick Berry. Editor, Connie Atkinson. ~te Editor, Jon Newlin. Ullort.l Atololul, Marpret Williams. AJC DUecter, Skip Bolen. Alnrllohltl Sa1oo, Steve Gifford, Ellen Johnson.Coto· ....... Artlola, Kathleen Perry, Rick Splin, Lauren Zarambo. DlobiM-, Gene Scaramuzzo, Patti Hibbitts, Jne Torczon, Hamp­ toa Weiss, Eduardo Youna. Coto-lon, Stove Alleman, Tanya Coyle, David Deleptor, John Desplas, Zeke Fiahheacl, Jon Foose, Sine G111Ya, Tad Jona, Bunny Matthews, Brad Palmer, Christina s your cheese food neither cheese nor food? Patookl, Jack Pickett, Kalarnu ya Salaam, Shepard Samuels, Gene your egg yolks thin and pale? Try the robust selection of yard eggs, imported and domestic Scaramuzzo, Hammond Scott, Almost SUm, Rhodes Speciale, Keith Are '!Witchdl, Dalt Wonk, Nancy Weldon, Sluan Wood, Donn Youna. cheeses, organically grown fruits and vegetables, and other whole foods at the Whole Food WIIWimltll iJ pubHshed monthly In New Orleans. Telephone (~) Company. When you get your food whole, it ldstes better. m-2342. Mall subscriptlons, address cbanaes to WIIWI~nJih, Box U667, New Orleans, La. 7017$. Subscription rate, SIO per year. Foreian, $20 per year. Fint class subscriptions, Sl6 per year (domestic a Canada). AO airmail l'llleat S40 per year (oveneu). The entire COD· tents of Wowkn~th are copyriJhted •1982 WIIWI~n~th. Back wues are available by wrltlna to Back lasues, P.O. Box U667, New Orleans, La. 7017$. Because of allmited supply, back wues are available for S4 ~ch. Please allow a few weeks for processina and delivery of orden. New subscriben: PI- allow up to six weeks for nceipt of fint iasue due to our small, non-computerized subscription department. Foreian customen must pay only by I.M.O. or check drawn on a U.S. bank. Because of exorbitant back proceuina charaes. we cannot ac­ cept checks In Canadian dollars or other foreian currency, or checks drawn on a forelan bank. Subscrlben must nollfy us immediately of any chanaes of address. If nollfJCation iJ not received, mapzines sent to incorrect old addresses "EAT MO' BETT AH" will not be rq>laced. U.S. customen, please include your zip code. Supermarket • 3135 Esplanade Ave. • 94 3-1616 • Uptown • 7700 Cohn St. • 861-1626 WAVELENGTH/OCTOBER 1982 WHOLESALE We SeLL : ~ or RETAIL (Itt-\~ UAll£R,CDiTW- 00Al.l5HII<'T5 ( BUTT~ PHONE ~(!llARS.~. ~ ( 211) WAIIAH,WESIElM 51-US 777-1727 (SilAKBIS STIUHI({S)AN­ Or TlQUE QOTHES,JAC­ 982-3590 I:ETS.LEATHERS, ANO SKINNY TIES II! •••••••••••••CHECK METHOD OF PAYMENT 0 CHECK ..-MONEY ORDER 0 CHARGE ITTO MY CI1EDIT CArlO OVISA 0 MASTER CHARGE CAIIO# EXPIRATI~ ~TE ----- CITY/5WI/ZIP: HYif~KJ<; AOOWES TAX ~<USTGIIH!S 1WI lilfiJGlSRI'iWIHU~ $ gy MIJIEY<li!IRa! B.IHkCHf(M IUAirlill!f4~ \IU)S~I~UVEIIY 4 WAVELENGTH/OCTOBER 1982 USTINGS Saturday, 16 •Count Basie, Saenger Theatre. Tuesday, Wednesday, 19, 20 0 0 0 0 0 0 •Jimmy Buffet and the Coral Reefer Band, Saenger Theatre, 8:00p.m. OBARRY ~MENDELS Saturday, Sunday 23,24 0 PRESENTS, INC . •Arts Fest, Art Council of New Orleans, Oooooooooooooo 897-6123, Duncan Plaza, 11:00 a.m.-6:00p.m. Music, dance, crafts, visual art and a variety of activities for both adults and children. Free ad­ , mission. BRINGING YOU A •Latin Music Benefit, in celebration of the sixth anniversary of "Libreria del Pueblo" SPECTACULAR FALL (People's Bookstore), a Spanish and English CALENDAR OF language bookstore, featuring Banda Fiebre, Tipitina's, 8:00p.m., 822-8884. EVENTS Monday, 25 Thursday October 1 4 •Crosby, Stills, and Nash, L.S.U. Assembly Center, 8:00 p.m. CHICK COREA Thursday, 28 Saenger Theatre; 8 p.m. •Patrice Rushen, Riverboat President. Friday, 29 Friday October 1 5 •Nicolette Larson, Riverboat President. PETER TOSH FILMS special guest JIMMY CLIFF •Cinema Brasil, Prytania Theatre, 5339 Saenger Theatre; 8 p.m. Prytania, 895-4513. Wed. 7 and Thurs. 8: Col­ onel Delmiro Goubeia (Geraldo Sarno) and Gaijin: A Brazilian Odyssey (Tizuka Yamasaki). Weds. 13 and Thurs. 14: Tent of Tues & Wed October 19 & 20 Chick Corea, at the Saenger Oct. 14. Miracles (Nelson Pereira dos Santos) and Orfeu Negro (Marcel Camus). JIMMY BUFFET and •Loyola Film Buffs lnstiture, 865-3196. Mon. 4: Le Dejeuner sur l'herbe (Jean Renoir), THE CORAL REEFER CONCERTS Tues. 5: La Bete Humaine (Renoir). Wed. 6: BAND La Chienne (Renoir). Thurs. 7: Summer (Filming on M-TV Concert) Showers (Carlos Diegues). Mon. 11: The Friday, 1 Magnificent Ambersons (Orson Welles). Tues. Saenger Theatre; 8 p.m. •David Bromberg, Riverboat President. 12: Pride and Prejudice (Robert Z. Leonard) •B.B. King, Millie Jackson, Bobby "Blue" and A Tale of Two Cities (Jack Conway). Sunday October 24 Bland, Saenger Theatre, 8 & II :30 p.m . Wed. 13: Sergeant York (Howard Hawks). Thurs. 14: Toda nudez sera Castigada (Ar­ GEORGE Saturday, 2 noldo Jabor). Mon. 18: The Lady From •Gil Scott-Heron, Riverboat President. Shanghai (Welles). Tues. 19: Toni (Jean THOROGOOD .and Renoir). Thurs. 21: Sao Bernardo (Leon THE DELAWARE Sunday,3 Hirszman). Mon. 25: A Touch of Evil •Urban Cowboy Music Festival, Jefferson (Welles). Tues. 26: La regie de jeu (Renoir). DESTROYERS Downs Racetrack, 11:30 a.m., 821-3795. Thurs. 28: 0 Amuleto de Ogum (Nelson McAllister Auditorium; 8 p.m. Willie Nelson, Ricky Skaggs, Steve Wariner, Pereira dos Santos). All films are shown in Orion, Gary Morris, Razzy Bailey, Susie Room 332 of Bobet Hall; admission is $1.50 or Nelson, Mississippi South. by open subscription for $25. Monday October 2 5 •Prytania, 5339 Prytania, 891-3398. Sun. 10 Sunday, 10 and Mon. 11: Stormy Weather (Andrew Stone, CROSBY STILLS & •Autumn In Armstrong Park II, Traditional 1943; with Bill Bojangles Robinson, Lena and Contemporary Jazz, Gospel, and Blues. Home, Cab Calloway, Fats Waller, Ada NASH Jazz Parade from Jackson Square starting at Brown, The Nicholas Brothers, Katherine LSU Assembly Center; 8 p.m. 10:00 a.m. Armstrong Park Festivities 11:00 Dunham and her dance troupe) and Cabin In a.m.-7:00p.m. Free admission. Bring a picnic! The Sky (Vincente Minnelli, 1943; with Ethel Waters, Rochester, Rex Ingram, Mantan Moreland, Louis Armstrong, Lena Horne, the Sunday November 28 Wednesday, 13 Duke Ellington Orchestra, John Bubbles, But­ •Jethro Tull, Municipal Auditorium. terfly McQueen and the Hall-Johnson Choir). LINDA RONSTADT Fri. 15 through Thurs. Nov. 4: Diva (Jean­ Baton Rouge Thursday, 14 Jacques Beineix). •Chick Corea, Saenger Theatre, 8:00 p.m. MISCELLANY Friday, 15 FOR TICKET AND CONCERT •Peter Tosh, Jimmy Cliff, Saenger Theatre, •Cathedral Concerts, Christ Church INFORMATION (504)895-0601 8:00p.m. Cathedral, 2919 St. Charles Ave., 895-6602. \. ..J WAVELENGTH/OCTOBER 1982 5 Sun. 17: Leonora Mila, piano. Sun. 31: Bess Hieronymus, organ. Both performances are at 4:00p.m. •Contemporary Arts Center Jazz Series, 900 Camp St., 523-1216. Fri. 29: David Thomas TAKE FIVE ... Roberts, Steve Pistorius and Isidore "Tuts" Washington. Sat. 30: Tony Dagradi and Joe Celli. •Junior Philharmonic Society of New Orleans, SON~ STR-VX4 Dixon HalJ at Tulane University; 861-4289, QUARTZ SYNTHESIS AM/FM STEREO 866-7565. Sat. 23: Recital, 10:45 a.m. RECEIVER •New Orleans Ballet, Theatre of the Perform­ Features 40 watts per channel, minimum RMS, ing Arts, 895-2439. Fri. 29: "Coppelia." both channels driven Into 8 ohms from 20 Hz •New Orleans Opera Association, Theatre of to 20 kHz, with no more than 0.008% THO. the Performing Arts, 529-2279. Thurs., Sat., Legato Linear power amplifier for ultra·low crossover distortion and superior sound.
Recommended publications
  • Where to Study Jazz 2019

    Where to Study Jazz 2019

    STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life.
  • Discography of the Mainstream Label

    Discography of the Mainstream Label

    Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet
  • 01 Prelude | | |--02 City of Refuge | | |--03 Bring Me My Queen

    01 Prelude | | |--02 City of Refuge | | |--03 Bring Me My Queen

    |--Abigail Washburn | |--City of Refuge | | |--01 Prelude | | |--02 City of Refuge | | |--03 Bring Me My Queen | | |--04 Chains | | |--05 Ballad of Treason | | |--06 Last Train | | |--07 Burn Thru | | |--08 Corner Girl | | |--09 Dreams Of Nectar | | |--10 Divine Bell | | |--11 Bright Morning Stars | | |--cover | | `--folder | |--Daytrotter Studio | | |--01 City of Refuge | | |--02 Taiyang Chulai | | |--03 Bring Me My Queen | | |--04 Chains | | |--06 What Are They Doing | | `--07 Keys to the Kingdom | |--Live at Ancramdale | | |--01 Main Stageam Set | | |--02 Intro | | |--03 Fall On My Knees | | |--04 Coffee’s Cold | | |--05 Eve Stole The Apple | | |--06 Red & Blazey | | |--07 Journey Home | | |--08 Key To The Kingdom | | |--09 Sometime | | |--10 Abigail talks about the trip to Tibet | | |--11 Song Of The Traveling Daughter | | |--12 Crowd _ Band Intros | | |--13 The Sparrow Watches Over Me | | |--14 Outro | | |--15 Master's Workshop Stage pm Set | | |--16 Tuning, Intro | | |--17 Track 17 of 24 | | |--18 Story about Learning Chinese | | |--19 The Lost Lamb | | |--20 Story About Chinese Reality TV Show | | |--21 Deep In The Night | | |--22 Q & A | | |--23 We’re Happy Working Under The Sun | | |--24 Story About Trip To China | | |--index | | `--washburn2006-07-15 | |--Live at Ballard | | |--01 Introduction | | |--02 Red And Blazing | | |--03 Eve Stole The Apple | | |--04 Free Internet | | |--05 Backstep Cindy_Purple Bamboo | | |--06 Intro. To The Lost Lamb | | |--07 The Lost Lamb | | |--08 Fall On My Knees | | |--Aw2005-10-09 | | `--Index
  • Negotiating Gender and Spirituality in Literary Representations of Rastafari

    Negotiating Gender and Spirituality in Literary Representations of Rastafari

    Negotiating Gender and Spirituality in Literary Representations of Rastafari Annika McPherson Abstract: While the male focus of early literary representations of Rastafari tends to emphasize the movement’s emergence, goals or specific religious practices, more recent depictions of Rasta women in narrative fiction raise important questions not only regarding the discussion of gender relations in Rastafari, but also regarding the functions of literary representations of the movement. This article outlines a dialogical ‘reasoning’ between the different negotiations of gender in novels with Rastafarian protagonists and suggests that the characters’ individual spiritual journeys are key to understanding these negotiations within the gender framework of Rastafarian decolonial practices. Male-centred Literary Representations of Rastafari Since the 1970s, especially, ‘roots’ reggae and ‘dub’ or performance poetry have frequently been discussed as to their relations to the Rastafari movement – not only based on their lyrical content, but often by reference to the artists or poets themselves. Compared to these genres, the representation of Rastafari in narrative fiction has received less attention to date. Furthermore, such references often appear to serve rather descriptive functions, e.g. as to the movement’s philosophy or linguistic practices. The early depiction of Rastafari in Roger Mais’s “morality play” Brother Man (1954), for example, has been noted for its favourable representation of the movement in comparison to the press coverage of
  • WWOZ Governance Board Meeting Wednesday, April 7, 2010 General Manager’S Report

    WWOZ Governance Board Meeting Wednesday, April 7, 2010 General Manager’S Report

    WWOZ Board of Directors Meeting April 7, 2010 General Manager’s Report 1. Membership. As of April 5, 2010, WWOZ has received $1,199,658 in membership contributions, compared to $1,097,633 last year at this point in time. Brass Pass memberships are now 2,200 compared to 1,937 Brass Passes issued by this time last year. Membership held an outreach table at the Young Leadership Council‘s Wednesday at the Square on March 24th, offering memberships, Swamp Shop Merchandise, Brass Passes, volunteer recruitment and ‗Ozone e-newsletter sign-up. Membership will hold another outreach booth at the upcoming YLC Wednesday-at-the-Square on April 7th from 4:30-7:00PM and at the upcoming Smoke-Free live Broadcast from the Old Point Bar in Algiers on Thursday April 15th. 2. Brass Passes. Development Support Director Crystal Gross announced that scheduled Brass Pass distribution days include the following locations: Whole Foods, Metairie, 150 passes were distributed Noon – 6PM, March 20th Whole Foods, Uptown, 250 passes were distributed Noon – 6PM, March 21st French Quarter Fest, Pavilion Stage Woldenburg Park Noon – 6PM, April 9th, 10th, 11th WWOZ Offices, 1008 N. Peters Noon – 6PM - April 19th – 23rd 3. Major Giving. Development Support Director Crystal Gross reported that Major Giving has received $60,684, compared to $44,920 last year at this point. Major giving renewal letters were mailed out this week to 20 donors who are due to renew in Spring 2010. Board Members Doug Hammel & Parker Sternbergh offered to make calls to donors who gave $500 or more during the Spring Membership Drive.
  • The Norton Jazz Recordings 2 Compact Discs for Use with Jazz: Essential Listening 1St Edition Pdf, Epub, Ebook

    The Norton Jazz Recordings 2 Compact Discs for Use with Jazz: Essential Listening 1St Edition Pdf, Epub, Ebook

    THE NORTON JAZZ RECORDINGS 2 COMPACT DISCS FOR USE WITH JAZZ: ESSENTIAL LISTENING 1ST EDITION PDF, EPUB, EBOOK Scott DeVeaux | 9780393118438 | | | | | The Norton Jazz Recordings 2 Compact Discs for Use with Jazz: Essential Listening 1st edition PDF Book A Short History of Jazz. Ships fast. Claude Debussy did have some influence on jazz, for example, on Bix Beiderbecke's piano playing. Miles Davis: E. Retrieved 14 January No recordings by him exist. Subgenres Avant-garde jazz bebop big band chamber jazz cool jazz free jazz gypsy jazz hard bop Latin jazz mainstream jazz modal jazz M-Base neo-bop post-bop progressive jazz soul jazz swing third stream traditional jazz. Special Attributes see all. Like New. Archived from the original on In the mids the white New Orleans composer Louis Moreau Gottschalk adapted slave rhythms and melodies from Cuba and other Caribbean islands into piano salon music. Traditional and Modern Jazz in the s". See also: s in jazz , s in jazz , s in jazz , and s in jazz. Charlie Parker's Re-Boppers. Hoagy Carmichael. Speedy service!. Visions of Jazz: The First Century. Although most often performed in a concert setting rather than church worship setting, this form has many examples. Drumming shifted to a more elusive and explosive style, in which the ride cymbal was used to keep time while the snare and bass drum were used for accents. Season 1. Seller Inventory While for an outside observer, the harmonic innovations in bebop would appear to be inspired by experiences in Western "serious" music, from Claude Debussy to Arnold Schoenberg , such a scheme cannot be sustained by the evidence from a cognitive approach.
  • Samantha Fish Homemade Jamz Jarekus Singleton

    Samantha Fish Homemade Jamz Jarekus Singleton

    Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs.
  • Bob Marley Background Informations

    Bob Marley Background Informations

    Bob Marley Background informations: Birth name: Robert Nesta Marley Also known as: Tuff Gong Born: February 6, 1945 Nine Miles, Saint Ann, Jamaica Died: May 11, 1981 Genre: Reggae, ska, rocksteady Occupation: Singer, songwriter, guitarist Instrument: Guitar, vocals Years active: 1962 – 1981 Label: Studio One, Beverley’s Upseeter/ Trojan Island/Tuff Gong Associated acts: The wailers Band, The Wailers HITS: . I shot the sheriff, . No woman, No cry, . Three little birds, . Exodus, . Could you be loved, . Jamming, . Redemption song . One love[one of his most famous love songs] Bob Marley once reflected: I don’t have prejudice against myself. My father was white and my mother was black. Them call me half-caste or whatewer. Me don’t dip on nobady’s side. Me don’t dip on the black man’s side or the white man’s side. Me dip on God’s side, the one who create me and cause me to come from black and white. Musical career: Bob Marley, Bunny Livingston, Peter McIntosh, Junior Braitheaite, Beverley Kelso and Cherry Smith – rocksteady group first named “The Teenagers”. Later “The Wailing Rudeboys”, then to “The Wailing Wailers”, and finally to “The Wailers”. Albums: * The Wailing Wailers 1966 * The Best of the Wailers 1970 * Soul Rebels 1970 * Soul Revolution 1971 * Soul Revolution Part II 1971 * African Herbsman 1973 * Catch a Fire 1973 [Wailers first album] * Burnin' 1973 * Rasta Revolution 1974 * Natty Dread 1974 * Rastaman Vibration 1976 * Exodus 1977 * Kaya 1978 * Survival 1979 * Uprising 1980 * Confrontation (izdano po Marleyjevi smrti) 1983 Bob Marley’s 13 childrens: . Imani Carole, born May 22, 1963, to Cheryl Murray; .
  • The Funky Diaspora

    The Funky Diaspora

    The Funky Diaspora: The Diffusion of Soul and Funk Music across The Caribbean and Latin America Thomas Fawcett XXVII Annual ILLASA Student Conference Feb. 1-3, 2007 Introduction In 1972, a British band made up of nine West Indian immigrants recorded a funk song infused with Caribbean percussion called “The Message.” The band was Cymande, whose members were born in Jamaica, Guyana, and St. Vincent before moving to England between 1958 and 1970.1 In 1973, a year after Cymande recorded “The Message,” the song was reworked by a Panamanian funk band called Los Fabulosos Festivales. The Festivales titled their fuzzed-out, guitar-heavy version “El Mensaje.” A year later the song was covered again, this time slowed down to a crawl and set to a reggae beat and performed by Jamaican singer Tinga Stewart. This example places soul and funk music in a global context and shows that songs were remade, reworked and reinvented across the African diaspora. It also raises issues of migration, language and the power of music to connect distinct communities of the African diaspora. Soul and funk music of the 1960s and 1970s is widely seen as belonging strictly in a U.S. context. This paper will argue that soul and funk music was actually a transnational and multilingual phenomenon that disseminated across Latin America, the Caribbean and beyond. Soul and funk was copied and reinvented in a wide array of Latin American and Caribbean countries including Brazil, Panama, Jamaica, Belize, Peru and the Bahamas. This paper will focus on the music of the U.S., Brazil, Panama and Jamaica while highlighting the political consciousness of soul and funk music.
  • Complete Section 1

    Complete Section 1

    Jessica Hopper on girl groups p 25 The most popular gassy Jewish lesbian on the Web CHICAGO’S FREE WEEKLY | THIS ISSUE IN FOUR SECTIONS p 10 FRIDTheAY, JAN 6, 2006 | VOLUME 34, NUMBER 15 Best Movies andJonathan RosenbaMusicum, p 1 J.R. Jones, p 17 ofA 15 -music2005-critic pileup, p 19 McSweeney’s reprints a lost Chicago writer, a Roscoe Village businessman says he’s being PLUS harassed for speaking up, the music scene rallies around a veteran soundman, and more. Section One Letters 3 Reviews Music 25 Columns One Kiss Can Lead to Another: Girl Group Hot Type 4 Sounds Lost and Found, Evie Sands’s Any On the Trib on the war Way That You Want Me The Straight Dope 5 Books 27 Literally scared to death? Triksta: Life and Death and New Orleans Rap by Nik Cohn, The Riddle of the The Works 8 Traveling Skull by Harry Stephen Keeler A row in Roscoe Village Plus Our Town 10 What Are You Wearing? 15 A podcaster to watch; how the City Council Aay Preston-Myint spends its money; have Virgin, will travel January 6, 2006 Ink Well 31 This week’s crossword: Subscription Descriptions ON THE COVER: JIM NEWBERRY (MADGE), COURTESY BERTHA MCNEAL (THE VELVELETTES) The Best Film of the Past Two Years And 24 more picks from what the industry thought us yokels could handle in 2005 By Jonathan Rosenbaum o choose the best movies of 2005 is to compromise. I T limit my list of candidates to films that have screened in Chicago, but I could easily fill it with movies that haven’t screened in the U.S.
  • 2005 / 2006 Annual Report

    2005 / 2006 Annual Report

    RADIO STARMAKER FUND ANNUAL REPORT 2005#–2006 ANNUAL REPORT RADIO TABLE OF CONTENTS STARMAKER #FUND 02. Message from the Chair 03. Board of Directors and Staff | Mandate 04. Application Evaluation | Applications Submitted vs. Applications Approved 05. Tracking Success | Grant Allocation by Type of Record Label 06. Radio Starmaker Funded Artists 07. Sales Certifications 08. Grant Allocation by Province | Grant Allocation by Genre 09. Grant Allocation by Music Industry Association 10. Awards Won by Radio Starmaker Funded Artists 11. Allocation of Funding by Category 12. – 16. Condensed Financial Statements 17. Appendix: Criteria for Qualifying 25 Adelaide Street East, Suite 1300, Toronto, Ontario M5C 3A1 PHONE.416.597.6622 FAX.416.597.2760 TOLL FREE.1.888.256.2211 www.radiostarmakerfund.com RADIO STARMAKER FUND ANNUAL REPORT 2005-2006 .01 ANNUAL REPORT RADIO MESSAGE FROM THE CHAIR STARMAKER #FUND This year has been one of reflection for • 77% of the total funding requested was approved We continue to maintain the highest standards of the Radio Starmaker Fund. We had the accountability to our stakeholders and the industry at opportunity to review our history from • The “funding per record” breakdown (based on the top large. Our audit process once again shows complete the inception of the fund and present an 22 funded RSF artists) is approximately $2 per record. compliance with our funding rules and regulations and overview to the CRTC during its radio With average marketing costs per album hovering in we appreciate the efforts made by our applicants to review proceedings in May 2006. the range of $3 per record this means we are making maintain this track record.
  • Orange Blossom Blues Society All Rights Reserved

    Orange Blossom Blues Society All Rights Reserved

    Orange Blossom S p e c i a l E d i t i o n “ T o P r e s e r v e , P r o m o t e a n d P r e s e n t B l u e s M u s i c i n t h e O r l a n d o R e g i o n ” V O L U M E 4 , I S S U E 1 - J u n e 2 0 0 7 J A N U A R Y - M A R C H , 2 0 0 8 In This Issue MESSAGE FROM THE PRESIDENT THE EDITOR’S PEN: A RECAP OF 2007 ZAC HARMON IGNITES MCWELLS Goin’ to BACKSTAGE AT THE IBC CENTRAL FLORIDA IBC: REFLECTIONS BLUES TALENT JOEY GILMORE IN ORLANDO BLUES FOUNDATION ANNOUNCES 2008 MUSIC AWARD NOMINEES Memphis! CURFMAN TEARS IT UP AT BALDWIN’S TAKING THE TORCH PINETOP PERKINS HITS BIG IN 2008 GRAMMY AWARDS OBBS MEMBER WINS CRUISE NATIONAL WOMEN IN BLUES EDITOR: Zaida Zoller CONTRIBUTORS: Ben Basile Daryll Davis Peter “Blewzzman” Lauro Wayne Valzania Jerry Waller LAYOUT: Susan Baumann Brian Birkhofer Design Advertising: For rate info contact [email protected] Copyright © 2008 Orange Blossom Blues Society All rights reserved S e e IIB C d e t aiills b e g iinniin g on Pa g e 5 ! 2 O r a n g e B l o s s o m B l u e s S o c i e t y MESSAGE FROM THE PRESIDENT JERRY WALLER ? s t n e v e g n i m o c p u t m u o o c .