FEEL THE MOMENT 2015/2016 SEASON

IN THIS ISSUE

JANUARY – FEBRUARY 2016 Title Page. 2 Cast. 3 About the Play. 4 The Cast . 8 The Creative Team. 11 Sex with Strangers Title Page. 15 Cast. 16 The Cast . 17 The Creative Team. 18 ATC Board of Trustees...... 21 ATC Artistic Director. 22 Corporate and Foundation Donors. 23 Individual Donors. 24 ATC Staff. 30 Theatre Information...... 32

Fences playwright . Heather Lee Harper and Tyler Eglen in ATC’s Sex with Strangers. Photo by John Groseclose.

Cover by: ESSER DESIGN

1 David Ira Goldstein Artistic Director

Presents a Co-Production with Indiana Repertory Theatre Janet Allen Executive Artistic Director and CEO; Suzanne Sweeney Managing Director and COO AND Milwaukee Repertory Theater Mark Clements Artistic Director; Chad Bauman Managing Director

AUGUST WILSON’S FENCES

Lou Bellamy...... Director Vicki Smith...... Scenic Designer Mathew J. LeFebvre ...... Costume Designer Don Darnutzer...... Lighting Designer Brian Jerome Peterson...... Sound Designer Timothy Toothman*...... Stage Manager Brenda K. Walker*...... Assistant Stage Manager Glenn Bruner*...... Assistant Stage Manager

On this original Arizona Theatre Company production, the ATC Production Staff is responsible for scenic construction, costume construction, lighting, projections, sound, props, furniture, wigs, scene painting and special effects.

Fences is produced by special arrangement with SAMUEL FRENCH, INC.

Originally produced by , Lloyd Richards, Artistic Director.

2015/2016 SEASON SPONSORS: I. MICHAEL AND BETH KASSER

PRODUCTION SPONSOR:

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CAST (IN ORDER OF APPEARANCE)

David Alan Andersen*...... Troy Maxson Marcus Naylor*...... Jim Bono Kim Staunton*...... Rose James T. Alfred*...... Lyons Terry Bellamy*...... Gabriel Edgar Sanchez*...... Cory Simeeyah Grace Baker...... Raynell *Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

TIME: 1957; later, 1965. PLACE: The Maxson family home in Pittsburgh, .

THERE WILL BE ONE FIFTEEN-MINUTE INTERMISSION.

UNDERSTUDIES Sterling Boyns. . . . Cory / Lyons Nadya Crawford ...... Raynell

ADDITIONAL STAFF Emma DeVore...... Assistant to the Stage Manager Additional casting by ATC Artistic Staff and Claire Simon Casting.

Arizona Theatre Company operates under agreements between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States; Stage Directors and Choreographers, an independent national labor union; and United Scenic Artists Local USA-829, IATSE.

To learn more about Fences please visit the Education page on our website at arizonatheatre.org for a comprehensive free Play Guide. The Play Guide contains historical information, cultural context, and more. Play Guides are also available in The Temple Lounge for a nominal charge to cover printing.

Cell phones and other devices that make a noise can greatly disturb your fellow audience members and the performers. PLEASE TURN THEM OFF before the performance and again after intermission.

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ABOUT THE PLAY

August Wilson (Playwright, April 27, 1945-October 2, 2005) authored , Joe Turner’s Come and Gone, Ma Rainey’s Black Bottom, , Seven Guitars, Fences, , , King Hedley II, and . These works explore the heritage and experience of the descendants of Africans in North America, decade-by-decade, over the course of the twentieth century. His plays have been produced at regional theaters across the country and all over the world, as well as on Broadway. In 2003, Mr. Wilson made his professional stage debut in his one-man show, How I Learned What I Learned. Mr. Wilson’s Playwright August Wilson. works garnered many awards including Pulitzer Prizes for Fences (1987) and for The Piano Lesson (1990); a Tony Award for Fences; Great Britain’s Olivier Award for Jitney; as well as seven Drama Critics Circle Awards for Ma Rainey’s Black Bottom, Fences, Joe Turner’s Come and Gone, The Piano Lesson, Two Trains Running, Seven Guitars, and Jitney. Additionally, the cast recording of Ma Rainey’s Black Bottom received a 1985 Grammy Award, and Mr. Wilson received a 1995 Emmy Award nomination for his screenplay adaptation of The Piano Lesson. Mr. Wilson’s early works included the one-act plays The Janitor, Recycle, The Coldest Day of the Year, Malcolm X, , and the musical satire Black Bart and the Sacred Hills. Mr. Wilson received many fellowships and awards, including the Rockefeller and Guggenheim Fellowships in Playwriting, the Whiting Writers Award, 2003 Heinz Award, was awarded a 1999 National Humanities Medal by the President of the United States, and received numerous honorary degrees from colleges and universities, as well as the only high school diploma ever issued by the Carnegie Library of Pittsburgh. He was an alumnus of New Dramatists, a member of the American Academy of Arts and Sciences, a 1995 inductee into the American Academy of Arts and Letters, and on October 16, 2005, Broadway renamed the theater located at 245 West 52nd Street - The August Wilson Theatre. Additionally, Mr. Wilson was posthumously inducted into the Theater Hall of Fame in 2007. Mr. Wilson was born and raised in the Hill District of Pittsburgh, Pennsylvania and lived in Seattle, Washington at the time of his death. He is immediately survived by his two daughters, Sakina Ansari and Azula Carmen Wilson, and his wife, costume designer Constanza Romero.

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ABOUT THE PLAY

THE AMERICAN CENTURY CYCLE August Wilson’s American Century Cycle is a collection of ten plays that chronicle a collective century of the Black American experience, with each of the ten plays set in a different decade spanning the 20th century. Nine of the ten plays are set in the Hill District of Pittsburgh, one of many connection points woven through the multiple narratives. Though the American Century Cycle is not connected into a single linear story, several characters or their descendents appear more than once throughout the ten scripts; the character with the most appearances is Aunt Ester, a “washer of souls,” who appears in various stages of life and reference in Gem of the Ocean, Two Trains Running, King Hedley II, and Radio Golf. As a playwright, August Wilson was dedicated to cultivating social consciousness through the power of theatre, and the use of a medium through which a community could truly connect to invite an audience to bear witness to the state of the world around them, and their own place in the historical and contemporary social fabric. In an interview with The Paris Review, Wilson stated that “my plays offer (white Americans) a different way to look at black Americans. For instance, in Fences they see a garbageman, a person they don’t really look at, although they see a garbageman every day. By looking at Troy’s life, white people find out that the content of this black garbageman’s life is affected by the same things – love, honor, beauty, betrayal, duty. Recognizing that these things are as much part of his life as theirs can affect how they think about and deal with black people in their lives.” Gem of the Ocean, set in the 1900s, premiered in 2003 at the in Chicago before transferring to Broadway the following year. The play depicts 285-year-old Aunt Ester, a healer and a keeper of tradition, as she cleanses the souls of those who pass through her kitchen. She leads one new arrival, Citizen Barlow, aboard the legendary slave ship known as the Gem of the Ocean, to embark on a journey of spiritual redemption to the mythical City of Bones. Joe Turner’s Come and Gone, set in the 1910s, premiered in 1986 at Yale Repertory Theatre before opening at Broadway’s Ethel Barrymore Theatre in 1988. The play depicts the lives of boarding- house owner Seth Holly and his wife Bertha, as they meet and share living space with freed former slaves who have moved north after the Civil War, illuminating the ongoing racism and discrimination in the post-war United States.

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ABOUT THE PLAY

Jevetta Steele in ATC’s Ma Rainey’s Black Bottom, 2010. David Downing in ATC’s Seven Guitars, 1997.

Ma Rainey’s Black Bottom, set in the 1920s, premiered at Yale Repertory Theatre in 1984 before opening on Broadway later that year. The only play of the American Century Cycle set in Chicago, it describes the rising tension between members of blues singer Ma Rainey’s band, and the desperation entwined in limited and thwarted opportunities. The Piano Lesson, set in the 1930s in the aftermath of the Great Depression, premiered at Yale Repertory Theatre in 1987, and later opened on Broadway in 1990. Winner of the 1990 , The Piano Lesson was inspired by a painting of the same name by Romare Bearden. The play depicts the lives of Doaker Charles and his household, interwoven with their various perspectives on the meaning and fate of the family heirloom piano. Seven Guitars, set in the 1940s, premiered at Chicago’s Goodman Theatre in 1995 before moving on to Broadway in 1996. Seven Guitars details the journey of blues singer Floyd “Schoolboy” Barton as he seeks to define his own humanity, self-acceptance, and self-understanding and to right past wrongs after signing a record deal. The play begins with a funeral, describing the previous events in a series of flashbacks; the stories of some characters in Seven Guitars are later revisited in King Hedley II, set in the 1980s. Fences, set in the 1950s, premiered at Yale Repertory Theatre in 1985 before opening at Broadway’s 46th Street Theatre in 1987. Winner of the 1987 Pulitzer Prize for Drama and , Fences focuses on 53-year-old Troy as he struggles to provide for his family as a garbage collector, years after being forced to abandon his dreams of becoming a professional baseball player due to the persisting color barrier in Major League Baseball.

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ABOUT THE PLAY

Two Trains Running, set in the 1960s, premiered at Yale Repertory Theatre in 1990, and transferred to Broadway in 1992. The play examines the social and psychological manifestations of urban blacks as their attitudes toward race evolve in mid-20th century America. Jitney, set in the 1970s, premiered in 1982 at the Allegheny Repertory Theatre in Pittsburgh, Pennsylvania. The play details the lives of the unofficial, unlicensed taxi drivers known as jitneys, as they hustle to make a living providing transportation to the Pittsburgh Hill District, where regular cabs will not venture. Violence threatens the community when the boss’s son, Becker, returns from prison.

Bus Howard, Chuck Patterson, and Adolphus Ward in ATC’s Jitney, 2006.

King Hedley II¸set in the 1980s, premiered at the Pittsburgh Public Theatre in 1991 and opened on Broadway in 2001. The play tells the story of ex-con King Hedley as he attempts to rebuild his life in Pittsburgh by starting a family and selling refrigerators, with aspirations to eventually buy a video store. Stories of several characters from Wilson’s earlier play, Seven Guitars, also weave throughout the narrative. Radio Golf, set in the 1990s, is the final play in The American Century Cycle in both narrative chronology and authorship, which premiered in 2005 at Yale Repertory Theatre; August Wilson passed away between the play’s premiere and its opening at Broadway’s Court Theatre in 2007. The play details the story of Ivy League graduate Harmond Wilkes as he seeks to redevelop Pittsburgh’s Hill District after inheriting his father’s real estate agency, whose aspirations are interrupted by continuing forces of racism and privilege.

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THE CAST

James T. Alfred (Lyons) is happy to return to ATC with this production of Fences, along with some of his favorite comrades. Other ATC credits include Jitney, Ma Rainey’s Black Bottom, To Kill a Mockingbird, and most recently, The Mountaintop. Other theater credits include Penumbra Theatre Company, Congo Square Theatre Company, Steppenwolf Theatre Company, Guthrie Theater, Denver Center, NY Public Theater, Court Theater, Kansas City Repertory Theatre, Second City, Round House Theatre, Wooly Mammoth Theatre Company, Milwaukee Repertory Theater, A.R.T and Indiana Repertory Theatre. Mr. Alfred recurs as Tyree on the FOX hit drama series Empire. Other television credits include the award-winning Starz Original Series Boss, Prison Break, and Chicago P.D. He has appeared in a dozen independent films including the critically-acclaimed One Week. Mr. Alfred is a graduate of the Institute for Advanced Theater Training at Harvard University and holds an M.F.A in acting from the Moscow Art Theatre School in Russia.

David Alan Andersen (Troy Maxson) previously appeared at ATC in in the role of Walter Lee. Recent regional credits include Gem of the Ocean and The Mountaintop (Jeff Nomination, Lead Actor) at the Court Theatre, Chicago; What I Learned in Paris, The Giver, The Mountaintop, Radio Golf, The Whipping Man, Julius Caesar and Romeo and Juliet at Indiana Repertory Theatre; Othello and King Lear at Pennsylvania Shakespeare Festival; The Tempest at Actors Theatre of Louisville. Other credits include Lake Tahoe and Idaho Shakespeare Festivals, Guthrie Theater, Baltimore Center Stage, Cleveland Play House, Syracuse Stage, Geva Theatre Center, Kansas City Repertory Theatre, Berkshire Theatre Festival, Great Lakes Theater, and others. Mr. Andersen is a Penumbra Theatre Company member and was awarded a Lunt Fontanne Fellowship.

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THE CAST

Terry Bellamy (Gabriel) is a founding member of Penumbra Theatre Company and the recipient of two Twin Cities Drama Critics Circle Awards (MN). He has performed at the Goodman Theatre, Oregon Shakespeare Festival, Center Stage Baltimore, Indiana Repertory Theatre, Cleveland Play House, Guthrie Theater, Guthrie II, Hudson Guild (Off-Broadway), Park Square Theatre, Mixed Blood Theatre, Illusion Theater, and Ten Thousand Things Theater.

Marcus Naylor ( Bono) last appeared at Arizona Theatre Company as Floyd Barton in Seven Guitars. Off-Broadway credits include: Black Stars of the Great White Way at Carnegie Hall , Breaking Phillip Glass with The Collective, Cool Blues at New Federal Theatre, Love Letters on Ripped Paper at The Joyce Theatre, Watin 2 End Hell at The New Federal Theatre, The Cave Dwellers with The Pearl Theatre Company, No Dogs at Primary Stages, RATS at The Lee Strasberg Theatre, True West at Lincoln Centers Clark Studio, Cast Me Down at Theatre Four. Regional credits include: Denver Center, Kennedy Center, Arena Stage, Cleveland Play House, Karamu House, Berkshire Playwrights Lab, Crossroads Theatre, Shakespeare on the Sound. Film and television credits include: In Our Youth, Hudson Sunset in the After-while, The Reunion: A Jazz Fantasy, King Lear, Slings and Arrows, Boardwalk Empire, Law & Order, Law & Order: SVU, Without a Trace, The Meeting, and Only in America.

Edgar Sanchez (Cory) is making his ATC debut. Chicago credits: and Native Son (Court Theatre); The Wheel (Steppenwolf), Romeo and Juliet, (Chicago Shakespeare Theatre); This Is Our Youth (Sankofa Theatre Company); The Ghost Is Here (Vitalist); Fever Chart (Eclipse); Brothers of the Dust (Congo Square); Sinbad: The Untold Story (Adventure Stage); 1001 (Collaboraction); Noses Remount (Strawdog); Welcome to Arroyo’s (American Theatre Company); Wilson Wants it All (The House). Regional Credits: Water by the Spoonful (Theatre Squared); the title role in Hamlet (The Gable Stage); Twelfth Night, Richard III, Troilus and Cressida, and The Admirable Crichton (American Players Theatre); A Midsummer Night’s Dream, Othello, and The Comedy of Errors (The Oregon Shakespeare Festival). Major television credits: Sense 8.

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THE CAST

Kim Staunton (Rose) appeared in Touch the Names at ATC. She has been a guest company member at the Denver Center Theatre Company (DCTC) for the past 14 seasons. She represented DCTC as an inaugural Lunt-Fontanne Fellow at Ten Chimneys Foundation. Regional credits include Portland Stage Company, Ebony Repertory Theatre, South Coast Repertory, Center Theatre Group/Kirk Douglas Theatre, Lake Dillon Theatre Company, Lone Tree Arts Center, Seattle Repertory Theatre, Syracuse Stage, Berkeley Repertory Theatre, Virginia Stage Company, Pittsburgh Public Theatre, Colorado Shakespeare Festival, Folger Theatre, Arena Stage, Hartford Stage and the O’Neill Theatre Center. She has performed in numerous productions on and Off- Broadway. Film credits include First Sunday, Changing Lanes, Heat, Dragonfly, Bark, Holy Man, Deceived,and Amos & Andrew. Television appearances have included guest starring roles on Eleventh Hour, Army Wives, The Nine, Bones, Strong Medicine, Judging Amy, Law and Order, City of Angels, New York Undercover, and TNT’s original movie, Glory and Honor. Ms. Staunton is a native of Washington, D.C., and a graduate of The .

Simeeyah Grace Baker (Raynell) is excited to be making her Arizona Theater Company debut. Her time on stage includes performances in The Nutcracker ballet production with Dancing in the Streets Arizona, where she danced in the corp and most recently as Clara. Ms. Baker has danced in A Midsummer Night’s Dream as Queen Tatiana’s Attendant with Dancing in the Streets Arizona and in the corp of Requiem with the same company. She is a fifth grade student and native Texan but currently resides in Tucson, AZ. She began her ballet training at the age of six with Joey Rodgers and Soleste Lupuat, Dancing in the Streets Arizona. Off stage, Simeeyah enjoys playing football, designing and sewing clothes for her dolls, and playing video games.

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THE CREATIVE TEAM

August Wilson (Playwright) Please see Mr. Wilson’s biography on page 4.

Lou Bellamy (Director) is the founder and Artistic Director of Penumbra Theatre Company. During his thirty-seven year tenure, Penumbra has evolved into one of America’s premier theaters dedicated to dramatic exploration of the African American experience. Under his leadership, Penumbra has grown to be the largest theater of its kind in America and has produced 35 world premieres, including August Wilson’s first professional production. Penumbra is proud to have produced more of Mr. Wilson’s plays than any other theater in the world. Mr. Bellamy is an OBIE Award-winning director, an accomplished actor, and for 38 years was appointed as an Associate Professor at the University of Minnesota in the Department of Theatre Arts and Dance. Mr. Bellamy most recently directed Two Trains Running at Oregon Shakespeare Festival. Selected directing credits include plays at Arizona Theatre Company, Denver Center for the Performing Arts, Penumbra Theatre, Signature Theatre, Cleveland Play House, Guthrie Theater, The Kennedy Center, and Hartford Stage Company.

Vicki Smith (Scenic Designer) returns to ATC, where she previously designed Wait until Dark; The Mountaintop; Woody Guthrie’s American Song; Ma Rainey’s Black Bottom; Kite Runner; Touch the Names; Love, Janis; Hank Williams: Lost Highway; Dirty Blonde, , Last Night at Ballyhoo, and many others. Regional credits include Denver Center Theatre Company, Cincinnati Playhouse, Milwaukee Rep, Geva Theatre Center, Utah Shakespeare Festival, Indiana Repertory Theatre, Children’s Theatre Company, Oregon Shakespeare Festival, Guthrie Theatre, Penumbra Theatre Company, Cleveland Play House, Actors Theatre of Louisville, Repertory Theatre of St. Louis, Seattle Repertory Theatre, Kansas City Repertory Theatre, Dallas Theatre Center, Pittsburgh Public Theatre, Alley Theatre, Berkeley Repertory Theatre, Comedy Theatre of Budapest and National Theatre of Miskolc (Hungary), Anchorage Opera, Minnesota Opera, ACT (Seattle), and San Jose Repertory Theatre. Awards include Bay Area Theatre Critics Circle Awards, Kite Runner and Execution of Justice; Drama-Logue Award, Cyrano; Colorado Theatre Guild and Denver Ovation Awards, Mariela in the Desert, Doubt, Plainsong, I’m Not Rappaport, and Pierre; 2007 Quadrennial Design Exposition, Pierre.

Mathew J. LeFebvre (Costume Designer) returns to ATC where he designed costumes for Sherlock Holmes and the Adventure of The Suicide Club, Ma Rainey’s Black Bottom, A Raisin in the Sun, and Jitney. His Off-Broadway credits include Two Trains Running at Signature Theatre ( Award winner/Best Revival of a Play, AUDELCO Award nominee/Costume Design) and Bach at Leipzig for New York Theatre Workshop. Mr. LeFebvre has designed costumes for over twenty productions at Guthrie Theater, including A Christmas Carol, A Streetcar

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Named Desire, 1776, She Loves Me, Pride and Prejudice, Wintertime, Merrily We Roll Along, and School for Scandal. He has designed costumes for several Penumbra Theatre Company productions including Fences, Redshirts, Get Ready, Grandchildren of the Buffalo Soldiers, On the Open Road, Black Eagles, Joe Turner’s Come and Gone, Jitney, and both scenery and costumes for Gem of the Ocean. Other regional credits include The Old Globe, The Acting Company, Milwaukee Repertory Theater, Trinity Repertory Company, Cleveland Play House, Theatre de la Jeune Lune, Geffen Playhouse, The Jungle Theater and American Players Theatre.

Don Darnutzer (Lighting Designer) has designed 60 shows for ATC since 1981. His most recent designs include Wait Until Dark; The Mountaintop; Sherlock Holmes and the Adventure of The Suicide Club; Ma Rainey’s Black Bottom; Touch the Names; Love, Janis; and I Am My Own Wife. He designed the lighting for Broadway’s production of It Ain’t Nothin’ but the Blues and Off- Broadway’s Hank Williams: Lost Highway, Almost Heaven and The Immigrant. He has worked for American Conservatory Theater, Guthrie Theater, Kennedy Center for the Performing Arts, Oregon Shakespeare Festival, Cleveland Play House, New Orleans Opera, Denver Center Theatre Company, Portland Opera, Kansas City Repertory Theatre, Alley Theatre, Seattle Repertory Theatre, BB King’s Blues Club in NYC, Palm Beach Opera, Shakespeare Theatre Company, The Repertory Theatre of St. Louis, Actors Theatre of Louisville, Penumbra Theatre and Geva Theatre Center.

Brian Jerome Peterson (Sound Designer) celebrates his 30th season at ATC, where he has designed 82 productions, including A Christmas Carol, Santaland Diares, , Five Presidents, Wait Until Dark, Around the World in 80 Days, The Importance of Being Earnest, The Sunshine Boys, Jane Austen’s Emma, The Great Gatsby, , Ma Rainey’s Black Bottom, , Ain’t Misbehavin’, George is Dead, Somebody/Nobody, Enchanted April, Touch the Names, I Am My Own Wife, Twelfth Night, Tuesdays with Morrie, Crowns, Macbeth, The Pirates of Penzance, The Immigrant, , Oh Coward!, , Fully Committed and The Mystery of Irma Vep (for which he won an ariZoni Award) and the world premieres of Sherlock Holmes and the Adventure of The Suicide Club, Dr. Jekyll and Mr. Hyde, Sherlock Holmes: The Final Adventure, Inventing van Gogh, Rocket Man, Minor Demons and The Holy Terror. His designs have been heard in many theatres including GEVA, Berkeley Repertory Theatre, Seattle Repertory Theatre, The Cleveland Play House, Northlight Theatre, Portland Center Stage, Actors Theatre of Louisville and San Jose Repertory Theatre Milwaukee Repertory Theatre, and the Bay Street Repertory Theatre.

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Timothy Toothman (Stage Manager) is the Artistic Associate at ATC. He most recently stage managed ATC’s productions of A Christmas Carol, The Santaland Diaries, A Weekend with Pablo Picasso, Five Presidents, Wait Until Dark, Around the World in 80 Days, The Importance of Being Earnest, Freud’s Last Session, Lombardi, Daddy Long Legs and God of Carnage, among others. Mr. Toothman spent five seasons as the Production Stage Manager for the Geva Theatre Center in Rochester, NY and was then Company Manager for five years for Sunshine Too, a national touring ensemble of deaf and hearing actors. He has also managed producing and presenting theatres in Indiana and Maryland. Prior to moving to Arizona, Mr. Toothman spent eleven years as a program and grants director for the Maryland State Arts Council and the Connecticut Commission on the Arts. Mr. Toothman stage managed the National Heritage Awards Program for the National Endowment for the Arts for ten years and was the Production Stage Manager for six seasons at the Vineyard Playhouse on Martha’s Vineyard.

Brenda K. Walker (Assistant Stage Manager) returns to ATC, where she stage managed Snapshots and Xanadu. Past credits include No Way to Treat a Lady, In the Heights, Funny Girl, Fiddler on the Roof, It Shoulda Been Youi (SM), Jesus Christ Superstar, 42nd Street, Meet Me in St. Louis, and The Full Monty (ASM) for Village Theatre; and Measure for Measure (ASM) for Seattle Shakespeare Company.

Glenn Bruner (Assistant Stage Manager) is in his 19th season as Production Stage Manager at ATC where he has stage managed over 60 productions, including Romeo and Juliet, Five Presidents, Other Desert Cities, The Mountaintop, The Importance of Being Earnest, , The Sunshine Boys, , The Great Gatsby, The Mystery of Irma Vep, [title of show], The Kite Runner, Hair, Enchanted April, and the world premieres of Jeffrey Hatcher’s Sherlock Holmes and the Adventure of the Suicide Club and Ten Chimneys, and Steven Dietz’s Sherlock Holmes: The Final Adventure, Rocket Man, Inventing van Gogh, and Over the Moon. Mr. Bruner has worked at Kansas City Repertory Theatre, Alley Theatre, Dallas Theater Center, Pasadena Playhouse, Centerstage, Studio Arena Theatre, and Maine’s Portland Stage Company. Mr. Bruner was the 2012 recipient of the Lucy Jordan Recognition Award, presented annually by the Western Region of Actors’ Equity Association. He has been a member of AEA since 1981.

The Actors and Stage Managers The Director is a member of the The Scenic, Costume, Lighting and employed in these productions are Stage Directors and Choreographers Sound Designers in LORT Theatres members of Actors’ Equity Association, Society, an independent national are represented by Union Scenic the Union of Professional Actors and labor union. Artists Local USA-829, IATSE. Stage Managers in the United States.

13 FROM THE EXECUTIVE PRODUCER OF HBO’S REAL TIME WITH BILL MAHER.

“FUNNY AND THOUGHT-PROVOKING...HILARIOUSLY THEATRICAL!” – LOS ANGELES TIMES

BY SCOTT CARTER

PERFORMING AT THE TEMPLE OF MUSIC AND ART 04/09/16–04/30/16 ARIZONATHEATRE.ORG BOX OFFICE: 520-622-2823 SEASON SPONSOR: I. MICHAEL & BETH KASSER DAVID IRA GOLDSTEIN ARTISTIC DIRECTOR

PRESENTS A STRAY CAT THEATRE PRODUCTION

SEX WITH STRANGERS BY LAURA EASON

Ron May...... Director Eric Beeck...... Scenic Designer Danny Chihuahua...... Costume Designer Paul Black...... Lighting Designer Pete Bish...... Sound Designer B Reeves...... Prop Designer Ruth Farber...... Production Stage Manager

New York Premiere produced by Second Stage Theatre, New York, 2014 Carole Rothman, Artistic Director

Sex with Strangers was developed through Steppenwolf Theatre Company’s New Play Initiative, was presented as part of its First Look Festival of New Works, and the world premiere was produced by Steppenwolf Theatre Company, Chicago, IL; Martha Lavey, Artistic Director and David Hawkanson, Executive Director.

Sex with Strangers is presented by special arrangement with Dramatists Play Service, Inc., New York.

COVER ART BY: Esser Design ATC 2015/2016 SEASON SPONSORS: I. MICHAEL AND BETH KASSER

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CAST (IN ORDER OF APPEARANCE)

Heather Lee Harper*...... Olivia Tyler Eglen ...... Ethan

*Appears courtesy of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

PLACE: TIME: ACT I: A bed and breakfast in rural . The present. ACT II: Olivia’s apartment in Chicago.

Sex with Strangers is performed with one fifteen-minute intermission.

STRAY CAT STAFF Ron May...... Artistic Director Louis Farber...... Associate Artistic Director Michael Peck ...... Production Manager Brooke Unverferth...... Box Office Cameo Hill...... Graphic/Program/Web Design John Groseclose...... Photography

Cell phones and other devices that make a noise can greatly disturb your fellow audience members and the performers. PLEASE TURN THEM OFF before the performance and again after intermission.

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THE CAST

Heather Lee Harper (Olivia) has previously appeared at ATC in Romeo and Juliet. Selected Off-Broadway/New York Credits include The Violet Hour (Active Theater); King Stag (Long Wharf Development Series); AliceAnon (New Georges Theater); Courtney & Kathleen: A Riot Act (La Mama); Manson: The Musical (The Krane Theater); Undeniable Desire, Tom’s Children, and Infusions: Tennesse William’s 100th Birthday Celebration (Blue Roses Theatre Company). Local credits include Hotel Athena, R&J Void (HOWL Theatre Project); Thomas and the Library Lady (Geva Theatre Center/Childsplay); E2 (Nearly Naked Theatre); A Clockwork Orange (Stray Cat Theatre); The Tempest (Southwest Shakespeare Company); Wait Until Dark (Tempe Little Theater, ariZoni winner for Best Leading Actress). Ms. Harper trained at the American Academy of Dramatic Arts in L.A., Pàn Theatre in Paris, and holds a B.A. in theater from ASU. She is a company member of Blue Roses Theater (NYC), founding member of the Active Theatre (NYC) and Howl Theatre Project (PHX). Ms. Harper is a proud member of the Actors Equity Association. Tyler Eglen (Ethan) appeared in Wolves and The Last Days of Judas Iscariot, both with Stray Cat Theatre under the direction of Ron May. He appeared in Paul Gordon’s musical version of Jane Austen’s Emma at ATC. Other recent Valley credits include The Boy Who Loved Monsters and the Girl Who Loved Peas (Evan) and Junie B. Jones: Jingle Bells, Batman Smells (Herb) with Childsplay, and The Book Club Play (Will) and The Cottage (Clark) with Actors Theatre. Tyler has worked as an actor, fight choreographer, education artist, and designer for numerous companies outside of the valley including The Shakespeare Theatre of New Jersey, Playwrights Theatre, Garfield Shakespeare Co., Actor’s Shakespeare Company, and many more. A Phoenix-based actor and full-time science educator, he received his M.F.A. in theatre performance from Arizona State University.

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Laura Eason (Playwright) is a story editor on season three of the Emmy award-winning Netflix show House of Cards. She was a staff writer on season two (WGA nomination for outstanding achievement in a drama series.) Her new musical, Days Like Today, with music and lyrics by Alan Schmuckler, was produced in a critically acclaimed, sold out run at Writers’ Theatre in Chicago. Her play Sex with Strangers (Sydney Theatre Company, Australia; Steppenwolf Theatre Company, Chicago) recently played at Second Stage Theatre in New York. It was directed by her longtime collaborator, David Schwimmer and starred Anna Gunn and Billy Magnussen. Her adaptation of Around the World in 80 Days (Lookingglass Theatre, Chicago; Baltimore Center Stage; Kansas City Repertory Theatre) was produced in a hugely successful production in the U.K. at The New Vic Theatre and the Royal Exchange in 2014. She has received Chicago’s Jeff Award for New Work and Adaptation. In New York, she is a member of Rising Phoenix Rep, an Affiliated Artist of New Georges and an alumna of the Women’s Project Playwright’s Lab. She is an active ensemble member and former Artistic Director of Lookingglass Theatre Company in Chicago, recipient of the 2011 Regional Theatre Tony Award. Ms. Eason is a graduate of the Performance Studies Department of Northwestern University. Originally from Chicago, she lives in Brooklyn, NY. Ron May (Director/Stray Cat Artistic Director) is the Founding Artistic Director for Stray Cat Theatre where his credits include Pulp, columbinus, Speech and Debate, Learn to Be Latina, and Wolves (all winners of Zoni Award for Best Overall Production – Non-Contracted Play/Musical) as well as [sic], The Normal Heart, A Clockwork Orange, The 4th Graders Present an Unnamed Love/Suicide, Trainspotting, Fat Pig, 4.48 Psychosis, A Number, Everything Will Be Different, An Impending Rupture of the Belly, Blackbird, Octopus, The Sparrow, The Last Days of Judas Iscariot, Heddatron, Sons of the Prophet, Chicks with Dicks, , The Whale, The Brothers Size, and Pluto. In 2010, he directed the Arizona staged reading of The Laramie Project: 10 Years Later, an Epilogue as part of a national project. As an actor, he has appeared as the “One Man” in Phoenix Theatre’s One Man, Two Guvnors; in Stray Cat’s Year of the Rooster; and The Agony and the Ecstasy of Steve Jobs for Actors Theatre. For Phoenix Theatre, he directed Buyer & Cellar and Bloody Bloody Andrew Jackson (Zoni for Best Overall Production – Contracted Musical). For Actors Theatre, he has directed Seminar, Hunter Gatherers, This, Boom, Augusta, The Pursuit of Happiness and A View of the Harbor. During the summer of 2001, he spent time in New York as a fellow in The Lincoln Center Theatre Director’s Lab. Eric Beeck (Scenic Designer) is in his fourth season with the amazing and talented members of Stray Cat Theatre. He gained his B.A. in technical theatre from Arizona State University and his M.A. in Scenography from Ohio University. Mr. Beeck has been working in technical theatre for the last 16 years. His work has been shown during the Prague Quadrennial as a winner of the Tobin Theater Arts Fund Award for his work in Ohio University’s production of Marat/Sade.

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He worked for two seasons as Resident Scenic Designer for Midland Community Theatre where he designed productions of Les Miserables, Assassins, The Producers, and (AACT Festival Award for Design Excellence). Mr. Beeck would like to thank all his friends and family for their love and support. Danny Chihuahua (Costume Designer) is the go-to costume design guru for Stray Cat Theatre. Mr. Chihuahua is in his fourth season with Stray Cat and is beyond excited about the lineup – it’s purr-fect! Other recent design credits include New Voices and A/I Tens at Actors Theatre of Louisville, where he served as the Costume Design Journeyman and Paul Owen Fellow. Selected Assistant Costume Design credits include In The Next Room, How We Got On, and Eat Your Heart Out from the 2012 Humana Festival of New American Plays. He holds a B.A. from Arizona State University in theatre design and production. Pete Bish (Sound Designer) marks his fifth time working with Stray Cat Theatre after serving as Sound Engineer for The Brothers Size and Sound Designer for Year of the Rooster, Pluto, and The TomKat Project. He would like to thank everyone at Stray Cat for this opportunity. Paul Black (Lighting Designer) is excited to be designing his first show at Stray Cat Theatre and returning to one of his favorite venues. Paul is a resident of Phoenix and has been designing in the Phoenix area for 27 years for companies including Actors Theatre of Phoenix, Arizona Theatre Company, Arizona Jewish Theatre, the Phoenix Opera Co., Phoenix Theatre and Arizona Broadway Theater. Lately however, Mr. Black has found himself on the road designing for The Walnut Street Theater in Philadelphia, Maltz Jupiter Theater, Theater Aspen, Music Theater of Santa Barbara, American stage in Florida, Carousel Dinner Theater in Akron, Fulton Opera house in Pennsylvania, Music Theatre of Santa Barbara, Main State Music Theater, Palm Beach Drama Works. Mr. Black spent 14 summer seasons with Music Theatre of Wichita where he was both a designer and the Production Manager. Working as a guest artist, Mr. Black has lectured at Arizona State University, University of Arizona, Cornel College, and Viterbo University. B Reeves (Prop Designer) is excited to be back at Stray Cat Theatre for another show, and to be working for Arizona Theatre Company for the first time. Ms. Reeves graduated from Ole Miss in 2012 with a B.F.A. in Costume Design and immediately moved out to the Valley. Ms. Reeves is coming up on her third season as the Resident Wardrobe Supervisor at Phoenix Theatre, but she is always delighted when she can get away to play with other theatres. Her only past production for Stray Cat Theatre is The Whale, where she designed and constructed the fat suit. Ms. Reeves would like to thank her mom, dad, and her family of choice here for all of their love and support.

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THE CREATIVE TEAM

Ruth Farber (Production Stage Manager) is pleased as pie to be back with Stray Cat Theatre. She can usually be found backstage with Arizona Opera or working with some of Arizona’s most amazing children through her day job with Free Arts of Arizona. She would like to thank those involved for their time, energy, brilliance, and creativity! Show love, get love, share your love. Louis Farber (Associate Artistic Director) is very excited to be a part of bringing Sex with Strangers to the stage and to be included in this collaboration between Arizona Theatre Company and Stray Cat. You may have seen him perform in Stray Cat’s production of The Flick, or maybe you caught his directorial effort last season of The TomKat Project. Mr. Farber is grateful to be a part of Stray Cat Theatre’s fourteenth season, which promises to continue our mission of bringing audiences engaging, exciting, and entertaining theatre. Special thanks to the entire cast and crew for all of their hard work, and of course to his lovely wife Ruth for stage managing and for letting him out to play. LOVE! Michael Peck (Production Manager) begins his third season as Production Manager for Stay Cat Theatre, having stepped into the role after directing punkplay in 2012, later directing Year of the Rooster in 2014. He’s made numerous appearances onstage in Stray Cat productions such as Fat Pig, An Impending Rupture of the Belly, All New People, and Pluto. Prior to his work as Production Manager for Stray Cat, he was one-fourth of the founding team of Chyro Arts Venue in Scottsdale where he was also technical director and later managing director. Mr. Peck would like to thank Ron, Louis, Ruth, Amanda, Brooke, the cast and crew, and of course our board of directors for their commitment, dedication and love for the company.

ADDITIONAL STAFF Dani Bratcher...... Assistant to the Stage Manager

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2015/2016 BOARD OF TRUSTEES

Chairperson Cameron C. Artigue Gammage & Burnham Chair-Elect Lynne Wood Dusenberry Retired UA Attorney & Community Volunteer Vice Chair/Tucson I. Michael Kasser Holualoa Companies Vice Chair/Phoenix Susan Plimpton Segal Gust Rosenfeld PLC Secretary Joanie Flatt Flatt & Associates, Ltd. Treasurer Jeffrey Gold Community Volunteer Immediate Past Chair Robert Glaser Cushman & Wakefield/ PICOR Commercial Real Estate Services Peter Akmajian Udall Law Firm LLP Char Augenstein Community Volunteer Kevin Gebert Holualoa Capital Management Jay Glaser Community Volunteer David Ira Goldstein Artistic Director, Arizona Theatre Company Daniel J. Hagerty DeVos Institute of Arts Management Jennifer Lohse Tucson Foundations Priscilla Marquez Tucson Hispanic Chamber of Commerce Sandra C. Maxfield Community Volunteer Linda “Mac” Perlich OnMedia Michael Seiden MJS Enterprises Robert Taylor Salt River Project Steven Tepper Arizona State University EMERITUS TRUSTEES Paul Baker, Darryl Dobras, Katie Dusenberry, Shirley Estes, Donald Nickerson*, Marilyn Papp, George Rosenberg*, Dr. John P. Schaefer, F. William Sheppard, Carol Duvall Whiteman

HONORARY BOARD TRUSTEES Bob Begam*, Betsy Bolding, Joan Kaye Cauthorn, Jack Davis, Slivy Edmonds, Norma Feldman, Catherine “Rusty” Foley, Joe Gootter, Carole Kraemer, Jessica Lazarus, Sally Lehmann, Gerry Murphy, Emily Rosenberg Pollock, Nina Trasoff, Arlene Webster, Ruth A. Zales *Deceased

A special note of thanks to the partners and staff at Lewis Roca Rothgerber for hosting ATC’s Board of Trustees’ meetings.

Jessica L. Andrews, Managing Director Emeritus

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ARTISTIC DIRECTOR

David Ira Goldstein this season celebrates his 24th season as Artistic Director of Arizona Theatre Company. In that time, he has produced and/or directed over 200 mainstage plays, workshops, readings, and presentations including acclaimed appearances by the of Great Britain and the Theatre Royal Bath. He received the 2010 Leader of the Year Award in Arts and Humanities from the Capitol Times and the 2003 Governor’s Arts Award as Individual Artist for his contributions to the arts in Arizona. This season he will direct Disgraced and The Santaland Diaries for ATC. He has directed over 40 mainstage productions for ATC ranging from classics to new plays to musicals, including Next to Normal, The Sunshine Boys, Hair, Much Ado about Nothing, My Fair Lady, Valley Song, The Illusion, The Pajama Game, , [title of show], , Wait Until Dark, Xanadu, The Mystery of Irma Vep, Scapin, The Two Gentlemen of Verona, The Boys Next Door, Shadowlands, Fully Committed, The Pirates of Penzance, H.M.S. Pinafore, Willi, Dreams from a Summer House, Other People’s Money, , Noises Off and A Midsummer Night’s Dream, as well as many world premieres including The Kite Runner by Khaled Hosseini; Sherlock Holmes: The Final Adventure (winner of the Edgar Award from the Mystery Writers of America); Inventing van Gogh, Rocket Man, Private Eyes, Over the Moon and Dracula by Steven Dietz; and Ten Chimneys, Dr. Jekyll and Mr. Hyde (Edgar Award nominee) and Sherlock Holmes and the Adventure of The Suicide Club (Edgar Award nominee) by Jeffrey Hatcher. Mr. Goldstein has been a guest director at theatres all across the country including Arizona Opera, Pasadena Playhouse, Berkeley Repertory Theatre, Seattle Repertory Theatre, Florida Stage, Center Repertory Theatre, Kansas City Repertory Theatre, Northlight Theatre, San Jose Repertory Theatre, Village Theatre, Geva Theatre Center, Laguna Playhouse, Repertory Theatre of St. Louis, Mixed Blood Theatre, The Children’s Theatre Company in Minneapolis, Alaska Repertory Theatre, and Illusion Theatre. His musical A Marvelous Party: The Noël Coward Celebration, which originated at ATC, has played extensively across the U.S., winning many awards including four Jeff Awards in Chicago (including Best Director), the Elliot Norton Award in Boston, several Bay Area Theatre Critics Circle Awards, and the Los Angeles Drama Critics Award for Best Production. Before coming to Arizona, Mr. Goldstein was Associate Artistic Director of ACT Theatre in Seattle. His many productions there included , Hapgood, Breaking the Silence, Lloyd’s Prayer, the world premieres of God’s Country by Steven Dietz and Willi by John Pielmeier, as well as a joint Soviet-American production of The Falcon. He was Associate Artistic Director at Actors Theatre of St. Paul from 1983-86. Mr. Goldstein holds an M.F.A. from the University of Minnesota. He has been a visiting instructor and director at ASU, University of Washington, University of Minnesota, and University of Northern Iowa. He has served as a panelist for the National Endowment for the Arts, Theatre Communications Group, Arts Midwest, and the Arizona, Minnesota, Oregon and Washington State Arts Commissions. Mr. Goldstein is a proud Union member of the Stage Directors and Choreographers Society and Actors’ Equity Association. He is married to KJZZ radio announcer Michele Robins. They share their home with their dogs and cats: Rio, Rocky, Cary, Reggie, Dexter, and Benny.

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CORPORATE AND FOUNDATION DONORS

ATC is proud to acknowledge the following donors who made contributions to the ATC Annual Fund from July 1, 2014 to December 1, 2015:

The Maurice and Meta Gross Foundation ANGELS Phoenix Suns Charities BACKERS $25,000 AND UP Scottsdale Cultural Council $1,000 - $1,749 APS Tucson Electric Company American Express Arizona Commission on the Arts Bank of America Caid Industries Boeing Co. City of Phoenix DESIGNER’S CIRCLE The Charro Foundation The David C. and Lura M. Lovell Foundation $3,500 - $5,499 Eller College of Management Diamond Family Donor Advised Fund Alliance Bank of Arizona University of Arizona at the Jewish Community Foundation Arizona Community Foundation Hughes Federal Credit Union Holualoa Capital Management, LLC of Flagstaff Jewish Federation of Southern Arizona H.S. Lopez Family Foundation BMO Harris Bank N.A. Maizlish Family Foundation Jim Click Automotive Team Crest Insurance Group Margaret Mellon Hitchcock Foundation Lewis Roca Rothgerber LLP CyraCom International Inc. Nextrio, LLC Margaret E. Mooney Foundation Mission Management & Trust Co. ON Media Norville Foundation Rodel Foundation of Arizona PICOR Charitable Foundation Phoenix Office of Arts and Culture Sarah B. Smallhouse Advised Fund Resolution Copper SRP held at the Community Foundation The Schneider Group Stonewall Foundation for Southern Arizona Sharmen Roos State Farm Agency Virginia G. Piper Charitable Trust Shapiro Family Philanthropic Foundation Theater League Inc. Zazu Pannee Park Regent The Stocker Foundation Tucson Medical Center Watermill Financial Group PLAYWRIGHT’S GUILD PATRON $10,000 - $24,999 DIRECTOR’S CIRCLE $500 - $999 Arizona Community Foundation $1,750 - $3,499 Actor’s Equity Foundation, Inc. BeachFleischman PC Arizona Community Foundation of Sedona Becky and Doug Pruitt Family Fund City of Tempe Cultural Services Bill and Kathy Kinney Philanthropic Fund Donald Pitt Family Foundation Downtown Kitchen + Cocktails Break-Away Tours Fidelity Charitable Gift Fund Fiesta Bowl Charities Carstens Family Funds The Harold and Jean Grossman Family Gammage & Burnham The Evo and Ora DeConcini and Foundation Holsclaw Advisory Endowment Fund Thu Family Foundation Jennings, Strauss & Salmon Horizon Moving Systems Fischman Memorial Endowment The Molly and Joseph Herman Foundation Jewish Community Foundation of The Gadsden Company Phoebe R. and John D. Lewis Foundation Southern Arizona The Gordon Foundation Protravel International National Endowment for the Arts The Greater Cincinnati Foundation The Roth Family Foundation/Joan Roth PICOR Commercial Real Estate Services The John and Helen Murphey Foundation Russ Lyon Sotheby’s International Realty SynCardia Systems, Inc Joseph and May Winston Foundation Russ and Carolyn Russo Foundation Tucson Foundations Kinder Morgan Foundation Tucson Jewish Community Center LASSO Corp. University of Arizona Center for Long Realty Cares Foundation Integrative Medicine PRODUCER’S CIRCLE Humberto and Czarina Lopez $5,500 - $9,999 Jacqueline Ann Morris Memorial Foundation AGM Container Controls, Inc Jill and Kevin Madden FRIENDS The Bill and Donna Dehn Charitable Fund Merrill Lynch $250 - $499 City of Glendale – Public Arts Program Scottsdale League for the Arts ExxonMobil Foundation Matching Cox Communications Snell & Wilmer Gift Program Desert Diamond Casino Tancer Law Firm, P.L.C. IBM Matching Grants Program Esser Design Target Corporation Foothills Properties Fabulous Foods Torosian Foundation Schwab Charitable Fund University of Arizona Medical Center Tucson Museum of Art Vance Foundation

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INDIVIDUAL DONORS

ATC is proud to acknowledge the following donors who made contributions to the ATC Annual Fund from July 1, 2014 to December 1, 2015:

Enid and Michael Seiden ANGELS Judy Seinfeld DIRECTOR’S CIRCLE $25,000 and Up F. William Sheppard and Range P. Shaw $1,750 - $3,499 Anonymous Nancy Swanson and Kathleen Zywicki Kelly and Ken Abrahams Alice and Paul Baker Jack Wahl and Mary Lou Forier Darla and Loren Acker Christine and Daryl Burton Michael Willoughby Roberta Aidem Shirley Estes Affinity Eye Care/Dr. Robert Mulgrew I. Michael and Beth Kasser Peter Akmajian and Colleen Cacy Czarina and Humberto Lopez DESIGNER’S CIRCLE Mara and Keith Aspinall Anne Lovell and Tom Warne $3,500 - $5,499 John and Christine Augustine Dolly and Jim Moran Mary and Todd Anderson Mr. A. Frederick Banfield and Mac and Russ Perlich Jessica L. Andrews and Ms. Eileen M. Fitzmaurice Enid and Mel Zuckerman Timothy W. Toothman Mary Ellen and Emery Bartle Barbara and Franklin Bennett Denice Blake and John Blackwell PLAYWRIGHT’S GUILD Betsy Bolding Dr. Jose and Frances Burruel Connie and Rodney Boorse Aroon Chinai $10,000 - $24,999 Carol Mae Butler Estate Ginny Clements Anonymous Susan Call Ed and Arlene Cohen Paul and Mary Bancroft Jacklyn Connoy and William Maguire Shelly Cohn and Mollie Trivers Darryl and Mary Ann Dobras Len and Doris Coris Jan Copeland Bruce and Katie Dusenberry Martha Durkin Vanne and Robert Cowie Joanie Flatt Bruce L. and Lynne Wood Dusenberry Mark and Julie Deatherage Jay and Babs Glaser Raoul Encinas Geraldine and Michael DeMuro David Ira Goldstein and Deanna Evenchik Marjorie and Gerald Dixon Michele Robins Goldstein Ellis F. Friedman and Irene Stern Friedman Andrew Dowd Sharon Harper Gail and Patric Giclas Norma and Stanley G. Feldman Scott Kendall Haun Davie Glaser in loving memory Catherine “Rusty” Foley Sandy and Bob Maxfield of David H. Glaser Robert Fortuno Liz and Fletcher McCusker Ellyn and Jeff Gold Fractured Earth Tile and Stone/ Mary Mochary Ellen and David Goldstein Ms. Elizabeth Miller Marilyn Papp Laurie and Chuck Goldstein Leslie Freed Jennifer A. Roberts Paulette and Joseph Gootter Ted and Barb Frohling Dr. Robert Gore Harry and Lois Garrett PRODUCER’S CIRCLE Daniel Hagerty and Michael Cook Harry George and Cita Scott Anne and David Hameroff Dr. Mary Jo Ghory $5,500 - $9,999 Donald Henke Leslie and Richard Glaze Anonymous Bob and JoAnne Hungate Debbie Goodman-Butler Mary and Cameron Artigue Mrs. Kathryn Chandler Juhan and Patrick Butler Alan and Char Augenstein Randy Kendrick Jeff Guldner Don and Jonae DeLong Drs. Steven and Marta Ketchel Leslie Hall and Ted Jarvi Bruce and Edythe Gissing Drs. Paul and Mary Koss Terri Hall Rob and Laurie Glaser Debra Larson Hazel Hare Judith Hardes Marilyn and Robert Metzger Elliott and Sandra Heiman Tandy and Gary Kippur Deborah Moss and Stephen Collins Jacqueline Hufford-Jensen Richard and Sally Lehmann Dr. and Mrs. Charles W. Otto Dan Kammrath Bill Lewis and Rick Underwood Mary and Matthew Palenica George Kellner Lori Mackstaller Mary Beth and Gerald Radke Robyn Kessler and Jeff Timan Elyce and Mark Metzner Jill and Herschel Rosenzweig Drs. George and Maria Knecht Jack and Becky Moseley Ken and Judy Ryan Ronald and Ruth Kolker Jeffrey and Susan Rein Gary Wolff and Sandy Gibson Linda Lambert Drs. John and Helen Schaefer Linda Wurzelbacher Eileen and John Lamse

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INDIVIDUAL DONORS

Amy Charles and Steve McMillan Mary and Heliodoro Sanchez DIRECTOR’S CIRCLE Mary Kathleen Collins Deborah and Marc Sandroff CONTINUED Mr. and Mrs. William Cullen Claire and Henry Sargent $1,750 - $3,499 Barbara and John Cummings Bart and Marcella Schannep Mr. and Mrs. Mark Landay A. Ennis Dale Carol and Randy Schilling Toby and Matt Lehrman Dr. and Mrs. William H. Dantzler Andy and Trisa Schorr Leroy Littleton Russell Dickey Suzanne and Lewis Schorr Elaine Litvack Joe Donor Ron and Patricia Schwabe Susan and Stacy Litvak Russell and Sharon Ewers Marc and Tracy Schwimmer Phil and Nora Mazur Fred Farsjo and Patti Payne Arlene and Morton Scult Pat and Wayne Needham Ronna Fickbohm Gulshan and Neelam Sethi Don and Peg Nickerson Carol Fink Chris Sheafe Richard and Shana Oseran Richard and Judith Flynn Cathy Shell Heather Reeves Pamela Frame Dr. William and Joanne Sibley Dr. and Mrs. Sanford H. Roth Mr. and Mrs. John Francesconi Ralph and Ingeborg Silberschlag Toby and Michael Rozen James Glasser Robert and Linnet Spangler Carol and Lex Sears Pamela Grissom Helen and Darryl Stern Susan P. Segal Jerome and Anita Gutkin Rebecca and Jerry Sundt Steve and Shelly Silverman J. Harries Pamela Sutherland Daniel and Evelyn Simon Sarajean Harwood Joan Sweeney Susan S. Small Theresa and William Hawgood Gail and Daniel Tenn and Sheri Sender and Rica Spivack Stephen and Amanda Heitz Susan and Glyn Thickett Phyllis E. and Richard D. Stern Pat and John Hemann Gerald and Linda Tumarkin Richard and Marie Stewart Ed and Sandy Holland Mrs. D. Rae Turley Col. Mary Pat Sullivan Dr. Ralph A. and Anna L. Jackson Patricia and Don Underwood Robert and Shoshana Tancer William and Judy Jenney Arthur Wadlund Diane Thorn Dr. and Mrs. Valerian Kaplan Richard Walker David and Dawn Veldhuizen Sandy and Richard Kauffman Marion Weber Barbara Vogen Susan King Maggie White Count Ferdinand and Alvin and Janice Kivel Ruth Zales and Kenneth Greenfield Countess Anita von Galen Don Klomp Dr. Richard and Madeleine Wachter Robert Knopf PATRONS Thomas Warne Patricia Langlin Marianne and Bill Leedy $500 - $999 Julia Waterfall-Kanter Anonymous (3) Brett Weaver and Linda Smith Jenni and Rob Leinbach Marc and Donna Levison Audrey and Daniel Abrams Russell and Kay Weed Joseph Acker Richard and Nancy Weiss Helaine Levy and Steve Alley Sharon Lewis and Mayor Shanken Joanne and Howie Adams Nancy and Jeff Werner Amy and Bob Adams Mark and Taryn Westergaard Samuel and Judy Linhart Ms. Edith Luty David Allen James Wezelman and Denise Grusin Susan and Larry Allen Allan and Diana Winston Anne and Ed Lyman Marilyn and Tom Merryweather Rob Aronoff Rosanna Miller Bob and Judy Atwell BACKERS Peggy and Gerry Murphy Lani and Josh Baker $1,000 - $1,749 Dr. James E. Nation Colleen and Brock Bakewell Anonymous (2) Jordan and Jean Nerenberg Jessica Barrancco Judy and Rory Albert Robert Present Tim Bender Susan and Larry Allen Jeff Rich Tony and Maria Beram Corbett and Pat Alley Charles Roehrick Paula and Edwin Biggers Gregory Anderson and Linda Holmes Tom and Eileen Rotkis Phylis and Gary Bolno Barbara and Mathis Becker Bernadette and Joaquin Ruiz Kay Bouma Susan Berg Mike Saavdeva Martha Brightwell Barbara and William Bickel Drs. Adib and Vivi Sabbagh Mary Brophy Susan and Brian Boylan Michael and Enriqueta Salvo Laura and Arch Brown Shirley Chann Harold Samloff Joan Kaye Cauthorn

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INDIVIDUAL DONORS

Richard Kalenka Jeffrey Rich PATRONS CONTINUED Julie and Stephen Kambeitz Ron Robinette and Sharon Roediger $500 - $999 Andra Karnofsky and Charles Gannon George and Bobbe Rosenberg Paul and Susan Charlton Julianna Kasper Anne and Lowell Rothschild Kris and Earl Cohen Pat Kaufman Jonathan Rothschild Sara Cohen Jamie and Bill Kelley Sue Samuels Monique Connor Raymond Kemp Annette and Bob Sandler Judie Cosentino Mr. and Mrs. Joseph Kendhammer Kathleen Schiemann Mr. and Mrs. Duane K. Cote Teresa Kim and Mark Quale Robert Schoeneman Andreas Coumides Kristin King Ellie and S.L. Schorr Gayla and Harlan Crossman Judy Kish Robyn and Edward Schwager Alicia and Jon Crumpton Gabrielle Klein Nancy Schwalm Shawne Cryderman Jo and Bob Koeper Deborah and William Scott Marjorie and George Cunningham Loren Krebs Joe and Polly Seeger Leslie Dashew Kathryn Lamm Mrs. Eugene W. Seklecki Patti Dennis Sherrie and Robert Lane Barbara and George Seperich Marnie and Harvey Dietrich Anne Leary and Bill Hemelt Stan Shafer Jan and Leo Dressel James K. LeValley and Nancy Philippi Drs. David Siegel and Linda Riordan Sally and Ralph Dunchin Dr. Alan Levenson and Rachel Goldwyn Raj Sivananthan Gail E. Dunlap John Lewis Richard Snodgrass and Merrie Brucks Joel Estes Herb and Nancy Lienenbrugger Joel Steinfeld William Estes Jennifer Lohse and Jason DePizzo Joan Strand John Ezell Lawrence Lucero Morton and Nina Susman Tammy Caillet-Falbaum and Suzan and Peter Makaus Ms. Susan M. Swick Vance Falbaum Nancy and Vance Marshall Mr. and Mrs. Hans J. Thiele Dr. Nelson Faux Rudy and Maria Mathews Hugh and Allyn Thompson Dr. and Mrs. John H. Finley Dorothy and Roy Mayeske Cheryl and Howard Toff Lazard Flot Peggy and Dennis McCarver Carrie Toth Denise and Robert Ford J. Stuart McIntyre Bonnie and John Trowbridge Wendy Gamble and Carl Kuehn Elsa McTavish David and Nancy Ulmer Elizabeth and Dietmar Gann Gregory and Emma Melikian Bob and Emily Vincent Drs. Margot W. and J.D. Garcia Claudine and Andrew Messing Ruth and Charles Waldron Becky and Dave Gaspar Joyanne and Fred Mills Barbara and John Walker Cathleen and Thomas Godfrey Jacques Montrose Mary Way Muriel and Marc Goldfeder Donnasu and Jim Moody Steven and Linda Wegener Donita Gross Patricia Morgan and Peter Salomon Libby and Bernard Weiner Jennifer Gross and Jerry LeFevre Shirley G. Muney Ellen Wheeler and David Nix Sara and Andrew Gyorke Brian and Nina Munson Jana Wilke Rita Hagel Trudi and Robert Murch Deborah and Wayne Willis Glen and Pam Hait Essie and George Nadler Steven Wool Ben Hall Nahom Family Trust/ Ann and Dan Nahom Mr. and Mrs. Ray Woosley Athia Hardt David Nelson Pamela and Stanley Hart Caren and Thomas Newman FRIENDS Kathy and James Haun Parviz Nikravesh and Agnes Stahlschmidt Michael and Phyllis Hawkins Leslie Nixon and Barry Kirschner $250 - $499 John Hay and Ruth Murphy Randi and James Nulty Anonymous (5) Suzie Hazan and Michael Burns Peggy Odendahl Robert Affholder Susan Hetherington Micheal and Patricia Ore Jerry Alpert and Vicki Myerson-Alpert Tom and Sandy Hicks Ann Patterson-Barton Dr. Joseph Alpert Marsha and Sid Hirsh Kathie and Bill Peterson Ovadan Amanova-Olsen and Irina Kirilova Sharon and Jesse Hise William Rapp and Kathy Kolbe Jos Anshell Darrell and Frances Hutchinson Paul Rathjen Julia and Neal Armstrong Deborah and Jeffrey Jacob Charles and Linda Redman Gregory Ash and Susan Johnson-Ash Frank Jacobson Michael Reuwsaat and Priscilla Storm Clara and Lee Ashton Leonard and Marcelle Joffe Sandra Rausch Karen Austen

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INDIVIDUAL DONORS

Elaine and Mario Espericueta John Irby and Norizan Osman FRIENDS CONTINUED Nancy and Richard Fintzy Lisa and Gary Israel $250 - $499 Mary Jo Fitzgerald Nancy and Brian Jackson Pamela and Frank Bangs Gregory Flaks Frank and Caroline Jank Emery and Jackie Barker Sherman and Sarilyn Fogel Jill and Stan Jankowski Robert and Jeannette Barnes Cindy and Jerry Foley Dr. Leo Jaques Mary and Bret Batchelor Brian Folkes Helen and Robert Jennette Char and Gerry Bates M. and R. Fowler Thomas Jenney Kathryn Bates Michael and Mary Fox Colleen Jennings-Roggensack John Bechman David and Cathy Freedman David Johnson Dr. Cash and Susanne Beechler Randall Friese Richard and Shirley Johnson Damon Bolling and David Horowitz Michael Garcia Susan and Bob Johnstone Richard Bookspan Kevin Gebert and Whitney Sheets Gary Jones Sharley Bryce Gary and Gini Gethmann Robert and Beverly Jones Ted and Karen Bore Charles M. Joyce Geyser Nathan Joseph and Carla Borkan Paul Giancola Lee and Gary Kains Kim and Don Bourn Harold and Patricia Gilbert Eric Kaldahl John and Susan Bowers Angela Glosser Sheila and Richard Kanter Sharon and Barry Briskman Elaine and John Goetz Fran Katz Diane and Donald Bristow Ann and Arthur Goldberg S.B. Katz, MD, JD and D. Stephenson Richard Broderick Barbara and Gerald Goldberg Lendre and King Kearns Corrine Brooks Midge and Gerald Golner Lisa and David Keene Eugene and Jeanne Bryan Kathryn and Edwin Goss Alan Kempner Sylvia and Herb Burton Jane and Robert Gray Allan and Carol Kern Shirley and Roland Calhoun Tom and Nancy Green Mel Kessler and Gail Fisher Ruth Callahan and Roxanne Griego Sue and Darrell Kidd Dimitri Voulgaropoulos Barbara Gurwitz and William Hall Bruce Kilbride and Lynn Krabbe Joanne and John Carhart Jerry Haack David and Patricia King Neal Cash and Sally Grant Diana and Lawrence Haas Susan and Carlton King Mr. and Mrs. D. Chavez Mary Haddad Kish Finnegan Margaret Chrisman Michael Hamant and Lynnell Gardner Don and Susan Kjerland Joyce Cohen and Leon Smith Michael Hammond Marsha and Donald Klein Sidney and Elaine Cohen Kenneth and Marian Handy Guy Knoller Lois and Tom Colberg Jill Hansen Bill and Linda Knox Margaret and James Coyle John and Robin Harris Renata Koliakinene Joan Coyne Seth Harris Anthony Krainik Ronald and Vic Crowe Monica and Jim Hart Lynne Lagarde and Bob Stankus Paula and Michael Culbert Ryan Hartman Arvie and Karen Lake Sandra and Anthony Dalessandro James and Victoria Haskins Sally Lanyon Barbara Davis Elizabeth and Jerrold Hatcher Jim and Gloria Lawrence Merrily and George Davis Lester and Suzanne Hayt Joan Le Fevre Claire and Wayne Decker Alma Haywood Philip and Ellen Leavitt Pennie DeHoff and Larry Wurst Dr. and Mrs. Arthur L. Herbst Sue and Robert Lebby Adrain Patel Delaloye Kerry and Bob Herbster Kwan S. Lee Dr. and Mrs. Philip E. Dew Richard Hertz and Doris Meyer Lola and Lew Lehrman Stephen and Ruth Dickstein William and Bethany Hicks Barbara and Martin Levy Mr. Tom Dinwiddie Marcia and Gregory Hillard Roy Loewenstein and Alana Stubbs Randi Dorman and Rob Paulus Marta and Robert C. Holl Mary and Paul Lynch Jan and Mickey Dowling Sidney Hollande Janet and Charles Lynn Janet and Harold Eastin Linda Hollars Matthew and Jo Ann Madonna Tom and Jackie Edwards Michael and Marian Holloway Andrea Malis Carole Eitingon Gerri and Barry Holt Mr. and Mrs. Thom Mansur Michael R. Elert and Dr. Honora A. Norton Glenn Howell Joan and Kit Marrs Lee and Spencer Elliott Cynthia Hubiak Judi and Alan Max Dennis Emond Judy McDonald

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INDIVIDUAL DONORS

Alexis and Steve Schallenberger Linda and Richard Whitney FRIENDS CONTINUED Tom and Chris Schatzman Preston and Katherine Whitt $250 - $499 Steven Schellhaas Thomas and Kay Williams Constance McMillin Patricia and Harry Schlosser Pamela and Dennis Winsten Cecilia Memjivar Rita and Steven Schlosser Krystyna Wolski and Ronald Bernstein Lynda Menis Paul and Jacqueline Schulz Marilyn and Peter Woods Kathryn and Richard Merkel Susan and Ford Schumann Mo Xiao Walter and Gloria Merkel Dr. Howard and Trudy Schwartz James and Carolyn Yeater Valla Merriman Olivia and Dev Sethi Flora Yee and Phil Derkum Francie Merryman Robert Sheely Barbara Zippel and Thomas Pickrell Darrel and Ann Merwin Carole and Charles Shnier Howard and Mary Zipser Debra and Jeffrey Messing Marvin Siegel and Eileen Bloom James Miller Dr. Caren Siehl GIFTS IN MEMORY OF Mr. and Mrs. George Mink Ken and Diane Skotak Georgia Acker by Joseph Acker Gary Molenda Steve and Anita Slaughter Charles Artigue by Gammage & Burnham, Jessica and Jeff Monash John and Phyllis Smiley Richard B. Burnham, F. William Frances Moore Anita Smith Shepard and Range P. Shaw, Curtis George and Nancy Moore Lois and Lowell Sorenson and Paula Ullman, Susan Watchman Melvin E. Mounts Martha and Brad Sowers and Terry Corbett Christine Muldoon Reed Spangler Larry Ash by Slobodan Popovic and Kay Musser Dr. Richard and Judy Spiegel Janie Shapiro Barbara Myers Gloria and Mark Spies Robert Begam by Jessica L. Andrews and Richard and Dana Naimark Monica Spivey Timothy W. Toothman, Begam Marks Carl and Carolyn Nau Linda Staubitz and Traulsen, David Ira Goldstein and Jan Olav and Lucille Flaaten B. Stea Michele Robins Goldstein, Ellen and Paula and Carl Olson Claire Steigerwald Mark Harrison John Parente Randy Sterna Ms. Beryl Beville by Matthew and Mr. and Mrs. Roger Peck Dan and Jill Stevenson Jo Ann Madonna Julia Pernet Doug and Jean Stuart Dr. Richard Call by Mrs. Susan M. Call Rachele and Joe Peterson Dan Suhr and Shelly Bunn Bob Cauthorn by John and Laura Almquist, Laurie and Tom Pew Teri and Don Sullivan Jessica L. Andrews and Timothy W. Steven Phillips Jay Sykes Toothman, Barbara Atwood, Alice and Violet and Darius Pirzadeh John Szafranski Paul Baker, Patricia Ballard, Thomas Potter Jean Thomas Deanna and Robert Bates, Jill Bishop, Sheila Press Stephen and Susan Thompson Betsy Bolding, Neal and Sally Cash, Ann H. Redding Neil and Marjorie Thornton Shirley J. Chann, Len and Doris Elaine and Eugene Rice Mr. and Mrs. Richard Tofel Coris, Edward Gentile and Deborah Joan Roberts Bruce and Catherine Uhl Rosenwald, Rob and Laurie Glaser, Janet and Roger Robinson James A. Ullman David Ira Goldstein and Michele Robins Tom Rogers David and Kathryn Unger Goldstein, Pamela Grissom, Naomi and Lynda and Edward Rogoff Nancy Utech Gene Karp, Shirley and Jim Kiser, Trudy Susan Rollins Sergio Valladolid Kohl, Clyde W. Kunz and Brian L. Arthur Tiana and Jeff Ronstadt Joan and Gerald Vandevoort George Loesch and Friends at Intersate Steve and Rebecca Rosenberg Ellen and David Vellanga General Media, Jennifer Lohse, David Barbara and Kent Rossman Tony and Rita Vickers Mackstaller and Lyn Papanikolas, Katie Rubin Carol Vivona Robert Marshall, Sandy and Robert Arnold and Carol Rudoff John and Connie Nygaard Wareing Maxfield, Brent Pichler, Judith Rich, Sharon and Richard Rundle Wendy Warne Jill and Herschel Rosenzweig, Robert David and Sonja Saar Gregory and Leigh Waterfall Strauss, Lisa Ungar, Patricia H. Maria Saldivar Sandra Webb and Bob Meyer Waterfall, Jan Wezelman and David Ellen and Stephen Saltonstall Caryll and Gerald Webner Bartlett, Ruth Zales and Ken Kathi and Doug Sanders Ronald and Mary Weinstein Greenfield, Enid and Mel Zuckerman Betty Ann Sarver Sami Weir and Jean Demonico Rudy Cosentino by Judie Cosentino Dina Scalone-Romero Virginia Weise Dan Davis by F. William Sheppard and and Fernando Romero Willard W. White Range P. Shaw

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INDIVIDUAL DONORS

George Rosenberg by Jessica L. Andrews David Ira Goldstein by Karen and Lionel GIFTS IN MEMORY OF and Timothy W. Toothman, Betsy Faitelson, Paulette and Joe Gootter CONTINUED Bolding, Nancy Cook, Winston H. Dines, Paulette and Joe Gootter by Len and Josephine Duveneck by Weegee and Winston Dines, Holliday Dines, David Doris Coris, Marcelle and Leonard Joffe, Scott Whiteford Ira Goldstein and Michele Robins Joan Sweeney, Lois and Tom Colberg, Jack Frakes by Cathy Whitlock Rowlette Goldstein, Dr. and Mrs. Martin Levy, Robert Present, Dr. and Mrs. Martin Levy, Adele Furman by Ina and Ian Shivack Lyn Papanikolas, David Mackstaller, Carol and Lex Sears, Marjorie and Gerald Allan Glaser by Jessica L. Andrews and Jane Sharples, and Elizabeth and Dixon, Joan Kaye Cauthorn, and Ralph Timothy W. Toothman, Alice and Paul William Woodin Thomas Eiff Baker, I. Michael and Beth Kasser, Ron Michael Schroeder by Raymond Kemp and David Hawkanson by Betsy Bolding Kessler and Jeff Timan, Lynn and Rick Douglas Beth and Mike Kasser by Ruth and Henry Mark Thomas Richard Segal by Jessica L. Andrews and Jacobson, Jill and Herschel Rosenzweig, Pat Goldstein by Holualoa Arizona, Inc Timothy W. Toothman, Betsey Bayless, Mr. and Mrs. Ray Woosley, Paul Kraft, Rose Gottlieb by James Erikson, Joanne Laura and Terry Bercovitz, Gina and Rick Leslie Glaze, Shelly Silverman, Adams, Jean and Marvin Glassberg, DeGraw, Norma and Stanley G. Feldman, Jody Gross, Scott Maizlish, and Joan Shigeko and Ke Hsieh, Lisa Humenik, Babs and Jay Glaser, David Ira Goldstein Kaye Cauthorn Rebecca Hurd, Linda and James and Michele Robins Goldstein, Ellen and Robyn Kessler by David Mackstaller and Kastella, Phyllis and Theodore Katz, Mark Harrison, Luana and Doug Manning, Lyn Papanikolas Hani and Nora Murad, Kenneth and Patricia Martin and Timothy Berg, Randy Kincaid by F. William Sheppard Phyllis Myslik, Wanda and Angelo Charles J. Muchmore and Karen Nyrop, and Range P. Shaw Petropolis, Sonja Reinhardt, Nancy and Nancy and Bruce Oyen, Michael Parrish Anne Kleindienst by F. William Lu Rudolph, Robert and Susan Shrager, and Susan Davis, Vicki and Scott Ruby, Sheppard and Range P. Shaw Dave Solomon Michelle and Stan Sparrow, F. William Matt Lerhman by Paulette and Joe Gootter Chris and Joel Hatfield by Norma and Sheppard and Range P. Shaw Sheryl and Helaine Levy by Len and Doris Coris, Stanley G. Feldman Dale Wanek Deanna Evenchik, Norma and Stanley Karl Haytcher by Jessica L. Andrews and Trudy Shapiro by Jessica L. Andrews and G. Feldman, Babs and Jay Glaser, Judi Timothy W. Toothman, Claudia Vazquez Timothy W. Toothman, Rob and Laurie Kessler, Richard and Sally Lehmann, Bob Hegyi by Raymond Kemp and Glaser, Slobodan Popovic and Janie Francie Merryman, Anne and Lowell Rick Douglas Shapiro Rothschild, Anne and Tim Schaffner, Dr. Arnold I. Hollander by Carol Hollander Larry Smith by Frank Davis, F. William Cristie and Bill Street, David and Mollie Hughes by Diane Tweedy Sheppard and Range P. Shaw Kathryn Unger Anna Jolivet by Jessica L. Andrews and Nemesio Trevino by Jessica L. Andrews Bill Lewis and Rick Underwood by F. Timothy W. Toothman and Timothy W. Toothman, David Ira William Sheppard and Range P. Shaw Walter Kaye by David Bartlett and Janice Goldstein and Michele Robins Goldstein Sandy Maxfield by Joan Kaye Cauthorn Wezelman, Kent and Nancy Barrabee, Alan Wall by Mr. and Mrs. Gerald Vegodsky Kevin E. Moore by David Ira Goldstein Leonard Dinnerstein, and Robert and Roger Babson Webber by Marlene M. Graf and Michele Robins Goldstein Olga Strauss Sara J. Wich by Anonymous Jean and Jordan Nerenberg by Elyce Renay F. Lehman by Carol Hollander and Mark Metzner Elayne Miller by Jan Wezelman and Anne Raymond by Ann Bladwin David Bartlett GIFTS IN HONOR OF Anne Rothschild by Norma and Donald Nickerson by Jessica L. Andrews Jessica Andrews by Paulette and Stanley G. Feldman and Timothy W. Toothman, Betsy Joe Gootter Patricia J. Ryan MSW by Terri Hall Bolding, Lathrop and Gage, LLP, Betsy Bolding by Becky and Dave Gaspar Karen Scates by Betsy Bolding David Ira Goldstein and Michele Joan Kaye Cauthorn by Ruth Zales and Bill Sheppard and Range Shaw by Robins Goldstein Kenneth Greenfield Raymond Kemp and Rick Douglas Alfena “Alfie” Norville by Jessica L. Darryl and Mary Ann Dobras by Jane Ralph and Ingeborg Silberschlag by Andrews and Timothy W. Toothman and Benjamin Norton, Reese and Marilyn Prince Mary Katherine Robinson by Jessica L. Nancy Woodling Geri Silvi by Slobodan Popovic and Janie Andrews and Timothy W. Toothman Danielle Faitelson by Karen and Shapiro, Angela Glosser Lionel Faitelson Annie Stein by Ms. Sondra Eastham Stanley Feldman by David Mackstaller Mr. and Mrs. Jim Von Germeten by and Lyn Papanikolas Ms. Sondra Eastham Jay Glaser by Linda Goldburgh Ruthie Zales by Marsha Cohen, Judy and Jay Feldstein

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STAFF

David Ira Goldstein, Artistic Director ARTISTIC ARTISTIC ASSOCIATE RESIDENT COSTUME DESIGNER TEACHING ARTISTS Timothy Toothman Kish Finnegan Shelby Athouguia, Annie Ballesteros, COMPANY MANAGER RESIDENT LIGHTING DESIGNER Heidi Barker, Brigitte Bechtel, Jason Ashley Simon T. Greg Squires Campbell, Kay Dawson, Athena Hagen, Amy LeGore, Lisa A. Leonhardt, Czarina LITERARY MANAGER RESIDENT SOUND DESIGNER Leyva, Russell Long, Marisa Lujan, Katherine Monberg Brian Jerome Peterson Sean Maynard, Jenise Melland, Rachel PLAYWRIGHT-IN-RESIDENCE Miller, Katherine Monberg, Marcus Elaine Romero LEARNING & EDUCATION Myler, Brian Jerome Peterson, Mercer Pinkston, Andrea Pratt, Sarah Ross, SPECIAL PROJECTS COORDINATOR LEARNING & EDUCATION MANAGER Matthew Wiener Luke Young Madison Thatcher, Jonathan Thompson, Candice Washburn LEARNING & EDUCATION ASSOCIATE Bryanna Patrick

PRODUCTION PRODUCTION MANAGER SCENIC ARTISTS STITCHERS Jennifer Smith Jesse Augustine, Lisa Lemke, Johanna Mariah Bowers, Louise Denetso, ASSOCIATE PRODUCTION MANAGER Martinez, Katherine Morter, Andie Pratt, Kyra Jones, Kat Pollack, Marthe Witte Christopher Gerling Liz Weibler WARDROBE SUPERVISOR STAGE CARPENTER (TUC) Sandahl Masson STAGE MANAGEMENT Russell Long LIGHTING & PROJECTIONS PRODUCTION STAGE MANAGER STAGE CARPENTER (PHX) Glenn Bruner Christian Miller LIGHTING & PROJECTIONS SUPERVISOR Kat Seaton STAGE MANAGER PROPERTIES Timothy Toothman MASTER ELECTRICIAN ASSISTANT TO THE STAGE MANAGER PROPERTIES MASTER Erica Harris Emma DeVore Paul Lucas ELECTRICS INTERN ASSISTANT PROPERTIES MASTER Ross Dennison SCENERY Katelin Ashcraft LIGHT BOARD OPERATOR (PHX) TECHNICAL DIRECTOR PROPERTIES INTERN Joycelin Jacobs Matthew Saxton Sarah Broyles OVERHIRE ELECTRICIANS Connor Adams, Colleen Carnahan, ASSISTANT TECHNICAL DIRECTOR COSTUMES & WARDROBE Phillip Blackwood Rick Holya, Dale Nakagawa, Max Sprinkle COSTUME SHOP MANAGER STAFF CARPENTERS SOUND Nicholas Fleming, Scott Greenleaf, Sean Darcy Elora Hofer Maynard, Arthur Potts COSTUME DESIGN MANAGER SOUND SUPERVISOR SCENIC CHARGE ARTIST Kish Finnegan Brian Jerome Peterson Brigitte Bechtel STAFF DRAPER PRODUCTION SOUND ENGINEER SCENIC ART INTERN Phyllis Davies Mathew DeVore Lydia Lopez DRAPER SOUND BOARD OPERATOR (PHX) Liz Weibler Billy Lopez SOUND ASSISTANT Jason Campbell

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STAFF

ADMINISTRATION

ASSOCIATE MANAGING DIRECTOR THE TEMPLE LOUNGE CUSTOMER SERVICE Robyn Lambert REPRESENTATIVE (TUC) MANAGER Sara Kavitch ADMINISTRATIVE ASSISTANT Emily Lucas Angela Aldrin CUSTOMER SERVICE ASSISTANT MANAGER REPRESENTATIVES (PHX) FRONT OFFICE VOLUNTEERS Alison Doran Carolyn Levin, Linda Schwartz Pat Boysen, Ellen Gurewitz, Barb Dominick-Price, Linda Vogel, Wendy CONCESSIONAIRES BOX OFFICE AGENTS (TUC) Sander, Nancy Kupers Angela Aldrin, Christine Badke, Dani Jenna Malkin, Toni Berry Gifford, Kim Grygutis, Cynthia Hough, HOUSE MANAGERS (TUC) ACCESSIBILITY Mariah McCammond, John McNiece, Brenna Mirano, April Putney, Dan Uroff Bill Bethel, Sonja Reinhardt ACCESSIBILITY COORDINATOR Eileen Bagnall MARKETING CONSULTANTS EXECUTIVE MANAGEMENT DEVELOPMENT PATRON RELATIONSHIP MANAGER Ron May William Russo DIRECTOR OF DEVELOPMENT ONLINE ENGAGEMENT COORDINATOR HUMAN RESOURCES Leslie Freed Erin Treat Dina Scalone GRANTS MANAGER MARKETING COORDINATOR AUDITORS Alexis Smith-Schallenberger Colin Buck Columna Beach, Fleischman & Co. ANNUAL FUND MANAGER MARKETING & COMMUNICATIONS Cynthia Wasco FACILITIES – TUCSON Crowley Communications DEVELOPMENT COORDINATOR FACILITIES MANAGER GRAPHIC DESIGN Carley Elizabeth Preston Horace Ashley Esser Design FINANCE MAINTENANCE TECHNICIANS IT SUPPORT David Fitch, Dean Morgan Team Logic IT DIRECTOR OF FINANCE & ADMINISTRATION PUBLIC RELATIONS TICKET SALES & The Kur Carr Group, Inc. Carrie Toth HOUSE MANAGEMENT SENIOR ACCOUNTING ASSOCIATE TICKET SERVICES MANAGER PATRON SERVICES DEPARTMENT Yvette Miranda Geri Silvi PATRON SERVICES SUPERVISOR ACCOUNTING ASSOCIATE BOX OFFICE MANAGER (TUC) Phil Bergstein Debbie Archuleta Michi Yamasaki PATRON SERVICES REPRESENTATIVES ACCOUNTING ASSISTANT ASSISTANT BOX OFFICE MANAGER (TUC) Shannon Harral, Aaron Rice Maria G. Moreno Carrie Luker

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THEATRE INFORMATION

THE TEMPLE OF MUSIC AND ART The Temple of Music and Art is a beautifully refurbished 1927 theatre, built in the Spanish Colonial style that flavors so much of our city. ATC has identified the following services and policies to ensure your comfort and enhance your experience at the theatre.

THEATRE POLICIES Latecomers will be seated only at an appropriate and predetermined break in action. In order not to disturb patrons who are already enjoying the performance, latecomers may be seated in alternate locations until intermission. As a courtesy to our patrons and the actors, the use of cameras and recording devices is not permitted within the theatre. Please restrict cellular phone use to the courtyard only. Children under five are not permitted in the theatre during performances. Emergency calls may also be made to the House Manager’s direct line: 520-884-4868. Smoking is not permitted anywhere within the building. Designated smoking areas are located in the front of the theatre only. In the event of smoking onstage, a sign will be posted in the lobby.

SPECIAL SERVICES The theatre is equipped with an in-house infrared transmission system for use by patrons with partial hearing loss or limited range of hearing. Complimentary assisted listening headsets are available prior to every performance at the Box Office. Please be prepared to leave a driver’s license or other form of identification while using your headset. Every production is available in American Sign Language. For information on the dates of our ASL performances, please contact the Box Office. An in-house FM broadcast system is used to provide a running audio description of the movement and activities onstage for patrons with limited vision. Pre-show tactile tours of the backstage area and a pre-show narration about our building, the performers, and interpretive information about the play itself are available upon request. Contact the Box Office to make your reservation for the audio described performances. Coordinated with the action onstage, those in open-captioned seating will be able to read the play’s dialogue displayed in large green letters on an LED screen. For open-captioned performance dates, contact the Box Office. Large print and Braille playbills are available for all performances in the House Manager’s office in the lobby of the theatre. Accessible seating is available via the Box Office for all performances. If you would like seating assistance at the theatre, please contact the House Manager at 520-884-4868.

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