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LO60 Juin2011.Pdf
MELLSKIP THE . RODRIGUE USE N°60 MIROSHAKA . LAPONK PHAZE ALEXHELL’S BEAUPAIN KITCHEN & &RODOLPHE JOSEPH D’ANVERS BURGER LELES BAL OGRES DES SURENRAGÉS LA ROUTE ORCHESTERARNAUD REBOTINI ÉTÉ 2011 MYMONOFOCUS JAZZY CHILD PSYKICKSOCALLED LYRIKAH JACQUESHOQUETS DUVALL FRANCE QUÉBEC BELGIQUE SUISSE 100.000 EXEMPLAIRES France DE GRIESSEN ATTENTION, FILLES BARBELÉES Chloé MONS LE MAG MUSICAL QU’ON N’ACHÈTE PAS ! LiLi Cros & 60 Thierry ChazeLLe soMMaire … sont heureux de vous an- noncer la sortie de leur pre- mier album en duo : Voyager 5 ON Y CROIT léger, en sortie nationale le 18 juillet chez L'Autre Distri- Venus in the Dust, Anakronic Electro Orkestra, bution. La tournée du même Alb, Viva and the Diva, Franco Mannara, GiedRé, nom s'annonce joyeuse et fructueuse avec plus de 100 Dona Confuse, Concrete Knives, Clytem Scanning dates sur les deux ans à venir, dont une présence au 11 Francofolies en juillet et à ON Y TIENT Paris en octobre ! Fred Alpi, L’Herbe Folle, Nestor is Bianca, Loki Starfish, Honey for Petzi, Monofocus RENCONTRES 17 Hoquets 19 Arnaud Rebotini 21 Shaka Ponk 22 Skip the Use 24 Les Ogres sur la route 26 Hell’s Kitchen & Rodolphe Burger 29 France de Griessen & Chloé Mons 34 Dossier Festivals 37 INITIATIVES Gérôme Guibert 39 LABEL HISTOIRE Crammed Discs 40 K COMME KÉBEC Socalled 42 FESTIVALS 46 BRUITAGE 54 CA GAVE La FiChe siGNaLee... ToC ! eDiTo LA RÉVOLUTION DES SILENCIEUX Sûr que tu te sens bien petit face à la puissance gigantesque comment ils le font. Chaque centime compte. Et chaque cen- des multinationales, des pouvoirs politiques, économiques time qui sort du système des pouvoirs sans lendemains, pour Été 2011 Été et financiers qui dirigent ton monde, face à tous ceux qui font nourrir plutôt des entreprises, des paysans ou des artisans et défont les choses pour leurs propres profits. -
Seeyousound III
s DON’T WAIT FOR THE PARTY. START THE PARTY. Importato e distribuito da Compagnia dei Caraibi | www.compagniadeicaraibi.com s SYSIII&INDEX Tickets&Info ......................................................................................................................................... 3 Seeyousound III ................................................................................................................................... 5 Contributi Istituzionali ........................................................................................................................... 6 Premi e Giurie ..................................................................................................................................... 10 Rassegna Internazionale Into the Groove ............................................................................................ 18 Rassegna Internazionale Trans-Global Express ................................................................................... 25 Concorso Internazionale Lungometraggi ( Long Play ) ......................................................................... 33 Concorso Internazionale Cortometraggi ( 7Inch ) ................................................................................. 47 Concorso Internazionale Videoclip ( Soundies ) ................................................................................... 55 DON’T WAIT Extra Festival ( Panels / Art Exhibitions / Visual&Sound / Dj Set / Party ) .............................................. 60 Programma&Map -
15 Tips for 5 Cities
#6 Companion Magazine #6 / 2015 Free for guests of 25h hotels € 5,50 / £ 4,00 $ 6,00 CHF companion-magazine.com A magazine by freundevonfreunden.com for 25hours Hotels featuring Fashion & Style, Food & Drink, Art & Entertainment, Wellness & Activity, People & Business from Berlin, Hamburg, Frankfurt, Vienna, Zurich & beyond Beyond Kale & A Way Success Company With Wood Highly successful entre- Yoga teacher and chef Belén Berlin Lumberjacks – preneur Bobby Dekeyser on Vázquez Amaro shares one Albrecht von Alvensleben the intricacies of valuing of her favorite dishes – and Max Pauen aka Bullen- material possessions. a winter special. berg make the cut in oak. A tour to the family forest. Interview, p. 13 Recipe, p. 16 Portrait, p. 26 15 TIPS WOVEN FOR 5 CITIES PLAY- Bits & Pieces, p. 4 GROUNDS One could call them playing fields – the nature-inspired, woven rugs and textile objects by Alexandra Kehayoglou. The designer specializes in items that usually just lay flat THE DO-IT-YOURSELF WOMAN on the ground, adding a third dimension and a touch of nature to any home. Lately, her craft has also extended to Pop star, feminist, do-it-yourself heroine, poster girl of art and fashion installations. COMPANION met with the the internet generation: Claire Boucher does it all. She Argentinian rising star in her Buenos Aires studio to speak achieved stardom in 2012 with her indie music project about heritage and happy accidents. Grimes. With “Art Angels,” the long-awaited follow-up to her breakthrough album “Visions,” the Canadian has once Spielwiesen könnte man sie nennen – die von der Natur in- again shown how a woman in the pop music industry can spirierten gewebten Teppiche und textilen Objekte von take her career into her own hands. -
Biu Withers by Rob Bowman He Was the Leading Figure in the Nascent Black Singer-Songwriter Movement of the Early 1970S
PERFORMERS BiU Withers By Rob Bowman He was the leading figure in the nascent black singer-songwriter movement of the early 1970s. BILL WITHERS WAS SIMPLY NOT BORN TO PLAY THE record industry game. His oft-repeated descriptor for A&R men is “antagonistic and redundant.” Not surprisingly, most A&R men at Columbia Records, the label he recorded for beginning in 1975, considered him “difficult.” Yet when given the freedom to follow his muse, Withers wrote, sang, and in many cases produced some of our most enduring classics, including “Ain’t No Sunshine,” “Lean on Me,” “Use Me,” “Lovely Day,” “Grandma’s Hands,” and “Who Is He (and What Is He to You).” ^ “Not a lot of people got me,” Withers recently mused. “Here I was, this black guy playing an acoustic guitar, and I wasn’t playing the gut-bucket blues. People had a certain slot that they expected you to fit in to.” ^ Withers’ story is about as improb able as it could get. His first hit, “Ain’t No Sunshine,” recorded in 1971 when he was 33, broke nearly every pop music rule. Instead of writing words for a bridge, Withers audaciously repeated “I know” twenty-six times in a row. Moreover, the two-minute song had no introduction and was released as a throwaway B-side. Produced by Stax alumni Booker T. Jones for Sussex Records, the single’s struc ture, sound, and sentiment were completely unprecedented and pos sessed a melody and lyric that tapped into the Zeitgeist of the era. Like much of Withers’ work, it would ultimately prove to be timeless. -
Jews and the West Legalization of Marijuana in Israel?
SEPTEMBER 2014 4-8 AMBASSADOR LARS FAABORG- ANDERSEN: A VIEW ON THE ISRAELI – PALESTINIAN CONFLICT 10-13 H.Е. José João Manuel THE FIRST AMBASSADOR OF ANGOLA TO ISRAEL 18-23 JEWS AND THE WEST AN OPINION OF A POLITOLOGIST 32-34 LEGALIZATION OF MARIJUANA IN ISRAEL? 10 Carlibah St., Tel-Aviv P.O. Box 20344, Tel Aviv 61200, Israel 708 Third Avenue, 4th Floor New York, NY 10017, U.S.A. Club Diplomatique de Geneva P.O. Box 228, Geneva, Switzerland Publisher The Diplomatic Club Ltd. Editor-in-Chief Julia Verdel Editor Eveline Erfolg Dear friends, All things change, and the only constant in spectrum of Arab and Muslim opinions, Writers Anthony J. Dennis the Middle East is a sudden and dramatic just as there is a spectrum of Jewish Patricia e Hemricourt, Israel change. opinions. Ira Moskowitz, Israel The Middle East is a very eventful region, As one of the most talented diplomats in Bernard Marks, Israel where history is written every day. Here history of diplomacy, Henry Kissinger Christopher Barder, UK you can witness this by yourself. It could said: “It is not a matter of what is true that Ilan Berman, USA be during, before or after a war – between counts, but a matter of what is perceived wars. South – North, North – South, to be true.” war – truce, truce – war, enemy – friend, Reporters Ksenia Svetlov Diplomacy, as opposed to war, facilitates Eveline Erfolg friend – enemy… Sometimes, these words (or sometimes hinders) conflict prevention David Rhodes become very similar here. and resolution, before armed conflict Neill Sandler “A la guerre comme à la guerre” and begins. -
The Hollyridge Strings
The Hollyridge Strings The Hollyridge Strings were an in-house act released by Capitol Records. Throughout the 1960's, they were perhaps best known for their instrumental versions of Beatles songs. In fact, so popular was their first album that an album exists by "The Mustangs" whose cover is a take- off of the cover to the first instrumental Beatles album by the Strings. Stu Phillips arranged and conducted the first three volumes, plus the album with solo songs on it. Perry Botkin, Jr. and Mort Garson did the honors on volume four, but Garson alone did the job on volume five. Botkin had previously conducted the Strings some years before. For the interested fanatic, here are the Hollyridge Strings' Beatles albums in all their glory: The Beatles Song Book Capitol (S)T-2116 Side One Side Two 1. From Me to You 1. Can't Buy Me Love 2. I Saw Her Standing There 2. All My Loving 3. Please Please Me 3. A Taste of Honey 4. P.S. I Love You 4. Do You Want to Know a Secret? 5. Love Me Do 5. She Loves You 6. I Want to Hold Your Hand Two songs from this LP are featured on the promotional album, Balanced for Broadcast, from June, 1964 (Capitol PRO-2634/5). The album was also reviewed in the June 6, 1964, issue of Billboard. This record surprised all critics by climbing to the #15 position in the Billboard album listings (August 22, 1964). As it continued to sell, the success of this album, the Strings' first, prompted Capitol to create a series of songbooks -- a series for which the band became known. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Queer Temporality and Aesthetics in Taylor Mac's the Lily's Revenge: a Dramaturgical Exploration of the Play at Umass Amherst
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses October 2018 Queer Temporality and Aesthetics in Taylor Mac's The Lily's Revenge: a Dramaturgical Exploration of the Play at UMass Amherst Gaven D. Trinidad University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Dramatic Literature, Criticism and Theory Commons, and the Other Theatre and Performance Studies Commons Recommended Citation Trinidad, Gaven D., "Queer Temporality and Aesthetics in Taylor Mac's The Lily's Revenge: a Dramaturgical Exploration of the Play at UMass Amherst" (2018). Masters Theses. 704. https://doi.org/10.7275/12713020 https://scholarworks.umass.edu/masters_theses_2/704 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. QUEER TEMPORALITY AND AESTHETICS IN TAYLOR MAC’S THE LILY’S REVENGE: A DRAMATURGICAL EXPLORATION OF THE PRODUCTION AT UMASS AMHERST A Thesis Presented by GAVEN D. TRINIDAD Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS September 2018 Theater © Copyright by Gaven D. Trinidad 2018 All Rights Reserved QUEER TEMPORALITY AND AESTHETICS IN TAYLOR MAC’S THE LILY’S REVENGE: A DRAMATURGICAL EXPLORATION OF THE PRODUCTION AT UMASS AMHERST A Thesis Presented By GAVEN D. TRINIDAD Approved as to style and content by: ___________________________________________________ Priscilla Page, Chair ___________________________________________________ Harley Erdman, Member ___________________________________________________ Daniel Sack, Member ________________________________________________ Regina Kaufmann, Department Chair Department of Theater DEDICATION To my parents for their support and love. -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol. -
GRIMES / D'eon Darkbloom
GRIMES / d'Eon Darkbloom TRACKLISTING d'Eon Side – 01 Telepathy 02 Thousand Mile Trench 03 Tounges 04 Transparency Grimes Side – 05 Orphia 06 Vanessa 07 Crystal Ball 08 Urban Twilight 09 Hedra “Darkbloom announces Grimes' arrival as an avant-pop force.” - Pitchfork CATALOGUE NUMBER: ABT017 ARTIST: Grimes / d'Eon TITLE: Darkbloom GENRE: Experimental, Synth-pop, Darkwave RELEASE DATE: May 20th, 2016 A joint release by LA's Hippos In Tanks and Montreal's Arbutus Records, the Darkbloom EP is a thrilling split by d'Eon and Grimes. AVAILABLE FORMATS: CD, LP TERRITORY: Worldwide Harnessing the dark energy of her sophomore album Halfaxa, along with the shimmering dream pop of her debut Geidi Primes, Grimes’ side represents a BOX LOT: LP – 30 synthesis of her two sonic personalities. Displaying a level of clarity and ASSOCIATED RELEASES: craftsmanship heretofore unseen in her releases, Boucher presents a stunning - ABT007 Grimes Geidi Primes new collection of ethereal dreamscapes that expand her creative palette without - ABT014 Grimes Halfaxa compromising the spectral presence she is known for. VINYL IS NOT RETURNABLE Following the Middle-Eastern-tinged R&B of 2010’s Palinopsia, d’Eon broadens CD: 884501501972 his stylistic breadth through reference to a number of electronic genres – for example, he simultaneously incorporates elements of Chicago footwork and new jack swing, but surprises the listener with strange forays into bygone genres such as UK drum and bass and trip hop. LP: 061297488162 Presently available worldwide on CD and Digital formats, Darkbloom will be available on vinyl, for the frst time in many territories, on May 20th, 2016. -
Received by NSD/FARA Registration Unit 07/29/2015 2:03:59 PM U.S. Department of Justice Supplemental Statement Washington, DC 20
Received by NSD/FARA Registration Unit 07/29/2015 2:03:59 PM OMB No. 1124-0002; Expires April 30,2017 u.s. Department of justice Supplemental Statement Washington, DC 20530 Pursuant to the Foreign Agents Registration Act of 1938, as amended For Six Month Period Ending 06/30/2015 (Insert date) I-REGISTRANT 1. (a) Name of Registrant (b) Registration No. Ceisler Media & Issue Advocacy, LLC 6266 (c) Business Address(es) of Registrant 1525 Locust Street Sixth Floor Philadelphia, PA 19102 2. Has there been a change in the information previously furnished in connection with the following? (a) If an individual: (1) Residence address(es) Yes • No • (2) Citizenship Yes • No • (3) Occupation Yes • No • (b) If an organization: (1) Name Yes • No H • (2) Ownership or control Yes • No _ (3) Branch offices Yes • No 0 (c) Explain fully all changes, if any, indicated in Items (a) and (b) above. IF THE REGISTRANT IS AN INDIVIDUAL, OMIT RESPONSE TO ITEMS 3,4, AND 5(a). 3. If you have previously filed Exhibit C1, state whether any changes therein have occurred during this 6 month reporting period. Yes • No B If yes, have you filed an amendment to the Exhibit C? YesD Nod] If no, please attach the required amendment. 1 The Exhibit C, for which ho printed form is provided, consists of a true copy ofthe charter, articles of incorporation, association, and by laws of a registrant that is an : organization. (A waiver of the requirement to file an Exhibit C may be obtained for good cause upon written application to the Assistant Attorney General, National Security Division, U.S. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.