Cambridge University Press 978-1-108-47399-6 — the New Irish Studies Edited by Paige Reynolds Index More Information
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Limits of Orality and Textuality in Ciaran Carson's Poetry
Grzegorz Czemiel Instytut Anglistyki Wydział Neofilologii Uniwersytet Warszawski Limits of orality and textuality in Ciaran Carson’s poetry praca doktorska napisana pod kierunkiem prof. dr. hab. Jerzego Jarniewicza Warszawa, 2012 Table of contents Introduction .............................................................................................................................. 4 Chapter One – The dialectics of orality and textuality ....................................................... 18 I Aspects of orality in The Irish For No ............................................................................ 18 The turn ........................................................................................................................... 18 The revival of the oral tradition .................................................................................... 19 The dialectic .................................................................................................................... 21 The Irish For No ............................................................................................................. 23 The ends of discourse ..................................................................................................... 28 Locality and the reservoir .............................................................................................. 32 The image of speech ....................................................................................................... 34 Ying-yang, I-Ching and politics ................................................................................... -
Aguisíní Appendices Aguisín 1: Comóradh Céad Bliain Ollscoil Na Héireann Appendix 1: Centenary of the National University of Ireland
Aguisíní Appendices Aguisín 1: Comóradh Céad Bliain Ollscoil na hÉireann Appendix 1: Centenary of the National University of Ireland Píosa reachtaíochta stairiúil ab ea Acht Ollscoileanna na hÉireann, 1908, a chuir deireadh go foirmeálta le tréimhse shuaite in oideachas tríú leibhéal na hEireann agus a d’oscail caibidil nua agus nuálaíoch: a bhunaigh dhá ollscoil ar leith – ceann amháin díobh i mBéal Feirste, in ionad sean-Choláiste na Ríona den Ollscoil Ríoga, agus an ceann eile lárnaithe i mBaile Átha Cliath, ollscoil fheidearálach ina raibh coláistí na hOllscoile Ríoga de Bhaile Átha Cliath, Corcaigh agus Gaillimh, athchumtha mar Chomh-Choláistí d’Ollscoil nua na hÉirean,. Sa bhliain 2008, rinne OÉ ceiliúradh ar chéad bliain ar an saol. Is iomaí athrú suntasach a a tharla thar na mblianta, go háiriithe nuair a ritheadh Acht na nOllscoileanna i 1997, a rinneadh na Comh-Choláistí i mBaile Átha Cliath, Corcaigh agus Gaillimh a athbhunú mar Chomh-Ollscoileanna, agus a rinneadh an Coláiste Aitheanta (Coláiste Phádraig, Má Nuad) a athstruchtúrú mar Ollscoil na hÉireann, Má Nuad – Comh-Ollscoil nua. Cuireadh tús le comóradh an chéid ar an 3 Nollaig 2007 agus chríochnaigh an ceiliúradh le mórchomhdháil agus bronnadh céime speisialta ar an 3 Nollaig 2008. Comóradh céad bliain ón gcéad chruinniú de Sheanad OÉ ar an lá céanna a nochtaíodh protráid den Seansailéirm, an Dr. Garret FitzGerald. Tá liosta de na hócáidí ar fad thíos. The Irish Universities Act 1908 was a historic piece of legislation, formally closing a turbulent chapter in Irish third level education and opening a new and innovational chapter: establishing two separate universities, one in Belfast, replacing the old Queen’s College of the Royal University, the other with its seat in Dublin, a federal university comprising the Royal University colleges of Dublin, Cork and Galway, re-structured as Constituent Colleges of the new National University of Ireland. -
HEANEY, SEAMUS, 1939-2013. Seamus Heaney Papers, 1951-2004
HEANEY, SEAMUS, 1939-2013. Seamus Heaney papers, 1951-2004 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Heaney, Seamus, 1939-2013. Title: Seamus Heaney papers, 1951-2004 Call Number: Manuscript Collection No. 960 Extent: 49.5 linear feet (100 boxes), 3 oversized papers boxes (OP), and AV Masters: 1 linear foot (2 boxes) Abstract: Personal papers of Irish poet Seamus Heaney consisting mostly of correspondence, as well as some literary manuscripts, printed material, subject files, photographs, audiovisual material, and personal papers from 1951-2004. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. -
Howard J. Garber Letter Collection This Collection Was the Gift of Howard J
Howard J. Garber Letter Collection This collection was the gift of Howard J. Garber to Case Western Reserve University from 1979 to 1993. Dr. Howard Garber, who donated the materials in the Howard J. Garber Manuscript Collection, is a former Clevelander and alumnus of Case Western Reserve University. Between 1979 and 1993, Dr. Garber donated over 2,000 autograph letters, documents and books to the Department of Special Collections. Dr. Garber's interest in history, particularly British royalty led to his affinity for collecting manuscripts. The collection focuses primarily on political, historical and literary figures in Great Britain and includes signatures of all the Prime Ministers and First Lords of the Treasury. Many interesting items can be found in the collection, including letters from Elizabeth Barrett Browning and Robert Browning Thomas Hardy, Queen Victoria, Prince Albert, King George III, and Virginia Woolf. Descriptions of the Garber Collection books containing autographs and tipped-in letters can be found in the online catalog. Box 1 [oversize location noted in description] Abbott, Charles (1762-1832) English Jurist. • ALS, 1 p., n.d., n.p., to ? A'Beckett, Gilbert A. (1811-1856) Comic Writer. • ALS, 3p., April 7, 1848, Mount Temple, to Morris Barnett. Abercrombie, Lascelles. (1881-1938) Poet and Literary Critic. • A.L.S., 1 p., March 5, n.y., Sheffield, to M----? & Hughes. Aberdeen, George Hamilton Gordon (1784-1860) British Prime Minister. • ALS, 1 p., June 8, 1827, n.p., to Augustous John Fischer. • ANS, 1 p., August 9, 1839, n.p., to Mr. Wright. • ALS, 1 p., January 10, 1853, London, to Cosmos Innes. -
James S. Jaffe Rare Books
JAMES S. JAFFE RARE BOOKS WINTER 2007 JAMES S. JAFFE RARE BOOKS LLC 790 Madison Avenue, Suite 605 (Madison Avenue at 67th Street) New York, New York 10021 Telephone: 212-988-8042 Mobile: 610-637-3531 Fax: 212-988-8044 Email: [email protected] Rare Books &**Manuscripts * Literature* *Poetry*** * James S. Jaffe *New York* JAMES S. JAFFE RARE BOOKS LLC 1 ALDINGTON, Richard. Death of a Hero. 2 vols., 3 790 Madison Avenue, Suite 605 4to, original paper wrappers, glassine outer wrappers, in publish- (Madison Avenue at 67th Street) er’s matching marbled paper chemise and slipcase. Paris: Henri New York, New York 10021 Babou and Jack Kahane, 1930. First unexpurgated edition. Limited Telephone: 212-988-8042 Mobile: 610-637-3531 to 300 numbered copies (the entire edition). The authoritative text Fax: 212-988-8044 of Aldington’s World War I novel, restoring the expurgations Email: [email protected] made to the previously published British and American trade edi- rare books & manuscripts · livres d’artistes tions, which were both bowdlerized owing to obscenity laws, al- prints & photographs · archives & appraisals though the American text was less sanitized than the British. Ker- shaw 56. Slipcase slightly bumped, with a bit of edge-wear, other- wise a fine copy. $1250.00 All items are offered subject to prior sale. All books and manuscripts have been carefully described; however, any 2 [ARCHITECTURE]. WRIGHT, Frank Lloyd. item is understood to be sent on approval and may be returned within seven An Autobiography. Tall square 8vo, illustrated, original black days of receipt for any reason provided prior notification has been given. -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
Cambridge University Press 978-1-107-18014-7 — Seamus Heaney in Context Edited by Geraldine Higgins Index More Information
Cambridge University Press 978-1-107-18014-7 — Seamus Heaney in Context Edited by Geraldine Higgins Index More Information Index Abbey Theatre, , Balkans, Adams, Gerry, Bantock, G. H., Aeschylus, Barańczak, Stanislaw, , , Agamemnon, Batten, Guinn, – afterlife, , , , , , BBC Northern Ireland, , aisling (dream-vision poem), , , , – Heaney archive, , Allen, Donald, New American Poetry –, BBC Schools Service, Explorations, , , Allen, Michael, Beckett, Samuel, , alliteration, , , , Beecroft, Alexander, Alvarez generation, Belfast, , , , , Alvarez, Al, , –, Belfast Group, , , –, , gentility principle, Bell, Sam Hanna, New Poetry, The, –, Benjamin, Walter, ‘Critique of Violence’, – ‘Beyond the Gentility Principle’, Berkeley, University of California, –, Amis, Kingsley, –, –, Amnesty International, , , Bancroft Library archive, , Republic of Conscience Award, Bishop, Elizabeth, , , , , , Anahorish School, Blake, William, , Anglo-Irish Revival, Blandiana, Ana, Aristotle, Poetics, Bloody Friday, Armitage, Simon, Bloody Sunday, , Sir Gawain and the Green Knight, – Bloom, Harold, , Armstrong, Sean, Modern Critical Views: Seamus Heaney, Arnold, Matthew, , , , , Bly, Robert, –, ‘Dover Beach’, Silence in the Snowy Fields, Attic Press, ‘Teeth-Mother Naked at Last, The’, Auden, W. H., , , , , , , Bockhampton, , ‘In Memory of W. B. Yeats’, , , bog bodies, , , , , , , ‘Shield of Achilles, The’, bog poems, , , , , , , , , ‘Spain ’, –, , – auditory imagination, , –, –, –, bogland, – , Bogside, battle of, -
Echi Classici Nell'opera Di Seamus Heaney
UNIVERSITA’ DEGLI STUDI DI PARMA Dottorato di ricerca in Filologia Greca e Latina (e fortuna dei classici) Ciclo XXVIII L’Orfeo d’Irlanda: echi classici nell’opera di Seamus Heaney Coordinatore: Chiar.mo Prof. Giuseppe Gilberto Biondi Tutor: Chiar.ma Prof. ssa Mariella Bonvicini Dottoranda: Lidia Sessi Indice Introduzione p. 2 Capitolo I: La tradizione classica in Irlanda p. 7 Capitolo II: In difesa della poesia p. 56 Capitolo III: L'Orestea d'Irlanda p. 97 Capitolo IV: Il rito della sepoltura tra Grecia classica e Irlanda moderna p. 146 Capitolo V: Vergilius redivivus p. 190 Appendice p. 253 1 Introduzione In considerazione del notevole numero di studi sull'opera di Heaney, pare opportuno che ogni nuovo lavoro dichiari la propria raison d'être. In altre parole, sembra necessario precisare quale contributo si presuma di offrire alla comprensione del percorso poetico di Heaney, anche in rapporto alle monografie e ai saggi esistenti. È il poeta stesso a indicare la chiave di lettura che meglio consente di cogliere il senso profondo della sua ricerca estetica ed etica. Nel componimento “Out of the Bag” il narratore richiama l'attenzione su “the cure / By poetry that cannot be coerced”1. Riassumendo in questo verso le qualità fondamentali dell'arte poetica, Heaney mette in luce i tratti distintivi della sua produzione, sempre alla ricerca, fin dalle prime prestazioni, di una mediazione fra le pressioni socio-politiche del mondo esterno e la volontà di mantenere intatto il potere terapeutico del medium poetico. Lo scopo di questa ricerca è quello di affrontare la lettura, o rilettura, delle poesie di Heaney, come egli stesso suggerisce in “Squarings XXXVII”: “Talking about it isn't good enough / But quoting from it at least demonstrates / The virtue of an art that knows its mind”2. -
Lot 1 the United Irishmen and Their Times by Robert R. Madden. 7 Individual Volumes from Different Editions 1843 On
Purcell Auctioneers - Auction Of A Collection Of Irish Historical Interest Books To Include Books From Eyrefield Lodge Stud (Co Kildare) And The John Nagle GAA Book Collection - Starts 17 Feb 2021 Lot 1 The United Irishmen and their Times by Robert R. Madden. 7 individual volumes from different editions 1843 on. Some plates, one attractive leather binding. Sold as a lot Estimate: 30 - 60 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 2 A Nest of Simple Folk, 1937; and A Purse of Coppers. 1937 by Sean O’Faolain, first editions and others similar including Guests of the Nation by Frank O’Connor, 1937 first edition. 15 books Estimate: 40 - 80 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 3 Music – musicians. 26 books on individual musicians, including Strauss, Bruckner, Bartock, Vaughan Williams, Montiverdi, Mozart, Beethoven, Handel, Hayden, Bach, Schubert, Brahms, Dvorak, Elgar, Chopin, Palestrina, and Wagner, and a few more modern autobiographies. 1940s to 1960s, all cloth bound, almost all in dust jackets. A good collection Estimate: 40 - 80 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 4 Music – History. 14 books on the history of classical music and musical instruments (organ & piano), 1940s to 1960s. All cloth bound, all but 3 in dust jackets. Useful collection Estimate: 30 - 60 Fees: 20% inc VAT for absentee bids, telephone bids and bidding in person 23.69% inc VAT for Live Bidding and Autobids Lot 5 Music – musicians. -
Volume 2, Issue 1, Bealtaine 2003
TRISKELE A newsletter of UWM’s Center for Celtic Studies Volume 2, Issue 1 Bealtaine, 2003 Fáilte! Croeso! Mannbet! Kroesan! Welcome! Tá an teanga beo i Milwaukee! The language lives in Milwaukee! UWM has the distinction of being one of a small handful of colleges in North America offering a full program on the Irish language (Gaelic). The tradition began some thirty years ago with the innovative work of the late Professor Janet Dunleavy and her husband Gareth. Today we offer four semesters in conversational Gaelic along with complementary courses in literature and culture and a very popular Study Abroad program in the Donegal Gaeltacht. The study and appreciation of this richest and oldest of European vernacular languages has become one of the strengths and cornerstones of our Celtic Studies program. The Milwaukee community also has a long history of activism in support of Irish language preservation. Jeremiah Curtin, noted linguist and diplomat and the first Milwaukeean to attend Harvard, made it his business to learn Irish among the Irish Gaelic community of Boston. As an ethnographer working for the Smithsonian Institute, he was one of the first collectors of Irish folklore to use the spoken tongue of the people rather than the Hiberno-English used by the likes of William Butler Yeats and Lady Gregory. Jeremiah Quinn, who left Ireland as a young man, capped a lifelong local commitment to Irish language and culture when in 1906, at the Pabst Theatre, he introduced Dr. Douglas Hyde to a capacity crowd, including the Governor, Archbishop, and other dignitaries. Hyde, one of the founders of the Gaelic League that was organized to halt the decline of the language, went on to become the first president of Ireland in 1937. -
Sweeney Astray and the Notebook Draft Seamus Hean
The Politics of Metaphor in Heaney’s Sweeney Astray I. Heaney’s Sweeney: Sweeney Astray and the notebook draft Seamus Heaney began translating the Middle Irish romance Buile Suibhne after moving south to Wicklow to work on his poetry full-time, in the summer of 1972.1 Forty or so pages into the notebook in which the project was first drafted, along the top of a page of miscellaneous notes, Heaney wrote in sprawling, green-ink capitals: LEFT ULSTER MYSELF / ALLEGORY. 2 These words lend credence to the commonly-held view, partly promulgated by Heaney himself, that the story’s protagonist – Suibhne, a king of Ulster driven mad during battle and transformed into a bird, who travels throughout Ireland reciting verses about his plight – first appealed to Heaney as an alter ego of sorts. Which elements of Suibhne’s case most struck a chord, however, is debatable. Sweeney’s defiant reappearance in the ‘Sweeney Redivivus’ section of Station Island the year after Heaney’s ‘version from the Irish’, Sweeney Astray, was published in 1983, suggests that the figure appealed to Heaney as a symbol of release from social and political obligations. Heaney’s claim in an interview of 2002 that Sweeney Astray came about because he ‘wanted an excuse to write about rain, wet, woods and trees’ points, further, to a desire to frame his translation of Buile Suibhne as not only the story of a figure freed from political ties, but itself a retreat from politics.3 Much in Heaney’s early draft, however, and his running commentary on it, suggests an urge to contribute to wider political debate, and consider the political implications of writing poetry. -
Chapter 1 Introduction: Making History?
Notes CHAPTER 1 INTRODUCTION: MAKING HISTORY? 1. Irish Times, Weekend Section, September 3, 1994. 'Ceasefire' has sub sequently been reprinted in Longley's collection The Ghost Orchid (London: Jonathan Cape, 1995, p. 39). The poem continues Longley's discovery in the classics, and in Homer particularly, of passages and incidents pertinent to the present. His collection before The Ghost Orchid, Gorse Fires (London: Seeker & Warburg, 1991), also contains moving, freely translated excerpts which press upon events in the North of Ireland. 2. 'Ulysses, Order, and Myth', Selected Prose of T.S. Eliot, edited with an introduction by Frank Kermode (London: Faber, 1975), p. 177. 3. Modernisms: A Literary Guide (London: Macmillan, 1995), p. 167. 4. Transitions: Narratives in Modern Irish Culture (Manchester University Press, 1988), p. 9. 5. Jonathan Bardon, A History of Ulster (Belfast: Blackstaff Press, 1992), pp.662-90. 6. 'The Irish Writer', Davis, Mangan, Ferguson? Tradition and the Irish Writer, writings by W.B. Yeats and Thomas Kinsella (Dublin: Dolmen Press, 1970), p. 66. 7. Francis Ledwidge: Selected Poems (Dublin: New Island Books, 1992), p. 11. 8. Field Work (London: Faber, 1979), p. 60. 9. Station Island (London: Faber, 1984), p. 37. 10. 'An Ulster Twilight', Krino, No.5, Spring 1988, p. 100. 11. Dublin: The Dedalus Press, 1994; London: Anvil Press, 1993. In the poem 'Irish Cuttings' from the latter collection, O'Driscoll has written a horrific and modern version of the aisling or vision poem in which Ireland is described as a young maiden, as an old farmer is blown up by a booby-trapped bomb in a copy of Playboy (p.