Bare Facts, Issue No. 804, 10.02.1994
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York NEWSLETTER Volume XXXIV, No
Institute for Studies In American Music Conservatory of Music, Brooklyn College of the City University of New York NEWSLETTER Volume XXXIV, No. 2 Spring 2005 Jungle Jive: Jazz was an integral element in the sound and appearance of animated cartoons produced in Race, Jazz, Hollywood from the late 1920s through the late 1950s.1 Everything from big band to free jazz and Cartoons has been featured in cartoons, either as the by soundtrack to a story or the basis for one. The studio run by the Fleischer brothers took an Daniel Goldmark unusual approach to jazz in the late 1920s and the 1930s, treating it not as background but as a musical genre deserving of recognition. Instead of using jazz idioms merely to color the musical score, their cartoons featured popular songs by prominent recording artists. Fleischer was a well- known studio in the 1920s, perhaps most famous Louis Armstrong in the jazz cartoon I’ll Be Glad When for pioneering the sing-along cartoon with the You’ re Dead, You Rascal You (Fleischer, 1932) bouncing ball in Song Car-Tunes. An added attraction to Fleischer cartoons was that Paramount Pictures, their distributor and parent company, allowed the Fleischers to use its newsreel recording facilities, where they were permitted to film famous performers scheduled to appear in Paramount shorts and films.2 Thus, a wide variety of musicians, including Ethel Merman, Rudy Vallee, the Mills Brothers, Gus Edwards, the Boswell Sisters, Cab Calloway, and Louis Armstrong, began appearing in Fleischer cartoons. This arrangement benefited both the studios and the stars. -
100 Years: a Century of Song 1930S
100 Years: A Century of Song 1930s Page 42 | 100 Years: A Century of song 1930 A Little of What You Fancy Don’t Be Cruel Here Comes Emily Brown / (Does You Good) to a Vegetabuel Cheer Up and Smile Marie Lloyd Lesley Sarony Jack Payne A Mother’s Lament Don’t Dilly Dally on Here we are again!? Various the Way (My Old Man) Fred Wheeler Marie Lloyd After Your Kiss / I’d Like Hey Diddle Diddle to Find the Guy That Don’t Have Any More, Harry Champion Wrote the Stein Song Missus Moore I am Yours Jack Payne Lily Morris Bert Lown Orchestra Alexander’s Ragtime Band Down at the Old I Lift Up My Finger Irving Berlin Bull and Bush Lesley Sarony Florrie Ford Amy / Oh! What a Silly I’m In The Market For You Place to Kiss a Girl Everybody knows me Van Phillips Jack Hylton in my old brown hat Harry Champion I’m Learning a Lot From Another Little Drink You / Singing a Song George Robey Exactly Like You / to the Stars Blue Is the Night Any Old Iron Roy Fox Jack Payne Harry Champion I’m Twenty-one today Fancy You Falling for Me / Jack Pleasants Beside the Seaside, Body and Soul Beside the Sea Jack Hylton I’m William the Conqueror Mark Sheridan Harry Champion Forty-Seven Ginger- Beware of Love / Headed Sailors If You were the Only Give Me Back My Heart Lesley Sarony Girl in the World Jack Payne George Robey Georgia On My Mind Body & Soul Hoagy Carmichael It’s a Long Way Paul Whiteman to Tipperary Get Happy Florrie Ford Boiled Beef and Carrots Nat Shilkret Harry Champion Jack o’ Lanterns / Great Day / Without a Song Wind in the Willows Broadway Baby Dolls -
Kcfringe2013online.Pdf
WELCOME to FRINGE Welcome to the 9th annual Kansas City Fringe Festival! Thanks to our amazing group of over 200 volunteers we are able to produce the KC Fringe Festival — an eleven day celebration of all things art in Kansas City. The Board of Direc- tor and Committee of Operations includes more than 20 volunteers that work year round to make this Festival happen. All of these volunteers I consider family — the Fringe Family. A growing community that comes together to work, support and promote artists of all genres. Here in KC we host one of the most diverse Fringes in existence. We provide space for ANY artist of ANY genre to present their work — as long as we have room for them! The KC Fringe Festival continues to get bigger and better each year. This year the Festival presents 134 art- ists/groups performing 363 shows along with the Fruck! (That’s the Fringe Art Truck) We have developed a diverse and huge audience that continues to grow each year. KC Fringe has truly become Kansas City’s Premiere Arts Festival and is a key component of Kansas City’s grow- ing reputation as America’s Creative Crossroads. I trust that most of you know that the Fringe is an unjuried, uncensored arts Festival and therefore unpredictable! We pro- vide artists the freedom to explore and experiment, freedom to develop without predetermined outcomes, freedom to chal- lenge assumptions and freedom to take a creative leap that will shape our world in years to come. We thank our Strategic Partners — Samuel Bennett with the William T Kemper Foundation, Commerce Bank, Trustee, RareWire and VML Inc. -
Minnie the Moocher Sheet Music
Minnie The Moocher Sheet Music Download minnie the moocher sheet music pdf now available in our library. We give you 6 pages partial preview of minnie the moocher sheet music that you can try for free. This music notes has been read 2663 times and last read at 2021-09-22 15:04:15. In order to continue read the entire sheet music of minnie the moocher you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: B Flat Trumpet, Horn, Trombone, Tuba Ensemble: Musical Ensemble Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Minnie The Moocher For Brass Quintet Minnie The Moocher For Brass Quintet sheet music has been read 1728 times. Minnie the moocher for brass quintet arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-23 02:38:33. [ Read More ] Minnie The Moocher Vocal With Big Band Key Of C M With Key Changes Minnie The Moocher Vocal With Big Band Key Of C M With Key Changes sheet music has been read 2806 times. Minnie the moocher vocal with big band key of c m with key changes arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-20 22:55:06. [ Read More ] Minnie The Moocher Vocal With Jazz Band 5 Horns Key Of C M With Key Changes Minnie The Moocher Vocal With Jazz Band 5 Horns Key Of C M With Key Changes sheet music has been read 6051 times. -
Big Blast & the Party Masters
BIG BLAST & THE PARTY MASTERS 2018 Song List ● Aretha Franklin - Freeway of Love, Dr. Feelgood, Rock Steady, Chain of Fools, Respect, Hello CURRENT HITS Sunshine, Baby I Love You ● Average White Band - Pick Up the Pieces ● B-52's - Love Shack - KB & Valerie+A48 ● Beatles - I Want to Hold Your Hand, All You Need ● 5 Seconds of Summer - She Looks So Perfect is Love, Come Together, Birthday, In My Life, I ● Ariana Grande - Problem (feat. Iggy Azalea), Will Break Free ● Beyoncé & Destiny's Child - Crazy in Love, Déjà ● Aviici - Wake Me Up Vu, Survivor, Halo, Love On Top, Irreplaceable, ● Bruno Mars - Treasure, Locked Out of Heaven Single Ladies(Put a Ring On it) ● Capital Cities - Safe and Sound ● Black Eyed Peas - Let's Get it Started, Boom ● Ed Sheeran - Sing(feat. Pharrell Williams), Boom Pow, Hey Mama, Imma Be, I Gotta Feeling Thinking Out Loud ● The Bee Gees - Stayin' Alive, Emotions, How Deep ● Ellie Goulding - Burn Is You Love ● Fall Out Boy - Centuries ● Bill Withers - Use Me, Lovely Day ● J Lo - Dance Again (feat. Pitbull), On the Floor ● The Blues Brothers - Everybody Needs ● John Legend - All of Me Somebody, Minnie the Moocher, Jailhouse Rock, ● Iggy Azalea - I'm So Fancy Sweet Home Chicago, Gimme Some Lovin' ● Jessie J - Bang Bang(Ariana Grande, Nicki Minaj) ● Bobby Brown - My Prerogative ● Justin Timberlake - Suit and Tie ● Brass Construction - L-O-V-E - U ● Lil' Jon Z & DJ Snake - Turn Down for What ● The Brothers Johnson - Stomp! ● Lorde - Royals ● Brittany Spears - Slave 4 U, Till the World Ends, ● Macklemore and Ryan Lewis - Can't Hold Us Hit Me Baby One More Time ● Maroon 5 - Sugar, Animals ● Bruno Mars - Just the Way You Are ● Mark Ronson - Uptown Funk (feat. -
Full Orchestra 2021.Pdf
Full Orchestra Title Composer Catalog # Grade Price Title Composer Catalog # Grade Price Φ A La Manana ..................................../Leidig; Niehaus ............49063 .....E .........45.00 Artist's Life, Op. 316 ...........................Strauss, Jr./Muller .........38001 .....MD ......80.00 Φ Aboriginal Rituals ...............................DelBorgo ......................30172 .....M.........59.00 As Summer Was Just Beginning Abduction from the Seraglio: Overture ..Mozart/Meyer ...............33192 .....ME ......59.00 (Song for James Dean) ....................Daehn ...........................49044 .....M.........68.00 Φ Academic Festival Overture, Op. 80 ..Brahms/Bergonzi ..........30328 .....M.........73.00 As Time Goes By ...............................Hupfeld/Lewis ...............13708 .....MD ......50.00 Academic Festival Overture, Op. 80 ..Brahms/Leidig ..............33029 .....MD ......73.00 Ashford Celebration ...........................Ford ..............................30240 .....MD ......60.00 Academic Festival Overture, Op. 80 ..Brahms/Muller ..............38000 .....MD ......45.00 Φ Ashokan Farewell ...............................Ungar/Cerulli ................47093 .....ME ......65.00 Academic Festival Overture, Op. 80 ..Brahms/Simpson ..........57085 .....D .........90.00 Ashton Place ......................................Niehaus ........................49051 .....MD ......60.00 Academic Procession .........................Daniels .........................60005 .....ME ......55.00 Aspen Fantasy ...................................Feese -
Nov 2018 – Jul 2019
NOVbristololdvic.org.uk 2018 – JUL | 0117 987 7877 2019 1 23 Jan – 16 Feb 9 – 23 Feb WISE CHILDREN PRINCESS & THE HUSTLER Dear Bristol, We have been overwhelmed by the response to this beautiful new foyer, where audiences have been uplifted by its atmosphere before shows, after shows, indeed all day from breakfast to pumpkin time. Of course, our main job is to invite you to the fabulous shows we’ve lined up to entertain you, from A Christmas Carol to Wise Children, Barber Shop WELCOME Chronicles and Richard III – and to tempt you into the intimate throng of the new Weston Studio (where the artists of tomorrow make work that will blow corkscrews out of your ears). HIGHLIGHTS But what we actually want to do is say thank you for the extraordinary support you have given us, not only during the opening period, but during the last nine years of planning this refurbishment, raising funds for it, and 1 – 9 Mar & 2 – 13 Apr 2 – 18 May then building it. This theatre could only have survived its extraordinary RICHARD III BARBER SHOP CHRONICLES 252 years if the people of Bristol had loved it, cherished it, rescued it and rebuilt it time after time after time. So thank you from us both. This theatre is, in every sense, yours. Tom Morris Emma Stenning Artistic Director Chief Executive Twice Weekly Open Daily THEATRE TOURS NEW MENUS AT 1766 P.S. Some of you might have noticed that the mighty Emma Stenning has been poached by the prestigious Soulpepper Theatre Company in Toronto to become their Executive Director. -
The Ultimate A-Z of Dog Names
Page 1 of 155 The ultimate A-Z of dog names To Barney For his infinite patience and perserverence in training me to be a model dog owner! And for introducing me to the joys of being a dog’s best friend. Please do not copy this book Richard Cussons has spent many many hours compiling this book. He alone is the copyright holder. He would very much appreciate it if you do not make this book available to others who have not paid for it. Thanks for your cooperation and understanding. Copywright 2004 by Richard Cussons. All rights reserved worldwide. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of Richard Cussons. Page 2 of 155 The ultimate A-Z of dog names Contents Contents The ultimate A-Z of dog names 4 How to choose the perfect name for your dog 5 All about dog names 7 The top 10 dog names 13 A-Z of 24,920 names for dogs 14 1,084 names for two dogs 131 99 names for three dogs 136 Even more doggie information 137 And finally… 138 Bonus Report – 2,514 dog names by country 139 Page 3 of 155 The ultimate A-Z of dog names The ultimate A-Z of dog names The ultimate A-Z of dog names Of all the domesticated animals around today, dogs are arguably the greatest of companions to man. -
Just a Classic Minute: V. 6 Pdf, Epub, Ebook
JUST A CLASSIC MINUTE: V. 6 PDF, EPUB, EBOOK Ian Messiter,Nicholas Parsons,Paul Merton | 1 pages | 02 Jul 2009 | BBC Audio, A Division Of Random House | 9781405688116 | English | London, United Kingdom Just a Classic Minute: v. 6 PDF Book Notify me of new comments via email. BBC News. Cancel anytime. Audible Premium Plus. At the time my mother said to me, 'Apparently Dad was a national treasure Remove from wishlist failed. All rights reserved. These quick bread recipes are bursting with fall flavors! Nicholas Parsons chaired the show, and Tony Slattery featured in all programmes. Nicholas Parsons chaired the show from its inception until his death in January Until he also sat on the stage with a stopwatch and blew a whistle when the sixty seconds were up. Nicholas Parsons gives commentary between episodes relating backstory and history of the people involved. Chocolate cupcakes can be transformed by spices added to the batter, sneaking a surprise in the center, or the creamy frosting piped on top. Web icon An illustration of a computer application window Wayback Machine Texts icon An illustration of an open book. Add Ingredients to Grocery List. My Recipe Box. No Reviews are Available. Please refresh the page and retry. Several television versions have been attempted. It is rare for a panellist to speak within the three cardinal rules for any substantial length of time, whilst both remaining coherent and being amusing. It also was one of the first animated shows to get A-list guest stars, from the likes of Tony Curtis playing a character called Stony Curtis and Ann-Margret playing a character named, you guessed it, Ann-Margrock. -
British Cult Comedy.Indb 215 16/8/06 12:34:16 Pm Cult Comedy Club up the Creek in Greenwich, Southeast London
Geography Lessons: comedy around Britain British Cult Comedy.indb 215 16/8/06 12:34:16 pm Cult comedy club Up The Creek in Greenwich, southeast London British Cult Comedy.indb 216 16/8/06 12:34:17 pm Geography Lessons: comedy around Britain Comedy just wouldn’t be comedy without local roots. And that is why, in this chapter, we take you on a tour of British comedy from Cornwall to the Scottish Highlands, visiting local comedic landmarks, clubs and festivals. Comedy is prey to the same homogenizing forces Do Part, was successfully re-created in America, that have made Starbucks globally ubiquitous but Germany and Israel, suggesting that comedy that humour doesn’t travel so easily or predictably as touches, however lightly, on universal truths can cappuccino. In the past, slang, regional vocabu- be exported around the world. lary, accents and local knowledge have often A comic’s roots, cherished or spurned, are limited a comic’s appeal, explaining why such crucial to their humour. The small screen has acts as George Formby and Tommy Trinder never made it easier for contemporary acts – nota- quite transcended the north/south divide. Yet a bly Johnny Vegas, Peter Kay and Ben Elton character as localized as Alf Garnett, the charis- – to achieve national recognition while retain- matic Cockney bigot in the sitcom Till Death Us ing a regional identity. Since the 1980s, a more 217 British Cult Comedy.indb 217 16/8/06 12:34:17 pm GEOGRapHY LESSONS: COmedY arOUND brItaIN adventurous approach to sitcoms has meant that theme to British comedy, it was that, as Linda shows such as The Royle Family have had a much Smith told him: “A lot of comics come from more authentic local flavour than most of their the edge of nowhere.” Smith often argued with predecessors. -
1 Improvising Social Resistance Karl Coulthard Vocalist and Bandleader
Improvising Social Resistance Karl Coulthard Vocalist and bandleader Cab Calloway is a figure who has been largely ignored in many historical and critical analyses of the development of jazz, often dismissed by music scholars as little more than a “novelty act”: “Calloway was a braying wild-man who pandered to the masses” (Quaglieri 9). There certainly was a strong sensational aspect to Calloway’s performances, including his hilarious and technically astounding vocal histrionics and the bizarre and gaudy “zoot suits” that he would wear while running and jumping about the stage like a clown. Sadly, on account of these performance elements and the subject matter of many of his early songs, which deal with the street life and drug culture of Harlem and often present comedic images of stoned “Negroes,” Calloway has often been perceived as merely a pawn of white interests, one who willfully exhibited laughable and demeaning stereotypes of African Americans for the sake of his own commercial success. Such an interpretation does Calloway a great disservice as an artist and fails to recognize the complexities contained both within the lyrics and the performances of many of his songs. Most of the lyrics to his songs are written in the language of “jive,” a dialect that originated among black musicians in Harlem in the 1920s and the early 1930s and which functioned as a kind of code by which the musicians could covertly communicate amongst each other. Similarly, Calloway’s ostentatious stage persona is very representative of what Houston Baker describes in Modernism and the Harlem Renaissance as the “minstrel mask,” a facade designed to provide the white populace 1 with “reassuring sounds from the black quarters” (30).