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Fantasy Favourites from Abarat to Oz!
Fantasy Favourites From Abarat To Oz! Fans of hobbits and Harry Potter have had a magical SS TED PRE TED A I C effect on the world of O SS fantasy fiction. We take A you inside this exploding J.R.R. Tolkien genre where the impossible is possible! BY DAVID MARC FISCHER J.K. Rowling © Pierre Vinet/New Line Productions Vinet/New © Pierre © 2009 Scholastic Canada Ltd. V001 Flights of Fantasy 1 of 12 eroes and heroines. Fantasy books have lightning-bolt scar and a Dungeons and dragons. frequently dominated the knack for riding broomsticks. H Swords, sorcerers, U.S. Young Adult Library When J.K. Rowling’s first witches, and warlocks. It’s the Services Association poll of Harry Potter book hit U.S. stuff of fantasy fiction, and it young readers’ favourites. bookstores in 1998, no one has cast a powerful spell on Books on the Top Ten list could have predicted its teen readers everywhere. have included Cornelia impact. Harry Potter and the “Fantasy fiction has helped Funke’s The Thief Lord, Garth Sorcerer’s Stone (“Philosopher’s sculpt the person I am today,” Nix’s Abhorsen, and Holly Stone” in Canada) topped says 17-year-old Nick Feitel, who Black’s Title: the best-seller lists, where it enjoys fantasy sagas from J.R.R. A Modern Faerie Tale. was quickly followed by every Tol k ien’s The Lord of the Rings to other book in the series. Tamora Pierce’s Circle of Magic. POTTER POWER The boy wizard you grew up “I think I became a lot more Why is fantasy so popular with continued to set sales creative as a result of reading among young readers? records. -
Stop Motion Horrorgeschichten Für Kinder Ab 10 Jahren
MATERIALIEN No 58 Untote Puppen Stop-Motion-Horrorgeschichten für Kinder ab 10 Jahren BEGLEITENDES UNTERRICHTSMATERIAL FÜR LEHRERINNEN UND LEHRER filmABC MATERIALIEN No 58 1 Untote Puppen Stop-Motion-Horrorgeschichten für Kinder ab 10 Jahren: „Coraline“, „ParaNorman“ und „Frankenweenie“ Inhalt 1. Animierte Zombies und Monster im Kinderprogramm 1 1.1 Zum Hintergrund des Unterrichtsmaterials 1 1.2 Didaktische Vorbemerkungen 1 2. Die dunklen Seiten der Kindheit 3 3. Filmbeispiele 7 3.1 Coraline 7 3.2 ParaNorman 9 3.3 Frankenweenie 10 4. Literatur, Links, Impressum 11 5. filmABC Unterrichtsmaterialien 13 Anhang: Arbeitsblätter 1. Animierte Zombies und Monster im Kinderprogramm 1.1 Zum Hintergrund des Unterrichtsmaterials Es ist verblüffend: Ausgerechnet in Puppentrickfilmen, die auf den ersten Blick so niedlich aus- sehen und an klassische Kinderprogramme erinnern, tauchen seit ein paar Jahren mit Zombies, Monstern und Mutanten immer wieder die alten Schreckgespenster des Horror- und Gruselki- nos auf. Filme wie „Coraline“ (2009) von Henry Selick, „ParaNorman“ (2012) von Chris Butler und Sam Fell sowie „Frankenweenie“ (2012) von Tim Burton erzählen Geschichten über die Begeg- nungen ihrer etwa zehnjährigen Protagonist/inn/en mit jenen Ungeheuern – und sind doch trotz ihres unheimlichen, teils Furcht erregenden Figurenpersonals auch stimmige Filme für ein gleichaltriges junges Publikum. Was aber macht den Reiz dieser Filme aus? Welche für ältere Kinder relevanten Themen filtern die Filmemacher aus dem Horrorfilmgenre heraus? Und weshalb kann gerade die wagemutige Mischung aus Kinder-, Coming-of-Age- und Gruselfilm die Gefühlslage junger Zuschauer/innen so gut treffen? Exemplarisch geht dieses Unterrichtsmaterial anhand von „Coraline“, „ParaNor- man“ und „Frankenweenie“ diesen Fragen nach. Ein Überblicksartikel führt filmübergreifend in dieT hematik ein und analysiert anhand von Standfotos wiederkehrende Gestaltungsmuster und die ästhetischen Besonderheiten. -
THTR 433A/ '16 CD II/ Syllabus-9.Pages
USCSchool of Costume Design II: THTR 433A Thurs. 2:00-4:50 Dramatic Arts Fall 2016 Location: Light Lab/PDE Instructor: Terry Ann Gordon Office: [email protected]/ floating office Office Hours: Thurs. 1:00-2:00: by appt/24 hr notice Contact Info: [email protected], 818-636-2729 Course Description and Overview This course is designed to acquaint students with the requirements, process and expectations for Film/TV Costume Designers, supervisors and crew. Emphasis will be placed on all aspects of the Costume process; Design, Prep: script analysis,“scene breakdown”, continuity, research, and budgeting; Shooting schedules, and wrap. The supporting/ancillary Costume Arts and Crafts will also be discussed. Students will gain an historical overview, researching a variety of designers processes, aesthetics and philosophies. Viewing films and film clips will support critique and class discussion. Projects focused on specific design styles and varied media will further support an overview of techniques and concepts. Current production procedures, vocabulary and technology will be covered. We will highlight those Production departments interacting closely with the Costume Department. Time permitting, extra-curricular programs will include rendering/drawing instruction, select field trips, and visiting TV/Film professionals. Students will be required to design a variety of projects structured to enhance their understanding of Film/TV production, concept, style and technique . Learning Objectives The course goal is for students to become familiar with the fundamentals of costume design for TV/Film. They will gain insight into the protocol and expectations required to succeed in this fast paced industry. We will touch on the multiple variations of production formats: Music Video, Tv: 4 camera vs episodic, Film, Commercials, Styling vs Costume Design. -
Alien : Covenant
TWENTIETH CENTURY FOX présente Une production Scott Free/Brandywine Un film de Ridley Scott ALIEN : COVENANT Michael Fassbender Katherine Waterston Billy Crudup Danny McBride Demián Bichir Scénario : John Logan, Dante Harper Histoire : Jack Paglen, Michael Green Image : Dariusz Wolski Décors : Chris Seagers Costumes : Janty Yates Un film produit par Ridley Scott, Mark Huffam, Michael Schaefer, David Giler, Walter Hill Sortie nationale : 10 mai 2017 Durée : 2 h 02 Photos et dossier de presse sont téléchargeables sur : www.foxpresse.fr Site officiel : Distribution Presse film TWENTIETH CENTURY FOX Alexis RUBINOWICZ 241 boulevard Pereire Tél. : 01 58 05 57 90 75017 PARIS [email protected] Tél. : 01 58 05 57 00 Giulia GIE Tél. : 01 58 05 57 79/94 [email protected] 1 L’HISTOIRE Le vaisseau spatial Covenant est en route pour la lointaine planète Origae-6 afin d’y établir une colonie, un nouvel avant-poste pour l’humanité. À bord, tout est calme. L’équipage et les 2000 passagers sont en hypersommeil, et seul Walter, le synthétique, arpente les coursives. Mais lorsqu’une explosion stellaire détruit les capteurs d’énergie du vaisseau, les avaries et les pertes humaines sont énormes… Heureusement, les survivants découvrent à proximité ce qui semble être un paradis vierge, une planète aux immenses montagnes couronnées de nuages et aux magnifiques forêts qui pourrait être tout aussi viable qu’Origae-6. Pourtant, très vite, le paradis va révéler sa réalité infernale. Ce monde regorge de dangers inconnus et mortels. Les survivants vont tout tenter pour échapper à une menace qui dépasse l’entendement… 2 NOTES DE PRODUCTION Dans l’espace, personne ne vous entend crier… Près de quarante ans après, ces mots évoquent toujours avec autant de force l’intensité oppressante d’ALIEN, LE HUITIÈME PASSAGER, le chef-d’œuvre de l’horreur futuriste signé Ridley Scott. -
The Eddie Awards Issue
THE MAGAZINE FOR FILM & TELEVISION EDITORS, ASSISTANTS & POST- PRODUCTION PROFESSIONALS THE EDDIE AWARDS ISSUE IN THIS ISSUE Golden Eddie Honoree GUILLERMO DEL TORO Career Achievement Honorees JERROLD L. LUDWIG, ACE and CRAIG MCKAY, ACE PLUS ALL THE WINNERS... FEATURING DUMBO HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD AND MUCH MORE! US $8.95 / Canada $8.95 QTR 1 / 2019 / VOL 69 Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. All other trademarks are the property of their respective owners. Veteran editor Lisa Zeno Churgin switched to Adobe Premiere Pro CC to cut Why this pro chose to switch e Old Man & the Gun. See how Adobe tools were crucial to her work ow and to Premiere Pro. how integration with other Adobe apps like A er E ects CC helped post-production go o without a hitch. adobe.com/go/stories © 2019 Adobe. All rights reserved. Adobe, the Adobe logo, Adobe Premiere, and A er E ects are either registered trademarks or trademarks of Adobe in the United States and/or other countries. -
Are You Alice?: V. 1 Free Ebook
FREEARE YOU ALICE?: V. 1 EBOOK Ikumi Katagiri | 192 pages | 28 May 2013 | Little, Brown & Company | 9780316250955 | English | New York, United States Alice Corp. v. CLS Bank International - Wikipedia Build up your Halloween Watchlist with our list of the most popular horror titles on Netflix in October. See the list. Everything you know about Alice's Adventures in Wonderland is about to be turned upside down in this modern-day mini-series. The first thing that must be said is that this is not the original Alice in Wonderland. Honestly, anybody who thinks it is They Are You Alice?: v. 1 it in the very first commercials that this was "different" so from the Are You Alice?: v. 1 go you shouldn't expect Carrol's book. This is a completely different take on Wonderland and Looking Glass - and it's good! It presents us with a headstrong and kind of reckless Alice who is capable of taking care of herself. And Hatter is just awesome, he really is. The Queen makes me want to punchasize her face which is a good thing, it means Bates played her role well and the White Knight Ah, what can I say about the White Knight besides, "Most awesome old guy ever? I expected it from Sci-fi or Syfy, whatever. But that doesn't stop this from being a good miniseries. It was well acted, well written, and fun! I must reiterate: This wasn't meant to be the children's story, it was meant to be a different take on the story and aim it towards a different audience! A good miniseries and well worth watching if you can accept that this really Are You Alice?: v. -
Takes Alice to a Very Different Wonderland November 4, 2009 | 5:43 Am
Hero Complex For your inner fanboy 'Looking Glass Wars' takes Alice to a very different Wonderland November 4, 2009 | 5:43 am The rabbit hole is getting crowded again. It’s been 144 years since Lewis Carroll introduced the world to an inquisitive girl named Alice, but her surreal adventures still resonate – Tim Burton’s “Alice in Wonderland” arrives in theaters in March and next month on SyFy it's “Alice,” a modern-day reworking of the familiar mythology with a cast led by Kathy Bates and Tim Curry. And then there’s “The Looking Glass Wars,” the series of bestselling novels by Frank Beddor that takes the classic 19th century children’s tale off into a truly unexpected literary territory – the battlefields of epic fantasy. The series began in 2006 and Beddor’s third “Looking Glass Wars” novel, “ArchEnemy,” just hit stores in October, as did a tie-in graphic novel called “Hatter M: Mad with Wonder.” Beddor said it’s intriguing to see other creators at play in the same literary playground. “It’s amazing how many directions it’s been taken in,” Beddor said of Carroll’s enduring creations. “There’s something so rich and magical and whimsical about the original story and the characters and then there’s all those dark under-themes. Artists get inspired and they keep redefining it for a contemporary audience.” Indeed, creative minds as diverse as Walt Disney, the Jefferson Airplane, Joseph L. Mankiewicz, Tom Petty, the Wachowski Brothers, Tom Waits and American McGee have adapted Carroll’s tale or borrowed memorably from its imagery. -
Imperialism and Exploration in the American Road Movie Andy Wright Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2016 Off The Road: Imperialism And Exploration in the American Road Movie Andy Wright Pitzer College Recommended Citation Wright, Andy, "Off The Road: Imperialism And Exploration in the American Road Movie" (2016). Pitzer Senior Theses. Paper 75. http://scholarship.claremont.edu/pitzer_theses/75 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Wright 1 OFF THE ROAD Imperialism And Exploration In The American Road Movie “Road movies are too cool to address serious socio-political issues. Instead, they express the fury and suffering at the extremities of a civilized life, and give their restless protagonists the false hope of a one-way ticket to nowhere.” –Michael Atkinson, quoted in “The Road Movie Book” (1). “‘Imperialism’ means the practice, the theory, and the attitudes of a dominating metropolitan center ruling a distant territory; ‘colonialism’, which is almost always a consequence of imperialism, is the implanting of settlements on distant territory” –Edward Said, Culture and Imperialism (9) “I am still a little bit scared of flying, but I am definitely far more scared of all the disgusting trash in between places” -Cy Amundson, This Is Not Happening “This is gonna be exactly like Eurotrip, except it’s not gonna suck” -Kumar Patel, Harold and Kumar Escape From Guantanamo Bay Wright 2 Off The Road Abstract: This essay explores the imperialist nature of the American road movie as it is defined by the film’s era of release, specifically through the lens of how road movies abuse the lands that are travelled through. -
Duncan Public Library Board of Directors Meeting Minutes June 23, 2020 Location: Duncan Public Library
Subject: Library Board Meeting Date: August 25, 2020 Time: 9:30 am Place: Zoom Meeting 1. Call to Order with flag salute and prayer. 2. Read minutes from July 28, 2020, meeting. Approval. 3. Presentation of library statistics for June. 4. Presentation of library claims for June. Approval. 5. Director’s report a. Summer reading program b. Genealogy Library c. StoryWalk d. Annual report to ODL e. Sept. Library Card Month f. DALC grant for Citizenship Corner g. After-school snack program 6. Consider a list of withdrawn items. Library staff recommends the listed books be declared surplus and be donated to the Friends of the Library for resale, and the funds be used to support the library. 7. Consider approving creation of a Student Library Card and addition of policy to policy manual. 8. Old Business 9. New Business 10. Comments a. By the library staff b. By the library board c. By the public 11. Adjourn Duncan Public Library Claims for July 1 through 31, 2020 Submitted to Library Board, August 25, 2020 01-11-521400 Materials & Supplies 20-1879 Demco......................................................................................................................... $94.94 Zigzag shelf, children’s 20-2059 Quill .......................................................................................................................... $589.93 Tissue, roll holder, paper, soap 01-11-522800 Phone/Internet 20-2222 AT&T ........................................................................................................................... $41.38 -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Visit Imdb.Com for Up-To-The-Minute Academy Award Updates, and View
NOMINEES FOR THE 84th ANNUAL ACADEMY AWARDS Best Motion Picture of the Year Best Animated Feature Film Best Achievement in Sound Mixing The Artist (2011): Thomas Langmann of the Year The Girl with the Dragon Tattoo (2011): David Parker, The Descendants (2011): Jim Burke, Alexander Payne, A Cat in Paris (2010): Alain Gagnol, Jean-Loup Felicioli Michael Semanick, Ren Klyce, Bo Persson Jim Taylor Chico & Rita (2010): Fernando Trueba, Javier Mariscal Hugo (2011/II): Tom Fleischman, John Midgley Extremely Loud and Incredibly Close (2011): Scott Rudin Kung Fu Panda 2 (2011): Jennifer Yuh Moneyball (2011): Deb Adair, Ron Bochar, The Help (2011): Brunson Green, Chris Columbus, Puss in Boots (2011): Chris Miller David Giammarco, Ed Novick Michael Barnathan Rango (2011): Gore Verbinski Transformers: Dark of the Moon (2011): Greg P. Russell, Hugo (2011/II): Graham King, Martin Scorsese Gary Summers, Jeffrey J. Haboush, Peter J. Devlin Midnight in Paris (2011): Letty Aronson, Best Foreign Language Film War Horse (2011): Gary Rydstrom, Andy Nelson, Tom Stephen Tenenbaum of the Year Johnson, Stuart Wilson Moneyball (2011): Michael De Luca, Rachael Horovitz, Bullhead (2011): Michael R. Roskam(Belgium) Best Achievement in Sound Editing Brad Pitt Footnote (2011): Joseph Cedar(Israel) The Tree of Life (2011): Nominees to be determined In Darkness (2011): Agnieszka Holland(Poland) Drive (2011): Lon Bender, Victor Ray Ennis War Horse (2011): Steven Spielberg, Kathleen Kennedy Monsieur Lazhar (2011): Philippe Falardeau(Canada) The Girl with the Dragon Tattoo -
PIRATI DEI CARAIBI Ai Confini Del Mondo (Pirates of the Caribbean: at World’S End)
WALT DISNEY PICTURES Presenta In associazione con JERRY BRUCKHEIMER FILMS PIRATI DEI CARAIBI Ai Confini Del Mondo (Pirates Of The Caribbean: At World’s End) Regia GORE VERBINSKI JOHNNY DEPP ORLANDO BLOOM KEIRA KNIGHTLEY STELLAN SKARSGǺRD BILL NIGHY con CHOW YUN-FAT e GEOFFREY RUSH JACK DAVENPORT, KEVIN R. MCNALLY, NAOMIE HARRIS, TOM HOLLANDER e JONATHAN PRYCE LEE ARENBERG, MACKENZIE CROOK, DAVID BAILIE, MARTIN KLEBBA Distribuito da BUENA VISTA INTERNATIONAL Data di uscita: 23 maggio 2007 Durata: 2 ore e 49 minuti PIRATI DEI CARAIBI Ai Confini Del Mondo Regia GORE VERBINSKI Sceneggiatura TED ELLIOTT & TERRY ROSSIO Tratto Dai Personaggi Creati Da TED ELLIOTT & TERRY ROSSIO e STUART BEATTIE e JAY WOLPERT Tratto Da ”LA MALEDIZIONE DELLA PRIMA LUNA” della Walt Disney Prodotto Da JERRY BRUCKHEIMER Produttori Esecutivi MIKE STENSON CHAD OMAN BRUCE HENDRICKS ERIC MCLEOD Direttore Della Fotografia DARIUSZ WOLSKI, ASC Scenografie RICK HEINRICHS Montaggio CRAIG WOOD STEPHEN RIVKIN, A.C.E. Costumi PENNY ROSE Supervisione Effetti Visivi JOHN KNOLL CHARLES GIBSON Musiche HANS ZIMMER Supervisione Musiche BOB BADAMI Casting DENISE CHAMIAN, CSA Casting Uk PRISCILLA JOHN, CDG Unit Production Manager ERIC MCLEOD Unit Production Manager DOUGLAS C. MERRIFIELD First Assistant Director DAVID H. VENGHAUS, JR. Second Assistant Director AMY J. SCHMIDT Associate Producer PAT SANDSTON ILM Animation Supervisor HAL HICKEL ILM Visual Effects Producer JILL BROOKS Additional Editing by DAN HANLEY Score Co-Produced by MELISSA MUIK Special Appearance by KEITH RICHARDS CAST Jack Sparrow JOHNNY DEPP Barbossa GEOFFREY RUSH Will Turner ORLANDO BLOOM Elizabeth Swann KEIRA KNIGHTLEY Norrington JACK DAVENPORT Davy Jones BILL NIGHY Governor Weatherby Swann JONATHAN PRYCE Pintel LEE ARENBERG Ragetti MACKENZIE CROOK Gibbs KEVIN R.