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LIBRETTO Rev. 11/22/13! ! ! ! ! ! Book, Music and Lyrics by Michael! O’Dell ! ! ! A One-Act, 90 Minute! Musical ! ! ! ! CONTACT! INFO: 3100 Broadway Street, #112 Boulder, CO 80304 917.554.1400 [email protected] CHARACTERS ! (in order of appearance) Dr. Ralph Geralding (aka PROF): A man of about 50, a former chemistry professor and current meth-addicted, bi-polar, homeless bum. Adopted father of GG. !BARITONE. George Filipe Geralding (aka GG): A nineteen year-old Latino, broodingly smart and creative, sensitive, yet sarcastic, a burgeoning graffiti artist. Gay. Adopted son of Prof !and Grace. TENOR. Isabella Chavez (aka IZZY): A feisty Latina girl of about 17, in her senior year of high school, writes but doesn't really show it to anybody. Wild, yet has an introspective side. !MEZZO Dr. Grace Simon, Phd. (aka GRACE): a woman of about 50, a successful !psychotherapist and professor, Adopted mother of GG. SOPRANO. Marcus Sanchez (aka MARCUS): an ethnic (Black or Latino) man of about 24-28, a !gay bartender and social worker graduate student. BARITONE. ! S E T T! I N G Place: Los! Angeles Time: !Today ! ! ! Waiting... PRODUCTION HISTORY ! Waiting... premiered during its workshop production May 10-12, 2012 in Boulder, Colorado. After extensive revisions, Waiting... played The 2013 Boulder International Fringe Festival for six shows September 18-28, 2013. www.waitingthemusical.blogspot.com! ! ! ! MUSICAL SYNOPSIS! ! !PRE-SHOW CURTAIN SPEECH ............................................................................... PROF Scene 1: On the Buses, Cars, and Highways of Los Angeles ! THE HISTORY OF ME (PROLOGUE) .......... GG, GRACE, IZZY, MARCUS, PROF Scene 2: A Chinese Restaurant ! BEAUTIFUL ............................................................................................. PROF, GG Scene 3: A Skid Row Alley MAGIC KINGDOM ........................................................................................... IZZY ! SPONGE ............................................................................................................... GG Scene 4: A City Bus ! CLOSER .............................................................................................. MARCUS, GG Scene 5: A Downtown Bar ! THE OTHER HALF ...................................................................................... GRACE !Scene 6: The Alley Scene 7: The Date ! A BEAUTIFUL CRIME ...................................................................... MARCUS, GG Scene 8: Grace’s House ! STILL .................................................................................................. GRACE, IZZY Scene 9: A Downtown Bar ! YESTERDAYS ............................................................................................ MARCUS !Scene 10: County Jail !Scene 11: A Downtown Bar Scene 12: A Parole Officer’s Officer ! DEEP .................................................................................................................... GG Scene 13: A Skid Row Alley ! IN TIME ......................................................... GRACE, PROF, IZZY, MARCUS, GG ! NOTE: Scene change music for The 2013 Boulder International Fringe Festival was improv-ed using the musical motifs from the PV Score and are not included as of yet. 1 - 1 - 1! !Scene 1: On the Highways and Roads of Los Angeles MUSIC 1: THE HISTORY OF ME (PROLOGUE) (CUE TRACK 01) ! (Lights dim. PROF slowly meanders to center stage looking disheveled. He carries a cardboard sign with marker lettering “WILL WAIT FOR FOOD.” He awkwardly clears his throat. Very off the cuff and sardonically. ) PROF (To audience) Just so you know - during our special time here - there might be....sudden music. And singing. And it might happen. Together. And I'm not saying this will or will not occur, but I'm not ruling out funny movements - like synchronized seizures or convulsions (as though he's really disappointed in having to say this) - dancing. All of what I just mentioned - simultaneously occurring - all together. (He pulls out a piece of paper from his pocket.) Like a three ring circus of building emotion that is far too explosive and enormous to contain in a regular Joe conversation. Musical theatre, or as some like to call it: life. (Disgusted, he rolls his eyes) Okay, you've all been warned. Get out now while you can (under breath), if you can. (Honestly laughs, which turns into an embarrassed, disapproving head shake... As if he's being reminded from the booth) Oh, and turn off those snazzy gadgets that are suppose to make you be smarter but really make you look stupid - like you're looking for a lost contact that you're already holding in your hand. Hey, there's no App for this thing. This...life. (Looks off to side.) Can I get my money now? (BUS DRIVER - a member of the band - appears and is in bus uniform shirt, black pants and black driver’s hat. He pulls out a $5 bill and hands to PROF.) BUS DRIVER Thanks, buddy. That’s all for today. Check next door at the cigarette place if you want more work. (THE HISTORY OF ME underscore begins and cast enters on their appropriate music cues. The Bus Driver adjusts his hat, tries to look official, wipes his shirt, getting rid of crumbs.) BUS DRIVER Crosstown Line 20 now departing. Please keep your things close or you will have to come talk to Ulra in Lost & Found. I think you’d rather not lose your things. Crosstown 20 now departing. 1 - 1 - 2! (GG runs on to catch the bus. GG shows the Bus Driver his bus pass, then goes to drum set. GG settles in his seat and looks out the window. He then pulls his sketchbook out and begins leafing through the finished pages.) RADIO ANNOUNCER! V.O. (In high energy, polished radio voice) In KCLA traffic, cars are already backed up at the Cahuenga/101 exit. There appears to be what could be a body in the right lane, or possibly a mannequin that fell off of a truck? Who knows! EMT crews are on their way, and we’ll update you as soon as we are in-the-know. Hold on to your hats everyone - it’s another crazy L.A. rush hour. ! (As GG raps/sings, he and the cast begin their movement/choreography around the five chairs - all are in L.A. traffic. Prof wanders around on his own.) ! GG (Raps.) SKETCHES ARE LITTLE QUESTIONS ASKING TO BE UNCOVERED HIDDEN THEY LEAVE SUGGESTIONS ! JUST WAITING TO BE DISCOVERED A PENCIL A NUMBER TWO OH, HOW IT DANCES ACROSS THE PAGE AND JUST IN CASE MY PLANS FALL THROUGH AN ERASER REINVENTS THE STAGE (Sings.) L.A.’S BIG AND OMINOUS BUT STILL I CHOOSE TO STAY ! PUTTING UP WITH WHAT I’D RATHER NOT FROM WEST HOLLY WOOD TO DISNEYLAND ON ANY GIVEN DAY ! THE SCENE IS “LOOK AT ME AND LOOK AT WHAT I’VE GOT” ! (Prof bends over with his ass crack exposed in GG's appalled face.) 1 - 1 - 3 GG !Oh. My. God. Now I’ve seen everything! (Raps.) I’M A CYNIC AND I MEAN SARCASTIC ALL AT NINETEEN ADOPTED PROBABLY THE WHITEST LATINO YOU’VE SEEN ! I WISH I MADE THIS UP! MY TASTES ARE RATHER EXTREME I’M A REBEL THERE ARE NO IN-BETWEENS I’M A VANDAL AND I GOTTA SCREAM I’M A VANDAL AND I GOTTA SCREAM I’M A LOVER AND I A DREAM! (Sings.) THE NAME OF THE GAME IS STEPPING UP BOMBING - BEIN’ SEEN ! SEARCHING FOR THE WHO I’M MEANT TO BE YOU THINK, MAN, YOU’RE MOVING FORWARD YOU’RE SET YOU’RE ALMOST FREE AND THEN I GLANCE BEHIND STILL SEARCHING FOR THE HIST’RY OF ME... ! (GG looks out the bus window, deep in thought.) GRACE, IZZY, MARCUS ! OO... ! (GG’s phone rings.) GG !Izzy, you gonna meet me tonight?! IZZY !So, I’m on the cute boy bus. What bus are you on? GG (Looks around) I’m definitely not on the cute! boy bus. 1 - 1 - 4 IZZY Well, what kind of bus would that be exactly? Come on, use your colorful adjectives to !paint me a picture. GG Let’s just say I feel like we’re going to end up at a prison gate if my stop doesn’t come soon. ! IZZY !As a verbalist, you disappoint me. Did you find him? GG !Yep, that’s where I’m headin’ now to check in. IZZY Well, like I said, I’m on the cute boy bus. And this guy’s been eying me since I got on at !Santa Monica. Hey! Maybe I should pull a “Call Me Maybe?” GG (Singsongy) SOMEBODY'S ON THEIR WAY TO EMBARRASSKIN’ THEMSELVES! !Don't go all Miley on me. I will never be able to show my public persona with you again. IZZY YOLO, buddy, YOLO. I'm headin' in. This girl's headin' in. Shit! This big monstrosity of !a lady just moved over there before me. AWWWW.... Now, I can't even see him. GG What's she doing, eatin' him? Well, walk around her if you know this love connection is !a sure thang. Stand up, girl! IZZY The girl's big boned and stop using that .....your "black" voice. I can use my hispanic voice because I was properly raised. Your white parents never fooled nobody, mm !hmmm. So. Said. I. GG Oh, and by the way, YOLO was so last year. ! (NOTE: Due to production time restraints, the main vocals mm. 86-102 ! were spoken as dialogue. ) IZZY !Well, memo to you - ! 1 - 1 - 5 YOU’RE SUCH A LOSER YEAH, YOU’RE THE LOSER ! JINX! GG ! JINX! IZZY JINX! ! GG JINX! ! IZZY ! JINX! GG ! JINX! IZZY ! JINX! GG ! JINX! ! IZZY GG YOU CAN’T TALK YOU CAN’T TALK NO! NO! YOU! YOU! ! LA LA LA LA LA LA LA ! LA LA LA LA LA LA LA ! GO FIND A LIFE ! GO FIND A LIFE YOU FIRST YOU FIRST ! F.M.L. ! F.M.L. NO, FUCK OUR LIVES! NO, FUCK OUR LIVES! YEAH, FUCK OUR! LIVES! HA! YEAH, FUCK OUR LIVES! HA! (Music stops.) GG No seriously, F.O.L. This bus hopping is for the buzzards. When do you get your car !back? 1 - 1 - 5 ! (Music underscore begins and builds.) IZZY (Imitating her parents in a Spanish accent) "When you can act like a respectful, kind, responsible human being and babysit your sisters' kids." Hey when do you get yours !back? Oh - hey, gotta go - it's my stop.
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    THE USE OF CONTRACTED FORMS IN THE HIP HOP SONG LYRICS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By AGUSTINA IKE WIRANTARI Student Number: 034214130 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2008 i A Sarjana Sastra Undergraduate Thesis ii THE USE OF CONTRACTED FORMS IN THE HIP HOP SONG LYRICS By AGUSTINA IKE WIRANTARI Student Number: 034214130 Defended before the Board of Examiners on January 21, 2008 and Declared Acceptable BOARD OF EXAMINERS Name Signature Chairman : Secretary : Member : Member : Member : ii iii ACKNOWLEDGEMENTS I would like to address all my thanks and praise to God for all His kindness, love, patience and etc. I feel that I just nothing compared with His Greatness. He is always accompanying me and giving me power to face all the obstacles in front of me. I owe so much thanks to my advisor Dr. Fr. B. Alip, M.Pd., M.A., for all his advise so I can finish my thesis, and also for my co-advisor Dr.B.Ria Lestari, M.S. for her ideas and supports in making my thesis. Thanking is also given for Ms. Sri Mulyani, for her ideas and the sources that can support my thesis, and for all the English Letters Department staffs for all their help in our study. I would never forget to address my gratitude, love, and thanks for all the supports to my family especially for my Dad, I Ketut S.W., my Mom, Lestari, and my lovely sister, Putri.