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Dickie Beau, LOST in TRANS, the Theatre Centre, Toronto Fabien Maltais-Bayda
Document généré le 1 oct. 2021 10:58 esse arts + opinions Dickie Beau, LOST in TRANS, The Theatre Centre, Toronto Fabien Maltais-Bayda Esquisse Sketch Numéro 93, printemps 2018 URI : https://id.erudit.org/iderudit/88029ac Aller au sommaire du numéro Éditeur(s) Les éditions esse ISSN 0831-859X (imprimé) 1929-3577 (numérique) Découvrir la revue Citer ce compte rendu Maltais-Bayda, F. (2018). Compte rendu de [Dickie Beau, LOST in TRANS, The Theatre Centre, Toronto]. esse arts + opinions, (93), 116–116. Tous droits réservés © Fabien Maltais-Bayda, 2018 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Esse Dickie Beau LOST in TRANS, 2018. Photos : Joel Fildes (left), courtesy of the artist Dickie Beau LOST in TRANS In a recent episode of the podcast Food 4 Thot, a discussion in LOST in TRANS belong here, too. This notion, however, on queer vocality began with one host revealing, “People’s raises questions around belonging and identity that feel voices are pretty much my favourite thing… their singing tricky when a white artist like Beau takes on the vocality of voices, their speaking voices. -
Judith Butler and a Pedagogy of Dancing Resilience Joshua M
Judith Butler and a Pedagogy of Dancing Resilience Joshua M. Hall The Journal of Aesthetic Education, Volume 54, Number 3, Fall 2020, pp. 1-16 (Article) Published by University of Illinois Press For additional information about this article https://muse.jhu.edu/article/760813 [ Access provided at 9 Oct 2020 19:39 GMT from California State University @ San Marcos ] Judith Butler and a Pedagogy of Dancing Resilience JOSHUA M. HALL Abstract. This essay is part of a larger project in which I construct a new, historically informed, social justice–centered philosophy of dance, centered on four central phenomenological constructs, or “moves.” This essay, in particular, is about the fourth move, “resilience.” More specifically, I explore how Judith Butler engages with the etymological aspects of this word, suggesting that resilience involves a productive form of madness and a healthy form of compulsion, respectively. I then conclude by showing how “resilience” can be used in the analysis of various Wittgensteinian “families” of dance, which, in turn, could facilitate positive educational changes in philosophy, dance, and soci- ety, with particular efficacy on the axis of gender. In brief, by teaching a conception of strength as vulnerability (instead of machismo’s view of strength as apathetic “toughness”), a pedagogy of dancing resil- ience provides additional support for feminists (including Anzaldúa, Haraway, Butler, and Concepción) who advocate a cautious openness toward seemingly unlikely resources and allies (including analytic methodologies, Machiavellian politics, and the discourses of the natu- ral sciences). This article is part of a larger project in which I suggest, based on eighteen years of experience as a dancer and choreographer, a historically informed philosophy of dance built around four central concepts, or “moves.”1 Joshua M. -
Title of Dissertation
SETTING UP CAMP: IDENTIFYING CAMP THROUGH THEME AND STRUCTURE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Michael T. Schuyler January, 2011 Examining Committee Members: Cornelius B. Pratt, Advisory Chair, Strategic Communication John A. Lent, Broadcasting, Telecommunications & Mass Media Paul Swann, Film & Media Arts Roberta Sloan, External Member, Theater i © Copyright 2010 by Michael T. Schuyler All Rights Reserved ii ABSTRACT Camp scholarship remains vague. While academics don’t shy away from writing about this form, most exemplify it more than define it. Some even refuse to define it altogether, arguing that any such attempt causes more problems than it solves. So, I ask the question, can we define camp via its structure, theme and character types? After all, we can do so for most other genres, such as the slasher film, the situation comedy or even the country song; therefore, if camp relies upon identifiable character types and proliferates the same theme repeatedly, then, it exists as a narrative system. In exploring this, I find that, as a narrative system, though, camp doesn’t add to the dominant discursive system. Rather, it exists in opposition to it, for camp disseminates the theme that those outside of heteronormativity and acceptability triumph not in spite of but because of what makes them “different,” “othered” or “marginalized.” Camp takes many forms. So, to demonstrate its reliance upon a certain structure, stock character types and a specific theme, I look at the overlaps between seemingly disperate examples of this phenomenon. -
Community Report 2019
COMMUNITY REPORT 2019 Mission The Catholic Foundation of Michigan inspires charitable giving and assists generous donors providing for the long-term needs of Catholic parishes, schools, ministries and other organizations of southeast Michigan. Invest. Serve. Grow. Serve. Invest. EXTRAORDINARY GROWTH AND 2019 INSPIRING COLLABORATION Dear Friends, You need a strong foundation to build something that will last. In 2016, a group of visionary lay leaders established the Catholic Foundation of Michigan. Since then, the Foundation has grown to meet the needs of our community and beyond, building up parishes, strengthening schools and supporting dynamic ministries. We could not have done this good work in our Catholic community without you. In our third year, the Catholic Foundation of Michigan continues to be blessed with generous support from our donors while supporting the ever-growing need of ministries in our area. During 2019, the Foundation’s portfolio grew to nearly $16 million, and since its founding, it has granted over $3 million. This impressive growth is due in large part to the many people who participate in making an impact in our community. When people work together for a shared goal, dynamic energy and enthusiasm is created that leads to a greater outpouring of generosity. Our report this year celebrates that kind of community-based collaboration. This report tells the stories of faithful and generous collaborators who are passionate about a better tomorrow. You are a part of our story. We are grateful for all that you have offered, and we look forward to continuing to work with you for years to come. -
July 2021 MICHIGAN COLUMBIAN from the State Chaplain Michigan State Council Rev
OFFICIAL PUBLICATION OF THE MICHIGAN STATE COUNCIL KNIGHTS OF COLUMBUS Michigan Columbian VOLUME 73 ISSUE NO. 1 July 2021 STATE OF THE STATE Walter K. Winkle, Jr. State Deputy Your Excellency’s: Most Reverend Allen Vigneron, Archbishop of Detroit, Most Reverend David Walkowiak, Bishop of Grand Rapids, Most Reverend Paul Bradley, Bishop of Kalamazoo, Most Reverend Earl Boyea, Bishop of Lansing, Most Reverend John Doefler, Bishop of Marquette, Most Reverend Robert Gruss, Bishop of Saginaw, Most Reverend Walter A. Hurley, Bishop of Gaylord, Most Reverend Donald Hanchon, Aux. Bishop of Detroit, Most Reverend Gerard W. Battersby, Aux. Bishop of Detroit, Most Reverend Arturo Cepeda, Aux. Bishop of Detroit, Most Reverend Robert J. Fisher, Aux. Bishop of Detroit, Most Reverend Frank Kalabat, Apostolic Exarchate for the Chaldeans in U.S.A., Most Reverend Bishop Richard Seminack, Ukrainian Bishop of Chicago. Worthy State Chaplain Reverend Paul Ballien, Worthy Diocesan Chaplains, Worthy Council Chaplains, Reverend Monsignors, ReverendMichigan Fathers, Deacons and Religious, Worthy Former Supreme Directors, Worthy Vice Supreme Master, Worthy State Officers, Worthy Immediate Past State Deputy and Past State Deputies, Worthy Former Vice Supreme Masters, Worthy District Deputies, Worthy Regional, State and Diocesan Directors, Worthy Masters of the Patriotic Degree, Worthy Supreme Council General Agents, Worthy Supreme Regional Membership Growth Director, Worthy Delegates and Guests, Vivat Jesus! Rise Up and Answer the Call, this was the moto for my term as the 50th State Deputy to represent the over 63,000 members and 440 Councils across the Great State of Michigan, I would like to thank you for your support over this last year. -
Christina Tente
'...and just set that body on fire!' Posthuman perspectives on the body, becomings, and sticky encounters in vogue femme. A Master Thesis for the Degree of Master of Arts (120 credits) in Visual Culture Christina Tente Division of Art History and Visual Studies Department of Arts and Cultural Sciences Lund University KOVM12, Master Thesis, 30 credits Supervisor: Peter Bengtsen Spring semester 2020 Acknowledgements I would like to thank my sources in Malmö and Berlin: the lovely voguers A., D., F., H., J., M., R., S., and the three wonderful people who decided to remain completely anonymous, a.k.a. the Anonymous Sources A, B, and C. I am very thankful that you welcomed and agreed to talk to me, that you let me watch and you danced with me, and that you shared your stories, your experiences and your own embodied interpretations of voguing. I sincerely hope that this thesis reflects your beauty, creativity and uniqueness. I would also like to thank my supervisor, Peter Bengtsen, for the support and the generous guidance, as well as for being so thorough, honest, analytical and critical throughout this process. Finally, I would like to give special thanks to my people, who really helped me, even though they might not be aware of it : Thank you, Karen K., for the talks, the walks, the rants, and the sunny coffee breaks. Your friendship kept me sane during the frantic writing process. Thank you, Tobias E., for your love, kindness, patience and support. You are the best company at the balls and, because of your resourcefulness, I managed to conduct the interviews despite my malfunctioning recorder and camera. -
January 14 - February 9, 2020 | Quadracci Powerhouse
JANUARY 14 - FEBRUARY 9, 2020 | QUADRACCI POWERHOUSE by Matthew Lopez | Directed by Meredith McDonough A CO-PRODUCTION WITH ARIZONA THEATRE COMPANY EXECUTIVE PRODUCERS: ASSOCIATE PRODUCER: Melanie and Steve Booth Robert Burrell JANUARY 14 - FEBRUARY 9, 2020 | QUADRACCI POWERHOUSE by Matthew Lopez | Directed by Meredith McDonough TABLE OF CONTENTS Synopsis /Characters 3 About the Playwright 4 Elvis Impersonators: 5 Mark Clements A Profession and a Passion ARTISTIC DIRECTOR Chad Bauman Jumpsuits and Bedazzling: 6 EXECUTIVE DIRECTOR Elvis’ Many Iconic Looks Elvis’ Many Iconic Looks PLAYGUIDE WRITTEN BY Desperately Seeking a Diva: 8 Lindsey Hoel-Neds Casey’s Icon Try-Ons Casey’s Icon Try-Ons CONTENT WRITER Drag Queens: 10 Katie Wagner From the Ballrooms to the Mainstream From the Ballrooms to the Mainstream CONTRIBUTING WRITER Walking the Talk: 12 PLAYGUIDE EDITED BY Steps to Serving Fierceness Steps to Serving Fierceness Jenny Toutant Director of Education Featured Artist 13 Auburn Matson Armand Fields esss Education Administrator Talking the Talk: 14 Lisa Fulton Allusions and Terms in the Play Chief Marketing Officer Resources 16 2 The Legend of Georgia McBride – PlayGuide SYPNOSIS The Legend of Georgia McBride tells the story of an upstart Elvis impersonator, Casey, and his journey to stardom. The problem is, he isn’t finding stardom impersonating The King. The rent is late, the checking account is overdrawn, and his wife, Jo, is frustrated. When Jo tells Casey that she is pregnant, he is not sure how they will make it through. One night, just as Casey is getting ready to hit the stage at Cleo’s, a local bar, a tornado of fab and fierce sweeps into his dressing room in the persons of Miss Tracy Mills and Miss Anorexia Nervosa (Rexy), two drag queens. -
The Rite of Sodomy
The Rite of Sodomy volume iii i Books by Randy Engel Sex Education—The Final Plague The McHugh Chronicles— Who Betrayed the Prolife Movement? ii The Rite of Sodomy Homosexuality and the Roman Catholic Church volume iii AmChurch and the Homosexual Revolution Randy Engel NEW ENGEL PUBLISHING Export, Pennsylvania iii Copyright © 2012 by Randy Engel All rights reserved Printed in the United States of America For information about permission to reproduce selections from this book, write to Permissions, New Engel Publishing, Box 356, Export, PA 15632 Library of Congress Control Number 2010916845 Includes complete index ISBN 978-0-9778601-7-3 NEW ENGEL PUBLISHING Box 356 Export, PA 15632 www.newengelpublishing.com iv Dedication To Monsignor Charles T. Moss 1930–2006 Beloved Pastor of St. Roch’s Parish Forever Our Lady’s Champion v vi INTRODUCTION Contents AmChurch and the Homosexual Revolution ............................................. 507 X AmChurch—Posing a Historic Framework .................... 509 1 Bishop Carroll and the Roots of the American Church .... 509 2 The Rise of Traditionalism ................................. 516 3 The Americanist Revolution Quietly Simmers ............ 519 4 Americanism in the Age of Gibbons ........................ 525 5 Pope Leo XIII—The Iron Fist in the Velvet Glove ......... 529 6 Pope Saint Pius X Attacks Modernism ..................... 534 7 Modernism Not Dead— Just Resting ...................... 538 XI The Bishops’ Bureaucracy and the Homosexual Revolution ... 549 1 National Catholic War Council—A Crack in the Dam ...... 549 2 Transition From Warfare to Welfare ........................ 551 3 Vatican II and the Shaping of AmChurch ................ 561 4 The Politics of the New Progressivism .................... 563 5 The Homosexual Colonization of the NCCB/USCC ....... -
The History and Representation of Drag in Popular Culture; How We Got to Rupaul
MASARYK UNIVERSITY FACULTY OF ARTS The History and Representation of Drag in Popular Culture; How We Got to RuPaul Bachelor's thesis MICHAELA SEVEROVÄ Supervisor: Jeffrey Alan Vanderziel, B.A. Department of English and American Studies English Language and Literature Brno 2021 MUNI ARTS THE HISTORY AND REPRESENTATION OF DRAG IN POPULAR CULTURE; HOW WE GOT TO RUPAUL Bibliographic record Author: Michaela Severovä Faculty of Arts Masaryk University Title of Thesis: The History and Representation of Drag in Popular Culture; How We Got to RuPaul Degree Program: English Language and Literature Supervisor: Jeffrey Alan Vanderziel, B.A. Year: 2021 Number of Pages: 72 Keywords: drag queens, RuPauVs Drag Race, drag, LGBTQ+, representation, queer culture, sexuality 2 THE HISTORY AND REPRESENTATION OF DRAG IN POPULAR CULTURE; HOW WE GOT TO RUPAUL Abstract This bachelor thesis deals with drag and its representation in popular culture, focus• ing on RuPaul's Drag Race. It analyses the representation of drag by explaining some basic terms and the study of the history of drag. It then analyses the evolution of the representation of drag queens in movies and shows. The main focus of this thesis is the American TV show RuPaul's Drag Race and how it changed the portrayal of drag and the LGBTQ+ community in popular culture. The thesis questions if the show is as progressive and diverse as it proclaims to be and if it shows the authentic image of drag culture. 3 THE HISTORY AND REPRESENTATION OF DRAG IN POPULAR CULTURE; HOW WE GOT TO RUPAUL Declaration I hereby declare that this thesis with title The History and Representation of Drag in Popular Culture; How We Got to RuPaul I submit for assessment is entirely my own work and has not been taken from the work of others save to the extent that such work has been cited and acknowledged within the text of my thesis. -
UCLA Artists in the Hammer Museum Collections Digital Archive Checklist
UCLA Artists in the Hammer Museum Collections ID: 69.40.05232 Artist William Brice, American, 1921-2008 Title: Land Fracture Date: 1955 Medium: Oil and sand on masonite Dimensions: Object: 96 x 72 in. (243.8 x 182.9 cm) Credit Line: Collection University of California, Los Angeles. Hammer Museum. Gift of Mr. and Mrs. Ray Stark. ID: 92.40.00084.1 Artist Laura Andreson, American, 1902-1999 Title: Vase Date: ca. 1935-1940 Medium: Glazed earthenware Dimensions: Object: 8 in. (20.3 cm) Credit Line: Collection University of California, Los Angeles. Hammer Museum. Gift of Pauline Blank. ID: 92.40.00084.2 Artist Laura Andreson, American, 1902-1999 Title: Bowl Date: ca. 1940 Medium: Glazed earthenware Dimensions: Object: 3 x 4 1/2 in. (7.6 x 11.4 cm) Credit Line: Collection University of California, Los Angeles. Hammer Museum. Gift of Pauline Blank. ID: 92.40.00084.3 Artist Laura Andreson, American, 1902-1999 Title: Bowl Date: 1940 Medium: Earthenware Dimensions: Object: 12 in. (30.5 cm) Credit Line: Collection University of California, Los Angeles. Hammer Museum. Gift of Pauline Blank. ID: 92.40.00084.4 Artist Laura Andreson, American, 1902-1999 Title: Bowl Date: 1946 Medium: Glazed earthenware Dimensions: Object: 7 x 9 3/4 in. (17.8 x 24.8 cm) Credit Line: Collection University of California, Los Angeles. Hammer Museum. Gift of Pauline Blank. ID: 92.40.00084.5 Artist Laura Andreson, American, 1902-1999 Title: Bowl Date: 1967 Medium: Glazed stoneware Dimensions: Object: 6 1/4 x 8 1/4 in. (15.9 x 21 cm) Credit Line: Collection University of California, Los Angeles. -
Uncanny Xmen Box
Official Advanced Game Adventure CAMPAIGN BOOK TABLE OF CONTENTS What Are Mutants? ....... .................... ...2 Creating Mutant Groups . ..... ................ ..46 Why Are Mutants? .............................2 The Crime-Fighting Group . ... ............. .. .46 Where Are Mutants? . ........ ........ .........3 The Tr aining Group . ..........................47 Mutant Histories . ................... ... ... ..... .4 The Government Group ............. ....... .48 The X-Men ..... ... ... ............ .... ... 4 Evil Mutants ........................... ......50 X-Factor . .......... ........ .............. 8 The Legendary Group ... ........... ..... ... 50 The New Mutants ..... ........... ... .........10 The Protective Group .......... ................51 Fallen Angels ................ ......... ... ..12 Non-Mutant Groups ... ... ... ............. ..51 X-Terminators . ... .... ............ .........12 Undercover Groups . .... ............... .......51 Excalibur ...... ..............................12 The False Oppressors ........... .......... 51 Morlocks ............... ...... ......... .....12 The Competition . ............... .............51 Original Brotherhood of Evil Mutants ..... .........13 Freedom Fighters & Te rrorists . ......... .......52 The Savage Land Mutates ........ ............ ..13 The Mutant Campaign ... ........ .... ... .........53 Mutant Force & The Resistants ... ......... ......14 The Mutant Index ...... .... ....... .... 53 The Second Brotherhood of Evil Mutants & Freedom Bring on the Bad Guys ... ....... -
Table of Contents
2 TABLE OF CONTENTS Letters of Welcome ………………………………….………………..…………….....……. 4 About Ste. Anne ……………………………………………………………………………... 6 Detroit’s Basilica …………………………………………………………………………….. 8 Novena July 17 - Novena Day 1: Celebrating Western European Culture …..…………….… 10 July 18 - Novena Day 2: Celebrating Celtic and British Culture . …………….….... 12 July 19 - Novena Day 3: Celebrating Chaldean Culture ……………………….……. 14 July 20 - Novena Day 4: Celebrating Latino Culture ……………………...….……….16 July 21 - Novena Day 5: Celebrating Albanian Culture ………..……………….……. 18 July 22 - Novena Day 6: Celebrating African Culture …………………………….…. 20 July 23 - Novena Day 7: Celebrating Asian Culture ……………………………...….. 22 July 24 - Novena Day 8: Celebrating Eastern European Culture …………………… 24 July 25 - Novena Day 9: Celebrating French and Native American Culture and Ste. Anne School Alumni……………….………...….……..…. 26 July 26 - Novena Day 10: Feast of Ste. Anne ………………………………………… 28 Basilica of Ste. Anne de Detroit Novena Prayers .…………………………..………...….. 30 Novena Patrons ……………………………………………………………………...……. 34 Novena Memorials …………………………………………………….…………….…….. 36 Upcoming Events ………………………………………………………………………….. 38 Tours of the basilica are available after each Mass during Novena. Please meet by the altar rail after the Novena prayers for the tour. 3 4 June 2021 Dear Friends, Welcome to Novena 2021! It is such a joy to be here together in person with so many of you! When I wrote my welcome letter for Novena 2020, and referenced the sadness caused by the coronavirus pandemic, I had no idea that we would still be feeling its effects and that it would last so long. Few of us did. It seems finally to be coming to end. Hallelujah! Despite the pandemic, we have had a busy and productive year at the Basilica of Ste. Anne de Detroit. We celebrated the formal dedication of our basilica in September.