Jabra Ibrahim Jabraʼs in Search of Walid Masoud. a Polyphony of (Un)Orchestrated Opus
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The Information Presented Here Is As of 10/24/2012. ARABIC STUDIES (Div
The information presented here is as of 10/24/2012. ARABIC STUDIES (Div. I, with some exceptions as noted in course descriptions) Coordinator, Associate Professor CHRISTOPHER BOLTON Assistant Professors NAAMAN, VARGAS. Affiliated Faculty: Professors: DARROW, D. EDWARDS, ROUHI. Associate Professors: BERNHARDS- SON, PIEPRZAK. Visiting Assistant Professor: EL-ANWAR. Senior Lecturer: H. EDWARDS. Middle Eastern Studies is a vibrant and growing discipline in the United States and around the world. Students wishing to enter this rich and varied discipline can begin with a major in Arabic Studies at Williams. The major is designed to give students a foundation in the Arabic language and to provide the opportunity for the interdisciplinary and multi-disciplinary study of the Arab, Islamic, and Middle Eastern arenas. The Major in Arabic Studies Students wishing to major in Arabic Studies must complete nine courses, including the following four courses: ARAB 101-102 Elementary Arabic ARAB 201 Intermediate Arabic I ARAB 202 Intermediate Arabic II Students must also take five courses in Arabic and Middle Eastern Studies in affiliated departments. At least two of these courses should be from the arenas of language and the arts (DIV I) and at least two from politics, religion, economics, and history (DIV II). At least two of these courses must be at an advanced level (300 or 400 level). These might include: ARAB 216/COMP 216 Protest Literature: Arab Writing Across Three Continents ARAB 219/COMP 219/AMST 219 Arabs in America: A Survey ARAB 223/COMP 223 -
A Novel, Notes to Self, and an Extended Essay on That Work By
Mature Poets Steal: a novel, Notes to Self, and an extended essay on that work By James Horrocks School of English, Faculty of the Arts, Drama and Media Birmingham City University A thesis submitted in partial fulfilment of the requirements of Birmingham City University for the degree of Doctor of Philosophy May 2017 Abstract This thesis consists of a novel, Notes to Self, and an extended essay examining the composition of that work, its processes and contexts. Notes to Self is the fictional autobiography of my pseudonym, Ted Bonham. It has been assembled from textual fragments of differing lengths, including many that derive from found texts from both literary and non-literary sources. These fragments are written in a diverse range of styles and set in a variety of geographical locations and historical periods, from Neanderthal tribe story to contemporary lab report and from nineteenth century novel to amateur internet polemic. Taken together, these disparate textual fragments reveal Ted's life story. The narrative tells this story approximately chronologically, but within this broad structure fragments are also organised by associative and thematic principles more often discussed in relation to poetry or visual collage. The essay examines the assemblage composition of Notes to Self and its use of the fragment as a unit of composition. It uses analogies to collage and montage to extend critical discourse around the assemblage-text, helping to provide both a vocabulary for practitioners to discuss their work and the theoretical basis to defend it. It also examines how Notes to Self, as the notional autobiography of my pseudonym Ted Bonham, addresses themes of identity and self-narrative and how its fragmentary structure creatively explores and represents our experiences of consciousness and how we construct our narratives of selfhood. -
Revising the World with Speech in Franz Kafka, Robert Walser and Thomas Bernhard
Monologue Overgrown: Revising the world with speech in Franz Kafka, Robert Walser and Thomas Bernhard by Paul Joseph Buchholz This thesis/dissertation document has been electronically approved by the following individuals: Schwarz,Anette (Chairperson) Gilgen,Peter (Minor Member) McBride,Patrizia C. (Minor Member) MONOLOGUE OVERGROWN: REVISING THE WORLD WITH SPEECH IN FRANZ KAFKA, ROBERT WALSER AND THOMAS BERNHARD A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Paul Joseph Buchholz August 2010 © 2010 Paul Joseph Buchholz MONOLOGUE OVERGROWN: REVISING THE WORLD WITH SPEECH IN FRANZ KAFKA, ROBERT WALSER AND THOMAS BERNHARD Paul Joseph Buchholz, Ph. D. Cornell University 2010 My dissertation focuses on unstable, chronically unpublished prose texts by three key 20th century prose writers, quasi-novelistic texts whose material instability indicates a deep discomfort with the establishment of narrative authority qua narrative violence. I argue that Franz Kafka, Robert Walser and Thomas Bernhard, radically refunctionalized the device of interpolated “character monologue,” turning characters' speech from a narrative function, into a site where a text can be rewritten from within. In the Bildungsroman tradition, extended oral interpolations serve as an engine for the expansion and exposition of the plotted work, deepening the epic narrative world and exhaustively presenting a perspective that will be incorporated into biographical trajectory. I locate an estrangement of this practice: moments when oral monologues of fictional interlocutors “overgrow,” becoming an interventionary force that doubles, disrupts and re-frames the narrative discourse out of which it first sprouted. In showing how the labor of ‘world-making’ is split and spread across different competing layers of these texts, my dissertation contributes to the study of the narrative phenomenon of metalepsis. -
Cultural Continuity in Modern Iraqi Painting Between 1950- 1980
Vol.14/No.47/May 2017 Received 2016/06/13 Accepted 2016/11/02 Persian translation of this paper entitled: تداوم فرهنگی در نقاشی مدرن عراق بین سال های 1950 و 1980 is also published in this issue of journal. Cultural Continuity in Modern Iraqi Painting between 1950- 1980 Shakiba Sharifian* Mehdi Mohammadzade** Silvia Naef*** Mostafa Mehraeen**** Abstract Since the early years of 1950, which represent the development period of modern Iraqi art, the “return to the roots” movement has been an impartible mainstream in Iraq. The first generation of modern artists like Jewad Salim and Shakir Hassan Al-Said considered “cultural continuity” and the link between “tradition and modernity” and “inspiration from heritage1” as the main essence of their artistic creation and bequeathed this approach to their next generation. Having analyzed and described a selection of artworks of modern Iraqi artists, this paper discusses the evolution of modern Iraqi art, and aims to determine cultural and artistic continuity in modern paintings of Iraq. It also seeks to answer the questions that investigate the socio-cultural factors that underlie the formation of art and establish a link between traditional and modern ideas and lead to continuity in tradition. Therefore, the research hypothesis is put to scrutiny on the basis of Robert wuthnow’s theory. According to Wuthnow, although configuration and the objective production of this movement is rooted in the “mobilization of resources”, the artistic content and approach of the painting movement (i.e. the continuation of the tradition along with addressing modern ideas) is influenced by factors such as “social Horizon”, “existing discursive context” and “cultural capital” of the painters. -
Adam Floridia, Middlesex Community College
Teaching American Literature: A Journal of Theory and Practice Spring/Summer 2010 (3:3/4) Unconsciously Completing the Canon: An Argument for The Original of Laura Adam Floridia, Middlesex Community College Perhaps the most impressive aspect of Nabokov’s prolific career— spanning six decades and numerous languages—is the fact that there is surprisingly remarkable consistency to his canon. The casual Nabokov reader will certainly notice the leitmotifs of chess, light and color, lepidoptery and various word games; the more acute Nabokov scholar, however, will note a theme, at times obvious, at times latent, always pulsing beneath the surface of his stories. Operating as the life force of his literature, sometimes this particular theme becomes obvious to both readers and characters alike, for example when all of Krug’s emotional anguish is lifted at the end of Bend Sinister thanks to the epiphany that he is merely a character. Krug’s epiphany, the overriding concern of all of Nabokov’s work, is the concept of consciousness. In Speak, Memory Nabokov begins, “The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness.”1 It is this mystery of the relatively brief moment of consciousness that is one’s life that so harasses and fascinates the author and so informs his writing. He continues, “Over and over again my mind has made colossal efforts to distinguish the faintest of 1 Teaching American Literature: A Journal of Theory and Practice Spring/Summer 2010 (3:3/4) personal glimmers in the impersonal darkness on both sides of my life”1 and concedes, “Initially, I was unaware that time, so boundless at first blush, was a prison.”2 It was early in his own life that Nabokov came to this realization that life is a mere flickering of consciousness between the vast, dark voids at both ends of a human’s time on earth. -
ATINER's Conference Paper Series LIT2018-2488
ATINER CONFERENCE PAPER SERIES No: LNG2014-1176 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series LIT2018-2488 Jabra Ibrahim Jabra’s In Search of Walid Masoud. A Polyphony of (Un)Orchestrated Opus Ibrahim A. El-Hussari Professor of English Lebanese American University Lebanon 1 ATINER CONFERENCE PAPER SERIES No: LIT2018-2488 An Introduction to ATINER's Conference Paper Series Conference papers are research/policy papers written and presented by academics at one of ATINER’s academic events. ATINER’s association started to publish this conference paper series in 2012. All published conference papers go through an initial peer review aiming at disseminating and improving the ideas expressed in each work. Authors welcome comments Dr. Gregory T. Papanikos President Athens Institute for Education and Research This paper should be cited as follows: El-Hussari, I. A., (2018). “Jabra Ibrahim Jabra’s In Search of Walid Masoud A Polyphony of (Un)Orchestrated Opus”, Athens: ATINER'S Conference Paper Series, No: LIT2018-2488. Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. All rights reserved. Reproduction is allowed for non-commercial purposes if the source is fully acknowledged. ISSN: 2241-2891 03/08/2018 2 ATINER CONFERENCE PAPER SERIES No: LIT2018-2488 Jabra Ibrahim Jabra’s In Search of Walid Masoud A Polyphony of (Un)Orchestrated Opus Ibrahim A. -
Defamiliarization in the Poetry of 'Abd Al-Wahh�B Al-Bay�T� and T
DEFAMILIARIZATION IN THE POETRY OF 'ABD AL-WAHH�B AL-BAY�T� AND T. S. ELIOT: A COMPARATIVE STUDY The recoil of 'Abd al-Wahhab al-Bayati (1926-1999) from Romanticism with the publication of Abdriq Muhashshamah (Broken Pitchers, 1954),' sig- nalled a shift in his poetic style and subject matter. Al-Bayati's poetry turned increasingly oblique while it became involved in Pan-Arab socio- political affairs. His experimentation with poetic language and devices, how- ever, only matured with the publication of Alladhi Ya'ti wa /a Ya'ti (He Who Comes and Does Not Come, The outstanding characteristic of al-Bayati's poetry since Broken Pitchers became a progress towards achiev- ing defamiliarization. The term defamiliarization, which was coined by Victor Shklovsky, denotes the use of language and poetic devices that ren- der a poem a complex and an ambigious work of art because the "technique of art is to make objects 'unfamiliar The transition in al-Bayati's poetry occurred, in fact, as the result of the reception of the work of T. S. Eliot (1888-1965) in the Arab World through its translations, which, according to Jabra Ibrahim Jabra, had commenced in the 1940s.4 Eliot's free verse initiated the formation of the new literary movement of the so-called New Poets, which included Ndzik al-Mala'ikah (b. 1926), Badr Shakir al-Sayyab (1926-1964), and al-Bayati himself, who became the pioneers of free verse in the early 1950s.5 In this respect, Salma A brief presentation on this paper's central concern and methodology was given in the First International Conference of the Association of Professors of English and Translation at Arab Universities, held in Amman, Jordan, August 28-30, 2000. -
Chronicles of Disappearance: the Novel of Investigation in the Arab World, 1975-1985
Chronicles of Disappearance: The Novel of Investigation in the Arab World, 1975-1985 By Emily Lucille Drumsta A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Margaret Larkin, Chair Professor Chana Kronfeld Professor Karl Britto Professor Stefania Pandolfo Summer 2016 © 2016 Emily Lucille Drumsta All Rights Reserved Abstract Chronicles of Disappearance: The Novel of Investigation in the Arab World, 1975-1985 by Emily Lucille Drumsta Doctor of Philosophy in Comparative Literature University of California, Berkeley Professor Margaret Larkin, Chair This dissertation identifies investigation as an ironic narrative practice through which Arab authors from a range of national contexts interrogate certain forms of political language, contest the premises of historiography, and reconsider the figure of the author during periods of historical upheaval. Most critical accounts of twentieth-century Arabic narrative identify the late 1960s as a crucial turning point for modernist experimentation, pointing particularly to how the defeat of the Arab Forces in the 1967 June War generated a self-questioning “new sensibility” in Arabic fiction. Yet few have articulated how these intellectual, spiritual, and political transformations manifested themselves on the more concrete level of literary form. I argue that the investigative plot allows the authors I consider to distance themselves from the political and literary languages they depict as rife with “pulverized,” “meaningless,” “worn out,” or “featureless” words. Faced with the task of distilling meaning from losses both physical and metaphysical, occasioned by the traumas of war, exile, colonialism, and state violence, these authors use investigation to piece together new narrative forms from the debris of poetry, the tradition’s privileged mode of historical reckoning. -
The New Essential Guide to Spanish Reading
The New Essential Guide to Spanish Reading Librarians’ Selections AMERICA READS SPANISH www.americareadsspanish.org 4 the new essential guide to spanish reading THE NEW ESSENTIAL GUIDE TO SPANISH READING: Librarian’s Selections Some of the contributors to this New Essential Guide to Spanish Reading appeared on the original guide. We have maintained some of their reviews, keeping the original comment and library at the time. ISBN 13: 978-0-9828388-7-7 Edited by Lluís Agustí and Fundación Germán Sánchez Ruipérez Translated by Eduardo de Lamadrid Revised by Alina San Juan © 2012, AMERICA READS SPANISH © Federación de Gremios de Editores de España (FGEE) © Instituto Español de Comercio Exterior (ICEX) Sponsored by: All rights reserved. No part of this book may be reproduced in any form, or incorporated into any information retrieval system, electronic or mechanical, without the written permission of the copyright owner. This is a non commercial edition and is not for sale. For free copies of this book, contact the Trade Commission of Spain in Miami at: TRADE COMMISSION OF SPAIN 2655 LeJeune Rd, Suite 1114 CORAL GABLES, FL 33134 Tel. (305) 446-4387 e-mail: [email protected] www.americareadsspanish.org America Reads Spanish is the name of the campaign sponsored by the Spanish Institute for Foreign Trade and the Spanish Association of Publishers Guilds, whose purpose is to increase the reading and use of Spanish through the auspices of thousands of libraries, schools and booksellers in the United States. Printed in the United States of America www.americareadsspanish.org the new essential guide to spanish reading 5 General Index INTRODUCTIONS Pg. -
Modernism and After: Modern Arabic Literary Theory from Literary Criticism to Cultural Critique
1 Modernism and After: Modern Arabic Literary Theory from Literary Criticism to Cultural Critique Khaldoun Al-Shamaa Thesis submitted for the degree of PhD University of London, School of Oriental and African Studies 2006 ProQuest Number: 10672985 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10672985 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 2 DECLARATION I Confirm that the work presented in the thesis is mine alone. Khaldoun Al-Shamaa 3 ABSTRACT This thesis aims to provide the interested reader with a critical account of far-reaching changes in modem Arabic literary theory, approximately since the 1970s, in the light of an ascending paradigm in motion , and of the tendency by subsequent critics and commentators to view litefary criticism in terms of self-a elaborating category morphing into cultural critique. The first part focuses on interdisciplinary problems confronting Arab critics in their attempt “to modernize but not to westernize”, and also provides a comparative treatment of the terms, concepts and definitions used in the context of an ever-growing Arabic literary canon, along with consideration of how these relate to European modernist thought and of the controversies surrounding them among Arab critics. -
Hemingway's Mythical Method
Hemingway’s Mythical Method: Implications of Dante Allusion in In Our Time by William Parker Osbourne Stoker B.A. in English and Religion, May 2014, University of the South: Sewanee A Thesis submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 19, 2019 Thesis directed by Christopher Sten Professor of English © Copyright 2019 by William P. O. Stoker All rights reserved ii Abstract of Thesis Hemingway’s Mythical Method: Implications of Dante Allusion in In Our Time The widely accepted assessment of Ernest Hemingway’s In Our Time is that the text’s fragmentary form belies a complex but cohesive narrative wholeness. Missing from the critical record, however, is an adequate account of In Our Time’s use of what T.S. Eliot termed “the mythical method.” Using a palimpsestic system of indirect allusion, Hemingway’s fragmentary novel constructs an overarching pattern of reference to the journey of Dante’s pilgrim through Hell and Purgatory in the Divine Comedy. Hemingway’s use of this mythical method not only provides his novel a more concrete narrative framing device than its critics have recognized, but also reflects new dimensions of the influence Dante, Eliot, and Ezra Pound exerted on Hemingway’s earliest work. In particular, similarities between In Our Time and Pound’s Draft of XVI Cantos (both published in 1925), combined with Pound’s well-documented mentorship of Hemingway, suggest Pound may have been a primary source of influence on Hemingway’s apprehension of and engagement with Dante and the epic tradition he represents. -
Resistance Literature and Occupied Palestine in Cold War Beirut
Journal of Palestine Studies ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/rpal20 Resistance Literature and Occupied Palestine in Cold War Beirut Elizabeth M. Holt To cite this article: Elizabeth M. Holt (2021): Resistance Literature and Occupied Palestine in Cold War Beirut, Journal of Palestine Studies To link to this article: https://doi.org/10.1080/0377919X.2020.1855933 Published online: 22 Jan 2021. Submit your article to this journal Article views: 23 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rpal20 JOURNAL OF PALESTINE STUDIES https://doi.org/10.1080/0377919X.2020.1855933 Resistance Literature and Occupied Palestine in Cold War Beirut Elizabeth M. Holt ABSTRACT KEYWORDS For the last decade of his life, the Palestinian intellectual, author, and editor Cold War; Palestine; Ghassan Kanafani (d. 1972) was deeply immersed in theorizing, lecturing, Ghassan Kanafani; Arthur and publishing on Palestinian resistance literature from Beirut. A refugee Koestler; resistance of the 1948 war, Kanafani presented his theory of resistance literature and literature; Afro-Asian writers; Beirut; Arabic novel the notion of “cultural siege” at the March 1967 Beirut conference of the Soviet-funded Afro-Asian Writers Association (AAWA). Articulated in resis- tance to Zionist propaganda literature and in solidarity with Marxist- Leninist revolutionary struggles in the Third World, Kanafani was inspired by Maxim Gorky, William Faulkner, and Mao Zedong alike. In books, essays, and lectures, Kanafani argued that Zionist propaganda literature served as a “weapon” in the war against Palestine, returning repeatedly to Arthur Koestler’s 1946 Thieves in the Night.