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Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie Van Varik
FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie van Varik. Fred Neil (16 th March 1936 –7th July 2001) was one of the most compelling folk singer-songwriters in the 1960s and early 1970s. His marvellously deep, rich and impossibly low baritone enchanted everyone who has ever heard a Fred Neil song - and continues to do so. Surely one of the most beautiful voices in music. Bob Dylan said, “Fred had a strong, powerful voice, almost a bass voice, and a powerful sense of rhythm. He used to play mostly the type of songs that Josh White might sing. I used to sing and play harmonica for him, and then once in a while get to sing a song.” Yet as performer success eluded Fred, mainly because it was the last thing he pursued. A reluctance to tour didn’t help much either (a trait he shared with Bobby Charles and Harry Nilsson). According to his producer, Nik Venet, Fred was “probably the most famous and financially successful ‘cult artist’ in the history of the world...and could have been even bigger if he’d wanted to be....but he just didn’t!” Fred Neil showed up unexpectedly and was gone before you knew it. A loner and somewhat of a recluse, he was exceedingly hard to get to know and thus remained an enigma to most. John Sebastian, who played on his two Elektra albums, describes his background as “sketchy”. He is best known to the world through other people’s recordings of his material, such as ‘Everybody’s Talkin’’, made famous by Harry Nilsson as the theme to the movie Midnight Cowboy (and earned a Grammy) and ‘Other Side of This Life’, recorded by several but most notably by Jefferson Airplane. -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Chemical Spill Causes Scare Recognized by Drexel Gina Di Vincenzo Their Greek Letters Around Cam Staff Writer______Pus
Dragons fall to Hartford 77-60 and into second place,,, seepage 27 Volume 69 • Number 14 The Student Newspaper ofDrexel University January 28,1994 Alpha Pi Lambda Chemical spill causes scare recognized by Drexel Gina Di Vincenzo their Greek letters around cam Staff Writer__________________ pus. After spending the last seven According to Newman, the fra months as an unrecognized frater ternity had to completely renovate nity, Alpha Pi Lambda emerged its internal structure. The letter from its purgatory on Jan. 25. officially informing the fraternity - Apple Pi can now act as a fiilly of its suspension listed guidelines recognized fraternity on Drexel’s the fraternity would have to fol campus, although they will be on low in order to regain recognition. probation for a year. TTiey are per These requirements included mitted to conduct rush and have a instituting a review process for the pledge class, something which goals of the fraternity and officer they have not had for the last two transition, forming of a review years. board to plan a retreat with the Under the sanctions imposed fraternity alumni, setting goals in June 1993, Apple Pi was pro and objectives for rush and pledg hibited from conducting any ing, setting expectations for mem actions, from athletic to service to bership behavior, and setting up social. The members of the frater judicial policies within the house. nity were also asked not to wear see APPLE PI on page 2 There was more than just one fire truck in front of Stratton Hall on Jan. 25. Over a dozen fire engines descended on the building after a lab accident. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
ORIGINAL IR[RC~I"-M~A-8&3 DEC 1 9 2002
SUSAN CHERTKOF MUNSAT ASSOCIATE COUNSEL BUSINESS ANO LEGAL AFFAIRS ORIGINAL IR[RC~I"-M~a-8&3 DEC 1 9 2002 GENERAL COUNSEL a a December 19, 2002 QF COPYRIGHT I ' I I ' BY HAND David O. Carson, Esq. General Counsel U.S. Copyright Office James Madison Memorial Building Room LM-403 First and Independence Avenue, SE Washington, DC 20559-6000 Re: Notice of Intent to Participate in Copyright Arbitration Royalty Panel Proceedin Docket No. 2002-1 CARP DTRA3 Dear Mr. Carson: Enclosed please find for filing an original and five copies of a Notice of Intent to Participate (the "Notice") along with a sixth copy of the Notice for our records. Please date-stamp the sixth copy and return it to my assistant Edward Hahn, who will be hand- delivering the Notice to your office. Sincerely, &fgLQ /IlUJJJ ~ Susan Chertkof Munsat Enclosures ON /0C2 RECORDING INDUSTRY ASSOCIATION DF AMERICA 1330CONNECT I CUT AVE I NWI S II I TE3 0 0 I WASH I NG7 0 0 3 6 PHONE: 202.857.9682 FAX: 202.775.7253 WEB: www.viaa.corn IRXCKIE~KD& Before the DEC 1 9 2002 COPYRIGHT OFFICE LIBRARY OF CONGRESS GENERAL COUNSEL QOPYRlGHT Washington, D.C. QF ) ) In Re: ) ) Adjustment of Rates and Terms for the ) Digital Performance of Sound Recordings ) Docket No. 2002-1 CARP DTRA3 ) ) ) ) NOTICE OF INTENT TO PARTICIPATE The Recording Industry Association ofAmerica, Inc. ("RIAA"), on its own behalf and on behalf of SoundExchange, presently an unincorporated division ofthe RIAA, submits the following comments in response to the Copyright Office Notice published at 67 Fed. -
21S NOLA Syllabus Part I Graphicsa
HISTORY OF NEW ORLEANS MUSIC 2021S History of New Orleans Music 21S- MUGN-O246-W01 Spring 2021 16-Week Session 1/19/2021 - 5/7/2021 Instructor Information Name: Sanford Hinderlie Phone: (504) 865 2773 (Not to be used with Online course) Email: [email protected] (Preferred contact method. I usually reply to emails within 1-12 hours.) Office Location: World Wide Web Office Hours: By email appointment Terms of Use A student's continued enrollment in this course signifies acknowledgment of agreement with the statements, disclaimers, policies, and procedures outlined within this syllabus and elsewhere in the Canvas environment. This Syllabus is a dynamic document. Elements of the course structure (e.g., dates and topics covered, but not policies) may be changed at the discretion of the professor. Sanford Hinderlie, jazz piano Course Information Prerequisite Courses: ENGL T122 or Equivalent Course Location: Online in Canvas (NOTE: This is an asynchronous online course. However, it is NOT self-paced. Readings as well as all learning activities must be completed according to the weekly schedule provided in this syllabus.) Credit Hours: 3 Credit hours Weeks and Dates of the Course: 16 weeks (full semester), from Wednesday, Jan. 20, 2021 to Friday, May 5, 2021 Class Meeting Time: Each week begins on Monday at 12:00 am and ends on Sunday at 11:59 pm in Canvas Expectations of Workload: e.g. According to the Loyola University Credit Hour Policy http://academicaffairs.loyno.edu/credit-hour-policy, you are supposed to spend at least 6300 minutes (that is 105 hours including 35 hours of classwork and 70 hours of out-of-class work) for the whole semester regardless of how many weeks it is offered. -
Embodiment, Phenomenology and Listener Receptivity of Nirvana’S in Utero
‘WE FEED OFF EACH OTHER’: EMBODIMENT, PHENOMENOLOGY AND LISTENER RECEPTIVITY OF NIRVANA’S IN UTERO Christopher Martin A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2006 Committee: Jeremy Wallach Becca Cragin Angela Nelson ii ABSTRACT Jeremy Wallach, Advisor Despite the fact that listening to recorded music is a predominant form of human interaction with music in general, music scholarship often continues to classify listening as a passive form of reception in comparison to the “activity” of actual music performance. This thesis presents the idea that music listening is actually an embodied and agentive form of reception that varies according to different listeners, their listening strategies, and other surrounding contexts. In order to provide detailed analysis of this assertion, Nirvana’s 1993 album In Utero is the primary recording that this thesis examines, arguing that the album contains specific embodied properties that ultimately allow for embodied forms of listening and responses within the musical experience. Phenomenological reasoning and scholarship from popular music studies, history, cultural studies, and other humanities fields contribute to the central argument. iii ACKNOWLEDGEMENTS I owe an oversized thank you to the following friends and family for their support: Pat and Priscilla Martin, Veronica Martin, Linda Coleson, and my colleagues in the Popular Culture department. Aaron Weinacht and Patrick Blythe earn special thanks for their continuing willingness to participate in arguments and theories that, as always, range from prescient to ridiculous. Kandace Virgin also deserves my thanks and love for patiently tolerating my stubbornness and need to constantly work ahead, as well as my other idiosyncrasies. -
Sick Puppies Connect Her Own on Connect, with More and That’S Rounded Us out When We on Saturday, September 7, the Other, Their Own Psyches—And Vate New Ones
K k AUGUST 2013 KWOW HALL NOTES g VOL. 25 #8 H WOWHALL.ORGk release of Tri-Polar (nearly half a up by adding Orange County, million units to date and over 2 California-bred drummer Mark million single sold) and its slew of Goodwin, who they met through a radio hits—the #1 Rock track classified ad following their move “You’re Going Down”, the Top to LA in 2006. Soon after signing Five Modern Rock/Active Rock to Paul Palmer’s indie label through hits “Odd One” and “Riptide” and Virgin Records, a fortuitous video the cross-format anthemic smash pairing with a friend led Sick “Maybe”. Now Connect (out July Puppies to online fame with the 16, 2013), with its melding of song “All The Same” (AKA the room-filling rockers and edgy yet Free Hugs video), which earned an poignant lyrics, is poised to be the astonishing 75-million-plus views Puppies’ best-selling record yet. worldwide, and led to appearances Produced, as was Tri-Polar, by on Oprah, 60 Minutes, CNN, the Rock Mafia production team Good Morning America, and The of Tim James and Antonina Tonight Show with Jay Leno. Armato, Connect also took guid- Drummer Goodwin notes: ance from another, very pure “We’re a career band. We want to source: the trio’s legions of fans. build and take the time to make With face-to-face and online inter- things right. The first time we ever action with Sick Puppies World jammed it was a massive wall of Crew, the band listened when fol- sound; amazing for a trio. -
Easki Ski CMT Breaking Them Off Something1992
E-A-Ski – Ski $ CMT – Breaking Them Off Something (1992) 1 / 5 E-A-Ski – Ski $ CMT – Breaking Them Off Something (1992) 2 / 5 3 / 5 Related Artists. E-A-Ski. Also Known As. Mark Ogleton, CMT Productions. Share ... 1992 producer, mixing, recording engineer, engineer. +1. 3.57. 296. 10.. 1992: High Stepping (E-A-Ski album); 1992: Breaking Them Off Something (E-A-Ski album) (with CMT as SKI $ CMT); 1992: 1 Step Ahead of Yall (E-A-Ski album) ... As a solo artist in 1992 with his collaborator DJ CMT he released his debut EP 1 Step Ahead of Yall. By the mid-1990s E-A- Ski disbanded from No Limit Records .... [mp3] All songs and all albums E-A-Ski You can listen for information on the site. Download the album or mp3, ... 1993, No Limit Records. 3, E-A-Ski - SKI $ CMT - Breaking Them Off Something ... 1992, No Limit Records. 5, E-A-Ski - 25 With A ... More and more Americans are using the Dark Web Shon Adams, better known by his stage name E-A-Ski, is an American rapper and producer from Oakland, California. ... producing on Master P's early records and also releasing some of his own material. ... Associated acts, CMT ... Breaking Them Off Something ... "Straight Business", 1992, —, —, —, 1 Step Ahead of Yall. 5 Things You Should Know About DIY Spray Foam Install MySQL on Linux Of nudity, happy mums and small talk aversion because a broke hoe is out to fade you anyway she never had nothing and probably never will watch your back cause dope fiends they known to kill but that's ... -
Tru the Best of Tru Mp3, Flac, Wma
Tru The Best Of Tru mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The Best Of Tru Country: Europe Released: 2005 MP3 version RAR size: 1131 mb FLAC version RAR size: 1869 mb WMA version RAR size: 1367 mb Rating: 4.9 Votes: 618 Other Formats: AHX FLAC ASF XM MP4 AC3 MOD Tracklist Hide Credits No Limit Soldiers 1 Written-By, Performer – C-Murder, Master P, Mia X, The Shocker* I'm 'Bout It, 'Bout It 2 Written-By, Performer – Master P, Mia X There Dey Go 3 Written-By, Performer – Master P, The Shocker* Hoody Hood 4 Written-By, Performer – C-Murder, Master P, Silkk The Shocker Freak Hoes 5 Written-By, Performer – Master P, Mia X, The Shocker* Swamp Nigga 6 Written-By, Performer – Master P I Always Feel Like... 7 Featuring – Mo B. DickWritten-By, Performer – Master P, Mia X, Rockwell, The Shocker* Fedz 8 Featuring – Mia XWritten-By, Performer – C-Murder, Master P, The Shocker* Fuck Them Hoes 9 Written-By, Performer – Master P, Mia X, Silkk* Gangstas Make The World 10 Written-By, Performer – C-Murder, Master P, Mr. Serv-On, The Shocker* We Riders 11 Written-By, Performer – C-Murder Tru Homies (Street Version) 12 Featuring – C-Murder, Master P, Silkk The ShockerWritten-By – Phil Hurtt, Thom Bell Mobbin' Through My Hood 13 Featuring – Master PWritten-By, Performer – Big Ed , C-Murder, King George , Silkk* Tru 2 Da Game 14 Bass [Extra Bass Drops] – KLCWritten-By, Performer – Big Ed , Master P, Mr. Serv-On, The Shocker* Would You Take A Bullet For Your Homie 15 Featuring – King George , Master PWritten-By, Performer – Big Ed , Silkk* Final Ride 16 Written-By, Performer – C-Murder, Master P, The Shocker* Companies, etc.