Product Placement in Comics: a Qualitative Study of Attitudes of Comic Book Readers

Total Page:16

File Type:pdf, Size:1020Kb

Product Placement in Comics: a Qualitative Study of Attitudes of Comic Book Readers PRODUCT PLACEMENT IN COMICS: A QUALITATIVE STUDY OF ATTITUDES OF COMIC BOOK READERS By KRISTOFER MEHAFFEY A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ADVERTISING UNIVERSITY OF FLORIDA 2010 1 © 2010 Kristofer Mehaffey 2 To my parents, Billy and Barbara Mehaffey, and my big sister, Megan, for their support, encouragement and patience throughout all the years of my education and beyond 3 ACKNOWLEDGMENTS I would first like to acknowledge my family for their wonderful support throughout my life. I owe an enormous debt of gratitude to my parents and sister for their continued support, encouragement, and occasional kick in the butt. They have been a blessing beyond words. I would also like to acknowledge the guidance of my thesis chair, Dr. Debbie Treise. Without her patience and faith in helping me craft this paper, I would not have even known how to begin. A special thank you and acknowledgment is also due to my thesis committee members, Dr. Jon Morris, Dr. Jorge Villegas and Associate Professor Ted Spiker, who each brought a unique voice and perspective to the entire process. Thank you to all of my friends who have supported me over the years, despite having to put up with my various eccentricities. A special thank you to those who have offered a shoulder to lean on and an ear to listen endlessly while I droned on about advertising, product placement and comics: Carlo and William Francis, Brian Mullahey, Mahesh Vaidyanathan, Brendt Montgomery, Nandy Ferguson, Bobby Harper, and Taryn Emswiler. Finally, a special thanks to Joe Maimone, Brian Pulido, Tim Townsend, Jimmy Palmiotti and Abram Sauer for their professional insights, without which this paper would have been far more difficult to write and far less informative. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF FIGURES .......................................................................................................... 7 ABSTRACT...................................................................................................................... 8 CHAPTER 1 INTRODUCTION....................................................................................................... 9 A Channel in Transition ........................................................................................... 10 Enter Product Placement ........................................................................................ 12 Point of Difference / Point of Distress...................................................................... 14 Organization of Thesis ............................................................................................ 15 2 LITERATURE REVIEW........................................................................................... 16 Product Placement .................................................................................................. 16 Consumer Attitude and Behavior...................................................................... 18 Consumer Attitude and Experience .................................................................. 19 Comics and Comic Books ....................................................................................... 21 Comics Consumers as Advertising Audience................................................... 23 The Sponsored Page........................................................................................ 25 Product Placement in Comic Books.................................................................. 27 Exploratory Research Questions............................................................................. 32 3 METHOD................................................................................................................. 39 Research Design..................................................................................................... 39 Qualitative Research ............................................................................................... 39 Focus Groups and In-Depth Interviews ............................................................ 40 Source and Selection of Participants................................................................ 42 Data Collection.................................................................................................. 43 Data Analysis.................................................................................................... 45 Visual Stimuli .................................................................................................... 46 Member Checking............................................................................................. 47 4 RESULTS AND DISCUSSION................................................................................ 48 General Attitudes Toward Advertising and Product Placement .............................. 48 Narrative Reality, Economic Practicality and Artistic Integrity ................................. 51 Theme 1: Drawn to Realism ............................................................................. 52 Subcategory 1: Appreciation of Realism .................................................... 52 Subcategory 2: Interruption ........................................................................ 54 5 Theme 2: Cost of Doing Business .................................................................... 56 Subcategory 1: Mitigation of Consumer Cost............................................. 57 Subcategory 2: Strengthening the Industry ................................................ 59 Theme 3: Selling Out ........................................................................................ 60 5 SUMMARY, IMPLICATIONS AND RECOMMENDATIONS.................................... 62 Answering the Research Questions and Generating Theory .................................. 62 Practical Implications............................................................................................... 65 Limitations ............................................................................................................... 68 Suggestions for Future Research............................................................................ 70 Conclusion............................................................................................................... 73 APPENDIX A FOCUS GROUP MODERATOR’S GUIDE.............................................................. 74 B INTERVIEWER’S GUIDE........................................................................................ 78 C IRB and Letters of Consent ..................................................................................... 80 In-depth interview.............................................................................................. 80 Focus group...................................................................................................... 81 D SAMPLE FOCUS GROUP TRANSCRIPT .............................................................. 82 E SAMPLE INTERVIEW TRANSCRIPT..................................................................... 84 F PRODUCT PLACEMENT THE MARVEL WAY: AN INTERVIEW WITH FORMER MARVEL ADVERTISING DIRECTOR JOE MAIMONE.......................... 85 LIST OF REFERENCES................................................................................................ 94 BIOGRAPHICAL SKETCH .......................................................................................... 101 6 LIST OF FIGURES Figure page 1 Dashiell Hammett’s Adventures of Sam Spade ....................................................... 33 2 “Batman and the Mummy”........................................................................................ 34 3 The Irredeemable Ant-Man, No. 10.......................................................................... 35 4 X-Men: The 190, No. 4. ............................................................................................ 35 5 Panel of New X-Men provided to Wall Street Journal .............................................. 36 6 New X-Men, No. 20. ................................................................................................. 36 7 Punisher War Journal, No. 18. ................................................................................. 37 8 Rush City, No. 1 ....................................................................................................... 37 9 Catwoman, No. 73.................................................................................................... 38 10 Secret Warriors, No. 3.............................................................................................. 38 7 Abstract of Thesis Presented to the Graduate School of the University of Florida in Partial Fulfillment of the Requirements for the Degree of Master in Advertising PRODUCT PLACEMENT IN COMICS: A QUALITATIVE STUDY OF ATTITUDES OF COMIC BOOK READERS By Kristofer Mehaffey May 2010 Chair: Debbie Treise Major: Advertising This thesis provides an understanding of how product placements in comic books are interpreted within the framework of comics consumers’ reading experience. Building on previous qualitative research and the grounded theory perspective of social science, the researcher gathered rich, experiential data through two qualitative methods: focus group discussions and in-depth, individual interviews. Three focus groups and seven interviews of
Recommended publications
  • Bill Rogers Collection Inventory (Without Notes).Xlsx
    Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers
    [Show full text]
  • LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
    LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting
    [Show full text]
  • Alan Moore's Miracleman: Harbinger of the Modern Age of Comics
    Alan Moore’s Miracleman: Harbinger of the Modern Age of Comics Jeremy Larance Introduction On May 26, 2014, Marvel Comics ran a full-page advertisement in the New York Times for Alan Moore’s Miracleman, Book One: A Dream of Flying, calling the work “the series that redefined comics… in print for the first time in over 20 years.” Such an ad, particularly one of this size, is a rare move for the comic book industry in general but one especially rare for a graphic novel consisting primarily of just four comic books originally published over thirty years before- hand. Of course, it helps that the series’ author is a profitable lumi- nary such as Moore, but the advertisement inexplicably makes no reference to Moore at all. Instead, Marvel uses a blurb from Time to establish the reputation of its “new” re-release: “A must-read for scholars of the genre, and of the comic book medium as a whole.” That line came from an article written by Graeme McMillan, but it is worth noting that McMillan’s full quote from the original article begins with a specific reference to Moore: “[Miracleman] represents, thanks to an erratic publishing schedule that both predated and fol- lowed Moore’s own Watchmen, Moore’s simultaneous first and last words on ‘realism’ in superhero comics—something that makes it a must-read for scholars of the genre, and of the comic book medium as a whole.” Marvel’s excerpt, in other words, leaves out the very thing that McMillan claims is the most important aspect of Miracle- man’s critical reputation as a “missing link” in the study of Moore’s influence on the superhero genre and on the “medium as a whole.” To be fair to Marvel, for reasons that will be explained below, Moore refused to have his name associated with the Miracleman reprints, so the company was legally obligated to leave his name off of all advertisements.
    [Show full text]
  • Mar Customer Order Form
    OrdErS PREVIEWS world.com duE th 18MAR 2013 MAR COMIC THE SHOP’S PREVIEWSPREVIEWS CATALOG CUSTOMER ORDER FORM Mar Cover ROF and COF.indd 1 2/7/2013 3:35:28 PM Available only STAR WARS: “BOBA FETT CHEST from your local HOLE” BLACK T-SHIRT comic shop! Preorder now! MACHINE MAN THE WALKING DEAD: ADVENTURE TIME: CHARCOAL T-SHIRT “KEEP CALM AND CALL “ZOMBIE TIME” Preorder now! MICHONNE” BLACK T-SHIRT BLACK HOODIE Preorder now! Preorder now! 3 March 13 COF Apparel Shirt Ad.indd 1 2/7/2013 10:05:45 AM X #1 kiNG CoNaN: Dark Horse ComiCs HoUr oF THe DraGoN #1 Dark Horse ComiCs GreeN Team #1 DC ComiCs THe moVemeNT #1 DoomsDaY.1 #1 DC ComiCs iDW PUBlisHiNG THe BoUNCe #1 imaGe ComiCs TeN GraND #1 UlTimaTe ComiCs imaGe ComiCs sPiDer-maN #23 marVel ComiCs Mar13 Gem Page ROF COF.indd 1 2/7/2013 2:21:38 PM Featured Items COMIC BOOKS & GRAPHIC NOVELS Mouse Guard: Legends of the Guard Volume 2 #1 l ARCHAIA ENTERTAINMENT Uber #1 l AVATAR PRESS Suicide Risk #1 l BOOM! STUDIOS Clive Barker’s New Genesis #1 l BOOM! STUDIOS Marble Season HC l DRAWN & QUARTERLY Black Bat #1 l D. E./DYNAMITE ENTERTAINMENT 1 1 Battlestar Galactica #1 l D. E./DYNAMITE ENTERTAINMENT Grimm #1 l D. E./DYNAMITE ENTERTAINMENT Wars In Toyland HC l ONI PRESS INC. The From Hell Companion SC l TOP SHELF PRODUCTIONS Valiant Masters: Shadowman Volume 1: The Spirits Within HC l VALIANT ENTERTAINMENT Rurouni Kenshin Restoration Volume 1 GN l VIZ MEDIA Soul Eater Soul Art l YEN PRESS BOOKS & MAGAZINES 2 Doctor Who: Who-Ology Official Miscellany HC l DOCTOR WHO / TORCHWOOD Doctor Who: The Official
    [Show full text]
  • COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II a Master's Thesis Presented to College of Arts & Sciences Departmen
    COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II A Master’s Thesis Presented To College of Arts & Sciences Department of Communications and Humanities _______________________________ In Partial Fulfillment of the Requirements for the Master of Science Degree _______________________________ SUNY Polytechnic Institute By David Dellecese May 2018 © 2018 David Dellecese Approval Page SUNY Polytechnic Institute DEPARTMENT OF COMMUNICATIONS AND HUMANITIES INFORMATION DESIGN AND TECHNOLOGY MS PROGRAM Approved and recommended for acceptance as a thesis in partial fulfillment of the requirements for the degree of Master of Science in Information Design + Technology. _________________________ DATE ________________________________________ Kathryn Stam Thesis Advisor ________________________________________ Ryan Lizardi Second Reader ________________________________________ Russell Kahn Instructor 1 ABSTRACT American comic books were a relatively, but quite popular form of media during the years of World War II. Amid a limited media landscape that otherwise consisted of radio, film, newspaper, and magazines, comics served as a useful tool in engaging readers of all ages to get behind the war effort. The aims of this research was to examine a sampling of messages put forth by comic book publishers before and after American involvement in World War II in the form of fictional comic book stories. In this research, it is found that comic book storytelling/messaging reflected a theme of American isolation prior to U.S. involvement in the war, but changed its tone to become a strong proponent for American involvement post-the bombing of Pearl Harbor. This came in numerous forms, from vilification of America’s enemies in the stories of super heroics, the use of scrap, rubber, paper, or bond drives back on the homefront to provide resources on the frontlines, to a general sense of patriotism.
    [Show full text]
  • Gamer's Handbook Of
    MU-GCA 6543 Gamer’s Handbook of the Unofficial Game Accessory Gamer’s Handbook of the Contents Gulf Coast Avengers Sea Urchin ................................................ 67 Captain Marvel ............................................ 2 Sunstroke .................................................. 69 Devilray ...................................................... 4 Sunturion .................................................. 70 Force II ...................................................... 6 Tezcatlipoca .............................................. 72 Pig Iron ...................................................... 8 Torpedo II ............................................... 74 Swamp Fox ............................................... 10 White Star [Estrella Blanca] ........................ 76 Thorn ....................................................... 12 Wildthing .................................................. 78 Weaver ..................................................... 14 Zoo Crew .................................................. 80 Texas Rangers Dust Devil ................................................. 16 Firebird ..................................................... 18 Lonestar ................................................... 20 Longhorn .................................................. 22 Red Wolf ................................................... 24 Texan ....................................................... 26 Bulwark .................................................... 28 Candra ....................................................
    [Show full text]
  • The 2000 AD Script Book Free
    FREE THE 2000 AD SCRIPT BOOK PDF Pat Mills,John Wagner,Peter Milligan,Al Ewing,Rob Williams,Dan Abnett,Emma Beeby,Gordon Rennie,Ian Edginton,Alan Grant | 192 pages | 03 Nov 2016 | Rebellion | 9781781084670 | English | Oxford, United Kingdom The AD Script Book : Pat Mills : Original scripts by leading comics writers accompanied by the final art, taken from the pages of the world famous AD comic. Featuring original script drafts and the final published artwork for comparison, this is a must have for fans of AD and is an essential purchase for anyone interested in writing comics. Pat Mills is the creator and first editor of AD. He wrote Third World War for Crisis! John Wagner The 2000 AD Script Book been scripting for AD for more years than he cares to remember. The 2000 AD Script Book Ewing is a British novelist and American comic book writer, currently responsible for much of Marvel Comics' Avengers titles. He came to prominence with the 1 UK comic AD and then wrote a sequence of novels for Abaddon, of which the El Sombra books are the most celebrated, before becomiing the regular writer for Doctor Who: The Eleventh Doctor and a leading Marvel writer. He lives in York, England. John Reppion has been writing for thirteen years. He is tired. So tired. Will work for beer. By clicking 'Sign me up' I acknowledge that I have read and agree to the privacy policy and terms of use. Must redeem within 90 days. See full terms and conditions and this month's choices. Tell us what you like and we'll recommend books you'll love.
    [Show full text]
  • Comunicado De Novedadesfebrero 2012
    TM & © DC Comics COMUNICADO DE NOVEDADES FEBRERO 2012 TM & © DC Comics La serie original Batman and Robin concluye en Batman núm. 58. En este cuaderno, se resuelve la trama relacionada con Capucha Roja y también se incluye una aventura escrita por David Hine y dibujada BATMAN núm. 58 por Greg Tocchini en la cual el Dúo Dinámico se traslada a París. El motivo • Guión: Judd Winick, David Hine es una fuga masiva de Le Jardin Noir, una • Dibujo: Greg Tocchini, Andrei Bressan cárcel local. La situación ha sobrepasado • Edición original: Batman and Robin núms. 25-26 (09/2011-10/2011) al representante francés de Batman Inc., USA – DC Comics pero puede que los héroes de Gotham • Periodicidad: Mensual tampoco sean capaces de enfrentarse a un • Formato: Grapa, 48 págs. Color. 168x257 mm enemigo de lo más surrealista. • PVP: 3,50 € WWW.eccediciones.com 9 7 8 8 4 9 3 9 7 7 3 9 9 TM & © DC Comics Convertidos en las nuevas encarnaciones de Batman y Robin, Dick Grayson y Damian Wayne abordan su primer caso: la irrupción en Gotham City del Circo de lo Extraño. Una pintoresca banda criminal que, liderada por el Profesor Pyg, pondrá en jaque al Dúo Dinámico. Sin apenas tiempo para limar asperezas y definir los términos de su colaboración, el Hombre Murciélago y el Chico Maravilla tendrán que enfrentarse a Capucha Roja, decidido a imponer su propia noción de justicia. BATMAN y ROBIN Tras asombrar a los lectores con obras de la talla de All Star Superman o WE3, Grant • Guión: Grant Morrison Morrison y Frank Quitely se reencontraron • Dibujo: Frank Quitely, Philip Tan en el arco argumental inaugural de Batman • Edición original: Batman and Robin núms.
    [Show full text]
  • Copy of Graphic Novel Title List MASTER.Xlsx
    Graphic Novels Title Author Artist Call No. Year 300 Miller, Frank Miller, Frank OVERSIZE PN6727.M55 T57 1999 1999 9/11 report: a graphic adaptation Jacobson, Colon HV6432. 7. J33 2006 2006 A Mad look at old movies DeBartolo, Dick PN6727.D422 M68 1973 1973 Abandon the old in Tokyo Tatsumi, Yoshihiro PN6790. J34 T27713 2006 2006 Absolute sandman. Volume one Gaiman, Neil Keith, Sam [et al.] PR6057. A319 A27 v.1 2006 2006 Absolutely no U.S. personnel permitted beyond this point DS557.A61 L4 1972 1972 Achewood Onstad, Chris Onstad, Chris PN6728. A25 O57 2004 2004 Acme Novelty Library Ware, Chris Ware, Chris OVERSIZE. PN6727. W285 A6 2005 2005 Adventures of Super Diaper Baby: the first graphic novel Beard, George Hutchins, Harold CURRLIB. 813 P639as 2002 Alex Kalesniko, Mark Kalesniko, Mark PN6727. K2437 A43 2006 2006 Alias the cat! Deitch, Kim Dietch, Kim PN6727. D383 A45 2007 2007 Alice in Sunderland Talbot, Bryan Talbot, Bryan PN6727. T3426 A44 2007 2007 Aliens Omnibus Vol. 4 Various Various PN6728.A463 O46 v. 4 2008 2008 All‐new, all‐different X‐men Pop‐up Ed. By Repchuck, Caroline PN6728.X536 A55 2007 2007 All‐star Superman Morrison, Grant Quitely, Frank PN6728. S9 M677 2007 American Presidency in political cartoons 1776‐1976 Various E176.1 .A655 1976b 1976 Anime encyclopedia: a guide to Japanesee animation since 1917 Clements, Jonathan REF. NC1766. J3 C53 2006 2006 Arkham Asylum: A Serious Place on a Serious Earth Morrison, Grant McKean, Dave PN6728.B36 A74 2004 2004 Arrival Tan, Shaun CURRLIB. 823 T161ar 2007 2007 Assassin's road Koike, Kazuo Miller, Frank PN6790.
    [Show full text]
  • Region 2 Summit Attracts a Crowd!
    REGION 2 SUMMIT ATTRACTS A CROWD! The 2002 Region 2 Summit was a spectacular success, with attendees coming from far and wide for a good time! Our coverage begins on page 33! Above: A groupshot of all attendees. Left: Region 2 Regional Coordinator Pete Mohney recieves a from Sandy Dolan. Right: Fleet Admiral Les Rickard shares a moment of levity with SFI Morale offi cer, Jimmy Whatley. Photos courtesy of John Adcock and Jill Rayburn USPS 017-671 A HISTORY OF STARFLEET ACADEMY, PART I BEGINS ON PAGE 20 THE STARFLEET COMMUNIQUÉ ISSUE 110 – APRIL/MAY 2002 PAGE 1 STARFLEET Communiqué Volume I, No. 110 Don’t Call Me Edwin!...................................................3 Publisher: STARFLEET, The International Star Trek STARFLEET Treasurer Report....................................5 Fan Association, Inc. Second To One...............................................................5 P.O. Box 30341 STARFLEET Operations.............................................6 Winston-Salem, NC 27130-0341 COMM-ING Up Next..................................................7 Manager: Membership Processing Update................................7 Greg Trotter STARFLEET Diplomatic Corps Update....................8 Starting Pitcher: The Shuttlebay.............................................................9 Kurt Roithinger Computer Operations................................................10 Lead-off Hitter: Ex Astra, Scientia.........................................................11 David Pipgras Bits and Pieces From Around the Academy............11 VAS Profi
    [Show full text]
  • Read Irredeemable Omnibus | Online
    The complete collection of Mark Waid and Peter Krause’s critically acclaimed epic in one volume for the first time ever.THE COMPLETE COLLECTION OF THE ACCLAIMED SUPER HERO EPIC. When the Plutonian, the world's greatest superhero, snaps and turns into the world's greatest villain, only his former teammates have a chance at stopping his rampage. But while on the run from the world's most powerful and angry being, will these former teammates discover his secrets in time? How did he come to this? What became of the hope and promise once inside him? What happens to the world when its savior betrays it? What makes a hero irredeemable? For the first time, the entire Irredeemable saga is available in a single volume. The acclaimed team of writer Mark Waid (Kingdom Come, The Avengers) and artist Peter Krause, along with some of the most acclaimed creators in comics, challenge everything you think you know about super heroes by exploring the good, the bad...and the irredeemable inside all of us. Collects Irredeemable #1-37, Irredeemable Special #1 and Incorruptible #25-26. Irredeemable Omnibus by , Read PDF Irredeemable Omnibus Online, Download PDF Irredeemable Omnibus, Full PDF Irredeemable Omnibus, All Ebook Irredeemable Omnibus, PDF and EPUB Irredeemable Omnibus, PDF ePub Mobi Irredeemable Omnibus, Downloading PDF Irredeemable Omnibus, Book PDF Irredeemable Omnibus, Read online Irredeemable Omnibus, Irredeemable Omnibus pdf, by Irredeemable Omnibus, book pdf Irredeemable Omnibus, by pdf Irredeemable Omnibus, epub Irredeemable Omnibus, pdf Irredeemable
    [Show full text]
  • Igncc18 Programme
    www.internationalgraphicnovelandcomicsconference.com [email protected] #IGNCC18 @TheIGNCC RETRO! TIME, MEMORY, NOSTALGIA THE NINTH INTERNATIONAL GRAPHIC NOVEL AND COMICS CONFERENCE WEDNESDAY 27TH – FRIDAY 29TH JUNE 2018 BOURNEMOUTH UNIVERSITY, UK Retro – a looking to the past – is everywhere in contemporary culture. Cultural critics like Jameson argue that retro and nostalgia are symptoms of postmodernism – that we can pick and choose various items and cultural phenomena from different eras and place them together in a pastiche that means little and decontextualizes their historicity. However, as Bergson argues in Memory and Matter, the senses evoke memories, and popular culture artefacts like comics can bring the past to life in many ways. The smell and feel of old paper can trigger memories just as easily as revisiting an old haunt or hearing a piece of music from one’s youth. As fans and academics we often look to the past to tell us about the present. We may argue about the supposed ‘golden age’ of comics. Our collecting habits may even define our lifestyles and who we are. But nostalgia has its dark side and some regard this continuous looking to the past as a negative emotion in which we aim to restore a lost adolescence. In Mediated Nostalgia, Ryan Lizardi argues that the contemporary media fosters narcissistic nostalgia ‘to develop individualized pasts that are defined by idealized versions of beloved lost media texts’ (2). This argument suggests that fans are media dupes lost in a reverie of nostalgic melancholia; but is belied by the diverse responses of fandom to media texts. Moreover, ‘retro’ can be taken to imply an ironic appropriation.
    [Show full text]