Download .Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Download .Pdf Der queere Filmpreis der Berlinale #teddyaward 9-19 PROGRAMME GUIDE FEBRUARY All queer films at the 67th Berlin International Film Festival Artwork by Cabine.co.uk INTRODUCTION Einleitung message from Dieter Kosslick Director of the Berlin International Film Festival Direktor der Internationalen Filmfestspiele Berlin Marc-Ohrem-Leclef © TEDDY #31: The Heat Is On TEDDY #31: The Heat Is On The year is starting off in a great way. It is true that such sayings Das Jahr fängt gut an. Zwar tauchen so abgehangene Sätze wie as ‘I’d rather be a cold warrior than a warm brother’ (Franz Jo- „Ich will lieber ein kalter Krieger sein als ein warmer Bruder.“ sef Strauß, 1970, a conservative German politician) are emerging (Franz Josef Strauß, 1970, ein konservativer deutscher Politiker) again in their new, post-factual versions. However, 83 per cent immer wieder in neuen, postfaktischen Varianten auf, trotzdem of Germans are now saying ‘yes’ to marriage equality. The 31st sind heute 83 % der Deutschen für die Einführung der Homoehe. TEDDY AWARD is bringing us joy for the New Year and a hope that Und das neue Jahr macht Freude, weil es die 31. TEDDY AWARDS victims of the dreadful Paragraph 175 will finally (!) be rehabilitat- gibt – und die Hoffnung, dass die Opfer des unseligen Paragra- ed. TEDDY himself is a strong part of the movement fighting for phen 175 endlich (!) rehabilitiert werden. Der TEDDY ist selbst the rights of the queer community and this year also carries out ein starker Teil der Bewegung, die für die Rechte der queeren Ge- an important task of reminding us to never forget (again) or to meinschaft streitet und auch in diesem Jahr die wichtige Arbeit never run away back to our comfort zones. der Erinnerung pflegt, gegen das Vergessen (wieder einmal), ge- gen die zunehmende Flucht in Echokammern. I am glad to see such a wide range of TEDDY nominees in the Ber- linale Programme 2017! Queer films are represented in Compe- Ich freue mich über die enorme Bandbreite der TEDDY-Anwärter/ tition, Panorama, both Forum and Forum Expanded as well as in innen im Berlinale-Programm 2017! Queere Filme befinden sich im Generation, Perspective and Shorts. For the first time the Queer Wettbewerb, Panorama, Forum oder Forum Expanded ebenso bei Academy Industry Meeting - the exchange between artists and Generation, der Perspektive und den Shorts. Erstmals findet das representatives of the industry always has a very special energy Industry Meeting der Queer Academy im European Film Market im due to the TEDDY dynamics - will take place at the European Film Martin Gropius Bau statt, ein Austausch zwischen Künstlern und Market in the Martin Groupius Bau. Branchenvertretern, der durch die besondere Dynamik des TEDDY große Energie besitzt. Monika Treut, whom I met many years ago at the Hamburger Filmbüro, the Legend of ‘New Queer Cinema’, receives the Special Mit Monika Treut, die ich vor vielen Jahren beim Hamburger Film- TEDDY. The reach and strength of her creations were best sum- büro kennengelernt habe, erhält eine Legende des „New Queer Ci- marized by Claire Monk in an article about Treut’s classic – ‘Virgin nema“ den Special TEDDY. Ihre kreative Strahlkraft erkennt Claire Machine’: ‘… one of the most anarchist, most cynical, subversive- Monk in einem Satz über Treuts Klassiker „Die Jungfrauenmaschi- ly wittiest attacks on the current sexual policy’. ne“: „… eine der anarchistischsten, zynischsten und subversiv-wit- zigsten Attacken gegen die herrschende Sexualpolitik.“ I wish all the guests and artist the most enjoyable days in Berlin and a great Award ceremony and Party. The Heat is on! No place Allen Gästen und Künstlern wünsche ich spannende Tage in Ber- for cold warriors. lin und eine großartige Verleihung und Party. The heat is on! Kein Platz also für kalte Krieger. Yours, Dieter Kosslick, Ihr Dieter Kosslick Director of the Berlin International Film Festival Direktor der Internationalen Filmfestspiele Berlin 3 31. TEDDY AWARD / www.teddyaward.tv INTRODUCTION Einführung 3 Dieter Kosslick GREETINGS Grußwort 5 Michael Müller SPECIA TEDDY AARD 6-12 Monika Treut INTERIE ITH Interview mit... 15-19 Wieland Speck TEDDY AARD URY 20 Jury IM PROGRAM GUIDE 21-43 Filmübersicht SCHEDUE ENUES 30-32 Programm & Adressen ACTIISTS SAY 44-45 Activists say PARAGRAPH 47-53 § 175 TEDDY ARTISTS 56-57 Künstler 2017 THANK YOU CREDITS 58 Dankeschön / Impressum 4 GREETINGS Grußwort message from Michael Müller Governing Mayor of Berlin Regierender Bürgermeister von Berlin The Teddy Award turns 30 year this year. When Manfred Salzge- 30 Jahre Teddy Award: Als dieser Preis zur Berlinale 1987 von ber and Wieland Speck launched this award during the 1987 Manfred Salzgeber und Wieland Speck aus der Taufe gehoben Berlinale, they took a bold step. At the time, the AIDS issue had wurde, war das ein mutiger Schritt. Das Thema Aids verbreite- sparked fear and uncertainty and threatened to undo all of the te Angst und Unsicherheit und drohte, alle bereits erreichten progress made so far towards gay liberation. That year, Pedro Fortschritte bei der Emanzipation Homosexueller in Frage zu Almodóvar won the very first Teddy Award for Law of Desire. It stellen. Damals gewann Pedro Almodóvar mit „Das Gesetz was Almodóvar’s first film prize and the start of his career as an der Begierde“ den ersten Teddy Award. Es war der erste Film- internationally celebrated director. The Teddy Award, too, gained preis für Almodóvar und der Beginn einer Weltkarriere. Und worldwide recognition in the years that followed. auch der Teddy Award gewann in der Folgezeit an internatio- naler Ausstrahlung. Today the Teddy Award is more than a film prize. Its contribution towards making gay and lesbian and trans identity cinema socially Heute ist der Teddy Award mehr als ein Filmpreis. Er hat acceptable has been invaluable. And, thanks to the Teddy Award, entscheidend dazu beigetragen, dass schwul-lesbische und stars and films destined for a brilliant career also outside the transidentische Filmkunst gesellschaftsfähig wird. Dank des queer context have been discovered. Teddy Awards wurden Stars und Filme entdeckt, denen auch außerhalb des queeren Kontextes eine große Karriere be- The Teddy Award has long since become an integral and highly schieden war. regarded part of the Berlin International Film Festival. This year, too, the awards ceremony promises to be as exciting as it is fes- Längst ist der Teddy Award ein fester und angesehener Be- tive, and I would like to welcome you all to this event. standteil der Internationalen Berliner Filmfestspiele. Auch in diesem Jahr wird die Verleihungszeremonie ein ebenso span- My sincere congratulations go to the award winners. At the same nendes wie stimmungsvolles Fest werden. Dazu begrüße ich time, I would like to thank the jury, as well as everyone else in- Sie alle sehr herzlich. volved in the Teddy Awards. Their support and commitment over the years has helped to attract a broader audience to gay and Meine herzliche Gratulation gilt den Preisträgerinnen und lesbian films. Preisträgern. Zugleich danke ich der Teddy-Jury sowie allen, die den Teddy in den vergangenen Jahren unterstützt und begleitet haben, für ihr wichtiges Engagement, das viel dazu beigetragen hat, ein größeres Publikum für schwul-lesbische Michael Müller Filme zu interessieren. Governing Mayor of Berlin Michael Müller Regierender Bürgermeister von Berlin 5 31. TEDDY AWARD / www.teddyaward.tv GHOSTED (2008) MY FATHER IS COMING (1991) 6 MONIKA TREUT © Ana Grillo 2014 Beyond Boundaries Monika Treut im Gespräch mit Dagmar Brunow Das Werk der Regisseurin Monika Treut umfasst Spielfilme und Doku- Orte der Begegnung, der Suche nach Identität, der Reflexion über die mentarfilme aus vier Jahrzehnten. Ihre nonkonformistischen Arbeiten Arbeit als Filmemacherin. Viele von Treuts Filmen sind durch Mobilität können als Vorläufer des New Queer Cinema gelten, das in den 1990er gekennzeichnet, sie sind Road Movies wie DIE JUNGFRAUENMASCHINE, Jahren in den USA von B. Ruby Rich charakterisiert wurde. Treuts Ar- AXENSPRUNG oder DAS ROHE UND DAS GEKOCHTE. beiten über unangepasste Körperpolitiken haben Teile der Frauen- bewegung ebenso provoziert wie die (klein)bürgerliche Gesellschaft DB: Wie kam es denn zu den Perspektivwechseln – den Reisen – der Bundesrepublik und ihr patriarchales Feuilleton. Und immer noch der Mobilität in deiner Arbeit? scheinen Treuts Filme ihrer Zeit weit voraus, denn auch in Zeiten des Neoliberalismus stehen sie im Widerspruch zu Tendenzen von Homo- MT: Meine Filmarbeit war und ist immer ganz eng mit meinem Le- normativität, d.h. dem Wunsch, homosexuelle Lebensentwürfe dem ben verbunden. Als ich in den frühen 1980er Jahren anfing, Filme zu heterosexuellen Mainstream anzupassen. Um den Wunsch nach ge- machen, gab es in Europa noch keine Lesbisch Schwulen Filmtage in sellschaftlicher Normalität ging es in Treuts Kino nie. Ihre Filme eckten Hamburg, keinen Teddy der Berlinale, keine Vorstellung von „Queer an. Auch in der LGBT-Community. Ihr Kino ist nicht deshalb queer, weil Cinema“. Wir lebten damals ja noch hinter dem Eisernen Vorhang, im es Geschichten über LGBTs erzählt, sondern weil es sich jeglichem Be- Kalten Krieg. Das miefige Westdeutschland war noch fast ausschließ- streben von „Normalität“ entgegenstellt und weil es gegen soziale Un- lich bevölkert von Bio-Deutschen. Die Frauenbewegung hatte noch gleichheiten kämpft. Hier verengt sie ihren Blick nicht lediglich, wie so keine spürbare Veränderung im Denken der Mainstream-Gesellschaft häufig im LGBT-Kino, auf Faktoren wie
Recommended publications
  • Curating Precarity. Swedish Queer Film Festivals As Micro-Activism
    Acta Universitatis Upsaliensis Uppsala Studies in Media and Communication 16 Curating Precarity Swedish Queer Film Festivals as Micro-Activism SIDDHARTH CHADHA Dissertation presented at Uppsala University to be publicly examined in Lecture Hall 2, Ekonomikum, Kyrkogårdsgatan 10, Uppsala, Thursday, 15 April 2021 at 13:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Dr. Marijke de Valck (Department of Media and Culture, Utrecht University). Abstract Chadha, S. 2021. Curating Precarity. Swedish Queer Film Festivals as Micro-Activism. Uppsala Studies in Media and Communication 16. 189 pp. Uppsala: Acta Universitatis Upsaliensis. ISBN 978-91-513-1145-6. This research is based on ethnographic fieldwork conducted at Malmö Queer Film Festival and Cinema Queer Film Festival in Stockholm, between 2017-2019. It explores the relevance of queer film festivals in the lives of LGBTQIA+ persons living in Sweden, and reveals that these festivals are not simply cultural events where films about gender and sexuality are screened, but places through which the political lives of LGBTQIA+ persons become intelligible. The queer film festivals perform highly contextualized and diverse sets of practices to shape the LGBTQIA+ discourse in their particular settings. This thesis focuses on salient features of this engagement: how the queer film festivals define and articulate “queer”, their engagement with space to curate “queerness”, the role of failure and contingency in shaping the queer film festivals as sites of democratic contestations, the performance of inclusivity in the queer film festival organization, and the significance of these events in the lives of the people who work or volunteer at these festivals.
    [Show full text]
  • The International Jury
    Press Release 31. TEDDY AWARD – The international Jury th Berlin, 4 ​ January 2017 ​ We are happy to present to you the jury of the 31st TEDDY AWARD, which will take place on February 17th in the Haus der Berliner Festspiele. Seven renowned film makers and festival organisers will choose the laureates from the queer films of the Berlinale in the categories best film, best documentary/essay film and best short. Furthermore, they will award the TEDDY Jury Award. Gizem Bayiksel was born in Ankara in 1989. She has been working as a photographer and ​ cinematographer in the film industry for over 5 years. Since 2012 she has also been working for numerous events and film festivals as a coordinator, programmer and film curator. Currently she is the festival coordinator and programmer of Pink Life QueerFest, the first and only queer film festival in Turkey. Pink Life QueerFest was launched in Ankara in 2011 and the festival is a space for LGBTQI individuals and artists to raise awareness for LGBTQI issues. Bayiksel’s personal interest in film and photography focuses on the female gaze and queer theory. She is currently working on her first feature film project, a sequel for her short “Child’s Play”, relating a lesbian couple's story with Turkish politics on the background. Sachiko Imai is the programming director of Rainbow Reel Tokyo (formerly known as Tokyo ​ International Lesbian & Gay Film Festival), which is one of the longest-running LGBT film festivals in Asia. Sachiko studied screenwriting at Nihon University College of Art where she received a Bachelor Degree in Film.
    [Show full text]
  • Delegates Guide
    Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator
    [Show full text]
  • World Cinema Amsterd Am 2
    WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival.
    [Show full text]
  • The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’S Subjugation of Silla
    Japanese Journal of Religious Studies 1993 20/2-3 The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’s Subjugation of Silla Akima Toshio In prewar Japan, the mythical tale of Empress Jingii’s 神功皇后 conquest of the Korean kingdoms comprised an important part of elementary school history education, and was utilized to justify Japan5s coloniza­ tion of Korea. After the war the same story came to be interpreted by some Japanese historians—most prominently Egami Namio— as proof or the exact opposite, namely, as evidence of a conquest of Japan by a people of nomadic origin who came from Korea. This theory, known as the horse-rider theory, has found more than a few enthusiastic sup­ porters amone Korean historians and the Japanese reading public, as well as some Western scholars. There are also several Japanese spe­ cialists in Japanese history and Japan-Korea relations who have been influenced by the theory, although most have not accepted the idea (Egami himself started as a specialist in the history of northeast Asia).1 * The first draft of this essay was written during my fellowship with the International Research Center for Japanese Studies, and was read in a seminar organized by the institu­ tion on 31 January 199丄. 1 am indebted to all researchers at the center who participated in the seminar for their many valuable suggestions. I would also like to express my gratitude to Umehara Takeshi, the director general of the center, and Nakanism Susumu, also of the center, who made my research there possible.
    [Show full text]
  • Elizabethirvinephdthesis.Pdf (8.438Mb)
    CONTINUITY IN INTERMITTENT ORGANISATIONS: THE ORGANISING PRACTICES OF FESTIVAL AND COMMUNITY OF A UK FILM FESTIVAL Elizabeth Jean Irvine A Thesis Submitted for the Degree of PhD at the University of St Andrews 2015 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/6901 This item is protected by original copyright Continuity in Intermittent Organisations: The Organising Practices of Festival and Community of a UK Film Festival Elizabeth Jean Irvine Thesis submitted for the degree of PhD at the University of St Andrews June 2014 ABSTRACT This thesis considers the relationship between practices, communities and continuity in intermittent organisational arrangements. Cultural festivals are argued to offer one such particularly rich and nuanced research context; within this study their potential to transcend intermittent enactment emerged as a significant avenue of enquiry. The engagement of organisation studies with theories of practice has produced a rich practice-based corpus, diverse in both theoretical concerns and empirical approaches to the study of practice. Nevertheless, continuity presents an, as yet, under- theorised aspect of this field. Thus, the central questions of this thesis concern: the practices that underpin the enactment of festivals; the themes emerging from these practices for further consideration; and relationships between festivals and the wider context within which they are enacted. These issues were explored empirically through a qualitative study of the enactment of a community-centred film festival. Following from the adoption of a ‘practice-lens approach’, this study yielded forty-eight practices, through which to explore five themes emerging from analysis: Safeguarding, Legitimising, Gatekeeping, Connecting and Negotiating Boundaries.
    [Show full text]
  • Rated Equis: American Reactions to the Films of Pedro Almodóvar
    Rated Equis: American Reactions to the Films of Pedro Almodóvar Honors College Thesis Catherine Wheeler Advisor: Tina Escaja Spanish Department University of Vermont Introduction Sweet heart of mine suddenly attacked. All for loving more than the permissible. All because a cigar sits in a mouth And dampens in its succulent silks. Because a provocative T-shirt points out On his chest, the sculpted shield, And a vigorous arm peeks from the smallest sleeve. All because some legs, some perfect legs, In the tightest pants, separate in front of me. They separate. -Ana Rossetti, “Chico Wrangler” (Translated Catherine Wheeler) Pedro Almodóvar, now the world’s most celebrated Spanish film director since Luis Buñuel, has been hailed as the poster boy for the Madrid movida, an “anything goes” cultural movement that immediately followed the death of Francisco Franco in 1975. The movida has been called an attempt to unify all people regardless of birthplace, politics, economics, and sexual identity, while in practice it pertained mostly to the middle and upper classes. After nearly forty years of extreme conservatism under Franco’s regime, the youth of Madrid reacted to its newfound creative and sexual liberty with unparalleled gusto. The movida emphasized a reversal of traditional gender roles, sexual experimentation, and drug use. By its end in the mid 1980s, politicians had embraced the movida as Madrid’s new, post-fascism identity (Stapell). This political institutionalization of an originally pseudo anarchistic movement signified the death of the period of extreme self-liberation. The movida petered out by the mid 1980s, largely due to the spread of AIDS and movida members’ rampant drug use.
    [Show full text]
  • The March in Glasgow
    FOit.A · ·BALANCED University of Edinburgh,-Old College South Bridge, Edinburgh 'EHB 9YL vmw Tal: 031-6671011 ext4308 18 November-16 December GET .ALBERT IRVIN Paintings 1959-1989 ~*;£~-- Tues-Sat 10 am-5 pm Admission Free Subsidised by the Scottish Arts Council DAILY G~as~ow Herald _ of the Year y 30rd november 1 RUGBY BACK TO THE. 1st XV FUTUREII s:enttpacking problems of iii Peffenrtill time~ travel~ ·>... page8 .page 1 • I • arc STUDENTS from all over Park just after 2 pm, and con­ tinued to do so for nearly an hour, the United Kingdom assem­ with the rally properly beginning bled in Qlasgow on Tuesday around 2.15 pm. to take part in what was prob­ Three common themes were ably the biggest ever student addressed by the ten public demonstration on the British figures at the rally in the Park: mainland. these were the discriminatory nature of student loans; the com­ The march organised by the mitment by all to student grants, National Union of Students and the solidarity of support given against the Government's prop­ by them to students. osed introduction of top-up loans, The first four speakers addres­ was deemed by Strathclyde Police ·sed the rally from the semi-circu­ to have attracted around 20,00 lar, covered platform as students people. still marched in through the gates. Certainly, spirits were high All four- Mike Watson , Labour despite the cold and damp dismal MP for Glasgow Central ; Archy weather. It is likely this was a fac­ Kirkwood, Liberal Demcorat tor in preventing a larger turn­ MP; Diana Warwick, .
    [Show full text]
  • New Queer Cinema, a 25-Film Series Commemorating the 20Th Anniversary of the Watershed Year for New Queer Cinema, Oct 9 & 11—16
    BAMcinématek presents Born in Flames: New Queer Cinema, a 25-film series commemorating the 20th anniversary of the watershed year for New Queer Cinema, Oct 9 & 11—16 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Brooklyn, NY/Sep 14, 2012—From Tuesday, October 9 through Tuesday, October 16, BAMcinématek presents Born in Flames: New Queer Cinema, a series commemorating the 20th anniversary of the term ―New Queer Cinema‖ and coinciding with LGBT History Month. A loosely defined subset of the independent film zeitgeist of the early 1990s, New Queer Cinema saw a number of openly gay artists break out with films that vented anger over homophobic policies of the Reagan and Thatcher governments and the grim realities of the AIDS epidemic with aesthetically and politically radical images of gay life. This primer of new queer classics includes more than two dozen LGBT-themed features and short films, including important early works by directors Todd Haynes, Gus Van Sant, and Gregg Araki, and experimental filmmakers Peggy Ahwesh, Luther Price, and Isaac Julien. New Queer Cinema was first named and defined 20 years ago in a brief but influential article in Sight & Sound by critic B. Ruby Rich, who noted a confluence of gay-oriented films among the most acclaimed entries in the Sundance, Toronto, and New Directors/New Films festivals of 1991 and 1992. Rich called it ―Homo Pomo,‖ a self-aware style defined by ―appropriation and pastiche, irony, as well as a reworking of history with social constructionism very much in mind . irreverent, energetic, alternately minimalist and excessive.‖ The most prominent of the films Rich catalogued were Tom Kalin’s Leopold and Loeb story Swoon (the subject of a 20th anniversary BAMcinématek tribute on September 13) and Haynes’ Sundance Grand Jury Prize winner Poison (1991—Oct 12), an unpolished but complex triptych of unrelated, stylistically diverse, Jean Genet-inspired stories.
    [Show full text]
  • Film Reviews Interviews Video Interviews
    berlinale 2019 EFM Coverage as of Feb 20, 2019 300 Photos published on facebook 34 videos published on youtube FILM REVIEWS AMAZING GRACE, A Long Delayed Aretha Franklin Film surfaces at Berlin '69 What she said: The Art of Pauline Kael review Leakage | Nasht by Suzan Iravanian (Forum): Berlinale Review The Golden Glove by Fatih Akin: Berlinale Review Sampled reviews of Jessica Forever A City Hunts for a Murderer, and a Forum film hunts for meaning Berlinale by Alex: Mid Point Festival Reviews MK2 is very proud from the reviews on the Varda doc The Ground beneath my Feet in review Sondre Fristad's First Feature The Writer at the Berlinale System Crasher in review: Amazing ! Forget about all other contenders Derek Jarman's THE GARDEN, starring Tilda Swinton, returns to Berlinale 28 years after its premiere DIE KINDER DER TOTEN - World Premiere and Q&A with Kelly Copper and Pavol Liska INTERVIEWS Xaver Böhm on O Beautiful Night: Interview at Berlinale 2019 Interview with Brazilian Director Marcus Ligocki at Berlinale Marie Kreuzer: The Ground beneath my feet The Writer: Interview with Sondre Fristad in Berlin Interview with Producer, Director Writer Stu Levy @ 2019 Berlinale Interview with Director Gustavo Steinberg for 'Tito and the Birds' (2018) Alexandr Gorchilin on his First Feature Acid VIDEO INTERVIEWS VIDEO: Dieter Kosslick recalls some nice moments on the red carpet VIDEO: Anthony Bregman describes IFP's programs suppporting independent film making VIDEO: IFP Anthony Bregman opening remarks on his producing experiences at Friday's
    [Show full text]
  • How to Cite Complete Issue More Information About This Article
    Vivat Academia ISSN: 1575-2844 Forum XXI Durán-Manso, Valeriano LOS RASGOS MELODRAMÁTICOS DE TENNESSEE WILLIAMS EN PEDRO ALMODÓVAR: ESTUDIO DE PERSONAJES DE LA LEY DEL DESEO, TACONES LEJANOS Y LA FLOR DE MI SECRETO Vivat Academia, no. 138, 2017, March-June, pp. 96-119 Forum XXI DOI: https://doi.org/doi.org/10.15178/va.2017.138.96-119 Available in: https://www.redalyc.org/articulo.oa?id=525754430006 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative Vivat Academia Revista de Comunicación · 15 Marzo-15 Junio 2017 · Nº 138 ISSN: 1575-2844 · pp 96-119 · http://dx.doi.org/10.15178/va.2017.138.96-119 RESEARCH Recibido: 11/06/2016 --- Aceptado: 04/12/2016 --- Publicado: 15/03/2017 THE MELODRAMATIC TRAITS OF TENNESSEE WILLIAMS IN PEDRO ALMODÓVAR: STUDY OF CHARACTERS OF THE LAW OF DESIRE, HIGH HEELS AND THE FLOWER OF MY SECRET Valeriano Durán Manso1: University of Cádiz, Spain. [email protected] ABSTRACT The main film adaptations of the literary production of the American playwright Tennessee Williams premiered in 1950 through 1968, and they settled in the melodrama. These films contributed to the thematic evolution of Hollywood due to the gradual dissolution of the Hays Code of censorship and, furthermore, they determined the path of this genre toward more passionate and sordid aspects. Thus, A Streetcar Named Desire, Cat on a Hot Tin Roof, or Suddenly, Last Summer incorporated sexual or psychological issues through tormented characters that had not been previously dealt with in the cinema.
    [Show full text]
  • ASAA Abstract Booklet
    ASAA 2020 Abstract Book 23rd Biennial Conference of the Asian Studies Association of Australia (ASAA) The University of Melbourne Contents Pages ● Address from the Conference Convenor 3 ● 2020 ASAA Organising Committee 4 ● Disciplinary Champions 4-6 ● Conference Organisers 6 ● Conference Sponsors and Supporters 7 ● Conference Program 8-18 ● Sub-Regional Keynote Abstracts 19-21 ● Roundtable Abstracts 22-25 ● Speaker Abstracts ○ Tuesday 7th July ▪ Panel Session 1.1 26-60 ▪ Panel Session 1.2 61-94 ▪ Panel Session 1.3 95-129 ○ Wednesday 8th July ▪ Panel Session 2.1 130-165 ▪ Panel Session 2.2 166-198 ▪ Panel Session 2.3 199-230 ○ Thursday 9th July ▪ Panel Session 3.1 231-264 ▪ Panel Session 3.2 265-296 ▪ Panel Session 3.3 297-322 ● Author Index 323-332 Page 2 23rd Biennial Conference of the Asian Studies Association of Australia Abstract Book Address from the Conference Convenor Dear Colleagues, At the time that we made the necessary decision to cancel the ASAA 2020 conference our digital program was already available online. Following requests from several younger conference participants who were looking forward to presenting at their first international conference and networking with established colleagues in their field, we have prepared this book of abstracts together with the program. We hope that you, our intended ASAA 2020 delegates, will use this document as a way to discover the breadth of research being undertaken and reach out to other scholars. Several of you have kindly recognised how much work went into preparing the program for our 600 participants. We think this is a nice way to at least share the program in an accessible format and to allow you all to see the exciting breadth of research on Asia going on in Australia and in the region.
    [Show full text]