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Roger Sessions: a Biography
ROGER SESSIONS: A BIOGRAPHY Recognized as the primary American symphonist of the twentieth century, Roger Sessions (1896–1985) is one of the leading representatives of high modernism. His stature among American composers rivals Charles Ives, Aaron Copland, and Elliott Carter. Influenced by both Stravinsky and Schoenberg, Sessions developed a unique style marked by rich orchestration, long melodic phrases, and dense polyphony. In addition, Sessions was among the most influential teachers of composition in the United States, teaching at Princeton, the University of California at Berkeley, and The Juilliard School. His students included John Harbison, David Diamond, Milton Babbitt, Frederic Rzewski, David Del Tredici, Conlon Nancarrow, Peter Maxwell Davies, George Tson- takis, Ellen Taaffe Zwilich, and many others. Roger Sessions: A Biography brings together considerable previously unpublished arch- ival material, such as letters, lectures, interviews, and articles, to shed light on the life and music of this major American composer. Andrea Olmstead, a teaching colleague of Sessions at Juilliard and the leading scholar on his music, has written a complete bio- graphy charting five touchstone areas through Sessions’s eighty-eight years: music, religion, politics, money, and sexuality. Andrea Olmstead, the author of Juilliard: A History, has published three books on Roger Sessions: Roger Sessions and His Music, Conversations with Roger Sessions, and The Correspondence of Roger Sessions. The author of numerous articles, reviews, program and liner notes, she is also a CD producer. This page intentionally left blank ROGER SESSIONS: A BIOGRAPHY Andrea Olmstead First published 2008 by Routledge 711 Third Avenue, New York, NY, 10017, USA Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2008 Andrea Olmstead Typeset in Garamond 3 by RefineCatch Limited, Bungay, Suffolk All rights reserved. -
Now Again New Music Music by Bernard Rands Linda Reichert, Artistic Director Jan Krzywicki, Conductor with Guest Janice Felty, Mezzo-Soprano Now Again
Network for Now Again New Music Music by Bernard Rands Linda Reichert, Artistic Director Jan Krzywicki, Conductor with guest Janice Felty, mezzo-soprano Now Again Music by Bernard Rands Network for New Music Linda Reichert, Artistic Director Jan Krzywicki, Conductor www.albanyrecords.com TROY1194 albany records u.s. 915 broadway, albany, ny 12207 with guest Janice Felty, tel: 518.436.8814 fax: 518.436.0643 albany records u.k. box 137, kendal, cumbria la8 0xd mezzo-soprano tel: 01539 824008 © 2010 albany records made in the usa ddd waRning: cOpyrighT subsisTs in all Recordings issued undeR This label. The story is probably apocryphal, but it was said his students at Harvard had offered a prize to anyone finding a wantonly decorative note or gesture in any of Bernard Rands’ music. Small ensembles, single instrumental lines and tones convey implicitly Rands’ own inner, but arching, songfulness. In his recent songs, Rands has probed the essence of letter sounds, silence and stress in a daring voyage toward the center of a new world of dramatic, poetic expression. When he wrote “now again”—fragments from Sappho, sung here by Janice Felty, he was also A conversation between composer David Felder and filmmaker Elliot Caplan about Shamayim. refreshing his long association with the virtuosic instrumentalists of Network for New Music, the Philadelphia ensemble marking its 25th year in this recording. These songs were performed in a 2009 concert for Rands’ 75th birthday — and offer no hope for winning the prize for discovering extraneous notes or gestures. They offer, however, an intimate revelation of the composer’s grasp of color and shade, his joy in the pulsing heart, his thrill at the glimpse of what’s just ahead. -
Hbbb Concert Repertory List
HBBB (Humboldt Bay Brass Band) Concerts by date -- Repertory -- Works Performed ========================================= FRH = concert held in Fulkerson Recital Hall, on the campus of Humboldt State University ======================================== April 2, 2004 -- FRH 1- Prelude .......... Gregson, Edward 2- Moorside Suite (3 mvts)...... Holst, Gustav 3- Fantasy on British Sea Songs ...... Langford, Gordon (arr) 4- Ravenswood (March) ...... Rimmer, William ---intermission--- 5- Helden und Krieger ..... Newton, Rodney 6- Moon River ...... Mancini, Henry (arr Don Morrison) 7- Cousins (duet) ..... Clarke, Herbert L. 8- Blenheim Flourishes ...... Curnow, James =================================================== Nov 14, 2004 -- FRH (w/ Eureka HS Wind Ens) 1- L’Orfeo (suite) ... Monteverdi, Claudio (arr Michael Hopkinson) 2- Pageantry (3 mvts) ....... Howells, Herbert 3- Famous British Marches ..... Langford, Gordon (arr) 4- Slaughter on 10th Avenue ... Rodgers, Richard (arr Robert Bernat) 5- Nunc Dimittis ..... Gabrieli, Giovanni (ed Gil Cline) 6- March from The Great Escape ... Bernstein, Elmer (arr Martin Ellerby) =================================================== Feb 11, 2005 -- at McKinleyville HS 1- Four Dot Flourish ... Cline, Gilbert 2- L’Orfeo (suite) ... Monteverdi, Claudio (arr HBBB) 3- Pageantry (3 mvts) ... Howells, Herbert 4- Fantasy on British Sea Songs ... Langford, Gordon (arr) 5- Sequoia Carnival March ... Inman, J.L. (arr Gil Cline) 6- Nunc Dimittis ... Gabrieli, Giovanni (ed Gil Cline) =================================================== -
An Analysis and Performance Considerations for John
AN ANALYSIS AND PERFORMANCE CONSIDERATIONS FOR JOHN HARBISON’S CONCERTO FOR OBOE, CLARINET, AND STRINGS by KATHERINE BELVIN (Under the Direction of D. RAY MCCLELLAN) ABSTRACT John Harbison is an award-winning and prolific American composer. He has written for almost every conceivable genre of concert performance with styles ranging from jazz to pre-classical forms. The focus of this study, his Concerto for Oboe, Clarinet, and Strings, was premiered in 1985 as a product of a Consortium Commission awarded by the National Endowment of the Arts. The initial discussions for the composition were with oboist Sara Bloom and clarinetist David Shifrin. Harbison’s Concerto for Oboe, Clarinet, and Strings allows the clarinet to finally be introduced to the concerto grosso texture of the Baroque period, for which it was born too late. This document includes biographical information on John Harbison including his life and career, compositional style, and compositional output. It also contains a brief history of the Baroque concerto grosso and how it relates to the Harbison concerto. There is a detailed set-class analysis of each movement and information on performance considerations. The two performers as well as the composer were interviewed to discuss the commission, premieres, and theoretical/performance considerations for the concerto. INDEX WORDS: John Harbison, Concerto for Oboe, Clarinet, and Strings, clarinet concerto, oboe concerto, Baroque concerto grosso, analysis and performance AN ANALYSIS AND PERFORMANCE CONSIDERATIONS FOR JOHN HARBISON’S CONCERTO FOR OBOE, CLARINET, AND STRINGS by KATHERINE BELVIN B.M., Tennessee Technological University, 2004 M.M., University of Cincinnati, 2006 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF MUSICAL ARTS ATHENS, GEORGIA 2009 © 2009 Katherine Belvin All Rights Reserved AN ANALYSIS AND PERFORMANCE CONSIDERATIONS FOR JOHN HARBISON’S CONCERTO FOR OBOE, CLARINET, AND STRINGS by KATHERINE BELVIN Major Professor: D. -
The New York Virtuoso Singers
Merkin Concert Hall at Kaufman Center Presents The New York Virtuoso Singers Announcing the 25th Anniversary Season Merkin Concert Hall Performances – 2012-13 Concerts Feature 25 Commissioned Works by Major American Composers The New York Virtuoso Singers, Harold Rosenbaum, Conductor and Artistic Director, have announced Merkin Concert Hall dates for their 2012-13 concert season. This will be the group’s 25th anniversary season. To celebrate, they will present concerts on October 21, 2012 and March 3, 2013 at Kaufman Center’s Merkin Concert Hall, 129 West 67th St. (btw Broadway and Amsterdam) in Manhattan, marking their return to the hall where they presented their first concert in 1988. These concerts will feature world premieres of commissioned new works from 25 major American composers – Mark Adamo, Bruce Adolphe, William Bolcom, John Corigliano, Richard Danielpour, Roger Davidson, David Del Tredici, David Felder, John Harbison, Stephen Hartke, Jennifer Higdon, Aaron Jay Kernis, David Lang, Fred Lerdahl, Thea Musgrave, Shulamit Ran, Joseph Schwantner, Steven Stucky, Augusta Read Thomas, Joan Tower, George Tsontakis, Richard Wernick, Chen Yi, Yehudi Wyner and Ellen Taaffe Zwilich. Both concerts will also feature The Canticum Novum Youth Choir, Edie Rosenbaum, Director. The Merkin Concert Hall dates are: Sunday, October 21, 2012 at 3 pm - 25th Anniversary Celebration Pre-concert discussion with the composers at 2:15 pm World premieres by Jennifer Higdon, George Tsontakis, John Corigliano, David Del Tredici, Shulamit Ran, John Harbison, Steven Stucky, Stephen Hartke, Fred Lerdahl, Chen Yi, Bruce Adolphe and Yehudi Wyner – with Brent Funderburk, piano. More about this concert at http://kaufman-center.org/mch/event/the-new-york-virtuoso- singers. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
River City Brass Program
presents Saturday, 25 March 2017 • 7:30 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2016–2017 SEASON Saturday, 24 September 2016, 7:30 p.m. Garth Fagan Dance Tony Award‐winner Garth Fagan, described by The New York Times as “unfailingly original,” choreographed Disney’s musical The Lion King, the highest grossing Broadway musical in history. Friday, 14 October 2016, 7:30 p.m. Rochester Philharmonic Orchestra Christopher Seaman, Conductor Laureate Andrew von Oeyen, piano Tobias Picker: Old and Lost Rivers Beethoven: Piano Concerto No. 2 in B‐flat Major, Op. 19 Elgar: Symphony No. 2 in E‐flat Major, Op. 63 Saturday, 12 November 2016, 7:30 p.m. Rochester Philharmonic Orchestra Stefan Sanders, conductor Julian Schwarz, cello Prokofiev: Symphony No. 1, Op. 25, “Classical” Haydn: Concerto in D Major for Cello and Orchestra Mozart: Symphony No. 40 in G Minor, K. 550 Saturday, 25 March 2017, 7:30 p.m. River City Brass Celtic Concert This brass band is famous for its varied and entertaining programming. They’ll have you tapping your toes and dancing in your seat. “It’s not a reach to say that this may be the most fun with music you’re going to have all year,” touts the St. Louis Post-Dispatch. Friday, 21 April 2017, 7:30 p.m. Symphoria Lawrence Loh, Music Director Jon Kimura Parker, piano Berlioz: Beatrice and Benedict Overture Grieg: Piano Concerto Prokofiev: Symphony No. 5 Programs subject to change. Performed at the Smith Opera House, 82 Seneca Street, Geneva This concert is made possible by generous underwriting from the Williams Family Foundation, by a continuing subscription from Hobart and William Smith Colleges, and with public funds from NYSCA’s Decentralization Program, administered locally by Finger Lakes Community Arts Grants (FLCAG). -
Program Notes and Translations for a Graduate Voice Recital Sara Arias Ruiz Florida International University
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 6-4-2004 Program notes and translations for a graduate voice recital Sara Arias Ruiz Florida International University DOI: 10.25148/etd.FI14032343 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Music Commons Recommended Citation Arias Ruiz, Sara, "Program notes and translations for a graduate voice recital" (2004). FIU Electronic Theses and Dissertations. 1060. https://digitalcommons.fiu.edu/etd/1060 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida PROGRAM NOTES AND TRANSLATIONS FOR A GRADUATE VOICE RECITAL A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF MUSIC by Sara Arias Ruiz 2004 To: Dean R. Bruce Dunlap College of Arts and Sciences This thesis, written by Sara Arias Ruiz, and entitled Program Notes and Translations for a Graduate Voice Recital, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. Linda M. Considine Nancy Rao Robert B. Dundas, Major Professor Date of Defense: June 4, 2004 The thesis of Sara Arias Ruiz is approved. Dean R. Bre Dunlap College of Arts and Sciences ean Douo rtzok University Graduate School Florida International University, 2004 ii ABSTRACT OF THE THESIS PROGRAM NOTES AND TRANSLATIONS FOR A GRADUATE VOICE RECITAL by Sara Arias Ruiz Florida International University, 2004 Miami, Florida Professor Robert B. -
The Art of Fugue
Emmanuel Music’s Bach Signature Season: The Art of Fugue Emmanuel Music’s 2007-08 Bach Signature Season switches into an intimate chamber mode on Wednesday evening, October 10. But there will also be a buzz of excitement, as history is made once again by this 37-year-old arts organization. Top pianists—a baker’s dozen of them from Boston and beyond—will share the spotlight in Bach’s The Art of Fugue. The Emmanuel Music concert will find these pianists bringing their own interpretative genius to the individual fugues that they play. Each fugue is a complex, textural piece of music that weaves a variety of voices together. The Art of Fugue promises to provide another unforgettable Emmanuel Music night, since this complex, mysterious and infrequently performed study of fugal counterpoint has fascinated scholars, historians, performers and audiences for nearly 260 years. Bach worked on the piece for more than a decade, probably from the late 1730s to his death in 1750, and it was published the following year. Its formal title is Die Kunst der Fuge, BWV 1080. As a youth, Bach had already started experimenting with the fugal form, and The Art of Fugue stands as the pinnacle of his keyboard genius. Craig Smith, Emmanuel Music Conductor and Artistic Director, is the creative force behind The Art of Fugue concert. Among the pianists are John Harbison, distinguished composer and Emmanuel Music Principal Guest Conductor; Robert Levin, a performer known around the globe; and Emmanuel Music regulars, husband and wife, Randall Hodgkinson and Leslie Amper. Other familiar musicians who have participated in Emmanuel Music Chamber Series and other collaborations over the years will be on hand, along with some exciting new pianists. -
Boston Symphony Orchestra Concert Programs, Summer, 1990
FESTIVAL OF CONTE AUGUST 4th - 9th 1990 j:*sT?\€^ S& EDITION PETERS -&B) t*v^v- iT^^ RECENT ADDITIONS TO OUR CONTEMPORARY MUSIC CATALOGUE P66438a John Becker Concerto for Violin and Orchestra. $20.00 Violin and Piano (Edited by Gregory Fulkerson) P67233 Martin Boykan String Quartet no. 3 $40.00 (Score and Parts) (1988 Walter Hinrichsen Award) P66832 George Crumb Apparition $20.00 Elegiac Songs and Vocalises for Soprano and Amplified Piano P67261 Roger Reynolds Whispers Out of Time $35.00 String Orchestra (Score)* (1989 Pulitzer Prize) P67283 Bruce J. Taub Of the Wing of Madness $30.00 Chamber Orchestra (Score)* P67273 Chinary Ung Spiral $15.00 Vc, Pf and Perc (Score) (1989 Grawemeyer and Friedheim Award) P66532 Charles Wuorinen The Blue Bamboula $15.00 Piano Solo * Performance materials availablefrom our rental department C.F. PETERS CORPORATION ^373 Park Avenue So./New York, NY 10016/Phone (212) 686-4l47/Fax (212) 689-9412 1990 FESTIVAL OF CONTEMPORARY MUSIC Oliver Knussen, Festival Coordinator by the sponsored TanglewGDd TANGLEWOOD MUSIC CENTER Music Leon Fleisher, Artistic Director Center Gilbert Kalish, Chairman of the Faculty Lukas Foss, Composer-in-Residence Oliver Knussen, Coordinator of Contemporary Music Activities Bradley Lubman, Assistant to Oliver Knussen Richard Ortner, Administrator Barbara Logue, Assistant to Richard Ortner James E. Whitaker, Chief Coordinator Carol Wood worth, Secretary to the Faculty Harry Shapiro, Orchestra Manager Works presented at this year's Festival were prepared under the guidance of the following Tanglewood Music Center Faculty: Frank Epstein Donald MacCourt Norman Fischer John Oliver Gilbert Kalish Peter Serkin Oliver Knussen Joel Smirnoff loel Krosnick Yehudi Wyner 1990 Visiting Composer/Teachers Elliott Carter John Harbison Tod Machover Donald Martino George Perle Steven Stucky The 1990 Festival of Contemporary Music is supported by a gift from Dr. -
Boldly Going Where No Bands Have Gone Before Magnificent Seventh Win for ‘Captain ’ Cutt
www.britishbandsman.com Issue no. 5588 – 21 November 2009 boldly going where no bands have gone before magnificent seventh win for ‘captain ’ cutt Price £1.25 BB 1.indd 1 17-11-2009 18:12:46 With Christmas in mind, any of these instruments would make Ideal presents. Besson Sovereign cornet BSP £1,195.00 Yamaha Xeno Bb cornet, lacquer £1,265.00 Elkhart 100CR Bb cornet, lacquer £185.00 Prelude CR700 Bb cornet, lacquer £260.00 Besson 1000 Bb cornet BSP £235.00 Yamaha YCR-4330GS Bb cornet, BSP £589.00 Besson 1000 Eb tenor horn, BSP £535.00 Elkhart 100TH Eb tenor horn, lacquer £295.00 Besson Sovereign Eb tenor horn, lacquer £1,895.00 York Prescience Eb tenor horn, BSP £725.00 Elkhart 100BH Bb baritone, lacquer £375.00 Yamaha YBH-301S Bb baritone, BSP £1,365.00 York Preference Bb baritone, BSP £2,450.00 Besson Sovereign Bb baritone, BSP £2,500.00 Elkhart 100EH Bb euphonium, 3-valve, lacquer £399.00 Besson 1000 Bb euphonium, 4-valve, BSP £845.00 Amati Bb euphonium, 3-valve, lacquer £299.00 Besson Sovereign euphonium, 4-valve, BSP £3,795.00 Besson Prestige euphonium, 4-valve, BSP £4,570.00 Yamaha YSL-354 tenor trombone, lacquer £529.00 Yamaha YSL-445 tenor trombone,lacquer £735.00 Yamaha YSL-640 Bb/F tenor trombone , lacquer £1,490.00 Conn 88H Bb/F tenor trombone, lacquer £1,785.00 Conn 88HCL Bb/F tenor trombone, lacquer £2,450.00 Avialable from SP&S Good stocking fillers available, including: mutes, 01933 445 445 music stands; metronomes, mouthpieces and much more. -
The Great Gatsby: from Novel Into Opera Laura Ann Storm
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2004 The Great Gatsby: From Novel into Opera Laura Ann Storm Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC THE GREAT GATSBY: FROM NOVEL INTO OPERA by LAURA ANN STORM A Treatise submi�ed to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded Fall Semester, 2004 The members of the commi�ee approve the treatise of Laura Ann Storm defended on October 29, 2004. Douglas Fisher Professor Directing Treatise Frank Kowalsky Outside Commi�ee Member Janice Harsanyi Commi�ee Member Stanford Olsen Commi�ee Member The Office of Graduate Studies has verified and approved the above named commi�ee members. ii ACKNOWLEDGEMENTS I would like to thank the members of my commi�ee for their guidance and support: Douglas Fisher, my adviser; Stanford Olsen, Janice Harsanyi, and Frank Kowalsky. Thanks also to Bill Higgins, Michael Rowle�, Linda Pereksta, Cindy Renander, John Falskow and June Dollar for their support and willingness to answer all manner of questions. I offer special thanks to Julia Hall for her expert proofreading skills and her enthusiastic support of this project. I am deeply grateful to John Harbison for having wri�en an opera that provided such interesting material for my research and for his support of this project. His assistance in locating the materials housed in the Fitzgerald Archive at the University of South Carolina and his thoughtful answers to my questions provided invaluable material for this study.