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Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
007: the World Is Not Enough 1080 Teneighty Snowboarding a Bug's
007: The World Is Not Enough 1080 TenEighty Snowboarding A Bug's Life Aerofighter Assault AeroGauge Aidyn Chronicles : The First Mage All Star Tennis 99 All-Star Baseball 2000 All-Star Baseball 2001 All-Star Baseball 99 Armorines - Project S.W.A.R.M. Army Men : Air Combat Army Men : Sarge's Heroes Army Men : Sarge's Heroes 2 Asteroids Hyper 64 Automobili Lamborghini Banjo-Kazooie Banjo-Tooie Bassmasters 2000 Batman Beyond : Return of the Joker BattleTanx BattleTanx - Global Assault Battlezone : Rise of the Black Dogs Beetle Adventure Racing! Big Mountain 2000 Bio F.R.E.A.K.S. Blast Corps Blues Brothers 2000 Body Harvest Bomberman 64 Bomberman 64 : The Second Attack! Bomberman Hero Bottom of the 9th Brunswick Circuit Pro Bowling Buck Bumble Bust-A-Move '99 Bust-A-Move 2: Arcade Edition California Speed Carmageddon 64 Castlevania Castlevania : Legacy of Darkness Chameleon Twist Chameleon Twist 2 Charlie Blast's Territory Chopper Attack Clay Fighter : Sculptor's Cut Clay Fighter 63 1-3 Command & Conquer Conker's Bad Fur Day Cruis'n Exotica Cruis'n USA Cruis'n World CyberTiger Daikatana Dark Rift Deadly Arts Destruction Derby 64 Diddy Kong Racing Donald Duck : Goin' Qu@ckers*! Donkey Kong 64 Doom 64 Dr. Mario 64 Dual Heroes Duck Dodgers Starring Daffy Duck Duke Nukem : Zero Hour Duke Nukem 64 Earthworm Jim 3D ECW Hardcore Revolution Elmo's Letter Adventure Elmo's Number Journey Excitebike 64 Extreme-G Extreme-G 2 F-1 World Grand Prix F-Zero X F1 Pole Position 64 FIFA 99 FIFA Soccer 64 FIFA: Road to World Cup 98 Fighter Destiny 2 Fighters -
How the Summer of the Spinoff Came to Be: the Branding of Characters in American Mass Media
Loyola of Los Angeles Entertainment Law Review Volume 23 Number 2 Article 3 1-1-2003 How the Summer of the Spinoff Came to Be: The Branding of Characters in American Mass Media Benjamin A. Goldberger Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Benjamin A. Goldberger, How the Summer of the Spinoff Came to Be: The Branding of Characters in American Mass Media, 23 Loy. L.A. Ent. L. Rev. 301 (2003). Available at: https://digitalcommons.lmu.edu/elr/vol23/iss2/3 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. HOW THE "SUMMER OF THE SPINOFF" CAME TO BE: THE BRANDING OF CHARACTERS IN AMERICAN MASS MEDIA Benjamin A. Goldberger* I. INTRODUCTION "If in past summers Hollywood seemed to surrender its creative soul to the making of sequels, prequels, spinoffs, remakes and franchise films based on comic books, television series or video games, take a deep breath and prepare for the summer of 2002."1 With these words, the New York Times' Rick Lyman dubbed this past summer "the summer of the spinoff."2 Although it is most apparent in the movie theater, mass media art of all types in the United States is becoming increasingly derivative. -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of June 27 - July 3, 2021 American Graffiti (1973) Cinemax Mon. 4:12 a.m. The Exorcist (1973) TMC Sun. 8 p.m. Father of the Bride (1950) TCM Sun. 3:15 p.m. Finding Nemo (2003) Freeform Sat. 3:10 p.m. Forrest Gump (1994) Paramount Mon. 7 p.m. Paramount Mon. 10 p.m. VH1 Wed. 4 p.m. VH1 Wed. 7:30 p.m. Giant (1956) TCM Mon. 3 a.m. Glory (1989) Encore Sun. 11:32 a.m. Encore Sun. 9 p.m. The Good, the Bad and the Ugly (1967) Sundance Sun. 3:30 p.m. L.A. Confidential (1997) Encore Sun. 7:39 a.m. Encore Sun. 11:06 p.m. The Lady Vanishes (1938) TCM Sun. 3:30 a.m. The Man Who Knew Too Much (1956) TCM Sun. 10:45 a.m. The Man Who Knew Too Much (1934) TCM Sun. 11:15 p.m. Monsieur Hulot's Holiday (1953) TCM Mon. 8:30 p.m. North by Northwest (1959) TCM Sat. 12:15 p.m. Once (2006) Cinemax Mon. 2:44 a.m. Ordinary People (1980) EPIX Tues. 3:45 p.m. Psycho (1960) TCM Sun. 5 p.m. Rear Window (1954) TCM Sat. 7:15 p.m. Saving Private Ryan (1998) BBC America Wed. 8 p.m. BBC America Thur. 4 p.m. Shadow of a Doubt (1943) TCM Sat. 9:15 p.m. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
BAND BIOGRAPHIES and CREDITS Stevie Hawkins ~ Lead Vocals And
BAND BIOGRAPHIES AND CREDITS Stevie Hawkins ~ Lead Vocals and Drums Music is Stevie Hawkins' passion. He grew up listening to and working to master a wide variety of music on drums and vocals. He plays and sings cross-genres from Jazz, to Rock, to Soul, Pop, Latin, Blues, Funk and R&B. Stevie is a versatile artist with an instinctive and distinctive style of drumming and singing. His inborn natural abilities combined with years of formal training cause him to play and sing with feel, style, finesse and technique. Stevie composes his original compositions on the piano. Throughout his career, he has received numerous musical awards, and recently won “Best Jazz Artist” in the 2012 All Indie Music Awards. He was a nominee as “Best Blues Artist”. Over the years, Stevie has played drums for recording artists: John Lee Hooker, Percy Sledge, Rufus Thomas, Albert King, Brook Benton, Willie Hill, Harvey Scales, Sammy Blue, Chuck Berry, Dee Clark, Chubby Checker, Daryle Singletary, Razzy Bailey, Clifford Curry, Cledus T. Judd, Bertie Higgins, Jeff Carson, Johnny Rodriguez, Doug Stone, Ed Bruce, Charlie McCoy, and The Ink Spots. He has also shared the stage with Gregg Allman, Marshall Tucker Band, Johnny Winter, Leon Russell, Gap Band, Alice Cooper, Josh Thompson, Vern Gosdin, Jerry Jeff Walker, Craig Morgan, The Coasters, Confederate Railroad, Darryl Worley, Little Texas, T. Graham Brown, Lorrie Morgan, Janie Fricke, Danielle Peck, Ronnie Milsap, Ty Herndon, Andy Griggs, among others. Between 2001 and 2003 Stevie recorded a live CD entitled Georgia Jam. Georgia Jam is a Southern Rock fusion of Blues, Rock, Jazz, R&B, Folk, Soul and Country that features some of the South's finest guitarists to include Spencer Kirkpatrick, Wayne "Bear" Sauls, Barry Richman and Reddog. -
Title ID Titlename D0043 DEVIL's ADVOCATE D0044 a SIMPLE
Title ID TitleName D0043 DEVIL'S ADVOCATE D0044 A SIMPLE PLAN D0059 MERCURY RISING D0062 THE NEGOTIATOR D0067 THERES SOMETHING ABOUT MARY D0070 A CIVIL ACTION D0077 CAGE SNAKE EYES D0080 MIDNIGHT RUN D0081 RAISING ARIZONA D0084 HOME FRIES D0089 SOUTH PARK 5 D0090 SOUTH PARK VOLUME 6 D0093 THUNDERBALL (JAMES BOND 007) D0097 VERY BAD THINGS D0104 WHY DO FOOLS FALL IN LOVE D0111 THE GENERALS DAUGHER D0113 THE IDOLMAKER D0115 SCARFACE D0122 WILD THINGS D0147 BOWFINGER D0153 THE BLAIR WITCH PROJECT D0165 THE MESSENGER D0171 FOR LOVE OF THE GAME D0175 ROGUE TRADER D0183 LAKE PLACID D0189 THE WORLD IS NOT ENOUGH D0194 THE BACHELOR D0203 DR NO D0204 THE GREEN MILE D0211 SNOW FALLING ON CEDARS D0228 CHASING AMY D0229 ANIMAL ROOM D0249 BREAKFAST OF CHAMPIONS D0278 WAG THE DOG D0279 BULLITT D0286 OUT OF JUSTICE D0292 THE SPECIALIST D0297 UNDER SIEGE 2 D0306 PRIVATE BENJAMIN D0315 COBRA D0329 FINAL DESTINATION D0341 CHARLIE'S ANGELS D0352 THE REPLACEMENTS D0357 G.I. JANE D0365 GODZILLA D0366 THE GHOST AND THE DARKNESS D0373 STREET FIGHTER D0384 THE PERFECT STORM D0390 BLACK AND WHITE D0391 BLUES BROTHERS 2000 D0393 WAKING THE DEAD D0404 MORTAL KOMBAT ANNIHILATION D0415 LETHAL WEAPON 4 D0418 LETHAL WEAPON 2 D0420 APOLLO 13 D0423 DIAMONDS ARE FOREVER (JAMES BOND 007) D0427 RED CORNER D0447 UNDER SUSPICION D0453 ANIMAL FACTORY D0454 WHAT LIES BENEATH D0457 GET CARTER D0461 CECIL B.DEMENTED D0466 WHERE THE MONEY IS D0470 WAY OF THE GUN D0473 ME,MYSELF & IRENE D0475 WHIPPED D0478 AN AFFAIR OF LOVE D0481 RED LETTERS D0494 LUCKY NUMBERS D0495 WONDER BOYS -
Showtime Unlimited Schedule December 1, 2012 12:00 AM 12:30 AM 1:00 AM 1:30 AM 2:00 AM 2:30 AM 3:00 AM 3:30 AM 4:00 AM 4:30 AM 5:00 AM 5:30 AM
Showtime Unlimited Schedule December 1, 2012 12:00 AM 12:30 AM 1:00 AM 1:30 AM 2:00 AM 2:30 AM 3:00 AM 3:30 AM 4:00 AM 4:30 AM 5:00 AM 5:30 AM SHOWTIME Jim Rome On Showtime: 102 TVPG Inside The NFL: 2012 Week 12 TVPG Dave's Old... TVMA Shaquille O'Neal Presents: All Star Reservoir Dogs (3:45) R ALL ACCESS:... Comedy Jam - Live from Orlando TVMA (5:25) TV14 SHO 2 Next Stop Bruno R Red State R Joan Rivers: Don't Start With Me TVMA Loosies (4:45) PG13 for... TVMA SHOWTIME 50/50 R The Burning Plain (12:40) R Alien Raiders R Limelight (2011) TVMA SHOWCASE SHO EXTREME ALL ACCESS:... Goon R Paper Soldiers (2:05) R Tactical Force (3:35) R Believers (5:05) R TV14 SHO BEYOND Terror Trap R Blood Creek R Evil Eyes R Time Bandits PG SHO NEXT Blubberella R Blitz R The Company Men (2:10) R The Bang Bang Club R SHO WOMEN Ceremony R The Constant Gardener R Addicted to Her Love (2:45) R Fatal Error TV14 SHOWTIME Cutthroat Island (11:40) PG13 Comeback Season (1:45) PG13 Country Remedy (3:25) PG Alanand... (5:10) PG FAMILY ZONE THE MOVIE Hobo With a... Ghost Machine (12:35) R Play Dead (2:15) TVMA The Rich Man's Wife (3:45) R Other Woman,... R CHANNEL (11:05) TVMA THE MOVIE Psychosis (11:35) R Isolation (1:10) R Psychosis (2:45) R The Deal (4:35) R CHANNEL XTRA FLiX Chasing Amy R Steal R 50 Pills TVMA 3 A.M. -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of May 9 - 15, 2021 Adam's Rib (1949) TCM Wed. 5 p.m. Almost Famous (2000) EPIX Thur. 9:50 p.m. Around the World in 80 Days (1956) TCM Thur. 6:15 a.m. Beauty and the Beast (1991) Freeform Tues. 8 p.m. Casablanca (1942) TCM Sat. 12:45 p.m. Dodsworth (1936) TCM Thur. 4:30 a.m. Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb (1964) TMC Thur. 6:30 a.m. East of Eden (1955) TCM Sat. 10:30 a.m. The Enchanted Cottage (1945) TCM Tues. 11:30 p.m. The Exorcist (1973) Showtime Sat. 12:30 p.m. Forrest Gump (1994) Comedy Central Sat. 4 p.m. Comedy Central Sat. 7 p.m. Hannah and Her Sisters (1986) Showtime Thur. 4:10 a.m. TMC Sat. 1:05 a.m. I Remember Mama (1948) TCM Sun. 1:30 p.m. The Philadelphia Story (1940) TCM Wed. 1:15 p.m. Raiders of the Lost Ark (1981) Paramount Sat. 11:45 a.m. Rosemary's Baby (1968) Showtime Sat. 2:35 a.m. The Silence of the Lambs (1991) Showtime Mon. Noon Taxi Driver (1976) Showtime Tues. 1:45 a.m. Terminator 2: Judgment Day (1991) BBC America Thur. 8 p.m. BBC America Thur. 11 p.m. Titanic (1997) Starz Mon. 2:19 p.m. Starz Thur. 7:33 a.m. -
CHARLIE MUSSELWHITE – “I Ain't Lyin' . . .”
CHARLIE MUSSELWHITE – “I Ain’t Lyin’ . .” radio promotion contact: Brad Hunt, The WNS Group (585) 765-2083, [email protected] Charlie’s riveting Sonoma County show brought his unstoppable, hard hitting, tone heavy sound to the audience who couldn’t get enough. Luckily someone had turned on the tape and Charlie knew just what to do – he took the tapes down to Clarksdale MS and delivered them into the capable mixing and mastering hands of Gary Vincent who in collaboration with Charlie, brought Mississippi mud to this exceptional live recording. I AIN’T LYIN’ is all Charlie. The cd is a group of painstakingly crafted original tunes penned by the hand of this Mississippi master that resonate with the land of Mississippi itself. Charlie’s music rises from the river, crosses the levy, dances through the streets and cuts straight to the heart of what it is to be alive. Fifty years of nonstop touring, performing and recording have reaped huge rewards. Charlie Musselwhite is living proof that great music only gets better with age. This man cut his (musical) teeth alongside Muddy Waters, Howling Wolf and everyone on the south side of Chicago in the early 1960’s – thank your lucky stars he is still with us telling the truth with a voice and harp tone like no other. ____________________________________________________________________________________________________ Charlie Musselwhite may be the only musician to get a huge ovation just for opening his briefcase. Fans know that’s where he keeps his harmonicas and they’re about to hear one of the true masters work his magic on the humble instrument. -
Wayne Baker Brooks EPK 2020
Wayne Baker Brooks 2020 Press Kit G U I T A R I S T • S I N G E R • S O N G W R I T E R • B P R O D U C E R • A U T H O R LISTEN NOW ON SPOTIFY PANDORA APPLE MUSIC AMAZON MUSIC YOUTUBE DEEZER TIDAL SOUNDCLOUD B I O G R A P H Y AWARDS & CAREER HIGHLIGHTS Wayne Baker Brooks is considered one of todays top guitarists who's signature style combines powerful vocals with liquid fire Chicago Blues Hall of Fame guitar playing that honors his rich blues heritage yet effortlessly expands the boundaries of the genre. Born and raised in Canada’s Blues Hall of Fame Chicago, IL amongst the most prolific blues legends and blues Chicago Blues Festival 50th masters in the world, Wayne Baker Brook's blues roots may Anniversy Tour Headliner run deeper and wider than the Great Lakes themselves. Induction into The History Makers: Chicago Blues laid the foundation to Wayne's innovative style. Music Maker Success Growing up Brooks was a regular visitor to such historic places as Chess Studios, Checkerboard Lounge, Wisefools, and many Poconos Blues Fest Lifetime other blues landmarks at which he witnessed many live Achievement Award performances by blues masters like Buddy Guy, Jr. Wells, Carry The Torch Award Luther Allison, KoKo Taylor, the great Muddy Waters, & his father. The youngest son of blues master Lonnie Brooks. Top Blues Stars of the Future Wayne was literally born into the blues! Leaving no way around Best Chicago Blues Guitar the fate appointed him he soon joined his father's (Lonnie Brooks) band as his guitarist. -
Reply Comment on Anticircumvention Rulemaking--Perkins
Name Matthew Perkins Minneapolis, Minnesota Classes of works (1) Any digital-format work, including but not limited to Compact Discs (CDs) and Digital Versatile Discs (DVDs) which contain material not available in a comparable analog format [ …]. (comment 5) (2) [Literary works, sound recordings, or other audiovisual works] restricted by access controls that tether the work to a specific device or platform, thereby preventing a lawful possessor from using the work on an unsupported system in a non-infringing way. (comment 20) (3) Motion pictures on DVD. (comment 10) (4) Audiovisual works on DVD protected by the Content Scrambling System (CSS). (comment 15) (5) Ancillary audiovisual works distributed on Digital Versatile Discs (DVDs) using the Content Scrambling System (CSS) of access control. (comment 21) (6) Any work to which the user had lawful initial access […] after any period of lawful access if the user has physical possession of a copy of the work. (comment 28) Summary of Argument Virtually all of the classes proposed above were likewise proposed and rejected during the 2000 Anticircumvention Rulemaking. The Copyright Office based its ultimate rejection on, among others, three conclusions which I challenge in support of the proposals: (A) DVD access-control measures have increased the availability for use of copyrighted works; (B) harms related to merged access- and use-control technologies are balanced by the presence of unprotected analog alternatives; and (C) although not available on alternative analog formats, DVD ancillary material is available precisely because of the format’s employment of access-control technologies. The argument contained in this Reply Comment applies to each proposed class referenced above.