The Decca Sound - the Analogue Years [54 CD Box Set]
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PACO158 Front.Std
[ill □§@ Pristine □ □ Pristine DIGITAL AUDIO PACO 158 Puccini XR XR Manon Lescaut PACO 158 Giacomo Puccini's third opera, Manon Lescaut, premiered at the Teatro Regio, Turin in 1893 and was the first of his operas to garner I I international acclaim. Musically the opera showed clear evidence of Puccini's growing mastery of tuneful lyricism and his ability to Rn~~t~u~ n evoke a sense of place. The story of a doomed heroine was one that Puccini would return to with even greater success in La Bohf?me (1896), Tosca (1900) and Madama Butterfly (1904). The New York premiere in 1907 featured Lina Cavalieri, Enrico Caruso and Antonio Scotti in the cast, and Puccini himself in the audience, but fell out of the repertoire in between 1929 and 1949. When a new Met production of Manon Lescaut was mounted in 1949 it featured Swedish t enor Jussi Bjbrllng as Des Grieux. Bjbrling learned only two new roles after branching out from his operatic home at the Royal Swedish Opera in the lat e 1930s. One was Don manon licia albanese Carlo, which opened Rudolf Bing's tenure as general manager of the Metropolitan Opera in November 1950, the other was Des Grieux in Manon Lescaut. Over ten years, between 1949 and 1959, Bjbrling sang the role just 25 times, but we have no less than four des grieux Jussi bjbrling complete recordings of him in this opera: the Met's first ever broadcast of the opera in 1949, a studio recording in 1954, this Met broadcast from 1956, and a bi-lingual broadcast from Stockholm in 1959. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
1718Studyguidetosca.Pdf
TOSCA An opera in three acts by Giocomo Puccini Text by Giacosa and Illica after the play by Sardou Premiere on January 14, 1900, at the Teatro Constanzi, Rome OCTOBER 5 & 7, 2O17 Andrew Jackson Hall, TPAC The Patricia and Rodes Hart Production Directed by John Hoomes Conducted by Dean Williamson Featuring the Nashville Opera Orchestra CAST & CHARACTERS Floria Tosca, a celebrated singer Jennifer Rowley* Mario Cavaradossi, a painter John Pickle* Baron Scarpia, chief of police Weston Hurt* Cesare Angelotti, a political prisoner Jeffrey Williams† Sacristan/Jailer Rafael Porto* Sciarrone, a gendarme Mark Whatley† Spoletta, a police agent Thomas Leighton* * Nashville Opera debut † Former Mary Ragland Young Artist TICKETS & INFORMATION Contact Nashville Opera at 615.832.5242 or visit nashvilleopera.org. Study Guide Contributors Anna Young, Education Director Cara Schneider, Creative Director THE STORY SETTING: Rome, 1800 ACT I - The church of Sant’Andrea della Valle quickly helps to conceal Angelotti once more. Tosca is immediately suspicious and accuses Cavaradossi of A political prisoner, Cesare Angelotti, has just escaped and being unfaithful, having heard a conversation cease as she seeks refuge in the church, Sant’Andrea della Valle. His sis - entered. After seeing the portrait, she notices the similari - ter, the Marchesa Attavanti, has often prayed for his release ties between the depiction of Mary Magdalene and the in the very same chapel. During these visits, she has been blonde hair and blue eyes of the Marchesa Attavanti. Tosca, observed by Mario Cavaradossi, the painter. Cavaradossi who is often unreasonably jealous, feels her fears are con - has been working on a portrait of Mary Magdalene and the firmed at the sight of the painting. -
Verdi's Rigoletto
Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered. -
Cesare Siepi Don Giovanni Mp3, Flac, Wma Related Music Albums To
Cesare Siepi Don Giovanni mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Don Giovanni Country: UK Released: 1957 Style: Classical, Opera MP3 version RAR size: 1162 mb FLAC version RAR size: 1372 mb WMA version RAR size: 1901 mb Rating: 4.6 Votes: 221 Other Formats: AAC MP3 AHX AA AU APE TTA Label: London Records – OSA 1401 Type: 4 x Box Set, Stereo Country: UK Date of released: 1957 Category: Classical Style: Classical, Opera Related Music albums to Don Giovanni by Cesare Siepi Richard Strauss, Lisa Della Casa, Hilde Gueden, Alfred Poell, The Vienna Philharmonic Orchestra, Rudolf Moralt - Duetts From “Arabella“ Mozart, Lisa Della Casa, Hilde Güden, Suzanne Danco, Cesare Siepi, Fernando Corena, Kurt Böhme, Anton Dermota, Walther Berry, Josef Krips, Wiener Philharmoniker, Chor Der Wiener Staatsoper - Don Giovanni Mozart - George London , Walter Berry, Hilde Zadek, Graziella Sciutti, Wiener Symphoniker - Rudolf Moralt - Don Giovanni Mozart - Cesare Siepi ‧ Fernando Corena ‧ Anton Dermota ‧ Suzanne Danco ‧ Lisa Della Casa ‧ Hilde Gueden ‧ Walter Berry ‧ Kurt Boehme ‧ Vienna State Opera Chorus , Dir: Dr. Richard Rossmayer ‧ Vienna Philharmonic Orchestra Conducted By Josef Krips - Don G В. А. Моцарт - Дон Жуан Wolfgang Amadeus Mozart - Don Giovanni Ossia Il Dissoluto Punito (Don Juan Ou Le Libertin Puni) (II) Mozart, Della Casa ∙ Ludwig, Loose ∙ Dermota, Kunz ∙ Schoeffler, Bohm, Vienna Philharmonic Orchestra - Cosi Fan Tutte (Highlights) Wolfgang Amadeus Mozart - Le Nozze Di Figaro (Highlights) Mozart, Vienna Philharmonic Orchestra, Erich Kleiber, Hilde Gueden, Lisa Della Casa, Suzanne Danco, Cesare Siepi, Alfred Poell, Fernando Corena - Le Nozze Di Figaro Mozart, Hilde Gueden, Wilma Lipp, Emmy Loose, Leopold Simoneau, Walter Berry, Kurt Boehme, Vienna State Opera Chorus, Vienna Philharmonic Orchestra, Karl Böhm - Die Zauberflöte (The Magic Flute). -
Don Pasquale
Gaetano Donizetti Don Pasquale CONDUCTOR Dramma buffo in three acts James Levine Libretto by Giovanni Ruffini and the composer PRODUCTION Otto Schenk Saturday, November 13, 2010, 1:00–3:45 pm SET & COSTUME DESIGNER Rolf Langenfass LIGHTING DESIGNER Duane Schuler This production of Don Pasquale was made possible by a generous gift from The Sybil B. Harrington Endowment Fund. The revival of this production was made possible by a gift from The Dr. M. Lee Pearce Foundation. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 129th Metropolitan Opera performance of Gaetano Donizetti’s Don Pasquale Conductor James Levine in o r d e r o f v o c a l a p p e a r a n c e Don Pasquale, an elderly bachelor John Del Carlo Dr. Malatesta, his physician Mariusz Kwiecien* Ernesto, Pasquale’s nephew Matthew Polenzani Norina, a youthful widow, beloved of Ernesto Anna Netrebko A Notary, Malatesta’s cousin Carlino Bernard Fitch Saturday, November 13, 2010, 1:00–3:45 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. Bloomberg is the global corporate sponsor of The Met: Live in HD. Marty Sohl/Metropolitan Opera Mariusz Kwiecien as Chorus Master Donald Palumbo Dr. Malatesta and Musical Preparation Denise Massé, Joseph Colaneri, Anna Netrebko as Carrie-Ann Matheson, Carol Isaac, and Hemdi Kfir Norina in a scene Assistant Stage Directors J. Knighten Smit and from Donizetti’s Don Pasquale Kathleen Smith Belcher Prompter Carrie-Ann Matheson Met Titles Sonya Friedman Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs by Metropolitan Opera Wig Department Assistant to the costume designer Philip Heckman This performance is made possible in part by public funds from the New York State Council on the Arts. -
COLORATURA and LYRIC COLORATURA SOPRANO
**MANY OF THESE SINGERS SPANNED MORE THAN ONE VOICE TYPE IN THEIR CAREERS!** COLORATURA and LYRIC COLORATURA SOPRANO: DRAMATIC SOPRANO: Joan Sutherland Maria Callas Birgit Nilsson Anna Moffo Kirstin Flagstad Lisette Oropesa Ghena Dimitrova Sumi Jo Hildegard Behrens Edita Gruberova Eva Marton Lucia Popp Lotte Lehmann Patrizia Ciofi Maria Nemeth Ruth Ann Swenson Rose Pauly Beverly Sills Helen Traubel Diana Damrau Jessye Norman LYRIC MEZZO: SOUBRETTE & LYRIC SOPRANO: Janet Baker Mirella Freni Cecilia Bartoli Renee Fleming Teresa Berganza Kiri te Kanawa Kathleen Ferrier Hei-Kyung Hong Elena Garanca Ileana Cotrubas Susan Graham Victoria de los Angeles Marilyn Horne Barbara Frittoli Risë Stevens Lisa della Casa Frederica Von Stade Teresa Stratas Tatiana Troyanos Elisabeth Schwarzkopf Carolyn Watkinson DRAMATIC MEZZO: SPINTO SOPRANO: Agnes Baltsa Anja Harteros Grace Bumbry Montserrat Caballe Christa Ludwig Maria Jeritza Giulietta Simionato Gabriela Tucci Shirley Verrett Renata Tebaldi Brigitte Fassbaender Violeta Urmana Rita Gorr Meta Seinemeyer Fiorenza Cossotto Leontyne Price Stephanie Blythe Zinka Milanov Ebe Stignani Rosa Ponselle Waltraud Meier Carol Neblett ** MANY SINGERS SPAN MORE THAN ONE CATEGORY IN THE COURSE OF A CAREER ** ROSSINI, MOZART TENOR: BARITONE: Fritz Wunderlich Piero Cappuccilli Luigi Alva Lawrence Tibbett Alfredo Kraus Ettore Bastianini Ferruccio Tagliavani Horst Günther Richard Croft Giuseppe Taddei Juan Diego Florez Tito Gobbi Lawrence Brownlee Simon Keenlyside Cesare Valletti Sesto Bruscantini Dietrich Fischer-Dieskau -
Opera Recordings: a Very Personal Guide by Ralph Moore
“Untouchable” and ”Most Recommendable” Opera Recordings: a very personal guide by Ralph Moore My handful of regular readers might have noticed some glaring omissions in the list of thirty-seven major operas whose discographies I have surveyed over the last couple of years - operas whose quality and popularity are such that one might reasonably have expected me to have included them in my labours. There are, after all, probably around fifty truly first-rate operas which have been most often performed and recorded and I have by no means covered them all. I received requests to survey some of the following but on consideration, I realised that there were good reasons for my reluctance to do so. The most obvious omissions are these twelve operas: Verdi’s La traviata and Il trovatore; Wagner’s Lohengrin and Tannhäuser; Mozart’s Don Giovanni; Puccini’s La bohème, Tosca, Madama Butterfly and Turandot; Rossini’s Il barbiere di Siviglia; Donizetti’s Lucia di Lammermoor and Beethoven’s Fidelio. My reason for not having reviewed them collectively is that either the opera in question has received one or two recordings of such definitive quality that consideration of the others is otiose or there are so many good recordings of it in the catalogue that making a helpful or meaningful recommendation becomes difficult. I have therefore decided to circumvent the problem by making some brief, annotated recommendations and guidance for those major operas hitherto neglected. Obviously, my selections are highly subjective and controversial, and other collectors will be dismayed that I have ostensibly rejected their own candidates for recordings of classic status or nominated one they loathe but at the same time I think I may fairly claim that these are, in general, recordings which have stood the test of time. -
WNIB Program Schedule December 1971
u 1 , 1 The Advent Mode! 201 Tape Deck is, to our way of thinking, the ideal source for playing music in the home. It combines the important characteristics of a high-performance open-reel tape recorder with the convenience of cassettes. The Advent I Model 201 wit! make recordings that are indistinguishable from most source material, including the best stereo records and FM broadcasts. Of equal importance, the Mode! 201 realizes the full potential of the new "Dolbyized" commercially recorded cassettes, the most significant source I of recorded music since the introduc tion of the stereo disc. The best of the "Dolbyized" pre-recorded cas settes are easily the equivalent of the best disc recordings, and the number of releases will be continually in creasing. The Mode! 201 has the ruggedness and day-to-day operating dependability of the best home recorders, and wi!I maintain its original performance over long and constant use. $2 Beverly Near North Morton Grove Oak Park 2035 W. 95 th 48 E.Oak 5700 W Dempster 7045 W. North The performance of the Model 201 337-4\50 967-6690 38'.l-7006 is the result of several important departures in the design and manu 1\JfS()AY. WHJN(Sl)AY FRIDA.¥ & SATURDAY JOAM- 6 PM; MONDAY & THURSDAY 1D AM-9l'M facture of a cassette recorder. "Seigneur, dans votre main''; Louis BROQUET ''Beau Chevalier''; Otto BARBLAN "Hymne a la PROGRAM HEDUlE patrie"; Robert MERMOUD "Pour toi, pays"; Carlo HEMMERLING "0 petit pays"; Gustave DORET "Priere du Ruetli"; Carlo BOLLER I fm December, 1971 "Chant du drapeau"; Emile JAQUES-DALCROZE "Los Vieux11 ; Jean APOTHELOZ "Grand Guillau me"; Joseph BOVET "L'Alpee"; Hermann LANG "Mon pays, rustique sejour''; Henri PLUMHOF "La chanson des etoiles"; Joseph BOVET "La montee a l'alpage"; Gustave DORET "Le peuple des bergers" - Choeurs d'homrnes remands/ Andre Charlet (Swiss Composers CT 64-28) WNIB P rog-ram Schedule is published by Radio Station WNIB, 25 East Chestnut, Chicago, Illinois 60611. -
Decca Discography
DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982. -
Studyguidegiovanni.Pdf
DON GIOVANNI Opera in two acts by Mozart, text by Lorenzo da Ponte First performance at the National Theatre, Prague, October 28, 1787 THE PATRICIA & RODES HART PRODUCTION October 6 & 8, 2016 Andrew Jackson Hall, Tennessee Performing Arts Center Directed by John Hoomes • Conducted by Dean Williamson Featuring the Nashville Opera Orchestra CAST & CHARACTERS The Commendatore Peter Volpe* Donna Anna, his daughter Karen Slack* Don Ottavio, her betrothed Yi Li* Don Giovanni, a young nobleman David Adam Moore* Leporello, his servant Donovan Singletary* Donna Elvira, a lady of Burgos Alyson Cambridge* Zerlina, a country girl Laura Krumm* Masetto, betrothed to Zerlina Jose Rubio* * Nashville Opera debut TICKETS Nashville Opera, 615.832.5242, nashvilleopera.org Available at all Ticketmaster outlets or at 615.255.ARTS MORE INFORMATION Contact Nashville Opera at 615.832.5242 or visit nashvilleopera.org. Study Guide Contributors Anna Young, Education Director Cara Schneider, Creative Director THE STORY ACT I ACT II At night, outside the Commendatore’s palace, Leporello Under Elvira’s balcony, Leporello exchanges cloaks with his grumbles about his duties as servant to Don Giovanni, a master to allow Giovanni to woo Elvira’s maid in disguise. dissolute nobleman. Soon the masked Don appears, pur - Leporello leads Elvira off. When Masetto passes with a sued by Donna Anna, the Commendatore’s daughter, whom band of armed peasants bent on punishing Giovanni, he has tried to seduce. The Commendatore himself answers Giovanni gives them false directions. After the armed peas - Anna’s cries. Don Giovanni kills him in a duel and then ants exit, Giovanni takes great pleasure in beating up escapes. -
Renata Tebaldi Adriana Lecouvreur / Othello / Aida Mp3, Flac, Wma
Renata Tebaldi Adriana Lecouvreur / Othello / Aida mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Adriana Lecouvreur / Othello / Aida Country: Czechoslovakia Released: 1973 MP3 version RAR size: 1394 mb FLAC version RAR size: 1904 mb WMA version RAR size: 1534 mb Rating: 4.6 Votes: 113 Other Formats: WMA MIDI VOX AUD DMF DTS WMA Tracklist A1 Adriana Lecouvreur (Del Sultano Amuratte) A2 Othello (Ave Maria) B Aida (Qui Radames Verrà) Credits Composed By – F. Cilea* (tracks: A1), G. Verdi* (tracks: A2, B) Conductor – A. Erede* (tracks: B), F. Capuana* (tracks: A1), H. von Karajan* (tracks: A2) Libretto By – A. Ghislanzoni* (tracks: B), A. Boito* (tracks: A2), Legouve* (tracks: A1), E. Scribe* (tracks: A1) Orchestra – Orchestr Academie sv. Cecílie v Římě* (tracks: A1, B), Vídeňské Philharmonie* (tracks: A2) Vocals – Renata Tebaldi Notes Ⓟ 1973 V licenci firmy DECCA. Barcode and Other Identifiers Matrix / Runout (A): C 33 417/A B Matrix / Runout (B): C 33 418/A A Other (Manufacturing date code): 73 1 Related Music albums to Adriana Lecouvreur / Othello / Aida by Renata Tebaldi Renata Tebaldi - Renata Tebaldi – Soprano Renata Tebaldi - Operatic Recital Vol. 3 Renata Tebaldi - Selections From The World's Greatest Operas Verdi / Renata Tebaldi, Ebe Stignani, Mario del Monaco, Aldo Protti, Fernando Corena, Dario Caselli, Chorus And Orchestra Of The Accademia Di Santa Cecilia, Rome, Alberto Erede - Highlights From Aïda Verdi, Tebaldi, MacNeil, Bergonzi, Simionato, Von Karajan, Vienna Philharmonic - Aïda Renata Tebaldi - The Artistry Of Renata Tebaldi Tebaldi - The Best Of Tebaldi /Arias By: Puccini • Giordano • Cilea • Boito Renata Tebaldi With St. Cecilia Orchestra, Rome Conducted by Alberto Erede, Rossini - Cilea - Recital - Arias From William Tell & Adriana Lecouvreur Giuseppe Verdi - Aïda (Hoogtepunten) Verdi / Tebaldi, del Monaco, Stignani, Protti, Corena, The Chorus And Orchestra Of L'Accademia Di Santa Cecilia, Rome, Erede - Aida.