Three Operatic Masterpieces

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For THE MOZART YEAR - Three Operatic Masterpieces LE NOZZE DI FIGARO Barberina .Anny Felbermayer Figaro Cesare Siepi Don Curzio Hugo Meyer -Welting Susanno Hilde Gueden Antonio Harold Pröglhöj Contessa ..................Lisa Della Casa CHORUS OF THE VIENNA Almaviva Alfred Poell STATE OPERA. THE VIENNA Cherubino Suzanne Danco PHILHARMONIC ORCHESTRA. Bartolo Fernando Corena conductor: ERICH KLEIBER. 4 - Marcellina Hilde Rossi Majdan 12 inch records with complete vocal Basilio Murray Dickie score. XLIA.35 $19.92 DIE ZAUBERFLOTE (The Magic Flute) Tamino Leopold Simoneau Supporting Cast Pamina Hilde Gueden CHORUS OF THE VIENNA Papageno Walter Berry STATE OPERA. THE VIENNA Queen of the Night Wilma Lipp PHILHARMONIC ORCHESTRA. Sarastro Kurt Boehme Papagena Emmy Loose conductor: KARL BOHM. 3 - 12 Speaker Paul Schoeffler inch records with complete vocal Monostatos August Joresch score. MA 33 $14 94 DON GIOVANNI Don Giovanni. Cesare Siepi CHORUS OF THE VIENNA Leporello ..... .........Fernando Corena STATE OPERA. THE VIENNA Don Ottavio Anton Dermota PHILHARMONIC ORCHESTRA. Donna Anna Suzanne Danco Donna Elvira Lisa Della Casa conductor: JOSEF KRIPS. 4 - 12 Zerlina Hilde Gueden inch records with complete vocal Masetto Walter Berry score. Commendatore Kurt Boehme XLLA.34 $19.92 Another PUCCINI TRIUMPH on ffrr TURANDOT Turandot Inge Borhh Cala/ Mario del Monaco CHORUS AND ORCHESTRA OF Liu Renata Tebaldi L'ACCADEMIA DI SANTA Timur Nicola Zaccaria CECILIA, ROME Ping Fernando Corena conductor: ALBERTO Pang ..._ _... Mario Carlin EREDE Pong ........... Renato Ercolini 3 -12 inch records with Italian -Eng- Altoum Gaetano Fanelli lish libretto. Mandarin Ezio Giordano XLLA.36 $14.94 JANUARY 1956 97 .

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PACO158 Front.Std
[ill □§@ Pristine □ □ Pristine DIGITAL AUDIO PACO 158 Puccini XR XR Manon Lescaut PACO 158 Giacomo Puccini's third opera, Manon Lescaut, premiered at the Teatro Regio, Turin in 1893 and was the first of his operas to garner I I international acclaim. Musically the opera showed clear evidence of Puccini's growing mastery of tuneful lyricism and his ability to Rn~~t~u~ n evoke a sense of place. The story of a doomed heroine was one that Puccini would return to with even greater success in La Bohf?me (1896), Tosca (1900) and Madama Butterfly (1904). The New York premiere in 1907 featured Lina Cavalieri, Enrico Caruso and Antonio Scotti in the cast, and Puccini himself in the audience, but fell out of the repertoire in between 1929 and 1949. When a new Met production of Manon Lescaut was mounted in 1949 it featured Swedish t enor Jussi Bjbrllng as Des Grieux. Bjbrling learned only two new roles after branching out from his operatic home at the Royal Swedish Opera in the lat e 1930s. One was Don manon licia albanese Carlo, which opened Rudolf Bing's tenure as general manager of the Metropolitan Opera in November 1950, the other was Des Grieux in Manon Lescaut. Over ten years, between 1949 and 1959, Bjbrling sang the role just 25 times, but we have no less than four des grieux Jussi bjbrling complete recordings of him in this opera: the Met's first ever broadcast of the opera in 1949, a studio recording in 1954, this Met broadcast from 1956, and a bi-lingual broadcast from Stockholm in 1959.
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