DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Summer, 1954-1956

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Summer, 1954-1956 TANGLEWOOD MUljonamei ctmetucfo me XSo^tcn &ymfm<wm OvtneAtea RCA Victor recreates all the eloquence of his interpretations in these brilliant "New Orthophonic" High Fidelity recordings **Berlioz:The Damnation of Faust (complete)—Suzanne Danco, Soprano; David Poleri, Tenor; Martial Singher, Baritone **Berlioz: Romeo and Juliet (complete)—Margaret Roggero, Contralto; Leslie Chabay, Tenor; Yi-Kwei Sze, Bass **Brahms: Piano Concerto No. 2, in B Flat, op. 83—Artur Rubinstein, Piano *Beethoven: Symphony No. 7, in A, op. 92 **Chopin: Piano Concerto No. 2, in F Minor. **Saint-Saens: Piano Concerto No. 4, in C Minor—Alexander Brailowsky, Piano. **"New Orthophonic" High Fidelity. *High Fidelity. rcaVictor MRS! IN RECORDED MUSIC * ^** f ' ** iag , Tt*T!n ~Tii"ir~'"^^^ ; 1 £1 °i iwiBH sj^^JJM;^- * £ """ «•* ' iflB Hk- - BOSTON SYMPHONY ORCHESTRA CHARLES MUNCH, Music Director Berkshire Festival, Season 1955 (EIGHTEENTH SEASON) TANGLEWOOD, LENOX, MASSACHUSETTS SIXTH WEEK Concert Bulletin, with historical and descriptive notes by John N. Burk COPYRIGHT, 1955, BY BOSTON SYMPHONY ORCHESTRA, INC. Trustees of the Boston Symphony Orchestra, Inc. Henry B. Cabot, President Jacob J. Kaplan, Vice-President Richard C. Paine, Treasurer Taixott M. Banks, Jr. Alvan T. Fuller C. D. Jackson Charles H. Stockton John Nicholas Brown Francis W. Hatch Michael T. Kelleher Edward A. Taft Theodore P. Ferris Harold D. Hodgkinson Palfrey Perkins Raymond S. Wilkins Oliver Wolcott Trustees Emeritus Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Tanglewood Advisory Committee Alan J. Blau Henry W. Dwight F. Anthony Hanlon George E. Mole Lenges Bull George W. Edman Lawrence K. Miller Whitney S. Stoddard Jesse L. Thomason Robert K. Wheeler H. George Wilde Chairmen and Board of Selectmen (Ex officio): Stockbridge, Stephen W. Cooney; Lenox, Ralph Henry Barnes; Lee, Warren A. Turner )»«<• THOMAS D. PERRY, Jr., Manager G. W. Rector, N. S. Shirk, Assistant Managers J. J. Brosnahan, Assistant Treasurer Rosario Mazzeo, Personnel Manager J 955 BERKSHIRE FESTIVAL Tanglewood Enjoy your own festival whenever you wish -on SYMPHONIANA RCA Victor Records THE 75TH ANNIVERSARY Let these Berkshirerkshire Festival guest artists be year-round guests in your record) library On September 30th next the Boston Symphony Orchestra will begin its seventy-fifth consecutive PIERRE MONTEUX...H(7/l77ie season. Special events are planned for the anniver- Boston Symph. Orch.: **mozart: Piano Concerto sary, including an extended tour beginning October Piano No. 12 in A, (K.414): 10 and reaching as far south as New Orleans. Fif- Concerto No. 18 in B Flat, teen composers of this and other nations have been ( K. 156), Lili Kraus, Pianist **USZT: Les Preludes; Scri- commissioned to write special works for the season's abin : Poeme d'Extase ' concerts. : .stkavinsky : Rile of Spring ...with The Sun Francisco Symph. Orrh.: RIMSKY-KORSAKOFF: ScllcllC- razade, op. 35; FRANCK : WHY A SEASON OF BEETHOVEN Symphony in D Minor ...with The RCA Victor Symph. Orch.: CHARLES MUNCH, addressing the students o) **CHAUSSON: Poem of Love the Berks/iire Music Center at its first assemblage and the Sea, Gladys Swarth- the out. Mezzo-soprano on July 3, defended his choice oj Beethoven as GREGOR PIATAGORSKY. 'Cello principal composer oj the Festival season: **strauss, n.: Don Quixote, Boston Symph. Orch., Please permit me to say a few words to those Munch, fond. of you who may perhaps be surprised and may even Double Concerto in Brahms; reproach us for devoting a large part of the Festival A Minor for 'Cello and Vio- lin, Nathan Milstein, Violin; concerts to the music of Beethoven — as a large Robin Hood Dell Symph. part of last year's was devoted to Berlioz. Orch., Reiner, cond. Sonata No. 2 **BACH, J. S.: The fact is that if this music, written a hundred in D; prokofieff; Sonata, fifty always seem so immediate Op. 119, Ralph Bei-kovvitz, years ago. does not Piano to the professionals, the musicians of our time, it ti.wtL: Trio in A Minor: has never ceased to fascinate the music lovers, the *MENDELSSOHN : Trio No. 1 ill D Minor, op. 49, Heifelz. Vi- general public, the men of our time. olin: Rubinstein. Piano tciiaikovskv: Trio in A Mi- What is the reason? Why does the public always nor, Heifetz, Violin; Rubin- come back to listen to the Eroica — or the Eighth stein, Piano Symphony? Simply because music lovers know ARTHUR FIEDLER ...and The that after having heard this music, they will not h Boston "Pops" Orch. *offenbacii: Gaite Pari- leave the hall without having gained something. Les sienne; Meyerbeer: They will not leave the hall without taking away Patineurs *STRAUSS, J.: "Mr. Strauss something enriching, something heart-warming. Comes to Boston"; 11 favor- This is not the time to analyses, to speak ite Strauss compositions make *Slaughter on Tenth Avenue of the structure, the incomparable architecture, the other Ballet Selections; and absolute simplicity and clarity of the organisms 14 modern ballet selections *The Family All Together; that Beethoven knew how to create. We can see in Ten family favorites his sketchbooks what pain and suffering they cost. *"A'ei0 Orthophonic' High Fidelity. I like to tell you about this music "High Fidelity. What should today is briefly this: The principal reason why we musicians must always listen to this music and why RCAViCTOR we must make it heard is that it is above all human. FIRST IN RECORDED MUSIC Every one can find in it what he needs and what he is searching for. And this is especially import- ant for you my young friends. Tanglewood BERKSHIRE FESTIVAL This music, which is not sensual, not abstract, previously published in Paris. Copies of this book not dramatic in the sense of Wagner, not romantic may be had at the Tanglewood Music Store. in the sense of Schumann, not sentimental, not Music Under the Moon, by John G. W. Marian n a, pathetic — is all of them at once. And that is the ust is at the Store. It is a I published on sale Music reason why we must always live with it. history of the Berkshire Festival from its beginnings It expresses everything that a human being can in 1934. Of the 150 pages, 48 consist of illustrations. feel: happiness and suffering. It is elevating and ennobling. And it will forever be as necessary to PUBLIC REHEARSAL us who love music as faith is necessary to those The Saturday morning rehearsal by the Boston who love Christ. It is Beethoven's message that Symphon) Orchestra (August 13, at 10 a.m. I will be gives to Schiller's words opened to the public, the receipts to benefit the Briider. iiber'm Sternenzelt Pension fund of the Boston Symphony Orchestra. ein lieber I Muss Vater wohnen* I Admission One Dollar. a significance that resounds throughout the entire FESTIVAL BROADCASTS world. And 1 hope with all my heart that our Fes- There will be broadcasts of Berkshire Festival per- tival, under this guidance, will be a blessing that on the Radio Network each Monday. may unite us all — those who make music and those formances NBC 8:15 to 9:00 E. D. T. Transcribed broadcasts will who listen to it — in a noble and fervent com- munion. continue on Mondays through September 26. There will also be broadcasts through this same *( liiutlicrs, i>M'[ tin- - t ; t r t > fiimumcnl period by the educational, non-profit FM 11111*1 ii lnvin» Kaihci ilwill.) WGBH, station of which this orchestra is a member. WINTER BROADCASTS PR I EN DS OF THE BERKSHIRE MUSIC CENTER Concerts by the orchestra through the coming All lovers of music who are interested in the season will be broadcast over the NBC Network each Boston Symphony Orchestra's school at Tanglewood week at a day and hour to be announced. The are invited to the numerous performances — orches- Friday afternoon and Saturday evening concerts tral, operatic, chamber and choral, which are each week will be broadcast entire by WGBH. given through the season. These performances are open to all who become members by a voluntary COOLIDGE CONCERTS contribution. The summer chamber music concerts established at South Mountain in Pittsfield in 1918 by Mrs. Elizabeth Sprague Coolidge began July 30. This SCULPTURE IN THE FORMAL GARDEN season the South Mountain Association will pre- Patrons of the concerts will avoid traffic conges- sent five concerts, on Saturday afternoons at 4:00. lion by lingering at their leisure after a concert. in co-operation with the Elizabeth Sprague Cool- Tlie formal garden, in which the sculpture of Peter idge Foundation in the Library of Congress and Abate has been placed, will be kept lighted for at the Fromm Music Foundation of Chicago. The least one hour alter each evening concert. artists are: July 30, the New Music String Quartet; August 6, the New York Woodwind Quin- EXHIBITIONS IN THE GLASSED RECEPTION tet with George Schick, piano; August 13, Alex- ROOM AT TANGLEWOOD: ander Schneider, violin, and George Schick, piano; Aug. 6-14: Sculpture and drawings by Miss FRAXC August 20, Leontyne Price, soprano, Alexander EPPIXC. Lenox. Massachusetts. Schneider, and an instrumental ensemble; August 27, the Budapest String Quartet. On Friday morn- EXHIBITION AT THE BERKSHIRE MUSEUM ing, July 29, at 10 o'clock, the New Music String Quartet will give a special "Young Audiences" Con- An exhibition of photographs of famous musi- cert for parents and children. A limited number of cians by George J. Kossuth is being shown at the tickets are available without charge on application Berkshire Museum in Pittsfield. to Mrs. Willem Willeke, South Mountain Associa- The Berkshire Museum announces numerous tion, Pittsfield, Mass. exhibitions of interest through the Festival season, including in July the works of Ezra Winter, the The photograph reproduced on the title page was mural painter; water colors by Helmut Siber: "Paintings of the Weather"; prints by European taken by Minot Beale, violinist of this Orchestra.
Load more

Recommended publications
  • Debussy's Pelléas Et Mélisande
    Debussy’s Pelléas et Mélisande - A discographical survey by Ralph Moore Pelléas et Mélisande is a strange, haunting work, typical of the Symbolist movement in that it hints at truths, desires and aspirations just out of reach, yet allied to a longing for transcendence is a tragic, self-destructive element whereby everybody suffers and comes to grief or, as in the case of the lovers, even dies - yet frequent references to fate and Arkel’s ascribing that doleful outcome to ineluctable destiny, rather than human weakness or failing, suggest that they are drawn, powerless, to destruction like moths to the flame. The central enigma of Mélisande’s origin and identity is never revealed; that riddle is reflected in the wispy, amorphous property of the music itself, just as the text, adapted from Maeterlinck’s play, is vague and allusive, rarely open or direct in its expression of the characters’ velleities. The opera was highly innovative and controversial, a gateway to a new style of modern music which discarded and re-invented operatic conventions in a manner which is still arresting and, for some, still unapproachable. It is a work full of light and shade, sunlit clearings in gloomy forest, foetid dungeons and sea-breezes skimming the battlements, sparkling fountains, sunsets and brooding storms - all vividly depicted in the score. Any francophone Francophile will delight in the nuances of the parlando text. There is no ensemble or choral element beyond the brief sailors’ “Hoé! Hisse hoé!” offstage and only once do voices briefly intertwine, at the climax of the lovers' final duet.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • MUSICIANS· ETUDE Tic [Eb on Choral Literature Yilu'~E Offices, Bryn Mawr', Pa
    #n /ht/) #Joue ... .. Ability and Training Ezio Pinza "Your Musical Dawn Is at Hand" Boris Goldovsky Security for Music Teachers James Francis Cooke Midland Makes Its Own Music T. Gordon Harrington Gershwin Is Here to Stay Mario Braggiotti The Healthy Habit of Doubting Jan Smeterlin \ Ten Years at Tanglewood Ralph Berkowitz Who Are the World's Greatest Piano Teachers? Doron K. Antrim . LeTTeRS 1.' 0 1.' D E EDITOR Articles that it is. Dear Sir: I love your August Sybil Mac DOl/aid antatas and Oratorios issue. It alone is worth the price Memphis, Tenn; SATB Unleu Otherwise Indicated of a two-year subscription! Each article is stimulating, and after Class Instruction Dear Sir : For man y years, I reading them I have the same en- have been an interested reader and LENT thusiasm and stimulus that I have user of the ETUDE. I ha ve found ~ PENITENCE, PAROON AND PEACE (Advent and general,Sop. orI.., after attending a summer short I SOp Alto, Ten., Bar., Bar., 35 min.l Maunder 411401491.71 the articles recently have been ex- BEHOLD THE CHRIST (Holy Week or. genera Nevin ., 432-40168 $.75 course with an artist teacher. tremely stimulating. I also use the 40 rnin.) ....•...•......•.... Bass 20 min.) n PENITENCE PAROON AND PEACE (SSA, Sop., Alto, 35 mln.l Thanks so much! '" Maunder·Warhurst 411-40053.71 ETUDE La lend out to various ~ CALVARY ILent nr Easter, Ten., Bar., 'Sheppard 412-40061 .75 Mrs. C. P. Fishburne students, which they seem to enjoy 1 h ) Stainer 432·40128 .75 .n SEVEN LAST WOROS OF CHRIST (Sop., Ten., B!r., Eng.& la!.tert, 45'inl Walterboro, South Carolina CRUCIFIXION ITen., Bass, our 0 b rn 432.40L29 .60 § " OubOls·Douty411-401711~ immensely.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 77, 1957-1958, Subscription
    *l'\ fr^j BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON 24 G> X will MIIHIi H tf SEVENTY-SEVENTH SEASON 1957-1958 BAYARD TUCEERMAN. JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT 8. TUCEERMAN J. DEANE SOMERVILLE It takes only seconds for accidents to occur that damage or destroy property. It takes only a few minutes to develop a complete insurance program that will give you proper coverages in adequate amounts. It might be well for you to spend a little time with us helping to see that in the event of a loss you will find yourself protected with insurance. WHAT TIME to ask for help? Any time! Now! CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mast. LA fayette 3-5700 SEVENTY-SEVENTH SEASON, 1957-1958 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1958, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Michael T. Kelleher Theodore P. Ferris Henry A. Laughlin Alvan T. Fuller John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 80, 1960-1961, Subscription
    BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON TUESDAY EVENING SERIES ^ EIGHTIETH SEAS ON 1960-1961 - i. r"i H-; r BAYARD TUCKERMAN. JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE We blueprint the basic structure for the insurance of our clients and build their protection on a sound foundation. Only by a complete survey of needs, followed by intelligent counsel, can a proper insur- ance program be constructed. Without obligation on your part, we would be happy to act as your insurance architects. Please call us at any time. CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. When You Think of Insurance . Think of us! 141 Milk Street Boston 6, Massachusetts HU bbard 2-6200 EIGHTIETH SEASON, 1960-1961 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Theodore P. Ferris John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Sidney R. Rabb C. D. Jackson Charles H. Stockton E. Morton Jennings, Jr. John L. Thorndike Henry A. Laughlin Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 1 5 [3] . £ iifl £S What everyone likes about Boston's Pops are known throughout the world as a yardstick for excellence .
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 83,1963-1964, Trip
    BOSTON • r . SYMPHONY ORCHESTRA FOUNDED IN 1881 BY /'I HENRY LEE HIGGINSON TUESDAY EVENING 4 ' % mm !l SERIES 5*a ?^°£D* '^<\ -#": <3< .4) \S? EIGHTY-THIRD SEASON 1963-1964 TAKE NOTE The precursor of the oboe goes back to antiquity — it was found in Sumeria (2800 bc) and was the Jewish halil, the Greek aulos, and the Roman tibia • After the renaissance, instruments of this type were found in complete families ranging from the soprano to the bass. The higher or smaller instruments were named by the French "haulx-bois" or "hault- bois" which was transcribed by the Italians into oboe which name is now used in English, German and Italian to distinguish the smallest instrument • In a symphony orchestra, it usually gives the pitch to the other instruments • Is it time for you to take note of your insurance needs? • We welcome the opportunity to analyze your present program and offer our professional service to provide you with intelligent, complete protection. invite i . We respectfully* your inquiry , , .,, / Associated with CHARLES H. WATKINS CO. & /qbrioN, RUSSELL 8c CO. Richard P. Nyquist — Charles G. Carleton / 147 milk street boston 9, Massachusetts/ Insurance of Every Description 542-1250 EIGHTY-THIRD SEASON, 1963-1964 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Abram Berkowitz Henry A. Laughlin Theodore P. Ferris John T. Noonan Francis W. Hatch Mrs.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1954-1956
    contltictA me «L$o4tim ^ymfmtmu &^cAe4t^a RCA Victor recreates all the eloquence of his interpretations in these brilliant "New Orthophonic ' High Fidelity recordings **Berlioz:The Damnation of Faust (complete)—Suzanne Danco, Soprano; David Poleri, Tenor; Martial Singher, Baritone **Berlioz: Romeo and Juliet (complete)—Margaret Roggero, Contralto; Leslie Chabay, Tenor; Yi-Kwei Sze, Bass **Brahms: Piano Concerto No. 2, in B Flat, op. 83—Artur Rubinstein, Piano *Beethoven: Symphony No. 7, in A, op. 92 **Chopin: Piano Concerto No. 2, in F Minor. **Saint-Saens: Piano Concerto No. 4, in C Minor—Alexander Brailowsky, Piano. **"New Orthophonic' High Fidelity. *High Fidelity. rcaVictor D I D MUSIC ill ^i1 s i ? » "• I *> ". :, Pv ^H—JL i i ~.~z~ BOSTON SYMPHONY ORCHESTRA CHARLES MUNCH, Music Director Berkshire Festival, Season 1955 (EIGHTEENTH SEASON) TANGLEWOOD, LENOX, MASSACHUSETTS FIRST WEEK Concert Bulletin, with historical and descriptive notes by John 1\. Burk copyright. l955, by boston symphony orchestra, inc. Trustees of the Boston Symphony Orchestra, Inc. Henry B. Cabot, President Jacob J. Kaplan, Vice-President Richabd C. Paine, Treasurer Talcott M. Banks, Jr. \lvan I. Fuller C. D. Jackson Charles H. Stockton John Nicholas Brown Francis W. Hatch Michael T. Kelleher Ldward A. Taft Theodore P. Ferris Harold D. Hodgkinson Palfrey Perkins Raymond S. Wilkins Oliver Wolcott Trustees Emeritus Philip B. \lleiv M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Tanglewood Advisory Committee \i.\n J. Blai Henry W. Dwight F. Anthony Hanlon George E. Mole Lenges Bi m George W. Edman Lawrence K. Miller Whitney S. Stoddard Jesse L. Thomason Bobert K. Wheeler H.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1991
    :>'. Tanglewood on Parade Wednesday, August 14, 1991 TanglewGDd DEDICATED TO THE MEMORY OF JIM KILEY Music Center For the benefit of the Tanglewood Music Center 2:00 Gates Open 4:15 Tanglewood Music Center Fellowship Vocal Concert 2:00 Boston University (Chamber Music Hall) Tanglewood Institute: Brass Fanfares at 5:30 Alpine Horn Demonstration Main Gate Drive (Lawn near Chamber Music (Rear of Shed in Hall; Shed if rain) case of rain) 5:45 Balloon Ascension 2:15 Cello/Electronic Music (Lawn near Box Lot, Demonstration with weather permitting) Yo-Yo Ma 6:00 Tanglewood Music Center (Theatre-Concert Hall) Fellowship Wind Music 3:00 Boston University (Main House porch; Tanglewood Institute Chamber Music Hall Chamber Music Concert in case of rain) (Chamber Music Hall) 7:00 Berkshire Highlanders 3:15 Tanglewood Music Center (Lion Gate; rear of Fellowship Chamber Music Shed in case of rain) (Theatre-Concert Hall) 8:00 Fanfares and 3:30 Boston University Gala Concert Tanglewood Institute (Koussevitzky Music Shed) Young Artists Chorus and Orchestra (Koussevitzky Music Shed) Hot air balloon courtesy of Mr. and Mrs. Charles Joseph of Lebanon, New Jersey Alpine horns courtesy of BSO horn player Daniel Katzen Artillery and cannon supplied by Eastover, Inc. Scottish folk music courtesy of the Berkshire Highlanders Fireworks over the Stockbridge Bowl following the Gala Concert A Message from Seiji Ozawa This year the Tanglewood Music Center in the next two years. Second, the revival begins the second fifty years of its life. of an opera training program at the TMC And we begin this year with the loss of —formerly one of the great glories of this three of the people who made Tangle- place— is necessary if we are to fulfill wood's first fifty years unique—Leonard our mission of giving the most talented Bernstein, Aaron Copland, and Jim young singers, instrumentalists, conduc- Kiley.
    [Show full text]
  • Studyguidegiovanni.Pdf
    DON GIOVANNI Opera in two acts by Mozart, text by Lorenzo da Ponte First performance at the National Theatre, Prague, October 28, 1787 THE PATRICIA & RODES HART PRODUCTION October 6 & 8, 2016 Andrew Jackson Hall, Tennessee Performing Arts Center Directed by John Hoomes • Conducted by Dean Williamson Featuring the Nashville Opera Orchestra CAST & CHARACTERS The Commendatore Peter Volpe* Donna Anna, his daughter Karen Slack* Don Ottavio, her betrothed Yi Li* Don Giovanni, a young nobleman David Adam Moore* Leporello, his servant Donovan Singletary* Donna Elvira, a lady of Burgos Alyson Cambridge* Zerlina, a country girl Laura Krumm* Masetto, betrothed to Zerlina Jose Rubio* * Nashville Opera debut TICKETS Nashville Opera, 615.832.5242, nashvilleopera.org Available at all Ticketmaster outlets or at 615.255.ARTS MORE INFORMATION Contact Nashville Opera at 615.832.5242 or visit nashvilleopera.org. Study Guide Contributors Anna Young, Education Director Cara Schneider, Creative Director THE STORY ACT I ACT II At night, outside the Commendatore’s palace, Leporello Under Elvira’s balcony, Leporello exchanges cloaks with his grumbles about his duties as servant to Don Giovanni, a master to allow Giovanni to woo Elvira’s maid in disguise. dissolute nobleman. Soon the masked Don appears, pur - Leporello leads Elvira off. When Masetto passes with a sued by Donna Anna, the Commendatore’s daughter, whom band of armed peasants bent on punishing Giovanni, he has tried to seduce. The Commendatore himself answers Giovanni gives them false directions. After the armed peas - Anna’s cries. Don Giovanni kills him in a duel and then ants exit, Giovanni takes great pleasure in beating up escapes.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 79, 1959-1960
    S E V E N T Y - N I N T H SEASON, 1959-196 o Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1960, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Henry A. Laughlin Theodore P. Ferris John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager S. Shirk Norman James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 15 1*473] CAN YOU DESCRIBE A LIFE INSURANCE TRUST? ® If you are unaware of the many advantages of a Life Insurance Trust, it may be that a talk with a Shawmut Trust Officer would show you precisely how this type of protection would best suit your insurance needs. For example, your life insurance can very easily be arranged to provide life-long support for your widow plus a substantial inheritance for your children. In Shawmut's Personal Trust Department we would be glad to discuss your complete insurance program . with you, your life insurance counsellor and your attorney, or simply write for a copy of our brochure "A Modern Life Insurance Program." Naturally, there would be no obligation.
    [Show full text]
  • None but Thelonelyheart Amanda Roocroft Malcolm Martineau Tchaikovsky | Debussy | Strauss CD Booklet-Final 24/9/07 17:33 Page 2 CD Booklet-Final 24/9/07 17:33 Page 3
    CD Booklet-Final 24/9/07 17:33 Page 1 None but theLonelyHeart Amanda Roocroft Malcolm Martineau Tchaikovsky | Debussy | Strauss CD Booklet-Final 24/9/07 17:33 Page 2 CD Booklet-Final 24/9/07 17:33 Page 3 Amanda Roocroft has secured an international reputation as one of Britain’s most exciting singers, in opera, concert, and in recital. In concert she has appeared with leading orchestras throughout Europe and North America with conductors including Sir Simon Rattle, Zubin Mehta, Mariss Jansons, Ivor Bolton, Sir John Eliot Gardiner, Daniele Gatti, Sir Neville Marriner, Sir Andrew Davis, Sir Charles Mackerras, Valery Gergiev and Bernard Haitink. She enjoys a close relationship with the Royal Opera House, Covent Garden, the Glyndebourne Festival, the English National Opera, the Welsh National Opera and the Bayerische Staatsoper in Munich, and her roles in these houses have included Fiordiligi (Così fan tutte), Countess (Le nozze di Figaro), Donna Elvira (Don Giovanni), Desdemona (Otello), Amelia (Simon Boccanegra), Mimì (La Bohème), Eva (Die Meistersinger), Ginevra (Ariodante), Cleopatra (Giulio Cesare), Jenifer (The Midsummer Marriage), Tatiana (Eugene Onegin) and the title roles in Madama Butterfly, Kát’a Kabanová and Jenu˚fa. Recent opera highlights include Elisabetta (Don Carlo) in Amsterdam (Riccardo Chailly/Willy Decker); Ellen Orford (Peter Grimes) in Salzburg (Sir Simon Rattle/Trevor Nunn); a tour of Japan as the Countess (Le nozze di Figaro) with the Bayerische Staatsoper and Zubin Mehta; and the title role in Jenufa in Berlin, Barcelona and, most recently, at the English National Opera for which she won the 2007 Laurence Olivier Award for Outstanding Achievement in Opera.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 126, 2006-2007, Subscription, Volume 02
    v^. \i.> 2006-2007 SEASON BOSTON SYM PHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK CONDUCTOR EMERITUS SEIJI OZAWA MUSIC DIRECTOR LAUREATE Lead a richer life. * r _ }*,p00* i *v!' * MB _ {* ' John Hancock is proud t Boston Symphony Orchestra. A DS Manulife Financial Company the future is yours A World-Class Alcohol and Drug Treatment Program 11 Hi;: View from The McLean Center, Princeton, MA -v. E McLEAN CENTER AT FERNSIDE A comprehensive residential treatment program. Expertise in treating co-occurring psychiatric disorders. Highly discreet and individualized care for adults. Exceptional accommodations in a peaceful, rural setting. McLean Hospital: A Legacy of Compassionate Care and Superb Clinical Treatment www.mclean.harvard.edu • 1-800-906-9531 McLean Hospital is a psychiatric teachingfacility Partners. ofHarvard Medical School, an affiliate of Healthcare Massachusetts General Hospital and a member of Partners HealthCare. REASON #75 transplan exper s It takes more than just a steady hand to perform a successful organ transplant. The highly complicated nature of these procedures demands the utmost in experience and expertise. At Beth Israel Deaconess Medical Center, we offer one of the most comprehensive liver, kidney and pancreas transplant programs available today. Our doctors' exceptional knowledge and skill translate to enhanced safety and care in transplant surgery - and everything that goes into it. For more information on the Transplant Center, visit www.bidmc.harvard.edu or call 1-800-667-5356. Israel A teaching hospital of Beth Deaconess Harvard Medical School Medical Center Affiliated with Joslin Clinic | A Research Partner of the Boston Red Sox Dana-Farber/Harvard Cancer Center | Official Hospital of r James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 Trustees of the Boston Symphony Orchestra, Inc.
    [Show full text]