Hedda Tesman

Total Page:16

File Type:pdf, Size:1020Kb

Hedda Tesman PRESS RELEASE – 25 July, 2019 IMAGES CAN BE DOWNLOADED HERE HEDDA TESMAN • FULL CAST ANNOUNCED FOR THE WORLD PREMIERE OF HEDDA TESMAN WRITTEN BY CORDELIA LYNN, AFTER HENRIK IBSEN AND DIRCTED BY HOLLY RACE ROUGHAN • A CO-PRODUCTION WITH CHICHESTER FESTIVAL THEATRE AND THE LOWRY • THE PRODUCTION WILL RUN AT CHICHESTER FESTIVAL THEATRE FROM 30 AUGUST – 28 SEPTEMBER AND AT THE LOWRY FROM 3 – 19 OCTOBER • TICKETS ARE ON SALE NOW Headlong today announce the full cast for Hedda Tesman which will receive its world premiere at Chichester Festival Theatre before playing at The Lowry, Salford. Leading the cast is the previously announced Haydn Gwynne in the title role of Hedda. She is joined by Anthony Calf as George Tesman, Jonathan Hyde as Brack, Jacqueline Clarke as Julie Tesman, Natalie Simpson as Thea Tesman, Irfan Shamji as Elijah and Rebecca Oldfield as Bertha. Hedda Tesman, by Cordelia Lynn, breathes new life into Ibsen’s classic, asking what we inherit, what we endure and how we carry our history. Headlong’s Associate Director Holly Race Roughan directs this vital exploration of motherhood, power and sabotage. Completing the creative team are designer Anna Fleischle, lighting designer Zoe Spurr, composer Ruth Chan and sound designer George Dennis. A doting husband. A troubled writer. A loaded gun. It’s 2019 and Hedda Tesman returns to a life she can’t seem to escape. After thirty years of playing wife, Hedda is bitter and bored. When her estranged daughter, Thea, suddenly reappears asking for help, the present begins to echo the past and Hedda embarks on a path of destruction. Cordelia Lynn was the recipient of the 2017 Harold Pinter Commission. Her writing credits include Three Sisters (Almeida Theatre), One for Sorrow and Lela and Co (Royal Court) and the libretto for Miranda (Opéra Comique, Paris). Her plays Best Served Cold (Vaults Festival) and Believers Anonymous (Rosemary Branch) were both directed by Holly Race Roughan. Haydn Gwynne’s stage credits include The Way of The World (Donmar Warehouse), Coriolanus (RSC), The Threepenny Opera (National Theatre), A Little Night Music (Huntington Theatre Boston), Women on the Verge of a Nervous Breakdown (Playhouse Theatre, West End), The Audience (Gielgud Theatre, West End), The Memory of Water (Hampstead), Richard III (Old Vic/BAM New York), Becky Shaw (Almeida Theatre), Billy Elliot: The Musical (West End, Broadway). Television credits include The Windsors (NOHO/Channel 4), The Midnight Gang (BBC) Urban Myths: The Trial of Joan Collins (Sky Arts), Ripper Street (BBC/Amazon), The C Word (BBC), Sherlock (BBC), Rome (BBC), Peak Practise (BBC), Mersey Beat (BBC), Drop the Dead Donkey (Channel 4), Lewis (ITV), Midsomer Murders (BBC), Silent Witness (BBC), Uncle (Baby Cow Productions). Haydn’s film credits include Beauty and the Beast (Walt Disney Pictures), Hunky Dory (Working Title) and Remember Me? Anthony Calf’s stage credits include Plenty, For Services Rendered, Private Lives, The Deep Blue Sea (Chichester Festival Theatre), Racing Demon (Theatre Royal Bath), Twelfth Night (Manchester Royal Exchange), King Charles III (Broadway), The Hard Problem, The White Guard, The Power Of Yes (National Theatre), Fathers and Sons (Donmar Warehouse), Stephen Ward (West End), My Fair Lady (Sheffield Theatres), Death and Maiden (Harold Pinter Theatre, West End). Television credits include Poldark (BBC), Anne (ITV), Power Monkeys (Channel 4), Call the Midwife (Neal Street/BBC), Dracula (Carnival Productions), Home Fires (ITV), Restless (Romer Films/Endor Productions), Upstairs Downstairs (BBC), New Tricks (Wall to Wall), Lewis (ITV), Identity (ITV), Doc Martin (Buffalo Pictures/ITV) Fashion (Carnival), New Tricks (Wall to Wall), Trinity (BBC), Mistresses (Ecosse Films for BBC). Anthony’s film credits include King Lear (Amazon Studios/BBC2), The Children Act (BBC Films), The Man Who Knew Infinity (Animus Films), Anna Karenina (Icon Entertainment), Dead Cool (Psychology News Ltd), Fairytale (Icon Entertainment), Oxford Blues (Winkast Film Productions), Straightheads (Straightheads Ltd), The Madness of King George (The Samuel Goldwyn Company). Jonathan Hyde’s Theatre credits include Gently Down the Stream (Park Theatre – Olivier Award Nominated) Frost/Nixon, Julius Caesar (Crucible Theatre Sheffield) Travels With My Aunt (Menier Chocolate Factory) The King’s Speech (West End/UKTour) Rattigan’s Nijinsky (Chichester Festival Theatre) Peter Pan (London, San Francisco, L.A.) King Lear, The Seagull (RSC Stratford, World Tour, London), Antony and Cleopatra, The Merchant of Venice, Richard 11, Richard 111, As You Like It, The Roaring Girl, The Swan Down Gloves (RSC) Sleep With Me, Jumpers, The Duchess of Malfi, The Real Inspector Hound/ The Critic, The Cherry Orchard (National Theatre) Macbeth (Lyceum Theatre Edinburgh) Antigone (Old Vic) The Importance of Being Earnest, Mirandolina (Edinburgh Festival – Olivier Nominated) The Good-Humoured Ladies, The Country Wife, Figaro, What the Butler Saw, Masquerade, The Seven Deadly Sins, Woyzeck, The Government Inspector, Sailor Beware, Hamlet, Romeo & Juliet, Coriolanus, Indians, St. Joan of the Stockyards (Glasgow Citizens Theatre) The Strange Case of Charles Dexter Ward ( SF Theatre of Liverpool). TV credits include A Very English Scandal (BBC), The Strain (FX) Tokyo Trial (Netflix) Trollhunters (Netflix), Shadow of the Noose (BBC), Spooks (BBC), Endeavour (ITV), Sherlock Holmes. Film credits include Titanic, Jumanji, Richie Rich, The Mummy, Caravaggio, Anaconda, The Contract, Breathe, Firstborn, Deadly Advice, Crimson Peak and Breathe. Jonathan’s directing credits include In and Out of Love (Almeida Theatre) and In Flanders Fields (Bath International Music Festival, St Magnus Festival). Jacqueline Clarke’s stage credits include Allelujah! (Bridge Theatre), The Curious Incident of the Dog in the Night Time (West End), Singin’ In The Rain (UK Tour), Sister Act (UK Tour), Dinnerladies (UK Tour), Marrying the Mistress, The Full Monty, The Shell Seekers, Pool’s Paradise (Mill at Sonning), Harvey; Oliver! (Cameron Mackintosh), Don’t Dress for Dinner, It Runs In The Family (UK Tour), Out of Order, Run for your Wife (Theatre of Comedy), Woman In Mind. Television credits include Doc Martin (ITV), Most Mysterious Murders, Last of the Summer Wine, Murder in Mind, Heartbeat, The Dreamstone, Chish ’n’ Fips, The Young Ones, A Sharp Intake of Breath, Dave Allen at Large, Second Time Around. Rebecca Oldfield’s stage credits include Phoenix Rising (The Big House), Poppy and George (Watford Palace Theatre), Love Girl & The Innocent (Southwark Playhouse), Worst Wedding Ever (Salisbury Theatre), A Midsummer Night’s Dream (Regent’s Park Open Air Theatre), Faith, Hope and Charity (Southwark Playhouse), Taken and That Almost Unbearable Lust (Soho Theatre), Labour Pains (Bush Theatre). Television credits include Silent Witness, Witless, Doctors, The Silence, Doctor Who III, Afterlife II, Holby City (BBC). Rebecca’s film credits include Edge of Tomorrow, Gecko, Powder Room, Beautality. Natalie Simpson’s stage credits include The Cardinal winner of the Ian Charleson Award (Southwark Playhouse), Boudica (Shakespeare’s Globe), Honour (Park Theatre), Hamlet, King Lear, Cymbeline (RSC), Measure for Measure (Young Vic), God (Edinburgh Fringe), The Vagina Monologues (Bloomsbury Theatre). Television credits include Mallorca Files (Cosmopolitan Pictures), Outlander (Starz!), Les Miserables (Lookout Point for BBC). Natalie’s film credits include 23 Walks and Tula: The Revolt. Irfan Shamji’s stage credits include Mayfly (Orange Tree Theatre), One for Sorrow (Royal Court), Dance Nation (Almeida). Television credits include Urban Myths (Sky Arts), Informer (BBC), Dark Crystal: Age of Resistance (Netflix). Irfan’s film credits include Red Joan and Murder on the Orient Express. Holly Race Roughan’s directing credits include Prurience (Southbank Centre, co- director), Clickbait (Theatre 503), The Low Road (Central School of Speech and Drama), Animal (Gate Theatre/Royal Welsh College of Speech and Drama), Eye of a Needle (Southwark Playhouse), A First World Problem (Theatre503), Pages from my Songbook (Royal Exchange Studio, Manchester), Waiting For Alice (Pleasance Courtyard), After the War (Cambridge ADC Theatre). Associate/Assistant Director credits include Headlong’s People, Places & Things (National Theatre/West End) Status Update (Lyric Hammersmith, Education dept.), Stuff Happens (National Theatre - rehearsed reading), The Cane (National Theatre Studio - R&D), The Shoemaker's Holiday (RSC), Hotel (National Theatre), The Pass (Royal Court), The Birthday Party, A Doll's House, Rats Tales, The Country Wife (Royal Exchange), Three Birds (Bush Theatre/Royal Exchange). Hedda Tesman is a co-production between Headlong, Chichester Festival Theatre and The Lowry (Week 53). -ENDS- For further information please contact The Corner Shop PR on 020 7831 7657 | [email protected] | [email protected] For press tickets at Chichester, please contact Lucinda Morrison on 01243 812917 | [email protected] LISTINGS HEDDA TESMAN Minerva Theatre, Chichester Festival Theatre Oaklands Park, Chichester, West Sussex, PO19 6AP 30 August – 28 September www.cft.org.uk The Lowry Pier 8, The Quays, Salford, M50 3AZ 03 – 19 October thelowry.com NOTES TO EDITORS Headlong Headlong is one of the most ambitious and exciting theatre companies in the UK, creating exhilarating contemporary theatre: a provocative mix of innovative new writing, reimagined classics and influential 20th century plays
Recommended publications
  • THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
    PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay.
    [Show full text]
  • THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
    PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
    English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath.
    [Show full text]
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
    Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'.
    [Show full text]
  • Hamlet West End Announcement
    FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-
    [Show full text]
  • Jack the Ripper in Film and Culture
    Jack the Ripper in Film and Culture Top Hat, Gladstone Bag and Fog Clare Smith General Editor: Clive Bloom Crime Files Series Editor Clive Bloom Emeritus Professor of English and American Studies Middlesex University London Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in computer games, private detectives and psychopaths, poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. More information about this series at http://www.springer.com/series/[14927] Clare Smith Jack the Ripper in Film and Culture Top Hat, Gladstone Bag and Fog Clare Smith University of Wales: Trinity St. David United Kingdom Crime Files ISBN 978-1-137-59998-8 ISBN 978-1-137-59999-5 (eBook) DOI 10.1057/978-1-137-59999-5 Library of Congress Control Number: 2016938047 © The Editor(s) (if applicable) and The Author(s) 2016 The author has/have asserted their right to be identifi ed as the author of this work in accor- dance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright.
    [Show full text]
  • ANNUAL REPORT and ACCOUNTS the Courtyard Theatre Southern Lane Stratford-Upon-Avon Warwickshire CV37 6BH
    www.rsc.org.uk +44 1789 294810 Fax: +44 1789 296655 Tel: 6BH CV37 Warwickshire Stratford-upon-Avon Southern Lane Theatre The Courtyard Company Shakespeare Royal ANNUAL REPORT AND ACCOUNTS 2006 2007 2006 2007 131st REPORT CHAIRMAN’S REPORT 03 OF THE BOARD To be submitted to the Annual ARTISTIC DIRECTOR’S REPORT 04 General Meeting of the Governors convened for Friday 14 December EXECUTIVE DIRECTOR’S REPORT 07 2007. To the Governors of the Royal Shakespeare Company, Stratford-upon-Avon, notice is ACHIEVEMENTS 08 – 09 hereby given that the Annual General Meeting of the Governors will be held in The Courtyard VOICES 10 – 33 Theatre, Stratford-upon-Avon on Friday 14 December 2007 FINANCIAL REVIEW OF THE YEAR 34 – 37 commencing at 2.00pm, to consider the report of the Board and the Statement of Financial SUMMARY ACCOUNTS 38 – 41 Activities and the Balance Sheet of the Corporation at 31 March 2007, to elect the Board for the SUPPORTING OUR WORK 42 – 43 ensuing year, and to transact such business as may be trans- AUDIENCE REACH 44 – 45 acted at the Annual General Meetings of the Royal Shakespeare Company. YEAR IN PERFORMANCE 46 – 51 By order of the Board ACTING COMPANIES 52 – 55 Vikki Heywood Secretary to the Governors THE COMPANY 56 – 57 CORPORATE GOVERNANCE 58 ASSOCIATES/ADVISORS 59 CONSTITUTION 60 Right: Kneehigh Theatre perform Cymbeline photo: xxxxxxxxxxxxx Harriet Walter plays Cleopatra This has been a glorious year, which brought together the epic and the personal in ways we never anticipated when we set out to stage every one of Shakespeare’s plays, sonnets and long poems between April 2006 and April 2007.
    [Show full text]
  • 1 2 June 2016 an Unrivalled Season This Summer and Autumn at The
    2 June 2016 An unrivalled season this summer and autumn at the National Theatre Amadeus by Peter Shaffer with Lucian Msamati as Salieri The Red Barn, a new play by David Hare Stuff Happens, a rehearsed reading of David Hare's landmark play, staged to coincide with the publication of the Chilcot report Peter Pan, a Bristol Old Vic co-production directed by Sally Cookson with Sophie Thompson as Captain Hook/Mrs Darling and Paul Hilton as Peter Our Ladies of Perpetual Succour, a National Theatre of Scotland and Live Theatre co-production A Pacifist’s Guide to the War on Cancer, a Complicite Associates co-production with the National Theatre, in association with HOME Manchester River Stage, the National Theatre’s outdoor arts and music festival, returns to present a host of free weekend entertainment from 29 July to 29 August. The festival hosts takeover weekends from Latitude Festival, Rambert Dance Company, Bristol’s Mayfest, East London’s The Glory and the NT. Each weekend will stage the very best in live music, dance, performance, DJs and family workshops Connections 21, celebrating 21 years of the world’s largest youth arts festival. This autumn, Peter Shaffer’s classic play Amadeus makes a long-awaited return to the National after 37 years. Wolfgang Amadeus Mozart is a rowdy young prodigy who arrives in Vienna determined to make a splash. Awestruck by his genius, Court Composer Antonio Salieri has the power to promote his talent or destroy it. Seized by obsessive jealousy he begins a war with Mozart, with music and, ultimately, with God.
    [Show full text]
  • Dossier 40 Anys Sitges Festival Internacional De
    2 INDEX / ÍNDICE/ SUMMARY I Edició, 1968 ..................................................... p. 3 II Edició, 1969 ..................................................... p. 4 III Edició, 1970 ..................................................... p. 5 IV Edició, 1971 ..................................................... p. 6 V Edició, 1972 ..................................................... p. 8 VI Edició, 1973 ..................................................... p. 10 VII Edició, 1974 ..................................................... p. 12 VIII Edició, 1975 ..................................................... p. 14 IX Edició, 1976 ..................................................... p. 16 X Edició, 1977 ..................................................... p. 18 XI Edició, 1978 ..................................................... p. 20 XII Edició, 1979 ..................................................... p. 22 XIII Edició, 1980 ..................................................... p. 24 XIV Edició, 1981 .................................................... p. 26 XV Edició, 1982 .................................................... p. 28 XVI Edició, 1983 .................................................... p. 30 XVII Edició, 1984 .................................................... p. 32 XVIII Edició, 1985 .................................................... p. 34 XIX Edició, 1986 ................................................... p. 36 XX Edició, 1987 .................................................... p. 38 XXI Edició, 1988
    [Show full text]