1 Svan Funeral Dirges (Zär): Cultural Context Nana Mzhavanadze,
[email protected], Universität Potsdam Frank Scherbaum,
[email protected], Universität Potsdam Preface The scene takes place in the village of Lat’li (in Georgian Lat’ali, see Figure 1), in Upper Svaneti. It is the funeral of Pridon, the venerable and revered village doctor who has faithfully served his community over decades. Flanked by a group of villagers, Sima Chamgeliān, an elderly village woman approaches the body of Pridon, laid out in the centre of the room, to pay him her last respects and weep over the deceased. Quietly at first, but gradually growing more dramatic and louder in its intensity, her voice manifests intense vocalisations, with increased weeping and sobbing. Each phrase of her agonised litany ends with a refrain exclamation „way Pridon!“ (woy Pridon!), which is followed, in its turn, by the other women mourners with loud utterance type sobbing. Now, in a recitation, Sima praises the good deeds and grace of the deceased, beseeching Pridon to take good care, in the afterlife, of her relatives and other villagers who have also passed away, and requests him to let his fellow deceased know how difficult life has become, here, on the earth without their presence. Directly after her tribute ends, a procession of men enters the room, led by an elder male. In similar form, the old man also weeps over the corpse, lamenting the sorrow and loss of the villagers, using powerful vocabulary and emotions. From time to time he strikes his forehead evoking a response from the attendees of varied utterances and sobbing.