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FRETWORK Música Antigua (Reino Unido) Foto: Chris Dawes • Código PUPEP: BUQ104

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FRETWORK Música Antigua (Reino Unido) Foto: Chris Dawes • Código PUPEP: BUQ104 FRETWORK música antigua (Reino Unido) Foto: Chris Dawes • Código PUPEP: BUQ104 Miércoles 19 de octubre de 2016 • 7:30 p.m. Bogotá, Sala de Conciertos Biblioteca Luis Ángel Arango MÚSICA ANTIGUA PARA NUESTRO TIEMPO Temporada Nacional de Conciertos Banco de la República • 2016 TOME NOTA SERVICIO DE PARQUEADERO EN BOGOTÁ P El servicio de parqueadero tiene un costo de $3.300 pesos y cubre 4 horas. El pago se debe realizar previo al ingreso. Los conciertos iniciarán exactamente a la hora indicada en los avisos de prensa y en el programa de mano. Llegar con media hora de antelación le permitirá ingresar al concierto con tranquilidad y disfrutarlo en su totalidad. Si al momento de llegar al concierto éste ya ha iniciado, el personal del auditorio le indicará el momento adecuado para ingresar a la sala de acuerdo con las recomendaciones dadas por los artistas que están en escena. Agradecemos se abstenga de consumir comidas y bebidas, o fumar durante el concierto, con el fin de garantizar un ambiente adecuado tanto para el público como para los artistas. Durante el transcurso del concierto por favor mantenga apagados sus equipos electrónicos, incluyendo teléfonos celulares, buscapersonas y alarmas de reloj. Esto ayuda a crear un ambiente propicio para disfrutar la música. Por respeto a los derechos de autor de los compositores e intérpretes, no está permitido realizar grabaciones de audio o video ni tomar fotografías durante el concierto. SÍGANOS EN Sala de Conciertos @ConciertosBR Banco de la República Luis Ángel Arango Banrepcultural Banrepcultural FRETWORK Asako Morikawa, Richard Boothby, Reiko Ichise, Emily Ashton y Sam Stadlen, violas da gamba. Foto: Chris Dawes Este año Fretwork celebrará 30 años de estar interpretando música, tanto antigua como contemporánea, y seguirá haciéndolo en su brillante carrera como el principal consort de violas da gamba del mundo. En el curso de las últimas tres décadas se han dedicado a explorar el repertorio de la gran música inglesa para consort, desde Taverner hasta Purcell, y sus grabaciones clásicas se han convertido en un punto de referencia para otras agrupaciones. Su serie de álbumes para Virgin Classics incluye discos dedicados a William Lawes, Henry Purcell, William Byrd, Matthew Locke, John Dowland y Orlando Gibbons, mientras que su obra más reciente para Harmonia Mundi USA incluye dos discos de J. S. Bach —El arte de la fuga y Alio modo— recibidos con gran entusiasmo por la crítica. También han grabado discos de música instrumental más temprana (Petrucci), The Hidden Face de Sir John Tavener, Thomas Tomkins, Alexander Agricola y Fabrice Fitch, Ludwig Senfl con Charles Daniels y dos colaboraciones con el coro de Magdalen College de Oxford. Sus grabaciones de canciones de concierto de William Byrd con Emma Kirkby son especialmente dignas de encomio. 1 Además, se han dado a conocer como los pioneros en la interpretación de la música contemporánea para violas da gamba, con más de 40 nuevas obras especialmente escritas para ellos por los más destacados compositores de nuestro tiempo: George Benjamin, Michael Nyman, Sir John Tavener, Gavin Bryars, Elvis Costello, Alexander Goehr, John Woolrich, Orlando Gough, Fabrice Fitch, Peter Sculthorpe, Sally Beamish, Tan Dun, Barry Guy, Andrew Keeling, Thea Musgrave, Simon Bainbridge, Poul Ruders, John Joubert y Duncan Druce. A menudo presentan programas exclusivamente de música contemporánea, aunque la mayoría de los públicos consideran que la tensión creativa que se alcanza a través de la combinación de lo antiguo con lo nuevo constituye una experiencia apasionante. Fretwork tiene particular interés por la obra de J. S. Bach. Inicialmente el grupo interpretó y grabó El arte de la fuga, trabajo por el que recibió excelentes críticas. Su arreglo de las Variaciones Goldberg fue lanzado en noviembre de 2011. Recientemente ha hecho arreglos de varias de sus obras para teclado, incluyendo El clave bien temperado y el Clavierübung, recientemente lanzado con el sello HMU y titulado Alio modo. En 2001 crearon algo completamente nuevo para el repertorio del consort: Con la ayuda de la Red de Música Contemporánea idearon una presentación en la que participaron dos bailarines, el coreógrafo Ian Spink, Michael Chance en las luces y la música de Gibbons, Dun, Gough, Nyman, Woolrich y Keeling. La gira de este extraordinario evento por las catedrales de Inglaterra fue unánimemente aclamada. En 2007 viajaron dos veces a Rusia, a España, a Francia y a Irlanda, y participaron en el Festival Internacional de Edimburgo y en los Festivales de Lufthansa, Spitalfields y Aldeburgh. También se presentaron en el Festival de Evensong en seis universidades de Cambridge —King’s, Trinity, John’s, Gonville y Caius y Sidney Sussex— como parte de una residencia en Sidney Sussex College, en donde impartieron clases y grabaron un álbum de Tomkins. Otra grabación de Gibbons, Tomkins y Weelkes con el Coro de King’s College, dirigida por Stephen Cleobury, apareció recientemente en EMI. En 2008 grabaron dos pistas para el último álbum de Ryuichi Sakamoto, Out of Noise. Sakamoto escribió poemas para acompañar las pistas del álbum, uno de los cuales es: 2 I listened to Fretwork’s In Nomine Escuché In Nomine de Fretwork – – 16th century English Music for música inglesa del siglo XVI para consort of viols and Second Service consort de violas, y el Segundo & Consort Anthems. servicio y los himnos para consort. Everyday, when I walk, before I sleep, Todos los días, cuando camino, I listen to music. antes de ir a dormir, escucho música. Recently, I have been listening to Recientemente he estado Gustav Leonhardt and Fretwork. escuchando a Gustav Leonhardt y a Fretwork. Although sometimes I do like to Aunque a veces me gusta escuchar shuffle my library. mi biblioteca en modo aleatorio. En la actualidad, Fretwork realiza frecuentes giras por los Estados Unidos y Canadá y ha recibido especial reconocimiento por su programa de música judía para violas da gamba, Birds on Fire. En enero de 2009 actuó en California y Texas con Clare Wilkinson para celebrar el 350 aniversario del nacimiento de Purcell. Su grabación de Birds on Fire fue la elegida como Selección del Editor de la Revista Gramophone y Julie-Anne Sadie comentó: «Esta es una música exigente, maravillosamente excéntrica, que toma su inspiración del klezmer de la tradición Ashkenazi (más como música de cabaret que de cámara), la cual Fretwork logra interpretar con un estilo que sorprende y a la vez deleita.» En 2010 organizaron una serie de conciertos de una semana en Kings Place, la nueva y dinámica sala de conciertos de Londres. La culminación de esta semana, en donde se vieron presentaciones con Emma Kirkby, Michael Chance y Clare Wilkinson, fue el estreno del último encargo de Fretwork, The World Encompassed de Orlando Gough, una obra de 70 minutos en donde se describe la circunnavegación del mundo por Francis Drake en 1577-1580. Drake llevó consigo a cuatro intérpretes de viola da gamba para acompañarlo en su recorrido y la pieza de Gough incorpora música original del siglo XVI dentro de la estructura de esta nueva obra. En noviembre de 2010 llevaron la obra a Estados Unidos en una gira de diez conciertos. En febrero de 2011 el Early Music Show de Radio 3 de la BBC le dedicó todo un fin de semana a Fretwork, en el que entrevistaron a su miembro fundador, Richard Boothby, y presentaron varias pistas de sus numerosas grabaciones. Además, transmitieron una versión de The World Encompassed, grabada durante 3 el Festival de Música Antigua de York, acompañada de una entrevista al compositor, Orlando Gough. En 2011, el Centro Nacional de Música Antigua (NCEM por sus siglas en inglés), en colaboración con la BBC, llevó a cabo un concurso para jóvenes compositores que consistía en escribir una pieza de cuatro minutos para Fretwork. En octubre, el grupo interpretó las piezas con los compositores en el NCEM en York y las ganadoras se estrenaron en Kings Place en diciembre de 2011. En febrero de 2012 se presentaron por primera vez en Carnegie Hall y en octubre del mismo año, en el Wigmore Hall, estrenaron My Days para el Ensamble Hilliard y Fretwork, obra compuesta por uno de los jóvenes compositores más prometedores de nuestro tiempo, Nico Muhly. En 2013, el año más activo de la década, presentaron más de diez conciertos en las salas de concierto más importantes de Londres: Wigmore Hall, Kings Place, Cadogan Hall y en el Royal College of Music. También celebraron el aniversario 450 del nacimiento de John Dowland con varias presentaciones de sus Lachrimæ, con la ilustre laudista Elizabeth Kenny. En noviembre hicieron una larga gira por Estados Unidos, que los llevó desde Texas hasta Mississippi, desde el Medio oeste hasta Nueva York y desde San Diego a Columbia Británica. De hecho, su homenaje a Dowland fue tan extraordinario que continuó en 2014 y le dedicaron dos meses de conciertos a su música instrumental y a sus canciones, con uno de los más reconocidos cantantes de hoy, Ian Bostridge. Visitaron Carnegie Hall nuevamente en 2015 y presentaron la versión modificada deThe World Encompassed, la cual incluye una narración hablada tomada de informes contemporáneos, interpretada también por el reconocido actor Simon Callow en Dartington International Summer School. En junio se celebraron 30 años de la fundación de Fretwork con una noche de gala en Kings Place. Luego volvieron a su acostumbrada rutina en los estudios de grabación y ahora están preparando el lanzamiento de cuatro nuevos álbumes. Visitarán Estados Unidos nuevamente, en la que será su más larga gira hasta el momento. 4 PROGRAMA In Nomine In Nomine JOHN TAVERNER (1490-1545) Crye CHRISTOPHER TYE (c. 1505-1572) Trust In Nomine ROBERT PARSONS (c. 1535-1572) Ut re mi fa sol la De la Court Browning WILLIAM BYRD (1543-1623) In Nomine In Nomine PICFORTH (c.
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