Israel in Egypt George Frideric Handel
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Dame Emma Kirkby Soprano
Dame Emma Kirkby Soprano Originally, Emma Kirkby had no In 2009 BIS issued a compilation entitled expectations of becoming a professional "The Artistry of Emma Kirkby", drawing on singer. As a classics student at Oxford and nine CDs in all. then a schoolteacher she sang for pleasure in choirs and small groups, In 1999 Emma was voted Artist of the Year always feeling most at home in by Classic FM Radio listeners; in 2000 she Renaissance and Baroque repertoire. She received the Order of the British Empire, joined the Taverner Choir in 1971 and in and 2007 saw her appointed a Dame 1973 began her long association with the Commander of the Order of the British Consort of Musicke. Emma took part in the Empire. She was delighted in June 2008 to early Decca Florilegium recordings with return to her alma mater, Oxford both the Consort of Musicke and the University, and receive an Honorary Academy of Ancient Music, at a time when Doctorate of Music. Most surprisingly of most college-trained sopranos were not all, BBC Music Magazine, April 2007, in a seeking a sound appropriate for early survey of critics to find “The twenty instruments. She therefore had to find her greatest sopranos”, placed Emma at own approach, with enormous help from number 10. While such media flurries Jessica Cash in London, and from the can be discounted as parochial, partial, directors, fellow singers and controversial, and outdated as soon as instrumentalists with whom she has they appear, she was pleased at the worked over the years. recognition this implied for an approach to singing where ensemble, clarity and Emma feels privileged to have been able to stillness are valued alongside the more build further long-term relationships with usual features of volume and display. -
EARLY MUSIC NOW with SARA SCHNEIDER Broadcast Schedule — Winter 2019
EARLY MUSIC NOW WITH SARA SCHNEIDER Broadcast Schedule — Winter 2019 PROGRAM #: EMN 18-27 RELEASE: December 24, 2018 Gaudete! Music for Christmas This week's program features Christmas music from several centuries to help get you in the holiday spirit, with hymns and carols by Michael Praetorius and Johannes Brassart, a Christmas concerto by Francesco Manfredini, and a traditional German carol sung by Emma Kirkby. Other performers include La Morra and the Gabrieli Consort and Players. PROGRAM #: EMN 18-28 RELEASE: December 31, 2018 To Drive the Cold Winter Away This week, Early Music Now presents songs to usher out the old year, and welcome the new; plus ditties and dances to bring some cheer to the cold winter days! Our performers include Pomerium, Ensemble Gilles Binchois, and The Dufay Collective. PROGRAM #: EMN 18-29 RELEASE: January 7, 2019 La Serenissima The 16th century Venetian School influenced composers all over Europe- from the polychoral masterpieces of Gabrieli to the innovative keyboard music of Merulo. We'll also hear selections from the Odhecaton: the earliest music collection printed using movable type, published by Petrucci in Venice in 1501. PROGRAM #: EMN 18-30 RELEASE: January 14, 2019 Music at the court of Emperor Maximilian I Maximilian I of Austria employed some of the finest artists and musicians of his time to glorify his reign and create a permanent legacy. He was known for wanting music in his environment constantly, even when he was alone. We'll hear from the composers who served him, like Isaac and Senfl, plus some of the music that shaped his young adulthood at the Burgundian court. -
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557249bk Buxtehude US 7/10/05 5:16 pm Page 8 Dietrich Buxtehude (c.1637–1707): Complete Chamber Music • 2 Seven Trio Sonatas, Op. 2 BUXTEHUDE Sonata No. 1 in B flat major, 8:33 Sonata No. 5 in A major, 9:15 BuxWV 259 BuxWV 263 Seven Trio Sonatas, Op. 2 1 Allegro 1:23 ^ Allegro 1:01 2 Adagio – Allegro 2:23 & Violino solo – Concitato 3:19 John Holloway, Violin 3 Grave 1:34 * Adagio: Viola da gamba solo 1:21 4 Vivace – Lento 1:14 ( Allegro – Adagio 1:19 Jaap ter Linden, Viola da gamba 5 Poco adagio – Presto 1:59 ) 6/4 – Poco presto 2:14 Lars Ulrik Mortensen, Harpsichord Sonata No. 2 in D major, 9:06 Sonata No. 6 in E major, 8:37 BuxWV 260 BuxWV 264 6 Adagio – Allegro – Largo 3:13 ¡ Grave – Vivace 3:23 7 Ariette, Parte I–X 3:40 ™ Adagio – Poco presto – Lento 3:39 8 Largo – Vivace 2:14 £ Allegro 1:34 Sonata No. 3 in G minor, 10:54 Sonata No. 7 in F major, 8:15 BuxWV 261 BuxWV 265 9 Vivace – Lento 3:07 ¢ Adagio – 4/4 3:02 0 Allegro – Lento 1:25 ∞ Lento – Vivace 2:20 ! Andante 3:16 § Largo – Allegro 2:53 @ Grave – Gigue 3:06 This recording has been based on the following editions: Dieterich Buxtehude: VII. Suonate à doi, Sonata No. 4 in C minor, 8:32 Violino & Violadagamba, con Cembalo, Opus. 1, BuxWV 262 Hamburg [1694] – Opus 2, Hamburg 1696. Facsimile # Poco adagio 1:45 edition, vol. 1-2, with an introduction by Kerala J $ Allegro – Lento 2:03 Snyder. -
Rebecca Kellerman Petretta, Soprano Charles Humphries, Counter-Tenor
THE TUESDAY CONCERT SERIES THE CHURCH OF THE EPIPHANY Since Epiphany was founded in 1842, music has played a vital at Metro Center role in the life of the parish. Today, Epiphany has two fine musical instruments which are frequently used in programs and worship. The Steinway D concert grand piano was a gift to the church in 1984, in memory of parishioner and vestry member Paul Shinkman. The 64-rank, 3,467-pipe Æolian- Skinner pipe organ was installed in 1968 and has recently been restored by the Di Gennaro-Hart Co. It was originally given in memory of Adolf Torovsky, Epiphany’s organist and choirmaster for nearly fifty years. HOW YOU CAN HELP SUPPORT THE SERIES 1317 G Street NW Washington, DC 20005 www.epiphanydc.org The Tuesday Concert Series reaches out to the entire [email protected] metropolitan Washington community. Most of today’s free- Tel: 202-347-2635 will offering goes directly to WBC but a small portion helps to defray the cost of administration, advertising, instrument upkeep and the securing of outstanding performers for this concert series. We ask you to consider a minimum of $10. UESDAY ONCERT ERIES However, please do consider being a Sponsor of the Tuesday T C S Concert Series at a giving level that is comfortable for you. 2013 Our series is dependent on your generosity. For more information about supporting or underwriting a complete concert, please contact the Rev. Randolph Charles at 202- 347-2635 ext. 12 or [email protected]. To receive a 15 APRIL 2014 weekly email of the upcoming concert program, email Rev. -
BOOKLET CCS SA SEL 3705 21-11-2017 13:26 Pagina 1
BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 1 CHANNEL CLASSICS CCS SA SEL 6717 SUPER ARTISTS IN SUPER AUDIO 15 tracks 69 minutes 32 composers 11 channel classics artists BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 2 BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 3 CCS SA 33412 Allegro from Concerto No.1 - A. Vivaldi 1 Holland Baroque Rachel Podger, violin ‘La Cetra’ A. Vivaldi 12 Violin Concertos, opus 9 on historical instruments SA-CD.net 5 stars: ... a triumphant return to Vivaldi ... Classics Today 5 stars: ... a search for the best recording of a given set of Vivaldi violin concertos gets easier with every new release from Rachel Podger ... Podger is a dynamic and unfailingly accurate virtuoso with exceptional interpretive instincts ... WQXR: Album of the Week: ... it's well tuned, and supported by a richly varied continuo of archlute, theorbo, gui - tar, organ and harpsichord ... Stereophile 5 stars: ... Podger and her Dutch band seek out the peculiari - ties, the differences and surprises ... the fast movements are joyful, almost dancelike, and the slow move - ments are embellished in ways that can be practically bluesy … the recording is spectacular … these per - formances are beauties, every one ... 3 BOOKLET_sampler 9:BOOKLET_CCS SA SEL 3705 21-11-2017 13:26 Pagina 4 CCS SA 32713 Götterdämmerung - Siegfried's Funeral March - R.Wagner 2 Budapest Festival Orchestra Iván Fischer, conductor Petra Lang, soprano R. Wagner Götterdämmerung Die Meistersinger von Nürnberg Excerpts Siegfried – Idyll BBC Music Magazine 5 stars: ... Fischer’s Meistersinger is quite sprightly yet poised, with an attractively underlying warmth, and his Siegfried-Idyll has chamber-like translucency .. -
Rubén Dubrovsky Conductor
Rubén Dubrovsky Conductor CV CV PARNASSUS ARTS PRODUCTIONS Rubén Dubrovsky Conductor During the 2009/10 season Rubén Dubrovsky colourfulness, vitality, vibrating temperament was in charge of the new production of Giulio and a flexibility in sound with the applied Cesare at Theater Kiel, and Tamerlano at the knowledge of historical performance practice. opera Bonn, among others. In the following Subsequently, Dubrovsky gave his debut season 2010/11, the young conductor made his on one of Spain’s most renowned opera debut with a new production of Monteverdi’s houses: the Palau de les Arts Valencia made L’Inconorazione di Poppea at the Semperoper him musical director of Martin y Solers’ Dresden and was invited once again to Theater opera Arbore di Diana. In addition to his Kiel for the production of Rinaldo. engagements at different opera houses, he is In 2008, the Argentine Rubén Dubrovsky regularly on stage with his ensemble, the Bach made his impressive debut as conductor in Consort Wien, at the Musikverein Vienna. a new production of Vivaldi’s Orlando Furioso In October 2008, he performed together with at Opera Bonn. That is how, on the spur of mezzosoprano Bernarda Fink a program of the moment, he proved himself as one of the Lamento settings by Monteverdi, Purcell and most exciting new conductors in the baroque/ Buxtehude. In May 2009, Rubén Dubrovsky classical sector. His interpretation combines performed Cantatae by Georg Friedrich Haendel together with soprano Veronica Cangemi. Already in November 2008, Rubén Dubrovsky organized the first Viennese Countertenor Festival. The young conductor is also the founder of the Bach Consort Vienna, which soon became one of Austria’s leading baroque ensembles. -
CHAN 0723 Booklet.Qxd 13/12/07 18:40 Page 2
CHAN 0723 Front.qxd 13/12/07 18:36 Page 1 BUXTEHUDE SACRED CANTATAS Vol. 2 EMMA KIRKBY • MICHAEL CHANCE • CHARLES DANIELS • PETER HARVEY THE PURCELL QUARTET CHAN 0723 CHANDOS early music CHAN 0723 Booklet.qxd 13/12/07 18:40 Page 2 Dietrich Buxtehude (c. 1637–1707) Sacred Cantatas, Volume 2 1 Das neugebor’ne Kindelein, BuxWV 13 6:45 for soprano, alto, tenor, bass, three violins, violone and basso continuo AKG Images 2 Quemadmodum desiderat cervus, BuxWV 92 7:44 Chiaccona à 3 for tenor, two violins and basso continuo Nichts soll uns scheiden von der Liebe Gottes, BuxWV 77 10:22 for soprano, alto, bass, two violins, violone and basso continuo 3 Nichts soll uns scheiden von der Liebe Gottes 2:34 4 Wie sollte wohl heißen das zeitliche Leiden 1:54 5 Auch ist kein erschaffnes Vermögen zu nennen 2:00 6 Denn Gott hat die Liebe so hoch ja getrieben 3:52 Dixit Dominus Domino meo, BuxWV 17 10:03 for soprano, two violins, two violas, violone and basso continuo 7 Sonata 0:44 8 Dixit Dominus Domino meo 2:43 9 Juravit Dominus 0:52 Dietrich Buxtehude, with sheet of music, in an allegorical painting by Johann (Johannes) 10 Dominus a dextris tuis confregit in die irae suae reges 1:30 Voorhout (1647–1723) called Musizierende Gesellschaft, or Häusliche Musikszene (1674), 11 …conquassabit capita in terra multorum 1:22 also showing Johann Adam Rincken, at the keyboard 12 Gloria patri et filio et spiritui sancto 2:48 3 CHAN 0723 Booklet.qxd 13/12/07 18:40 Page 4 An filius non est Dei, BuxWV 6 12:09 29 Jesu dulcis memoria, BuxWV 57 7:20 for alto, tenor, bass, -
The “Sublime Singing” (Gramophone, 2017) of Soprano Miriam Allan
The “sublime singing” (Gramophone, 2017) of Soprano Miriam Allan has been enjoyed across the world, from her native Australia, through Japan and Singapore, as well as at festivals throughout Europe and North America. During the 2019-20 season she will perform with David Bates’ La Nuova Musica at London’s Wigmore Hall & St John’s Smith Square, reunite with Dunedin Consort for Bach’s St Matthew Passion and sing Monteverdi Vespers and Mozart’s Mass in C Minor at Cadogan Hall. 2019 has, thus far, seen her return to Australia as artist in residence at the Newcastle Music Festival, sing Iphis (Jeptha, Handel) at Trigonale Festival, perform as Emma Kirkby’s guest during the latter’s 70th birthday recital at the Wigmore Hall, and sing Handel & Corelli motets with Les Arts Florissants prior to continuing their cycle of Gesualdo Madrigals. Of her performance as Josabeth (Athalia, Handel, Pinchgut Opera) the Sydney Morning Herald said “Miriam Allan … sang with ravishing sound, limpid elegance and precision, decorating lines with stylish ornamental arabesque.” Other recent performances have seen her debut with Sir Roger Norrington and the London Philharmonic Orchestra (2nd woman, Dido and Aeneas, Purcell) as well as Bach St Matthew Passion at Wigmore Hall with Dunedin Consort and John Butt and her debut with Portland Baroque, performing Messiah. A performance of this same work was “the vocal magic of the night…she took the audience’s breath away.” (Sydney Morning Herald, 2017) Other recent highlights have included Bach cantatas at the BBC Proms, a recital of Dowland lute songs within the enclaves of Windsor Castle and performances with the Queensland Orchestra and Erin Helyard. -
Music Week March 30 1985 the Greatnames Are On
MUSIC WEEK MARCH 30 1985 DIGITAL AUDIO THE GREATNAMES Nicolas Soames looks at the latest classical CD releases ARE ON COMPACT DISCS Compact classics FROMd™] NEW RELEASES INCLUDE ANDREW LLOYD WEBBER Requiem gather momentum PLACIDO DOMINGO, SARAH BRIGHTMAN PAUL MILES-KINGSTON, Winchester Cathedral Choir AFTER CONSIDERABLE diffi- and orchestra called Yesterday, during April and May, with some English Chamber Orchestra/LORIN MAAZEL culties in finding a manu- from Bach to the Beatles (610 157). of its finest recordings, including CDC 7471462 facturer with space on the The Melodiya JVC range has digitally re-mastered analogue re- WAGNER The Hying Dutchman presses, Ted Perry's classic- some standard Russian fare, such cordings from the Harveys of Bris- as Tchaikovsky's Symphony No 6 tol English series, and such popu- Van Dam, Vejzovic, Moll, Hofmann, Borris, Moser al Hyperion label is finally produc- with the Moscow Radio Sym- lar issues as Scottish Overtures Chorus of the Vienna State Opera ing its first compact discs: the first played by the SNO under Gibson, Berlin Philharmonic Orchestra/HERBERT VON KARAJAN four titles are due out towards the phony Orchestra under Fedoseev end of April, and a further dozen (880 002) and Stravinsky's Rite of which includes Land of the Moun- CDS 7470548(3 discs) scheduled for the rest of 1985. Spring with the same artists (880 tain and the Flood, (CHAN 1032); VERDI La Traviata Not surprisingly, two of Hype- 003), but also volumes of piano Elgar's music for Violin and Piano Scotto, Kraus, Bruson, Ambrosian Opera Chorus rion's main-selling musicians fea- music played by Richter, including played by Nigel Kennedy and Pe- Philharmonia Orchestra/RICCARDO MUTI ture on the first titles, the early Schubert's Sonatas No 13 and 14 ter Pettinger (CHAN 8380) and, CDS 7470598 (3 discs) music soprano Emma Kirkby and (880 013), Schumann and from its brass band collection. -
Matthäus-Passion. Charles Daniels (Evangelist Und Tenor), Peter Harvey
Johann Sebastian Bach: Matthäus-Passion. Charles Daniels (Evangelist und Tenor), Peter Harvey (Jesusworte), Joanne Lunn (Sopran), Margot Oitzinger (Alt), Wolf Matthias Friedrich (Bass), Chor und Orchester der J.S. Bach-Stiftung, Leitung: Rudolf Lutz. JSB 3 CDs 7640151160111. Seit 2007 führt die schweizerische „J.S. Bach-Stiftung“ – so ihre eigene Schreibweise – monatlich ein Vokalwerk des Thomaskantors auf, und zwar mit großem Aufwand: Zunächst gibt es eine musikalisch-theologische Werkeinführung, die zwar Workshop genannt wird, aber eher ein Vortrag ist. Dann erklingt das jeweilige Stück zum ersten Mal an diesem Abend, worauf eine Betrachtung des barocken Kantatentextes aus heutiger Sicht durch eine Persönlichkeit aus Kultur, Wirtschaft oder Politik folgt. Abschließend wird das Stück ein zweites Mal gesungen und gespielt, damit man es nach der Reflexion anders wahrnehmen kann als zuvor. Dokumentiert wird das Ganze in mehrfacher Form: Einmal auf DVD mit allem Drum und Dran, aber nur einem Werk pro Veröffentlichung; oder auf CD mit mehreren Stücken, aber ohne Einführung und Reflexion. Die Reflexionen kann man wiederum als Buch oder als Download kaufen. Hierüber wie über weitere Details informiert die Website www.bachstiftung.ch. Die Produkte sind entweder direkt bei der Bach-Stiftung oder über den deutschen Versandhandel zu beziehen. Ein ebenso ehrgeiziges wie engagiertes Projekt, das sich über 25 Jahre erstrecken soll und mit der sprichwörtlichen schweizerischen Genauigkeit gestaltet wird. Die Sorgfalt im Detail ist schon beeindruckend, in spiel- und aufnahmetechnischer Hinsicht gibt es nicht das Geringste auszusetzen, die Redaktion der DVDs, CDs und Bücher ist hervorragend, nur die alberne Entscheidung der Werbeagentur, an prominenten Stellen (z. B. Überschriften oder Werktiteln) bewusst gegen die Regeln der Rechtschreibung zu verstoßen, um sich „grafisch vom traditionellen Bach-Markt abzuheben“ (wie es heißt), wirkt reichlich deplatziert. -
Matthew Brook & Peter Seymour
Matthew Brook & Peter Seymour Amore traditore Cantatas for bass and harpsichord St Lawrence Church 15 July 2021 1.00 pm _________________ Online Premiere 16 July 2021 1.00 pm Matthew Brook bass-baritone Peter Seymour harpsichord Cantata: ‘Amore traditore’, BWV 203 Johann Sebastian Bach (1685-1750) Ich habe genug; Schlummert ein, BWV 82 Bach Mädchen, die von harten Sinne, Bach from Kaffeekantate, BWV 211 Cantata: ‘Dalla guerra amorosa’, HWV 102a George Frideric Handel (1685–1759) Pur ritorna a rimirarvi from Agrippina Handel Komm, süsses Kreuz Bach from Matthäus Passion, BWV 244 Vieni, o cara Handel from Rinaldo Sull’arena di barbara scena Handel from Imeneo This programme is taken from the high Baroque of the eighteenth century in Italy and Germany. Handel, although born in Germany, assimilated the latest Italian fashions, especially of opera and the smaller-scale cantata, during his studies in Italy around 1707-09. Whilst Dalla guerra amorosa is only one of many in this form (a sequence alternating recitatives and (often da capo) arias), that by Bach, Amore traditore, is unique as a continuo cantata, written during his employment at Köthen. It may have been an exercise in setting an Italian text (along with BWV 209, Non sa che sia dolore, for soprano, flute and strings), and the text was copied from a setting by Fago which Bach found in the library at Köthen. Whilst Handel travelled to Rome and Venice to study Italian fashions and innovations, Bach experimented either by arranging existing Italian compositions (e.g. by Vivaldi and Albinoni) or with his own original compositions such as here. -
Claudio Monteverdi Vespro Della Beata Vergine Mp3, Flac, Wma
Claudio Monteverdi Vespro Della Beata Vergine mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Vespro Della Beata Vergine Country: UK Released: 1984 Style: Baroque, Religious MP3 version RAR size: 1723 mb FLAC version RAR size: 1994 mb WMA version RAR size: 1248 mb Rating: 4.1 Votes: 772 Other Formats: DMF MPC FLAC VOC AIFF MP1 TTA Tracklist Hide Credits Vespro Della Beata Vergine A1 Versiculus: Deus In Adiutorium 0:14 A2 Responsorium: Domine Ad Adiuvandum Me Festina 1:54 A3 Antiphona I: Assumpta Est Maria In Coelum 0:29 A4 Psalmus I: Dixit Dominus 8:07 A5 Concerto: Nigra Sum 3:45 A6 Antiphona II: Maria Virgo Assumpta Est 0:42 A7 Psalmus II: Laudate Pueri 6:04 B1 Concerto: Pulchra Es 3:38 B2 Antiphona III: In Odorem Unguentorum Tuorum Currimus 0:33 B3 Psalmus III: Laetatus Sum 6:54 Sonata A 2 Per Violine E Violone B4 4:21 Composed By – Giovanni Paolo Cima B5 Antiphona IV: Benedicta Filia Tua Domino 0:38 B6 Psalmus IV: Nisi Dominus 4:50 B7 Concerto: Audi Coelum 7:30 C1 Antiphona V: Pulchra Es Et Decora, Filia Hierusalem 0:39 C2 Psalmus V: Lauda Jerusalem 4:48 Sonata A 3 Per Violino, Cornetto E Violone C3 3:17 Composed By – Giovanni Paolo Cima C4 Capitulum: In Omnibus Rquiem Quaesivi 0:46 C5 Hymnus: Ave Maris Stella 8:08 C6 Versus Et Responsorium: Exaltata Est Sancta Dei Genitrix 0:33 C7 Antiphona VI: Hodie Maria Virgo Coelos Ascendit 0:33 D1 Magnificat 17:19 D2 Sonata Sopra Sancta Maria 6:24 D3 Oratio: Domninus Vobiscum 1:07 D4 Versus: Dominus Vobiscum / Benedicamus Domino 0:24 D5 Concerto 4:53 D6 Antiphona Beatae Mariae Virgins: Salve O Regina 5:14 D7 Versus Et Responsorium: Ora Pro Nobis 0:22 D8 Oratio: Dominus Vobiscum 1:01 D9 Conclusio: Divinum Auxilium Maneat Semper Nobiscum 0:19 Companies, etc.