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Trance As Artefact: De-Othering Transformative States with Reference to Examples from Contemporary Dance in Canada
Trance as Artefact: De-Othering transformative states with reference to examples from contemporary dance in Canada Submitted in fulfilment of the requirements of the Degree of Doctor of Philosophy Department of Dance Studies, University of Surrey August 1st, 2007 Bridget E. Cauthery © by Bridget E. Cauthery (2007) ABSTRACT Reflecting on his fieldwork among the Malagasy speakers of Mayotte in the Indian Ocean, Canadian anthropologist Michael Lambek questions why the West has a “blind spot” when it comes to the human activity of trance. Immersed in his subject’s trance practices, he questions why such a fundamental aspect of the Malagasy culture, and many other cultures he has studied around the world, is absent from his own. This research addresses the West’s preoccupation with trance in ethnographic research and simultaneous disinclination to attribute or situate trance within its own indigenous dance practices. From a Western perspective, the practice and application of research suggests a paradigm that locates trance according to an imperialist West/non-West agenda. If the accumulated knowledge and data about trance is a by-product of the colonialist project, then trance may be perceived as an attribute or characteristic of the Other. As a means of investigating this imbalance, I propose that trance could be reconceived as an attribute or characteristic of the Self, as exemplified by dancers engaged in Western dance practices within traditional anthropology’s “own backyard.” In doing so, I examine the degree to which trance can be a meaningful construct within the cultural analysis of contemporary dance creation and performance. Through case studies with four dancer/choreographers active in Canada, Margie Gillis, Zab Maboungou, Brian Webb and Vincent Sekwati Mantsoe, this research explores the cultural parameters and framing of transformative states in contemporary dance. -
The Subtle Energy Body : the Complete Guide / Maureen Lockhart
?30 >@-?70 090=2D -:/D This page intentionally left blank. ?30 >@-?70 090=2D -:/D K_\:fdgc\k\>l`[\ DXli\\eCfZb_Xik#G_%;% Inner Traditions Rochester, Vermont r Toronto, Canada Inner Traditions One Park Street Rochester, Vermont 05767 www.InnerTraditions.com Copyright © 2010 by Maureen Lockhart All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Lockhart, Maureen. The subtle energy body : the complete guide / Maureen Lockhart. p. cm. Includes bibliographical references and index. ebook ISBN 978-1-59477-654-0 print ISBN 978-1-59477-339-6 (pbk.) 1. Spirituality—Miscellanea. 2. Energy medicine. I. Title. BL624.L64 2010 128'.6—dc22 2010032075 Printed and bound in the United States by P. A. Hutchison 10 9 8 7 6 5 4 3 2 1 Text design and layout by Priscilla Baker This book was typeset in Garamond Premier Pro with Elegans Script and Agenda used as display typefaces Color plates 4, 11, 32, 33, and 35 and images on pages 21, 29, 43 (right-hand image), 48 (left- hand image), 77, 90, 93, 94, 107, 127, 166, 171, 195, 200, 201, 202, 208, 209, 215, 243, 273, 274, 290, 307, and 333 copyright ¢ by Eric Franklin To send correspondence to the author of this book, mail a first-class letter to the author c/o *OOFS5SBEJUJPOTr#FBS$PNQBOZ 0OF1BSL4USFFU 3PDIFTUFS 75 BOEXFXJMM forward the communication. -
Abstracts from the 16Th Annual Meeting of the International Association for Dance Medicine & Science
Abstracts Abstracts from the 16th Annual Meeting of the International Association for Dance Medicine & Science Thursday, 19 October, 2006 achieving optimal performance in dance, using specific assessment and therapeutic strategies. 1. The science of qualitative and quantitative research with Success in dance, particularly classical ballet, demands more dancers than talent, perseverance and a good body. It also depends on Lynda Mainwaring, PhD, CPsych., University of Toronto, Ontario, Canada; factors outside of one’s control, such as the arbitrary judgment of Steven Chatfield, PhD, Caroline Goodnight, BA, University of Oregon, others. Fortunately, dancers can reduce occupational stress by focus- Eugene, OR; Tom Welsh, PhD, Florida State University, Tallahassee, FL; irginia ing on their technical skills, emotional expression, interpretation Wilmerding, PhD, University of New Mexico, Albuquerque, NM, USA and creativity. In contrast, deficits in any of these areas can lead to Research informs dance medicine, science and practice by providing job related stress and a poor performance. understanding of a particular phenomenon brought into focus by a This presentation will demonstrate the practical application of particular question. Research questions asked by IADMS members are these principles associated with peak performance in a project with numerous and reach across varied interests, disciplines, and perspec- 24 senior students in a professional classical ballet school. During tives. Such diversity necessitates multiple approaches to the research Winter Term, 2006, these students were randomly divided into “in- process, which includes discipline-specific questions, cross-disciplinary tervention” and “control” groups. Each chose a personal performance questions, multidisciplinary and interdisciplinary foci, and diversity of goal, which was evaluated subjectively and objectively at baseline and method and methodology. -
Ebook Free Dynamic Alignment Through Imagery
Ebook Free Dynamic Alignment Through Imagery - 2nd Edition Dynamic Alignment Through Imagery, Second Edition, expands on the classic text and reference written by Eric Franklin, an internationally renowned teacher, dancer, and choreographer who has been sharing his imagery techniques for 25 years. In this new edition, Franklin shows you how to use imagery, touch, and movement exercises to improve your coordination and alignment. These exercises will also help you relieve tension, enhance the health of your spine and back, and prevent back injury. This expanded new edition includes • more than 600 imagery exercises along with nearly 500 illustrations to help you visualize the exercises and use them in various contexts; • audio files for dynamic imagery exercises set to music and posted online to the book’s product page; and • updated chapters throughout the book, including new material on integrated dynamic alignment exercises and dynamic alignment and imagery. This book will help you discover your natural flexibility and quickly increase your power to move. You’ll learn elements of body design. You’ll explore how to use imagery to improve your confidence, and you’ll discover imagery conditioning programs that will lead you toward better alignment, safer movement, increased fitness, and greater joy. Further, you’ll examine how to apply this understanding to your discipline or training to improve your performance. Dynamic Alignment Through Imagery, Second Edition, will help you experience the biomechanical and anatomical principles that are crucial to dancers, other performing artists, yoga and Pilates teachers and practitioners, and athletes.