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TM , acrylic on canvas, 1982. , acrylic on canvas, Tea Pot I Pot Tea HORST GOTTSCHALK, SUMMER EXHIBITIONS JUNE 27–SEPT. 20, 2015 Volume 24 JULY • AUGUST • SEPTEMBER 2015 Number 3 www.artaccess.com AA Inside Cover copy.pdf 1 6/15/2015 4:06:21 PM AA Inside Cover copy.pdf 1 6/15/2015 4:06:21 PM AA Inside Cover copy.pdf 1 6/15/2015 4:06:21 PM AA Inside Cover copy.pdf 1 6/15/2015 4:06:21 PM | G A L L E R Y S P A C E | | G A L L E R Y S P A C E | SEATTLE| G A L L E R Y SJULY P A 30C E THROUGH | SEATTLE JULY 30 THROUGH | G A L L E R Y S AUGUSTP A C E | 02, 2015 ART FAIR AUGUST 02, 2015 ARTSEATTLE FAIR JULY 30 THROUGH MARKO KRATOHVIL SEATTLE MARKOTHE JULYRULERSAUGUST [diptych 30] KRATOHVIL THROUGH 02, 2015 ART FAIR left: 67”h x 24”w x 22”d THE RULERS [diptych] right: 64”h x 24”w x 16”d left: 67”h x 24”wAUGUST x 22”d 02, 2015 ART FAIR rightMARKO: 64”h x 24”w x 16”d KRATOHVIL THE RULERS [diptych] left: 67”h x 24”w x 22”d MARKOright: 64”h x 24”w x 16”d KRATOHVIL C THE RULERS [diptych] left: 67”h x 24”w x 22”d C M right: 64”h x 24”w x 16”d M Y Y CM C CM MY M MY Y CYC CY CM CMYM CMY MY YK K CY CM CMY MY K CY CMY K WINTER DOORMANT 96”h x 72”w WINTER DOORMANT GUY ANSERSON96”h x 72”w WINTER DOORMANT GUY ANSERSON96”h x 72”w GUY ANSERSONWINTER DOORMANT 96”h x 72”w GUY ANSERSON LOCKING PIECE V 22.5”h x 24”w x 6”d + 2” base LOCKING PIECE V 22.5”h x 24”w x 6”d + 2” base JOSEPHLOCKING PIECE V MCDONNELL JOSEPH22.5”h x 24”w x 6”d + 2”MCDONNELL base 312 Occidental Ave South | Occidental Mall | JOSEPHSeattle, WA 98104 MCDONNELL USA | phone 206.938.4360 312 Occidental Ave South | Occidental Mall | Seattle,LOCKING WA PIECE 98104V USA | phone 206.938.4360 22.5”h x 24”w x 6”d + 2” base 312 Occidental Ave South | Occidental Mall |JOSEPH Seattle, WA 98104 MCDONNELL USA | phone 206.938.4360 312 Occidental Ave South | Occidental Mall | Seattle, WA 98104 USA | phone 206.938.4360 Untitled-3 1 6/12/15 6:06 PM THE MONTHLY GUIDE TO THE ARTS A R T A C C E S S CONTENTS V o l u m e 2 4 N u m b e r 3 FEATURES s A Classical Solution to the Transportation Question …Janet Norman Knox 6 What Should Art Criticism Do? Feature …Edie Everette 10 In Its Baffled Emptiness …Paul Hunter 12 VISUAL ART Portland, OR 13 Anacortes • Bainbridge Island, WA 13 Bellevue, WA 17 Bellingham, WA 18 Bremerton • Edison, WA 19 Edmonds • Everett, WA 20 Listings Friday Harbor, WA 21 Kingston • Kirkland, WA 22 David Eisenhour •”Jellyfish # 7” La Conner, • Mercer Island, WA 23 unique bronze casting, 16 x 7 x 7 inches Port Orchard, WA 24 photo by Ann Welch Port Townsend • Poulsbo, WA 25 Bainbridge Island Museum of Art Seattle, WA Bainbridge Island, WA • Ballard 27 • Belltown 28 “Where the material ends, art begins.” • Columbia City 28 ~ Etienne Hajdu • Downtown 29 (1907-1996) • First Hill 34 Hungarian-born French sculptor • Georgetown 34 • Pioneer Square 34 FRONT COVER: • Queen Anne 43 Horst Gottschalk • “Tea Pot 1” • SODO 43 acrylic on canvas, 1983 • South Lake Union 43 Bainbridge Island Museum of Art • University District 44 Bainbridge Island, WA • West Seattle 44 Tacoma, WA 45 Bainbridge Island Museum of Art Vashon Island, WA 46 Summer Exhibtions EVENT 47 Through September 20 CALL TO ARTISTS 47 Horst Gottschalk: Personal Myths MAPS Bainbridge Island, WA 16 Caroline Cooley Browne: Kirkland, WA 22 Goings and Comings Poulsbo 25 Seattle, WA: Maps David Eisenhour: SWARM • Belltown 28 • Downtown 30 Artist’s Books Chapter Five: • Pioneer Square 36 Women, Now and Then Tacoma, WA 45 BAINBRIDGE ISLAND MUSEUM OF ART P u b l i s h e r 550 Winslow Way East • Bainbridge Island, WA (206) 842-4451 • Mon-Sun: 10 A.M.-6 P.M. Debbi Lester Free admission • [email protected] Special Thanks w w w . biartmuseum.org Helen Johanson, Greg Miller, Karen Stanton, Gregory Hischak, Elizabeth Bryant, Reed Bargren, Art Access Alec Clayton, Deloris Tarzan Ament, Sean Carman, (888) 970-9991 Gwen Wilson, Cheryl H. Hahn, Ron Glowen, Susan Platt, Adriana Grant, Katie Kurtz, Molly Rhodes, Clare McLean, [email protected] David John Anderson, Milton Freewater, Molly Norris, Box 4163, Seattle, WA 98194 Rachella Anderson, Kathy Cain, Eleanor Pigman, Saylor Jones, Edie Everett,Christine Waresak, Oct/Nov/Dec info is due Sept 10 Tammy Spears, Shauna Fraizer, Meg McHutchison, Erica Applewhite, Chris Mitchell, No Exceptions! “Off with your head!” Ron Turner, Mitchell Weitzman, Kim Hendrickson, Listing in Art Access is a paid service. Steve Freeborn & Tia Matthies, Bill Frisell & Carole d’Inverno, The charge for 60 word listing per month is Seattle Art Museum, Tacoma Art Museum, Henry Art Gallery, Portland Art Museum, Schack Art Center, Frye Art Museum, $35 or $39 with map placement, if available. Bainbridge Island Museum of Art, Allied Arts of Whatcom, The Initial map placement fee is $28. Bellevue Arts Museum, Museum of Northwest Art, Doris Lester, Teresa Cassady (Happy Birthday!), Image(s) with the listing: $100 each. Limit 3. Joey Lester, Danny Lester, Debbie & Richard Vancil, Corbin, Madeline, Cayden Submission and payment are done online: & Ryan (Happy Birthday & Anniversary!) www.artaccess.com/submitprintad 4 www.artaccess.com © JULY • AUG • SEPT 2015 From the Reflections Series on display at Art Santa Fe July 9-12, 2015 “Imagining” by John Andro Avendaño For July and during the Seattle Art Fair, John Andro Avendaño exhibits at The Kitchen—Sous Sol Winery, 309 - 1st Avenue in Seattle, Washington www.JohnAndroAvendano.com Follow John Andro Avendaño on www.artaccess.com © JULY • AUG • SEPT 2015 5 A Classical Solution to the Transportation Question Ode to the Seattle Viaduct Poetry She’s lying on her side draped in Greek linen the color of concrete. She flanks the waterfront, tides lapping her toes. She lounges her cold stone stare— not grin, not grimace— the curve of cheekbone propped on elbow, no hint of heat welling from a pelvic floor—in fact, we’re pretty sure those pretty thighs are carved as one solid slab. We’re not clear what she desires, but we’ve got a hunch she’ll get anything she orders. She lunches on mussels dredged from pilings, steamed or bristling, canned in cars careening up and down her spine craving internal combustion engines to vibrate her cement skin exhaust dusting the spots where she shines—because horses once sweated, men once perspired to build this highway, so she might glow with such gravitas so elevated her position that she tests the very fate she seals as we dispense with all caution and come hither. Janet Norman Knox Janet Norman Knox is a poet/playwright/performance artist who bikes via the viaduct twice a day and shudders beneath its mass. Her play, “9 Gs and the Red Telephone,” is forthcoming in Feminist Studies, the first scholarly journal in women’s studies. Visit the online journal at www.feministstudies.org. 6 www.artaccess.com © JULY • AUG • SEPT 2015 www.artaccess.com © JULY • AUG • SEPT 2015 7 (L-R) artists Jane Hammond artist Carol Guthro with her sculpture artist Jen Erickson with her art artist Saya and Victoria Haven Traver Gallery • Seattle, WA Punch Gallery • Seattle, WA G . G i b s o n Greg Kucera Gallery • Seattle, WA artist Leslie Stoner stands with her artwork (C) artist Tracy Boyd with her beloved family artist Lori Swartz Abmeyer + Wood Fine Art • Seattle, WA ARTIFACT • Seattle, WA Gallery IMA artist James Bender with his sculpture artist Francesca Sundsten with her paintings artist Karen Klee- Carrie Goller Gallery • Poulsbo, WA Hall / Spassov Gallery • Seattle, WA Shift Gallery artist Nancy Coleman stands with her painting artist Kalindi Thompson with her paintings artist Annie Marie Gallery 110 • Seattle, WA Core Gallery • Seattle, WA Foster/White artist Kate Harkins with her painting artist Steve Jensen with his art (L-R), artists Kris Ekstrand Molesworth, artist Buster 8 Core Gallery • Seattle, WAwww.artaccess.comSteve Jensen Studios © JULYElizabeth • AUG Tapper, • SEPT and Brian2015 O’Neill Greg Kucera Seattle, WA Smith & Vallee Gallery • Edison, WA Seattle, Moriyasu with her art artist Redd Walitzki wears The star of “The Dark Horse” artist Keunae Song Gallery • Seattle, WA and stands with her artwork New Zealand actor Cliff Curtis with her glass artworks Abmeyer + Wood Fine Art • Seattle, WA Seattle International Film Festival Core Gallery • Seattle, WA with her painting artist Tony Angell stands next to his sculpture atist Ben Darby stands next to his artwork • Seattle, WA Foster/White Gallery • Seattle, WA Foster/White Gallery • Seattle, WA Atlin with her art (L-R) artist Jennifer Beedon Snow atist Helene Wilder stands next to her artwork • Seattle, WA with her daughter Roby King Galleries • Bainbridge Island, WA Linda Hodges Gallery • Seattle, WA with her child and artwork artist Alexandra Becker-Black with her art (L-R) Alex Munday, New York artist Jay West, Gallery • Seattle, WA Abmeyer + Wood Fine Art • Seattle, WA and Matthew McMurry Sticks & Stones Gallery • Seattle, WA Simpson (L-R) Artists Grace Weston artist Dustin Burge stands New York artist Jay West with his art Gallery www.artaccess.comand Pam Keeley © JULYwith his • paintingAUG • SEPTSticks 2015 & Stones Gallery • Seattle,9 WA WA Guest Shed Gallery •Seattle, WA Parklane Gallery • Kirkland, WA 10 www.artaccess.com © JULY • AUG • SEPT 2015 www.artaccess.com © JULY • AUG • SEPT 2015 11 In Its Baffled Emptiness Used to be what you’d see Poetry from back roads was random bits of whatall going on pig lot wood lot cattle grazing whitewashed fences hay barns corn cathedrals looping on and on but now an open swath of road ravels away in the moonlight slow curves mown through the land with ditches to gather the runoff country in its baffled emptiness lain open to invaders with tumbleweed piling high against barbed wire till one windblown survivor spills over Paul Hunter Paul Hunter is a Seattle poet and letterpress publisher who carves hardwood blocks to go with his lead type.
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    TM Kimberly Trowbridge: Into the Garden Now on display. Kimberly Trowbridge, Light in the Cedars (Annunciation), 2020. Oil on linen on panel, 48"h x 60"w. Courtesy of Linda Hodges Gallery. Volume 30 March • April 2021 Number 2 www.ArtAccess.com style, and time period. However, the One artist capturing the falling water artwork placement feels intuitive and with a camera and the other painting the the groupings of artworks bring many rush of movement with a brush. questions to mind. The inclusion of Around the corner from the Tobey Clayton James was an unexpected, but paintings are several prints. All are delightful, surprise; almost like seeing a excellent examples of a variety of long-time friend. James studied at printmaking methods, but guests may be the Rhode Island School of Design surprised to encounter a print by Käthe and was later relocated to a camp for Kollwitz. The artwork is from 1899 and conscientious objectors in Oregon during titled “Uprising (Aufruhr)”. The print World War II. Both James and his wife features a group of people marching in Barbara Straker James were friends with unison with a floating figure above them, Morris Graves and they spent many appearing to encourage them to keep years in La Conner, Washington. Three moving forward. The viewer can assume of Clayton’s landscape paintings are on that they are member of the working display. James stopped making sculpture Fay Jones • “Land of Lotus-Eaters,” 1993, etching, 31.5 x 43 inches class, a group that was often a subject for Gift of the Washington Art Consortium through gift and turned to painting, but thankfully the of Safeco Insurance, a member of the Liberty Mutual Group Kollwitz.