July/Aug/Sept 2015

Total Page:16

File Type:pdf, Size:1020Kb

July/Aug/Sept 2015 TM , acrylic on canvas, 1982. , acrylic on canvas, Tea Pot I Pot Tea HORST GOTTSCHALK, SUMMER EXHIBITIONS JUNE 27–SEPT. 20, 2015 Volume 24 JULY • AUGUST • SEPTEMBER 2015 Number 3 www.artaccess.com AA Inside Cover copy.pdf 1 6/15/2015 4:06:21 PM AA Inside Cover copy.pdf 1 6/15/2015 4:06:21 PM AA Inside Cover copy.pdf 1 6/15/2015 4:06:21 PM AA Inside Cover copy.pdf 1 6/15/2015 4:06:21 PM | G A L L E R Y S P A C E | | G A L L E R Y S P A C E | SEATTLE| G A L L E R Y SJULY P A 30C E THROUGH | SEATTLE JULY 30 THROUGH | G A L L E R Y S AUGUSTP A C E | 02, 2015 ART FAIR AUGUST 02, 2015 ARTSEATTLE FAIR JULY 30 THROUGH MARKO KRATOHVIL SEATTLE MARKOTHE JULYRULERSAUGUST [diptych 30] KRATOHVIL THROUGH 02, 2015 ART FAIR left: 67”h x 24”w x 22”d THE RULERS [diptych] right: 64”h x 24”w x 16”d left: 67”h x 24”wAUGUST x 22”d 02, 2015 ART FAIR rightMARKO: 64”h x 24”w x 16”d KRATOHVIL THE RULERS [diptych] left: 67”h x 24”w x 22”d MARKOright: 64”h x 24”w x 16”d KRATOHVIL C THE RULERS [diptych] left: 67”h x 24”w x 22”d C M right: 64”h x 24”w x 16”d M Y Y CM C CM MY M MY Y CYC CY CM CMYM CMY MY YK K CY CM CMY MY K CY CMY K WINTER DOORMANT 96”h x 72”w WINTER DOORMANT GUY ANSERSON96”h x 72”w WINTER DOORMANT GUY ANSERSON96”h x 72”w GUY ANSERSONWINTER DOORMANT 96”h x 72”w GUY ANSERSON LOCKING PIECE V 22.5”h x 24”w x 6”d + 2” base LOCKING PIECE V 22.5”h x 24”w x 6”d + 2” base JOSEPHLOCKING PIECE V MCDONNELL JOSEPH22.5”h x 24”w x 6”d + 2”MCDONNELL base 312 Occidental Ave South | Occidental Mall | JOSEPHSeattle, WA 98104 MCDONNELL USA | phone 206.938.4360 312 Occidental Ave South | Occidental Mall | Seattle,LOCKING WA PIECE 98104V USA | phone 206.938.4360 22.5”h x 24”w x 6”d + 2” base 312 Occidental Ave South | Occidental Mall |JOSEPH Seattle, WA 98104 MCDONNELL USA | phone 206.938.4360 312 Occidental Ave South | Occidental Mall | Seattle, WA 98104 USA | phone 206.938.4360 Untitled-3 1 6/12/15 6:06 PM THE MONTHLY GUIDE TO THE ARTS A R T A C C E S S CONTENTS V o l u m e 2 4 N u m b e r 3 FEATURES s A Classical Solution to the Transportation Question …Janet Norman Knox 6 What Should Art Criticism Do? Feature …Edie Everette 10 In Its Baffled Emptiness …Paul Hunter 12 VISUAL ART Portland, OR 13 Anacortes • Bainbridge Island, WA 13 Bellevue, WA 17 Bellingham, WA 18 Bremerton • Edison, WA 19 Edmonds • Everett, WA 20 Listings Friday Harbor, WA 21 Kingston • Kirkland, WA 22 David Eisenhour •”Jellyfish # 7” La Conner, • Mercer Island, WA 23 unique bronze casting, 16 x 7 x 7 inches Port Orchard, WA 24 photo by Ann Welch Port Townsend • Poulsbo, WA 25 Bainbridge Island Museum of Art Seattle, WA Bainbridge Island, WA • Ballard 27 • Belltown 28 “Where the material ends, art begins.” • Columbia City 28 ~ Etienne Hajdu • Downtown 29 (1907-1996) • First Hill 34 Hungarian-born French sculptor • Georgetown 34 • Pioneer Square 34 FRONT COVER: • Queen Anne 43 Horst Gottschalk • “Tea Pot 1” • SODO 43 acrylic on canvas, 1983 • South Lake Union 43 Bainbridge Island Museum of Art • University District 44 Bainbridge Island, WA • West Seattle 44 Tacoma, WA 45 Bainbridge Island Museum of Art Vashon Island, WA 46 Summer Exhibtions EVENT 47 Through September 20 CALL TO ARTISTS 47 Horst Gottschalk: Personal Myths MAPS Bainbridge Island, WA 16 Caroline Cooley Browne: Kirkland, WA 22 Goings and Comings Poulsbo 25 Seattle, WA: Maps David Eisenhour: SWARM • Belltown 28 • Downtown 30 Artist’s Books Chapter Five: • Pioneer Square 36 Women, Now and Then Tacoma, WA 45 BAINBRIDGE ISLAND MUSEUM OF ART P u b l i s h e r 550 Winslow Way East • Bainbridge Island, WA (206) 842-4451 • Mon-Sun: 10 A.M.-6 P.M. Debbi Lester Free admission • [email protected] Special Thanks w w w . biartmuseum.org Helen Johanson, Greg Miller, Karen Stanton, Gregory Hischak, Elizabeth Bryant, Reed Bargren, Art Access Alec Clayton, Deloris Tarzan Ament, Sean Carman, (888) 970-9991 Gwen Wilson, Cheryl H. Hahn, Ron Glowen, Susan Platt, Adriana Grant, Katie Kurtz, Molly Rhodes, Clare McLean, [email protected] David John Anderson, Milton Freewater, Molly Norris, Box 4163, Seattle, WA 98194 Rachella Anderson, Kathy Cain, Eleanor Pigman, Saylor Jones, Edie Everett,Christine Waresak, Oct/Nov/Dec info is due Sept 10 Tammy Spears, Shauna Fraizer, Meg McHutchison, Erica Applewhite, Chris Mitchell, No Exceptions! “Off with your head!” Ron Turner, Mitchell Weitzman, Kim Hendrickson, Listing in Art Access is a paid service. Steve Freeborn & Tia Matthies, Bill Frisell & Carole d’Inverno, The charge for 60 word listing per month is Seattle Art Museum, Tacoma Art Museum, Henry Art Gallery, Portland Art Museum, Schack Art Center, Frye Art Museum, $35 or $39 with map placement, if available. Bainbridge Island Museum of Art, Allied Arts of Whatcom, The Initial map placement fee is $28. Bellevue Arts Museum, Museum of Northwest Art, Doris Lester, Teresa Cassady (Happy Birthday!), Image(s) with the listing: $100 each. Limit 3. Joey Lester, Danny Lester, Debbie & Richard Vancil, Corbin, Madeline, Cayden Submission and payment are done online: & Ryan (Happy Birthday & Anniversary!) www.artaccess.com/submitprintad 4 www.artaccess.com © JULY • AUG • SEPT 2015 From the Reflections Series on display at Art Santa Fe July 9-12, 2015 “Imagining” by John Andro Avendaño For July and during the Seattle Art Fair, John Andro Avendaño exhibits at The Kitchen—Sous Sol Winery, 309 - 1st Avenue in Seattle, Washington www.JohnAndroAvendano.com Follow John Andro Avendaño on www.artaccess.com © JULY • AUG • SEPT 2015 5 A Classical Solution to the Transportation Question Ode to the Seattle Viaduct Poetry She’s lying on her side draped in Greek linen the color of concrete. She flanks the waterfront, tides lapping her toes. She lounges her cold stone stare— not grin, not grimace— the curve of cheekbone propped on elbow, no hint of heat welling from a pelvic floor—in fact, we’re pretty sure those pretty thighs are carved as one solid slab. We’re not clear what she desires, but we’ve got a hunch she’ll get anything she orders. She lunches on mussels dredged from pilings, steamed or bristling, canned in cars careening up and down her spine craving internal combustion engines to vibrate her cement skin exhaust dusting the spots where she shines—because horses once sweated, men once perspired to build this highway, so she might glow with such gravitas so elevated her position that she tests the very fate she seals as we dispense with all caution and come hither. Janet Norman Knox Janet Norman Knox is a poet/playwright/performance artist who bikes via the viaduct twice a day and shudders beneath its mass. Her play, “9 Gs and the Red Telephone,” is forthcoming in Feminist Studies, the first scholarly journal in women’s studies. Visit the online journal at www.feministstudies.org. 6 www.artaccess.com © JULY • AUG • SEPT 2015 www.artaccess.com © JULY • AUG • SEPT 2015 7 (L-R) artists Jane Hammond artist Carol Guthro with her sculpture artist Jen Erickson with her art artist Saya and Victoria Haven Traver Gallery • Seattle, WA Punch Gallery • Seattle, WA G . G i b s o n Greg Kucera Gallery • Seattle, WA artist Leslie Stoner stands with her artwork (C) artist Tracy Boyd with her beloved family artist Lori Swartz Abmeyer + Wood Fine Art • Seattle, WA ARTIFACT • Seattle, WA Gallery IMA artist James Bender with his sculpture artist Francesca Sundsten with her paintings artist Karen Klee- Carrie Goller Gallery • Poulsbo, WA Hall / Spassov Gallery • Seattle, WA Shift Gallery artist Nancy Coleman stands with her painting artist Kalindi Thompson with her paintings artist Annie Marie Gallery 110 • Seattle, WA Core Gallery • Seattle, WA Foster/White artist Kate Harkins with her painting artist Steve Jensen with his art (L-R), artists Kris Ekstrand Molesworth, artist Buster 8 Core Gallery • Seattle, WAwww.artaccess.comSteve Jensen Studios © JULYElizabeth • AUG Tapper, • SEPT and Brian2015 O’Neill Greg Kucera Seattle, WA Smith & Vallee Gallery • Edison, WA Seattle, Moriyasu with her art artist Redd Walitzki wears The star of “The Dark Horse” artist Keunae Song Gallery • Seattle, WA and stands with her artwork New Zealand actor Cliff Curtis with her glass artworks Abmeyer + Wood Fine Art • Seattle, WA Seattle International Film Festival Core Gallery • Seattle, WA with her painting artist Tony Angell stands next to his sculpture atist Ben Darby stands next to his artwork • Seattle, WA Foster/White Gallery • Seattle, WA Foster/White Gallery • Seattle, WA Atlin with her art (L-R) artist Jennifer Beedon Snow atist Helene Wilder stands next to her artwork • Seattle, WA with her daughter Roby King Galleries • Bainbridge Island, WA Linda Hodges Gallery • Seattle, WA with her child and artwork artist Alexandra Becker-Black with her art (L-R) Alex Munday, New York artist Jay West, Gallery • Seattle, WA Abmeyer + Wood Fine Art • Seattle, WA and Matthew McMurry Sticks & Stones Gallery • Seattle, WA Simpson (L-R) Artists Grace Weston artist Dustin Burge stands New York artist Jay West with his art Gallery www.artaccess.comand Pam Keeley © JULYwith his • paintingAUG • SEPTSticks 2015 & Stones Gallery • Seattle,9 WA WA Guest Shed Gallery •Seattle, WA Parklane Gallery • Kirkland, WA 10 www.artaccess.com © JULY • AUG • SEPT 2015 www.artaccess.com © JULY • AUG • SEPT 2015 11 In Its Baffled Emptiness Used to be what you’d see Poetry from back roads was random bits of whatall going on pig lot wood lot cattle grazing whitewashed fences hay barns corn cathedrals looping on and on but now an open swath of road ravels away in the moonlight slow curves mown through the land with ditches to gather the runoff country in its baffled emptiness lain open to invaders with tumbleweed piling high against barbed wire till one windblown survivor spills over Paul Hunter Paul Hunter is a Seattle poet and letterpress publisher who carves hardwood blocks to go with his lead type.
Recommended publications
  • Weaverswaver00stocrich.Pdf
    University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • Summer 2003 Mark Your Author Charles Calendar Johnson Will These Events Take Place in the Library Puppeteers Unless Otherwise Stated
    Nonprofit Org. U.S. Postage PAID Bainbridge Is, WA Permit No. 106 *ECRWSS* Postal Customer Bainbridge Island, WA 98110 Vol. 6, No. 1 Bainbridge Public Library, 1270 Madison Ave., Bainbridge Island, WA 98110 Summer 2003 Mark your Author Charles calendar Johnson will These events take place in the library Puppeteers unless otherwise stated. give talk on from Madrona School SATURDAY, JUNE 28 Rotary Auction and Rummage Sale at entertained youngsters Bainbridge at the library with a Woodward School, 8 a.m.-2 p.m. BY MARCIA RUDOFF WEDNESDAY, JULY 2 spring production of Library Book Group, Seabiscuit by Prince Narcissus and Celebrated Seattle author Charles Laura Hillenbrand, 7 p.m. Princess Potentilla led Johnson will appear on Bainbridge FRIDAY, JULY 4 by Mary Knighton and Sept. 12 thanks to a joint venture by Library Closed. March in noon parade with library float. Dana Ashton. Puppeteers the library’s affiliate Field’s End and (Gather at library at 11.) included (clockwise from Bainbridge Island Arts and Humanities. The event, set for 7:30 p.m. at the WEDNESDAY, JULY 9 top) Magdalena Garcia, Visually Impaired Persons support Jake Mallove, Tristan Performing Arts Playhouse, is the first of group, 1-3 p.m. Koch, and Tonada Koch. projected periodic lectures for the general Kids’ summer event: Reptile Man, public by prominent authors. Year-old Please turn to Pages 6-7 for 10:30 a.m. Field’s End is dedicated to building and SATURDAY, JULY 12 more young people’s news. supporting a writers’ community, and the Friends of the Library book sale, —Photo by Peggy Hughes lectures join the organization’s regular 10 a.m.-2 p.m.
    [Show full text]
  • The Wood Turning Center Is a Non-Profit Arts Institution Dedicated
    Chronological List of Exhibitions & Publications The Center for Art in Wood 141 N. 3rd Street | Philadelphia, PA 19106 | 215-923-8000 Exhibitions in italics were accompanied by publications. Title of exhibition catalogue is listed with its details. 2013 Shadow of the Turning: The Art of Binh Pho, The Center for Art in Wood, October 25, 2013 – January 18, 2014. Organized by Binh Pho & Kevin Wallace Shadow of the Turning is a traveling exhibition focuses on art, philosophy and storytelling of artist Binh Pho. Blending the mythic worlds of fairy tale, fantasy, adventure and science fiction, this exhibit creates a bridge between literature, art world approaches to concept and narrative, craft traditions and mixed media approaches. The story is “illustrated” using an exciting new body of work by Binh Pho, which combines woodturning, sculpture, painting and art glass. Exhibited Artist: Binh Pho 2013 Hogbin on Woodturning: Pattern from Process, The Center for Art in Wood Museum Store, September 19 – October 21, 2013 The exhibition Pattern from Process presents objects created for the instructional publication titled Hogbin on Woodturning. The 14 objects by Stephen Hogbin in the publication are represented in the exhibition with related material. Reading about the projects included in the publication and seeing the object will help students, educators, and woodworkers develop a clearer understanding of the construction and final quality of their work. Exhibited Artist: Stephen Hogbin 2013 allTURNatives: Form + Spirit 2013, The Center for Art in Wood, August 2 – October 12, 2013 Celebrating the 18th year of the International Turning Exchange Residency (ITE) program, the Center is proud to host the international artists, photojournalist and scholar who worked together for 2 months at the UArts in Philadelphia and explored new directions in their work.
    [Show full text]
  • Smithsonian American Art Museum
    Smithsonian American Art Museum Chronological List of Past Exhibitions and Installations on View at the Smithsonian American Art Museum and its Renwick Gallery 1958-2016 ■ = EXHIBITION CATALOGUE OR CHECKLIST PUBLISHED R = RENWICK GALLERY INSTALLATION/EXHIBITION May 1921 xx1 American Portraits (WWI) ■ 2/23/58 - 3/16/58 x1 Paul Manship 7/24/64 - 8/13/64 1 Fourth All-Army Art Exhibition 7/25/64 - 8/13/64 2 Potomac Appalachian Trail Club 8/22/64 - 9/10/64 3 Sixth Biennial Creative Crafts Exhibition 9/20/64 - 10/8/64 4 Ancient Rock Paintings and Exhibitions 9/20/64 - 10/8/64 5 Capital Area Art Exhibition - Landscape Club 10/17/64 - 11/5/64 6 71st Annual Exhibition Society of Washington Artists 10/17/64 - 11/5/64 7 Wildlife Paintings of Basil Ede 11/14/64 - 12/3/64 8 Watercolors by “Pop” Hart 11/14/64 - 12/13/64 9 One Hundred Books from Finland 12/5/64 - 1/5/65 10 Vases from the Etruscan Cemetery at Cerveteri 12/13/64 - 1/3/65 11 27th Annual, American Art League 1/9/64 - 1/28/65 12 Operation Palette II - The Navy Today 2/9/65 - 2/22/65 13 Swedish Folk Art 2/28/65 - 3/21/65 14 The Dead Sea Scrolls of Japan 3/8/65 - 4/5/65 15 Danish Abstract Art 4/28/65 - 5/16/65 16 Medieval Frescoes from Yugoslavia ■ 5/28/65 - 7/5/65 17 Stuart Davis Memorial Exhibition 6/5/65 - 7/5/65 18 “Draw, Cut, Scratch, Etch -- Print!” 6/5/65 - 6/27/65 19 Mother and Child in Modern Art ■ 7/19/65 - 9/19/65 20 George Catlin’s Indian Gallery 7/24/65 - 8/15/65 21 Treasures from the Plantin-Moretus Museum Page 1 of 28 9/4/65 - 9/25/65 22 American Prints of the Sixties 9/11/65 - 1/17/65 23 The Preservation of Abu Simbel 10/14/65 - 11/14/65 24 Romanian (?) Tapestries ■ 12/2/65 - 1/9/66 25 Roots of Abstract Art in America 1910 - 1930 ■ 1/27/66 - 3/6/66 26 U.S.
    [Show full text]
  • French Impressionism and the Northwest
    Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest IMAGES AVAILABLE August 2, 2019 (Tacoma, WA)— Opening on September 28, Tacoma Art Museum will present Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest, a new exhibition that examines how the work of French Impressionists and their immediate precursors made their way into Northwest public and private collections. It also will include selected paintings by American and Northwest artists to illustrate the spread of Impressionism across the country. “The purpose of this exhibition is deeply connected to the same passion that drove the French Impressionists, to transform the way we see,” said David F. Setford, TAM’s Executive Director and curator of this exhibition. “It does this in two ways. First, it puts rarely seen works from TAM’s European art collection into context and allows for an expanded visitor learning opportunity. In addition, it is also the first time that these Impressionist works from museums and private collections in the Northwest have been seen together. It will provide a lasting resource about French Impressionism and its historical impact for curators and collectors in our region and beyond.” Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest was organized and curated by the Tacoma Art Museum, and includes approximately fifty (50) works of art. The exhibition is accompanied by a small publication including essays by Setford and TAM curator Margaret Bullock, as well as an online listing of French Impressionist works currently in Northwest public collections.
    [Show full text]
  • Modernism in the Pacific Northwest: the Mythic and the Mystical June 19 — September 7, 2014
    Ann P. Wyckoff Teacher Resource Center Educator Resource List Modernism in the Pacific Northwest: The Mythic and the Mystical June 19 — September 7, 2014 BOOKS FOR STUDENTS A Community of Collectors: 75th Anniversary Gifts to the Seattle Art Museum. Chiyo Ishikawa, ed. Seattle: Seattle Adventures in Greater Puget Sound. Dawn Ashbach and Art Museum, 2008. OSZ N 745 S4 I84 Janice Veal. Anacortes, WA: Northwest Island Association, 1991. QH 105 W2 A84 Overview of recent acquisitions to SAM’s collection, including works by Northwest artists. Educational guide and activity book that explores the magic of marine life in the region. George Tsutakawa. Martha Kingsbury. Seattle: University of Washington Press, 1990. N 6537 T74 A4 Ancient Ones: The World of the Old–Growth Douglas Fir. Barbara Bash. San Francisco: Sierra Club Books for Exhibition catalogue covering 60 years of work of the Children, 2002. QK 494.5 P66 B37 Seattle–born painter, sculptor, and fountain maker. Traces the life cycle of the Douglas fir and the old–growth Kenneth Callahan. Thomas Orton and Patricia Grieve forest and their intricate web of life. Watkinson. Seattle : University of Washington Press; 2000. ND 237 C3 O77 Larry Gets Lost in Seattle. John Skewes. Seattle: Sasquatch Books, 2007. F 899 S44 S5 Overview of the life and work of artist Kenneth Callahan. Pete looks for his dog Larry in Seattle’s famous attractions. Margaret Callahan: Mother of Northwest Art. Margaret Bundy Callahan and Brian Tobey Callahan, ed. Victoria, S Is for Salmon: A Pacific Northwest Alphabet. Hannah BC: Trafford Publising, 2009. ND 237 C19 C35 Viano.
    [Show full text]
  • Fiberartoral00lakyrich.Pdf
    University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Gyongy Laky FIBER ART: VISUAL THINKING AND THE INTELLIGENT HAND With an Introduction by Kenneth R. Trapp Interviews Conducted by Harriet Nathan in 1998-1999 Copyright 2003 by The Regents of the University of California has been Since 1954 the Regional Oral History Office interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Gyongy Laky, dated October 21, 1999. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley.
    [Show full text]
  • CINDEX Index
    American Woodturner Cumulative index through vol. 36, no. 2, April 2021 Page number acronyms: FC - Front Cover IF - Inside Front Cover BC - Back Cover IB- Inside Back Cover All AAW chapters are listed by state. Symposia are listed by the city where they took place. Cities beginning with the word “Fort” are filed under “Ft.” and cities beginning with “Saint”, under “St.” - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Aarsvold, Jack on plywood laminates, 10.2:14 on pricing, 10.2:34 AAW. See also American Woodturner journal accessible lathe program, 28.3:6–8, 29.1:12 administrator, new, 5.1:18 at-large representation, 19.2:12 auctions. See Auctions, AAW awards, Dale Nish, 17.3:8 Board of Directors, 18.1:5, 33.5:4 call for nominees, 29.1:7, 30.1:8, 30.2:10, 31.1:8, 31.2:12,31.6:6, 32.1:5, 32.2:9, 33.1:8, 33.2:12, 33.6:6, 34.1:4, 8, 34.2:10 34.6:6, 35.1:9, 35.2:8, 35.6:6, 36.1:6, 36.2:4, 9 candidates for 2008, 23.3:11 2015, 30.4:6–7 2016, 31.4:6–7 2018, 32.3:4, 32.3:6–7 2019, 33.4:8–9 2020, 34.4:4, 8–9 candidate statements. See under specific candidates change to appointing one member, 35.2:9 community information exchange program, 35.4:37 election results 2015, 29.6:7 2016, 30.6:7 2017, 31.6:5, 32.1:4, 32.6:6 2019, 33.5:9, 33.6:4 2020, 34.5:4, 8 2021, 35.5:6 liaison assignments, 14.3:49 policy on fractal burning, 32.4:5–6 budget, 2017, 32.4:4 bylaws changes, 27.4:6, 35.2:9, 36.2:10 subcommittee report to membership, 26.1:12–13 chapters.
    [Show full text]
  • 2016 Annual Report
    MoNAMuseum of Northwest Art 2016 ANNUAL REPORT Annual Report 2016 D.indd 24 9/25/17 11:07 AM 3 From the President MISSION STATEMENT 4 Board & Staff The Museum of Northwest Art connects people with the art, diverse cultures and environments of the Northwest. 5 Exhibitions Visitor Testimonials VISION STATEMENT 10 The Museum of Northwest Art enriches lives in our diverse community by fostering essential 11 Acquisitions conversations and encouraging creativity through exhibitions and educational activities that explore the art of the Northwest. 12 MoNA Store COLLECTIONS & EXHIBITIONS 13 Education MoNA collects and exhibits contemporary art from across the Northwest, including Alaska, British Columbia, California, Idaho, Montana, Oregon and Washington. 15 Year in Review 17 Supporters 22 Volunteers Annual Report 2016 D.indd 1 9/25/17 11:07 AM 17,283 visits 42,866 website visits 100% visited for free 427 155 members volunteers 1,404 32 students visited with permanent collection 76 school tours acquisitions monamuseum.org 2 Annual Report 2016 D.indd 2 9/25/17 11:07 AM FROM THE PRESIDENT It is my great pleasure to share with you some of the successes achieved in 2016, made possible by your generous support. Because of you, more members of our community have experienced Northwest art in all of its facets through museum visits, program participation, and attendance at MoNA events and celebrations. MoNA’s commitment to providing free museum admission has fostered a broader and more engaged audience, making the museum accessible to more first-time visitors than ever before. MoNA, with your support, continues to fund significant investments in programming and collections.
    [Show full text]
  • Northwest Modernism & Western Fine Art Thursday June 20Th @ 5:00PM
    Northwest Modernism & Western Fine Art Thursday June 20th @ 5:00PM 20% Buyers Premium In-House 25% Buyers Premium Online/Phone (425) 235-6345 SILENT AUCTIONS custom made Northwest Designer Craftsmen tansu chest with four drawers and door with Featuring a Large Silent Auction of metal pulls. Burned in mark on interior of Northwest Art & Native Books! drawer. Some scattered light surface wear. 5 Eames for Herman Miller Rosewood Lounge Lots 1,000’s End @ 8:00PM Chair & Ottoman. A vintage 670 & 671 set with black leather cushions. One of a pair Lot Description being offered. Chair 32''x33.5''x32'' and ottoman 17''x26''x22''. Original labels on 1 George Nakashima Studio Lounge Chair bottom dated Nov. 1 1978. Scattered wear to Rocker with Free Arm 32.5"x31"x34". A leather from use and one leather button is custom walnut rocking lounge chair with missing on chair seat. Overall excellent right free edge arm. Hickory wood spindles. condition. Charles and Ray Eames. Burned in mark on bottom with family name 6 Eames for Herman Miller "Time-Life" Stool on tape. Break to one spindle with scattered 15"x13". A vintage walnut stool or bench. light surface wear. Some light surface wear to top. Overall 2 Nakashima Style Free Edge Walnut Coffee excellent condition. Unmarked. Charles and Table 17.5"x79.5"x35". A long free edge Ray Eames. coffee table with trestle base. Unsigned. 7 Eames for Herman Miller Rosewood Lounge Some scattered light surface wear. From the Chair & Ottoman. A vintage 670 & 671 set same collection as the George Nakashima with black leather cushions.
    [Show full text]
  • Audubon/RYAN!
    Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition The Naturalist & The Trickster: Audubon/RYAN! IMAGES AVAILABLE January 7, 2020 (Tacoma, WA)— On February 1, 2020, Tacoma Art Museum will open The Naturalist & The Trickster: Audubon/RYAN!. Although centuries apart, artists John James Audubon and RYAN! Feddersen draw inspiration from animals and the natural world to create compelling work that urges us to better understand the human impact on the environment. As 2020 marks the 50th anniversary of Earth Day, TAM presents this exhibition which explores themes of animals, environmentalism, and conservation. “Juxtaposing these two artists will present a very immersive and thought-provoking experience regarding perceptions of the natural world and relationships between humans and the environment,” said Faith Brower, TAM’s Haub Curator of Western American Art. “During Audubon’s life his prints were one of the ways that scientific information from the American West could be shared and studied. His respect and concern for the natural world clearly marks him as one of the forefathers of the modern conservation and environmental movements,” noted John James Audubon (1785–1851) Brower. Prairie Wolf (Canis latrans) Plate LXXI, The Viviparous Quadrupeds of North America hand colored lithograph, Printed by J.T. Bowen, Philadelphia, 1845 35 x 41 inches framed Collection of Huntsville Museum of Art Tacoma-based, RYAN! Feddersen, an enrolled member of the Confederated Tribes of the Colville Reservation and a contemporary mixed media artist, explores the character of Coyote, the trickster, as a lens to examine current events. Feddersen’s 75-foot mural encourages collaborative drawing with crayons cast in the shape of coyote bones which further links the community to Coyote’s story.
    [Show full text]
  • Kimberly Trowbridge: Into the Garden
    TM Kimberly Trowbridge: Into the Garden Now on display. Kimberly Trowbridge, Light in the Cedars (Annunciation), 2020. Oil on linen on panel, 48"h x 60"w. Courtesy of Linda Hodges Gallery. Volume 30 March • April 2021 Number 2 www.ArtAccess.com style, and time period. However, the One artist capturing the falling water artwork placement feels intuitive and with a camera and the other painting the the groupings of artworks bring many rush of movement with a brush. questions to mind. The inclusion of Around the corner from the Tobey Clayton James was an unexpected, but paintings are several prints. All are delightful, surprise; almost like seeing a excellent examples of a variety of long-time friend. James studied at printmaking methods, but guests may be the Rhode Island School of Design surprised to encounter a print by Käthe and was later relocated to a camp for Kollwitz. The artwork is from 1899 and conscientious objectors in Oregon during titled “Uprising (Aufruhr)”. The print World War II. Both James and his wife features a group of people marching in Barbara Straker James were friends with unison with a floating figure above them, Morris Graves and they spent many appearing to encourage them to keep years in La Conner, Washington. Three moving forward. The viewer can assume of Clayton’s landscape paintings are on that they are member of the working display. James stopped making sculpture Fay Jones • “Land of Lotus-Eaters,” 1993, etching, 31.5 x 43 inches class, a group that was often a subject for Gift of the Washington Art Consortium through gift and turned to painting, but thankfully the of Safeco Insurance, a member of the Liberty Mutual Group Kollwitz.
    [Show full text]