Forgotten Stories Northwest Public Art of the 1930S
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Ryan Molenkamp
RYAN MOLENKAMP Selected solo exhibitions 2018 The Last Frontier, Kirkland Arts Center/Kirkland Public Library, Kirkland, WA 2017 Vancouver! Vancouver! This is It!, Linda Hodges Gallery, Seattle, WA 2016 Still Afraid, Linda Hodges Gallery, Seattle, WA 2016 New Paintings, Duplex Gallery, Portland, OR 2014 Fear of Volcanoes, Linda Hodges Gallery, Seattle, WA 2011 The Watcher, Bryan Ohno Gallery, Seattle, WA 2010 Flood, Gallery4Culture, Seattle, WA Sound Plans, Handforth Gallery @ Tacoma Public Library, Tacoma, WA 2008 View Lots, SOIL Gallery, Seattle, WA 2003 Automatic Style, Brick and Mortar Gallery, Tacoma, WA Selected group exhibitions 2018 Collectors Choice, SAM Gallery, Seattle, WA 2018 Outside Influences, SAM Gallery, Seattle, WA 2017 Point of View, LAUNCH LA/KP Projects, Los Angeles, CA 2017 Seeing Northwest Nature, SAM Gallery, Seattle, WA 2016 Urban Artist Showcase, Chehalem Cultural Center, Newberg, OR 2015 Bellingham National 2015, Whatcom Museum, Bellingham, WA 2014 Made in the Northwest, SAM Gallery, Seattle, WA 2013 Suburbia: Dream or Nightmare?, Linda Hodges Gallery, Seattle, WA Connections, Cuchifritos Gallery, New York, NY Cascadia, Collar Works Galley, Troy, NY 2012 Conditions of Possibility, Umpqua Valley Arts Center, Roseburg, OR 2011 Earth Matters, SAM Gallery, Seattle, WA Home Away From Home, Jacob Lawrence Gallery, Seattle, WA Mad Homes, public art exhibition presented by MadArt, Seattle, WA Forecast: Communicating Weather and Climate, WA State Convention Center Bloom + Collapse, SOIL, Seattle, WA 2010 KAC Links Invitational, -
Oral History Interview with Edward B. Thomas, 1983 April 28-May 10
Oral history interview with Edward B. Thomas, 1983 April 28-May 10 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Edward B. Thomas on April 28 & May 10, 1983. The interview took place in Seattle, Washington, and was conducted by John Olbrantz for the Archives of American Art, Smithsonian Institution. Interview DATE: APRIL 28, 1983 [Tape 1] JOHN OLBRANTZ: Ed, can you tell me a little bit about your background, where you were born, your early childhood experiences, your parents, who your father was, who your mother was, how they came to live in this part of the country? EDWARD THOMAS: Well, I was born in Cosmopolis, Washington, and many times when I've come through customs, when I was much younger and especially at the Mexican border, they would say, "Where were you born?" and I'd say, "Cosmopolis, Washington," they'd say, "Look, bud! Don't get funny with us." (laughter) But there actually is such a place as Cosmopolis, Washington. Nobody had any particular influence upon me, I would say, in my younger years as far as becoming interested in art, and particularly teaching art. I had a very severe illness when I was four and five years old and was confined to bed a lot, and so people brought me tablets and color crayons and pencils and stuff like that. -
French Impressionism and the Northwest
Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest IMAGES AVAILABLE August 2, 2019 (Tacoma, WA)— Opening on September 28, Tacoma Art Museum will present Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest, a new exhibition that examines how the work of French Impressionists and their immediate precursors made their way into Northwest public and private collections. It also will include selected paintings by American and Northwest artists to illustrate the spread of Impressionism across the country. “The purpose of this exhibition is deeply connected to the same passion that drove the French Impressionists, to transform the way we see,” said David F. Setford, TAM’s Executive Director and curator of this exhibition. “It does this in two ways. First, it puts rarely seen works from TAM’s European art collection into context and allows for an expanded visitor learning opportunity. In addition, it is also the first time that these Impressionist works from museums and private collections in the Northwest have been seen together. It will provide a lasting resource about French Impressionism and its historical impact for curators and collectors in our region and beyond.” Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest was organized and curated by the Tacoma Art Museum, and includes approximately fifty (50) works of art. The exhibition is accompanied by a small publication including essays by Setford and TAM curator Margaret Bullock, as well as an online listing of French Impressionist works currently in Northwest public collections. -
Annual Report for the Year 2003–2004
2003–2004 ANNUAL REPORT SAM Students with Sanislo Feast SAM CONNECTS ART TO LIFE CONTEMPORARY CHINESE ARTIST LI JIN’S A FEAST made a permanent impression on the fourth- and fifth-grade students at Sanislo Elementary School. Inspired by the fifty-nine- foot-long painting depicting food from a traditional Chinese dinner on a background of recipes written in Chinese calligraphy, the students set out to re-create their own version. Art teachers Ruth Winter and Carolyn Autenrieth designed the project to celebrate the diversity of cultures at their school. Students painted their favorite ethnic foods, and staff helped transcribe the recipes into the students’ original languages. On display at the Seattle Asian Art Museum last spring, the students’ work, Sanislo Feast, a fifty-foot-long art scroll portraying food and languages from seventeen different nations and cultures, reflected the heritage of Sanislo students and staff. Students, families and teachers commemorated the unveiling of their “masterpiece” with a special celebration at SAAM. cover: Li Jin, China, born 1958, A Feast, 2001, ink on Xuan paper, 39 3/8 x 708 5/8 in., Courtesy of the artist and CourtYard Gallery, Beijing right: Wolfgang Groschedel and Kunz Lochner, Equestrian armor for Philip II, ca. 1554, etched steel and gold, Patrimonio Nacional, Real Armería, Madrid SEATTLE ART MUSEUM TABLE OF CONTENTS 1 Director’s Letter 17 Betty Bowen Award 2 Board of Trustees 18 Reaching Out to Youth & Families 3 Broadening, Deepening, Diversifying 19 Teaching and Learning 4–5 One Museum, Three -
Acknowledgements
Acknowledgements This teaching kit was developed by the Division of Education of the Mimi Kirk, intern for the African Art, African Voices exhibition at the Philadelphia Museum of Art to complement the exhibition African Art, Philadelphia Museum of Art, was an extraordinary and exemplary collabo- African Voices: Long Steps Never Broke a Back (on view October 2, 2004– rator in the research, writing, and editing phases of this project, and her January 2, 2005) and to serve as an ongoing curriculum resource. The kit contributions are substantial. Marla Shoemaker, Senior Curator of includes image cards of ten objects from the exhibition, with information Education, lent her outstanding editing skills, and John Zarobell, Assistant on the reverse; slides and postcards of the ten objects; additional informa- Curator of European Art before 1900, provided enthusiastic and informed tion and teaching strategies contained in this book; and a CD of related counsel. Tammy Salvadore, Director of the Delphi Project Foundation, was African music. The Delphi Project Foundation, The Christian R. and Mary F. an active and appreciated presence at the teacher advisory meetings. I am Lindback Foundation, and The Jesse Ball duPont Fund provided generous grateful to my colleagues in the Division of Education who offered infor- support for the development of these materials. mation, support, and suggestions on an ongoing basis: Mindy Nguyen- Balli and Rebecca Hoenig. The original exhibition was organized by the Seattle Art Museum and was on view there in spring 2002. Andrew Frankel’s unique and extensive knowledge of African music and musicians made possible the informed selections of African music for the An advisory group of teachers and professionals guided the selection of CD, and he skillfully arranged for the permissions. -
Audubon/RYAN!
Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition The Naturalist & The Trickster: Audubon/RYAN! IMAGES AVAILABLE January 7, 2020 (Tacoma, WA)— On February 1, 2020, Tacoma Art Museum will open The Naturalist & The Trickster: Audubon/RYAN!. Although centuries apart, artists John James Audubon and RYAN! Feddersen draw inspiration from animals and the natural world to create compelling work that urges us to better understand the human impact on the environment. As 2020 marks the 50th anniversary of Earth Day, TAM presents this exhibition which explores themes of animals, environmentalism, and conservation. “Juxtaposing these two artists will present a very immersive and thought-provoking experience regarding perceptions of the natural world and relationships between humans and the environment,” said Faith Brower, TAM’s Haub Curator of Western American Art. “During Audubon’s life his prints were one of the ways that scientific information from the American West could be shared and studied. His respect and concern for the natural world clearly marks him as one of the forefathers of the modern conservation and environmental movements,” noted John James Audubon (1785–1851) Brower. Prairie Wolf (Canis latrans) Plate LXXI, The Viviparous Quadrupeds of North America hand colored lithograph, Printed by J.T. Bowen, Philadelphia, 1845 35 x 41 inches framed Collection of Huntsville Museum of Art Tacoma-based, RYAN! Feddersen, an enrolled member of the Confederated Tribes of the Colville Reservation and a contemporary mixed media artist, explores the character of Coyote, the trickster, as a lens to examine current events. Feddersen’s 75-foot mural encourages collaborative drawing with crayons cast in the shape of coyote bones which further links the community to Coyote’s story. -
Reciprocal Museum List
RECIPROCAL MUSEUM LIST DIA members at the Affiliate level and above receive reciprocal member benefits at more than 1,000 museums and cultural institutions in the U.S. and throughout North America, including free admission and member discounts. This list includes organizations affiliated with NARM (North American Reciprocal Museum) and ROAM (Reciprocal Organization of American Museums). Please note, some museums may restrict benefits. Please contact the institution for more information prior to your visit to avoid any confusion. UPDATED: 10/28/2020 DIA Reciprocal Museums updated 10/28/2020 State City Museum AK Anchorage Anchorage Museum at Rasmuson Center AK Haines Sheldon Museum and Cultural Center AK Homer Pratt Museum AK Kodiak Kodiak Historical Society & Baranov Museum AK Palmer Palmer Museum of History and Art AK Valdez Valdez Museum & Historical Archive AL Auburn Jule Collins Smith Museum of Fine Art AL Birmingham Abroms-Engel Institute for the Visual Arts (AEIVA), UAB AL Birmingham Birmingham Civil Rights Institute AL Birmingham Birmingham Museum of Art AL Birmingham Vulcan Park and Museum AL Decatur Carnegie Visual Arts Center AL Huntsville The Huntsville Museum of Art AL Mobile Alabama Contemporary Art Center AL Mobile Mobile Museum of Art AL Montgomery Montgomery Museum of Fine Arts AL Northport Kentuck Museum AL Talladega Jemison Carnegie Heritage Hall Museum and Arts Center AR Bentonville Crystal Bridges Museum of American Art AR El Dorado South Arkansas Arts Center AR Fort Smith Fort Smith Regional Art Museum AR Little Rock -
Venue Experiences
VENUE EXPERIENCES Wow your guests by hosting an art-filled experience at one of SAM’s three unique locations—the Seattle Art Museum in downtown Seattle, the Seattle Asian Art Museum in Volunteer Park, or the Olympic Sculpture Park on the waterfront. SAM’s spaces feature exquisite art, stunning views, and beautiful interiors to make your next occasion a masterpiece. Contact Information VENUE Please contact SAM’s Director of Group Admissions and Venue Experiences for information on SAM venues and to check date availability. 206.654.3140 [email protected] CATERING TASTE is the exclusive provider for all occasions held at SAM locations. TASTE’s artful creativity and passion for fine locally-grown food makes it possible to fully customize made-from-scratch menus, featuring the best seasonal ingredients. 206.654.1392 [email protected] VENUE EXPERIENCES | CONTACT INFORMATION 2 4 Table of Contents SEATTLE ART MUSEUM IN DOWNTOWN SEATTLE 4 9 ASIAN ART MUSEUM IN VOLUNTEER PARK 9 OLYMPIC SCULPTURE PARK ON THE WATERFRONT 13 13 DECORATIONS MUSEUM POLICIES 17 CATERING BY TASTE 18 17 ACKNOWLEDGMENTS 20 18 VENUE EXPERIENCES | TABLE OF CONTENTS 3 SEATTLE ART MUSEUM IN DOWNTOWN SEATTLE Offer your guests the city at their feet and the experience of roaming the galleries of the Pacific Northwest's leading visual arts organization. The Seattle Art Museum is steps from the world-famous Pike Place Market, the Seattle waterfront, and most major hotels. TASTE offers full- service private dining and our grand, light-filled spaces accommodate large -
Kimberly Trowbridge: Into the Garden
TM Kimberly Trowbridge: Into the Garden Now on display. Kimberly Trowbridge, Light in the Cedars (Annunciation), 2020. Oil on linen on panel, 48"h x 60"w. Courtesy of Linda Hodges Gallery. Volume 30 March • April 2021 Number 2 www.ArtAccess.com style, and time period. However, the One artist capturing the falling water artwork placement feels intuitive and with a camera and the other painting the the groupings of artworks bring many rush of movement with a brush. questions to mind. The inclusion of Around the corner from the Tobey Clayton James was an unexpected, but paintings are several prints. All are delightful, surprise; almost like seeing a excellent examples of a variety of long-time friend. James studied at printmaking methods, but guests may be the Rhode Island School of Design surprised to encounter a print by Käthe and was later relocated to a camp for Kollwitz. The artwork is from 1899 and conscientious objectors in Oregon during titled “Uprising (Aufruhr)”. The print World War II. Both James and his wife features a group of people marching in Barbara Straker James were friends with unison with a floating figure above them, Morris Graves and they spent many appearing to encourage them to keep years in La Conner, Washington. Three moving forward. The viewer can assume of Clayton’s landscape paintings are on that they are member of the working display. James stopped making sculpture Fay Jones • “Land of Lotus-Eaters,” 1993, etching, 31.5 x 43 inches class, a group that was often a subject for Gift of the Washington Art Consortium through gift and turned to painting, but thankfully the of Safeco Insurance, a member of the Liberty Mutual Group Kollwitz. -
Program Booklet Here
ALHFAM Western Region 2018 ANNUAL CONFERENCE NOVEMBER 1-4 / TACOMA, WA BREAKING THE MOLD: New Interpretation for New Audiences ALHFAM IS BREAKING THE MOLD Remaining relevant in a fast-paced, technology-driven society can be a challenge for heritage organizations. To address this hurdle, ALHFAM members have found creative ways to draw new audiences to their sites, programs, and other educational venues. At this conference you will have the opportunity to take tours, join discussions, and learn from experienced panelists about best practices for attracting audiences and building programs to serve our new, ever-changing public. CONTENTS 3 | About Tacoma 4 | Plan Your Visit 5 | Conference Schedule 15 | Registration Form About Tacoma, Washington Tacoma, the “City of Destiny,” welcomes you to the 2018 ALHFAM conference! Tacoma’s roots run deep. Situated in the shadow of Mount Rainier on the waters of the southern Puget Sound, the Tacoma area has been home to the Lushootseed-speaking Southern Coast Salish peoples for thousands of years. The city owes its name to the famous mountain – “Tacoma” is an anglicized version of Mount Rainier’s original Lushootseed name. In 1833, the Hudson’s Bay Company established Fort Nisqually, Puget Sound’s first globally connected settlement, in nearby present-day Dupont. Quaker pioneer Job Carr staked the first claim in what is now considered the "Old Town" neighborhood of Tacoma in 1865. Tacoma quickly boomed after it won the spot as the western terminus for the Northern Pacific Railroad in 1873. Attracting immigrants from all corners of the globe, Tacoma established itself as an important port city and was for a long time in contention with Seattle to be western Washington’s “biggest city”. -
Volume 28 November • December 2019 Number 6 W W W
TM Volume 28 November • December 2019 Number 6 www.ArtAccess.com THE MONTHLY GUIDE TO THE ARTS ART ACCESS Feature Volume 28 Number 6 CONTENTS “My life will be the best illustration of all my work.” FEATURE ~Hans Christian Anderson Write of Way…Mary Lou Sanelli 4 Danish author (1805-1897) Ekphrastic Writing…Janée J. Baugher 6 Bellevue Art Museum…Edie Everette 10 ArtXchange Gallery…Susan Noyes Platt 12 Whatcom Art Museum…Chloé Dye Sherpe 14 Poetry…Alan Chong Lau 16 Listings VISUAL ART Listings Anacortes, WA 18 Bainbridge Island, WA 18 Belleveue, WA 22 Bellingham, WA 22 Bremerton , WA 23 Laurits Andersen Ring • “A Visit to a Cobbler’s Workshop” Camano Island, WA 23 oil on canvas, 37 x 47.25 inches Edison, WA 24 Courtesy of the National Gallery of Denmark Nordic National Museum • Seattle, WA Edmonds, WA 25 Everett, WA 25 Front Cover: Friday Harbor, WA 25 Kirkland, WA 26 Laurits Andersen Ring • “Has it Stopped Raining?” 1922, oil on canvas, 25.4 x 21.7 inches La Conner, WA 26 Courtesy of the National Gallery of Denmark Nordic National Museum • Seattle, WA Lyden, WA 26 Mercer Island, WA 27 On the Edge of the World: Mount Vernon, WA 27 Masterworks by Ocean Shores, WA 27 Laurits Andersen Ring Port Orchard, WA 28 Port Townsend, WA 28 from Statens Museum for Kunst Poulsbo, WA 29 – The National Gallery of Denmark Seattle, WA Through January 19, 2020. • Ballard 30 • Columbia City 31 The exhibition at the National Nordic Museum has been made possible by the generous • Downtown 31 support of Mary & Greg Moga. -
Reciprocal Museums 2.28.19 Copy
Reciprocal Museum Admission ALABAMA Rancho Nipomo Dana Adobe Naples Art Association KENTUCKY Jule Collins Smith Museum of Fine Art Richmond Art Center Orlando Museum of Art Hopewell Museum/Historic Abroms-Engel Institute for the Visual San Diego Automotive Museum Pérez Art Museum Miami Paris-Bourbon County Arts (AEIVA), UAB San Diego History Center Polk Museum of Art NEW! KMAC Museum San Diego Museum of Art Samuel P. Harn Museum of Art The Speed Art Museum ALASKA San Francisco Museum of Modern Art* Vero Beach Museum of Art Anchorage Museum San Jose Institute of Contemporary Art LOUISIANA GEORGIA at Rasmuson Center San Jose Museum of Art Newcomb Art Museum of Tulane Albany Museum of Art NEW! Pratt Museum Santa Barbara Museum of Art University Atlanta Contemporary Art Center Santa Barbara Historical Museum New Orleans Museum of Art ARIZONA Atlanta History Center Skirball Cultural Center, Los Angeles* Phoenix Art Museum Columbus Museum MAINE Sonoma Valley Museum of Art NEW! Scottsdale’s Museum of the West Gwinnett Environmental & Heritage Ctr. The African Center for the Sacred Arts at Surfing Heritage Georgia Museum of Art The Museum of African Art & Culture CALIFORNIA NEW! Timken Museum of Art High Museum of Art Farnsworth Art Museum* American Museum of Ceramic Art UC Berkeley Art Museum and Pacific Marietta Museum of History Maine Historical Society NEW! Art, Design & Architecture Film Archive Michael C. Carlos Museum at Emory Portland Museum of Art* Museum, UC Santa Barbara UC Botanical Garden at Berkeley University University of Maine Museum of Art Asian Art Museum UC Davis Arboretum and Public Garden Morris Museum of Art Automobile Driving Museum UC Santa Cruz Arboretum MARYLAND The William Breman Jewish Heritage California Automobile Museum NEW! University Art Museum at CSU, The Baltimore Museum of Art Museum Cantor Arts Center Long Beach Baltimore Museum of Industry Carnegie Art Museum Valene L.