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Multiple Grammy Award-Winner Aaron Neville Comes to Parker Playhouse for One Night Only on February 12
February 3, 2015 Media Contact: Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center 954.765.5814 MULTIPLE GRAMMY AWARD-WINNER AARON NEVILLE COMES TO PARKER PLAYHOUSE FOR ONE NIGHT ONLY ON FEBRUARY 12 FORT LAUDERDALE – With a voice that has led to Grammy Awards in the vocal, pop and country categories on top of his Grammy nominations for R&B, jazz and traditional soul gospel works, Aaron Neville comes to Parker Playhouse on Thursday, February 12 at 8 p.m. A member of the Louisiana Music Hall of Fame and a Big Easy Award-winner for Best Gospel Singer, Neville has enjoyed an incredible career between his solo work and his iconic role with the first family of New Orleans music, the Neville Brothers. "Tell It Like It Is," Neville’s first hit single, held the number one spot on the R&B charts for five weeks and was recently added to the Grammy Hall of Fame collection for 2015, which acknowledges singles and albums of all genres at least 25 years old that have a historical significance. His collaborations “I Fall to Pieces” with Trisha Yearwood and “All My Life” and “Don’t Know Much” with Linda Ronstadt won Grammy Awards as did “Healing Chant,” which he recorded as part of the Neville Brothers. In his latest release, My True Story, Neville performs in his utterly inimitable vocal style classic doo-wop numbers he grew up with including "Tears on My Pillow," "Under the Boardwalk " and "This Magic Moment." Tickets to the concert at the Parker Playhouse are $37.50 - $67.50. -
Rolling Stone Satisfaction Guitar
Rolling Stone Satisfaction Guitar Veritably provable, Michele readvised coolabah and phosphatizes retaliations. If comatose or inflatable Trip usually displacing his zirconium assort methodologically or blunged anomalously and hazardously, how multivalent is Willmott? Beatific and irrefrangible Hermy abrading immortally and sandpaper his salaams yesterday and conjunctively. How jagger when the volume of days later in music was an interesting note changes and adding bursts of rolling stone Formed of just three different notes, this classic Stones riff certainly ranks as one of the easier lines to learn on the guitar. Amazing how the acoustic guitar and piano are not at all in a groove together. Keith Richards used his fuzzbox, but he also played clean guitar during the song, with Brian Jones strumming an acoustic throughout. What can you say about this song? The guitar riff basically suggested itself from the melody Mick was singing. Looking to give your Tele more of a Keith Richards vibe? Learn how to play your favorite songs with Ultimate Guitar huge database. Want to teach guitar? Learn to play songs by the Eagles, Cat Stevens, Deep Purple, John Denver, and other popular rock and folk hits, for free, by checking out this archive of guitar tablature. Richards played the guitar riff and wrote down the lyric i can't harbor no satisfaction and ash fell back the sleep On the tape is said later they can. At that time I was into really compressing the acoustic guitar by running it through the early Phillips and Norelco cassette recorders and really overloading them. You need horns to knock that riff out. -
Popular Love Songs
Popular Love Songs: After All – Multiple artists Amazed - Lonestar All For Love – Stevie Brock Almost Paradise – Ann Wilson & Mike Reno All My Life - Linda Ronstadt & Aaron Neville Always and Forever – Luther Vandross Babe - Styx Because Of You – 98 Degrees Because You Loved Me – Celine Dion Best of My Love – The Eagles Candle In The Wind – Elton John Can't Take My Eyes off of You – Lauryn Hill Can't We Try – Vonda Shepard & Dan Hill Don't Know Much – Linda Ronstadt & Aaron Neville Dreaming of You - Selena Emotion – The Bee Gees Endless Love – Lionel Richie & Diana Ross Even Now – Barry Manilow Every Breath You Take – The Police Everything I Own – Aaron Tippin Friends And Lovers – Gloria Loring & Carl Anderson Glory of Love – Peter Cetera Greatest Love of All – Whitney Houston Heaven Knows – Donna Summer & Brooklyn Dreams Hello – Lionel Richie Here I Am – Bryan Adams Honesty – Billly Joel Hopelessly Devoted – Olivia Newton-John How Do I Live – Trisha Yearwood I Can't Tell You Why – The Eagles I'd Love You to Want Me - Lobo I Just Fall in Love Again – Anne Murray I'll Always Love You – Dean Martin I Need You – Tim McGraw & Faith Hill In Your Eyes - Peter Gabriel It Might Be You – Stephen Bishop I've Never Been To Me - Charlene I Write The Songs – Barry Manilow I Will Survive – Gloria Gaynor Just Once – James Ingram Just When I Needed You Most – Dolly Parton Looking Through The Eyes of Love – Gene Pitney Lost in Your Eyes – Debbie Gibson Lost Without Your Love - Bread Love Will Keep Us Alive – The Eagles Mandy – Barry Manilow Making Love -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Neville Brothers -- the first Family of New Orleans Music -- Has Vowed Not to Return to New Orleans
Dec. 15, 2005-- Cyril Neville boarded Amtrak's City of New Orleans train with a full head of steam. He joined singer-songwriter Arlo Guthrie earlier this month for the first leg of a 12-day journey from Chicago to New Orleans, playing concerts along the way to raise funds for victims of Hurricane Katrina. Neville, however, won't be on the train when it rolls into his old hometown. He won't be going home at all. Neville, 56, percussionist-vocalist and youngest member of the Neville Brothers -- the first family of New Orleans music -- has vowed not to return to New Orleans. During a heartfelt conversation before embarking on the train journey, Neville explained he and his wife, Gaynielle, have bought a home in Austin, Texas. Cyril Neville joins his nephew Ivan Neville, as well as the Radiators and the Iguanas as popular New Orleans acts who have settled in Austin. Some even perform in an ad hoc band known as the Texiles. They sing a different song about the promised recovery of New Orleans. "Would I go back to live?" Neville asked. "There's nothing there. And the situation for musicians was a joke. People thought there was a New Orleans music scene -- there wasn't. You worked two times a year: Mardi Gras and Jazz Fest. The only musicians I knew who made a living playing music in New Orleans were Kermit Ruffins and Pete Fountain. Everyone else had to have a day job or go on tour. I have worked more in two months in Austin than I worked in two years in New Orleans. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Cheap Rolling Stones Tickets
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Love Songs Press Release
1 THE MOST ROMANTIC SONGS RECORDED BY THE ACCLAIMED AARON NEVILLE, INCLUDING TRACKS WITH LINDA RONSTADT AND THE NEVILLE BROTHERS, COLLECTED ON NEW COMPILATION AARON NEVILLE: LOVE SONGS “With an angelic voice capable of reconciling spiritual opposites-–wisdom and innocence, masculinity and femininity, the sacred and the profane--(Aaron) Neville can pretty much find the soul of any song...(using) that famous catch in his throat to convey the exuberance of unbridled passion.” --Rolling Stone (1995) The sweet soulful voice of Aaron Neville--the most familiar figure of New Orleans’ first family of music--has been brought to bear on love songs since the late ‘60s. Now 14 of those love songs from his most successful period, the ‘80s and ‘90s, have been collected on Aaron Neville: Love Songs (A&M/UME), released January 14, 2003. With the album co-compiled by Neville himself, each digitally remastered track was selected for its power of romance rather than its chart position. As a result, Aaron Neville: Love Songs brings most of these songs, spanning the years 1981 to 1997, together for the first time on any compilation. The album is the latest in the artist-driven, genre-crossing yet thematic Love Songs series which has previously included collections from Etta James, Elton John, and Stephanie Mills and is scheduled to release albums from Diana Ross, Marvin Gaye, the Moody Blues, Peggy Lee and more. Two recordings heard on Aaron Neville: Love Songs are actually from The Neville Brothers (Aaron, Art, Charles and Cyril): their Nawlins renditions of the doo-wop classic “The Ten Commandments Of Love” and ballad standard “Mona Lisa,” both from the siblings’ 1981 Joel Dorn-produced album Fiyo On The Bayou. -
The Very Best of Aaron Neville Press Release
1 THE VERY BEST OF AARON NEVILLE IS FIRST COMPREHENSIVE COLLECTION OF HIS GREATEST RECORDINGS FROM THE ‘60S TO THE ‘90S The most familiar figure of New Orleans’ first family of music, Aaron Neville and his sweet soulful voice have graced recordings for four incredible decades. Yet there has never been a comprehensive collection of his greatest songs. Now there is. The Very Best Of Aaron Neville (A&M/UME), released January 11, 2000, brings together the original recordings of his most popular hits plus other outstanding tracks from his albums and guest appearances on the albums of others. The 18 selections span 37 years, from the Top 40 R&B hit “Over You” (1960) to the biographical “To Make Me Who I Am” from his 1997 A&M album of the same title. Also spotlighted are his #2 pop/#1 R&B classic “Tell It Like It Is” (1966), #2 pop smash duet with Linda Ronstadt “Don’t Know Much” (1989) and his Top 10 solo masterpiece “Everybody Plays The Fool” (1991). Attesting to his continued longevity, many of the songs on this collection are from the ‘90s, the decade during which he enjoyed his greatest commercial success. Featured are songs from each of his four non-Christmas A&M albums of the ‘90s, two of which are platinum (1993’s The Grand Tour and 1991’s Warm Your Heart) and one is gold (1995’s Tattooed Heart). The Very Best Of Aaron Neville includes his take on originals such as “Angola Bound” as well as his inspired versions of such famed songs as “Betcha By Golly Wow,” Bill Withers’ “Use Me,” Chuck Berry’s “You Never Can Tell” and the Peaches & Herb love song perennial “Close Your Eyes” (another duet with Ronstadt). -
Aaron Neville Warm Your Heart Mp3, Flac, Wma
Aaron Neville Warm Your Heart mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Warm Your Heart Country: Yugoslavia Released: 1992 Style: Bayou Funk, Soul, Ballad MP3 version RAR size: 1741 mb FLAC version RAR size: 1548 mb WMA version RAR size: 1577 mb Rating: 4.7 Votes: 594 Other Formats: WAV MPC MP4 VOX MP2 ASF AAC Tracklist Hide Credits Louisiana 1927 A1 Arranged By – Van Dyke ParksBacking Vocals [Choir] – Arnold McCuller, Donny Gerrard, 3:04 Linda Ronstadt, Renee Armand*, Rita Coolidge, Rosemary Butler, Willie Greene Jr. Everybody Plays The Fool A2 Backing Vocals – Aaron Neville, Arnold McCullerDrums, Programmed By – Russel 4:25 Kunkel*Guitar – David LindleyWhistling – Linda Ronstadt It Feels Like Rain A3 Backing Vocals – Arnold McCuller, Bobby King, Donny Gerrard, Willie Greene Jr.Guitar, 4:56 Guitar [Slide] – Ry Cooder Somewhere, Somebody A4 Backing Vocals – Arnold McCuller, Renee Armand*, Rita Coolidge, Rosemary Butler, 3:01 Valerie CarterGuitar – Dean ParksOrgan [Hammond B-3] – Robbie Buchanan Don't Go Please Stay A5 2:40 Backing Vocals – Linda Ronstadt, Renee Armand* With You In Mind A6 Backing Vocals – Rita Coolidge, Rosemary Butler, Valerie CarterGuitar [Lead] – Larry 3:32 Carlton That's The Way She Loves A7 Backing Vocals – Renee Armand*, Rosemary Butler, Valerie CarterBass – Jimmy Johnson 4:45 Tenor Saxophone – Plas Johnson Angola Bound B1 Congas – Cyril NevillePercussion, Backing Vocals – Bob SegerPiano, Percussion – Dr. 4:32 JohnRap – Jason Neville Close Your Eyes B2 3:10 Tenor Saxophone – Plas JohnsonVocals [Duet] – Linda Ronstadt La Vie Dansante B3 Backing Vocals – Rita Coolidge, Rosemary Butler, Valerie CarterGuitar, Mandolin – Dean 3:21 ParksVocals [Duet] – Rita Coolidge Warm Your Heart B4 Backing Vocals – Arnold McCuller, Bobby King, Donny Gerrard, Willie Greene Jr.Bass – 3:49 Daryl JohnsonDrums – Willie Green Piano – Dr. -
High Lights O
o c c a b a T 6 l rock è ancora il genere musicale a più alto di Satisfaction e Brown Sugar, quanto di attingere a tasso di politicamente scorretto? Qualche per osmosi a quell’elisir di lunga vita (frutto evi - t e dubbio a riguardo viene, considerando le dente di un faustiano patto col Diavolo: ricorda n rockstar con le loro diete salutiste, ore ed nulla Simpathy for the devil ?) che permette a degli a i ore spese in palestra, ritorni alla grandi religioni ultrasettantenni di dare ancora la birra ad un P I rivelate, appelli ambientalisti ed esibiti impegni sacco di giovani rock’n’roll band. terzomondisti. Al netto di sesso e droga, esiste Ma, tornando al “ No filter Tour ”, viene da pensare però un certo “vizietto” che in pochi hanno che una delle ragioni per cui gli Stones hanno perso per quanto sia stato scritto nero su bianco scelto questo nome risieda nella abituale frequen - e in milioni di copie in giro per il mondo che tazione che i musicisti britannici hanno avuto nel “nuoce gravemente alla salute ”: la sigaretta. Sarà un corso della loro lunga carriera con le “bionde”; caso, ma l’ultimo tour (probabilmente l’ultimo groupies a parte, ovviamente. E proprio alla lon - non solo in ordine di tempo, ma nella sua acce - geva liaison tra rock e tabacco poco tempo fa è zione di “definitivo”, vista l’età dei nostri eroi… stata dedicata nel Regno Unito la mostra foto - ) dei fantastici Rolling Stones è denominato “ No grafica “ Smoking’s Cool ”. Scorrendo le bellissime Filter Tour ”, il che è tutto dire. -
Rolling Stones Satisfaction Performance
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