STREET PHOTO BOOKS PRESCRIPTION 15/05/17 Gildas Lepetit-Castel

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STREET PHOTO BOOKS PRESCRIPTION 15/05/17 Gildas Lepetit-Castel - www.gildas-lepetit-castel.com • Eugene Atget, Paris. • Jean-Christophe Béchet, Marseille, ville natale. • Jean-Christophe Béchet, American Puzzle. • Izis Bidermanas, Charmes de Londres. • Edouard Boubat, Edouard Boubat. Richard Bram, New York. • William Eggleston, Guide. • Facundo de Zuviria, Estampas. • Gyula Halasz Brassaï, Paris. • Gyula Halasz Brassaï, Graffiti. • Henri Cartier-Bresson, Images à la Sauvette. • Henri Cartier-Bresson, Scrapbook. • Mark Cohen, Frame. • Mark Cohen, Mexico. • Bruce Davidson, Subway. • Raymond Depardon, Correspondance New-Yorkaise. • Raymond Depardon, Glasgow. • Robert Doisneau, Paris. • William Eggleston, Before Color. • William Eggleston, Guide. • Elliott Erwitt, Snaps. • Walker Evans, American Photographs. • Robert Frank, The Americans. • Robert Frank, London Wales. • Robert Frank, Valencia: 1952. • Lee Friedlander, Friedlander. • Lee Friedlander, Street : The Human Clay • Bruce Gilden, A beautiful Catastroph. • Bruce Gilden, Go. • Harry Gruyaert, Harry Gruyaert. • Kenneth Gustavsson, the Magic Bar. • Charles Harbutt, Departures and arrivals. • Ernst Haas, Color Correction: 1952-1986 • Fred Herzog, Photographs. • André Kertesz, Kertesz. • Chris Killip, In flagrante two. • William Klein, New York 1954-55. • Josef Koudelka, Gitans. • Tony Ray Jones, A day off. • Sergio Larrain, London. • Sergio Larrain, Valparaiso. • Saul Leiter, Early Colors. • Saul Leiter, Early Black & White, Vol. 1 & 2. • Helen Levitt, Helen Levitt. • Vivian Maier, Self portraits. • Vivian Maier, Street Photographer. • Ray K. Metzker, Light Lines. • Joel Meyerowitz, Joel Meyerowitz. • Daido Moriyama, Farewell Photography. • Max Pam, Going East. • Trent Parke, Minutes to Midnight. • Martin Parr, Last resort. • Martin Parr, Bad Weather. • Anders Petersen, City Diary. • Bernard Plossu, En ville. • Bernard Plossu, L’Europe du sud contemporaine. • Gottard Schuh, Photographien. • Alec Soth, Songbook • Ed Van der Elsken, Amsterdam. • Alex Webb, The Suffering of Light. • Alex Webb, La Calle. • Gary Winogrand, Women are beautiful • Bystander : A History of Street Photography • Street Photography Now • Magnum Contact Sheets (...).

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12039-Q-LIVRES ILLUSTRÉS OK+Volet.Indd
273 276 273 ROCHÉ, Henri Pierre EXEMPLAIRE DE TÊTE Jules et Jim [Paris], Gallimard, 1953 ÉDITION ORIGINALE TIRAGE à 55 exemplaires sur vélin pur ﬁl Lafuma-Navarre (seul papier). Celui-ci numéroté 34. In-8 (190 x 120mm) Broché. Chemise et étui de Thérèse Treille. 1 000 / 1 500 € SANS PRIX DE RESERVE 274 IZIS Bidermanas, BON EXEMPLAIRE et John Pudney The Queen’s people ÉDITION ORIGINALE ILLUSTRATION : photographies d’Isis Londres, Harville Press, 1953 RELIURE DE L’ÉDITEUR. Cartonnage noir avec titre en blanc sur le premier plat, jaquette illustrée In-8 (185 x 132mm) de deux photographies. Chemise et étui de Thérèse Treille 200 / 300 € Légères usures en tête et en queue du dos de la jaquette ainsi qu’aux angles, décharge du rabat de la jaquette SANS PRIX DE RESERVE sur la première garde. 275 FOURNIER, Albert ÉDITION ORIGINALE Métiers curieux de Paris ILLUSTRATION : 8 photographies imprimées en héliogravure, dessin en couverture de Jacques Boullaire TIRAGE à 50 exemplaires sur papier Fleur d’alpha. Celui-ci numéroté 29 (seul tirage sur grand papier) Genève-Paris, Jéhébert, [1953] Broché, non coupé. Chemise et étui de Thérèse Treille. In-8 (193 x 132mm) 100 / 150 € SANS PRIX DE RESERVE 276 BLANC et Demilly JEU COMPLET DE TRÈS BELLES VUES DE LYON DANS LES ANNÉES 30 Les Aspects de Lyon Lyon, Société des amis de Guignol, ÉDITION ORIGINALE ILLUSTRATION : 10 chemises contenant chacune 12 photographies de Blanc et Demilly imprimées 1933 en héliogravure à pleine page In-folio (378 x 277mm) TIRAGE à 500 exemplaires. Celui-ci numéroté 252 1 500 / 1
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"Five French Photographers"
THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. Tuesday 2-5 p.m. TUIPHONEi CIRCLI S-S900 511213-77 FOR WEDNESDAY RELEASE JOURNALIST PHOTOGRAPHY PROM FRANCE TO BE SHOWN IN "FIVE FRENCH PHOTOGRAPHERS" Outstanding reportorial photography by contemporary Frenchmen Brassai, Cartier-Bresson, Doisneau, Roni3 and Izis will be exhibited in the Auditorium Gallery of the Museum of Modern Art, 11 West 53 Street, from December 19 through February 2l+. About 200 works by these photographers have been selected by Edward Steichen, Director of the Museum1s Department of Photography. Henri Cartier-Bresson is represented entirely by his Asiatic photographs taken in China, Indonesia, Burma, India, Bali and Ceylon# Most of these are being exhibited for the first time anywhere, and only a very few have ever been published in this country. Brassai at 52 is the senior member of this group. Both he and Cartier-Bresson have exerted a considerable influence not only on French photography but on the best photography of all Europe. Work by both of these men has been published here in Harpers-Bazaar, and by Cartier-Bresson in Life magazine. Photographs by Robert Doisneau have appeared in Vogue. The work of Izis and Ronis is practically unknown in this country. Exoept for the Cartier-Bressons, all the photographs in the exhibition were taken in Paris or in the provinces of France. This exhibition is part of the Department of Photography^ plan to exhibit work by photographers of other countries and at a later date to include some of the new, younger photographers of France and other nations.
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Annual Report 2017
STEDELIJK MUSEUM ANNUAL REPORT ANNUAL 2017 AMSTERDAM CONTENTS Foreword 3 Message from the Supervisory Board 7 Chapter 1: Bold programming 10 Chapter 2: Caring for the collection 25 Chapter 3: More people visit the Stedelijk 32 Chapter 4: Education, symposia, publications 40 Chapter 5: A vital cultural institution in the city 53 Chapter 6: Sponsors, funds, and private patrons 57 Chapter 7: Organizational affairs 64 Chapter 8: Personnel 69 Chapter 9: Governance 73 Colophon Chapter 10: Financial details 78 Texts: Team Stedelijk Museum Amsterdam Editors: Vanessa van Baasbank, Marc Cincone, Frederike van Dorst, Financial Statements 2017 85 Udo Feitsma, Bart van der Heide, Daniëlle Lokin, Audrey Moestadja, Florentine Pahud de Mortanges, Marie-José Raven, Margriet Schavemaker, Irene Start, Ronald van Weegen, Geert Wissing Final editing: Irene Start, Sophie Tates Translation: Lisa Holden, Huan Hsu Design: Janna and Hilde Meeus Het jaarverslag en bijlagen zijn met de grootst mogelijke zorgvuldigheid vertaald naar het Engels. De Nederlandse versie is de versie waarover de accountant een goedkeu- rende verklaring heeft afgegeven. Mochten er (door de vertaling) toch verschillen zijn opgetreden tussen de Nederlandse en Engelse versie, dan is de Nederlandse versie leidend. The annual report and supplements have been translated into English with the greatest possible care. The auditor issued an unqualified opinion of the Dutch version. In the case of any discrepancies or variances (resulting from the translation) between the English translation and the Dutch annual report and the supplements, the Dutch Cover image: Gert Jan van Rooij Gert image: van Jan Cover version shall prevail. 2 FOREWORD On November 1, 2017, when I was appointed interim director, the museum was in the midst of a media storm, which began with newspaper reports and ended with the much-publicized depar- ture of Beatrix Ruf as director.
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Ed Van Der Elsken Archives 1
ED VAN DER ELSKEN ARCHIVES 1 NOBUYOSHI ARAKI LOVE ON THE LEFT EYE In collaboration with Taka Ishii Gallery 06.09. - 18.10.2014 For the opening exhibition of Ed van der Elsken Archives, we are pleased to present Love on the Left Eye featuring work from Nobuyoshi Araki’s (1940, Tokyo, JP) publication of the same title alongside works from Ed van der Elsken’s Love on the Left Bank. Almost identically titled to the photography book that brought Van der Elsken to prominence, Love on the Left Eye can be seen as an homage to the Dutch pho- tographer as well as a return to Araki’s early inspirations. Araki made the photographs that form Love on the Left Nobuyoshi Araki, Love on the Left Eye, 2014 Eye, with the vision from his right eye obscured due to a retinal artery obstruction. Shot on slide film, Araki used black magic marker to block out the right side of each image, before printing the photographs. The images thus show Araki’s vision, both as an artist and as an individual confronted by his mortality (having recently also recovered from pros- tate cancer). Araki came into contact with Love on the Left Bank in his twenties and took photo- graphs of women in poses inspired by the ones found in Van der Elsken’s book. At this late stage in his career and facing the prospect of loosing all sight from his right eye, we thus find Araki go- ing back to his early influences. “Death comes towards us all, you know,” he says.
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Ed Van Der Elsken “Love” & Other Stories Howard Greenberg Gallery
For Immediate Release Ed van der Elsken “Love” & Other Stories Howard Greenberg Gallery March 22 – May 5, 2018 Vali Myers in Saint Germain des Pres, Paris, 1951 Gelatin silver print; printed c.1980 Image size: 10 1/4 x 10 3/8 inches Paper size: 14 x 11 inches NEW YORK – An exhibition of work by Ed van der Elsken, known as the “enfant terrible” of Dutch photography, will be on view at Howard Greenberg Gallery from March 22 through May 5, 2018. “Love” & Other Stories will focus on the celebrated street photographer’s work from the 1950s and 60s documenting the social culture around him in Amsterdam, Paris, and Tokyo. An opening reception will be held on Thursday, March 22, from 6-8 p.m. With a confident, gritty, and unconventional style, van der Elsken’s confrontational portraits of young love, alienation, and counterculture bohemian life paved the way for late 20th century photographers such as Larry Clark, Nan Goldin, and Wolfgang Tillmans. He is best known for his iconic photography book, Love on the Left Bank, 1954, acclaimed for expanding the boundaries of documentary photography. His work was most recently seen last year in a retrospective exhibition at the Stedelijk Museum in Amsterdam, which traveled to the Jeu de Paume in Paris and the Fundación Mapfre in Madrid. Ed van der Elsken (1925-1990) was “a man who would have liked to have transplanted a camera into his head to permanently record the world around him” noted Beatrix Ruf, the director of the Stedelijk Museum and Marta Gili, the director of the Jeu de Paume wrote in his retrospective exhibition catalogue.
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Eye Love You COLOUR PHOTOS by ED VAN DER ELSKEN Ed Van Der Elsken’S Colour Photographs Are a Relatively Unknown Aspect of His Work
Beethovenstraaat, Amsterdam, 1976 Beethovenstraaat, Amsterdam, 1976 NEDERLANDS FOTOMUSEUM | EYE LOVE YOU COLOUR PHOTOS BY ED VAN DER ELSKEN Ed van der Elsken’s colour photographs are a relatively unknown aspect of his work. In order to bring them to wider public attention, they will be the subject of several exhibitions in 2016 and 2017. A book is also to be published about them. OVER 500.000 PEOPLE WILL SEE EXHIBITIONS AND BOOK HIS COLOUR PHOTOGRAPHS NEDERLANDS FOTOMUSEUM AT THE PARADE THEATRE FESTIVAL, SUMMER 2016, ROTTERDAM, THE HAGUE, UTRECHT & AMSTERDAM STEDELIJK MUSEUM, AMSTERDAM Next year’s Parade theatre festival will feature an exhibition entitled EYE LOVE YOU, showcasing colour photos by Van der Elsken never previously seen by the general public. ‘EYE LOVE YOU’ PHOTOBOOK, CURRENTLY EXPECTED SUMMER PARADE MUSEUM, ROTTERDAM, 2016 THE HAGUE, UTRECHT, AMSTERDAM ED VAN DER ELSKEN RETROSPECTIVE, 2017 STEDELIJK MUSEUM, AMSTERDAM JEU DE PAUME, PARIS JEU DE PAUME, PARIS Couple maing love (Vrijend stel, Edam, 1970) Couple maing love (Vrijend stel, Edam, 1970) The Nederlands Fotomuseum is responsible for the Ed van der Elsken photo-archive. Van der Elsken was one of the Netherland’s greatest and most influential photographers. Although his worldwide reputation rests on his unique black-and-white photography, the last thirty years of his life were mainly devoted to working in colour. His first book of colour photographs, EYE LOVE YOU, was published in 1977. As part of its mission both to preserve and to showcase the photographic heritage of the Netherlands, the Nederlands Fotomuseum is now aiming to make this aspect of Van der Elsken’s oeuvre better known to the general public.
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Press Release
THE BAKERY ED VAN DER ELSKEN SIDEWALKS March 10 – April 14, 2018 After the success of the extensive retrospective held at the Stedelijk Museum in Amsterdam in 2017, that travelled to the Jeu de Paume in Paris and is now on at Fundación MAPFRE in Madrid, we are proud to present a special selection of street life colour Ed van der Elsken, Chile, 1971, Nederlands Fotomuseum / © Ed van der Elsken photographs by Ed Van der Elsken. For over 40 years, Ed Van der Elsken captured life as he saw it through photography and film. Documenting the streets around him, he wandered through cities like Paris, Amsterdam, Hong Kong and Tokyo seeking out colourful personalities, head-turning young women and wayward youth. Being both the influencer and the influencee of the time and place he found himself in, he developed a bold, unconventional and personal style. Van der Elsken’s presence resonates throughout his work: he was a master of making a personal connection with the people he photographed. His approach was confrontational, embracing the bright as well as the darker sides of human life. The unconventional technique and the gritty snapshot-like quality of his work have been of great importance in the development of contemporary photography. Within the collection on view in the Bakery, we can follow the curiosity of the artist capturing moments from the vibrant life around him. Sidewalks compose the net of the public and therefore social space we live in, yet they are a transit space that pass unrecognized. The energy and freshness springing from these images highlight one of Ed van der Elsken’s main talents: unveiling the unnoticed.
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TPG Exhibition List
Exhibition History 1971 - present The following list is a record of exhibitions held at The Photographers' Gallery, London since its opening in January 1971. Exhibitions and a selection of other activities and events organised by the Print Sales, the Education Department and the Digital Programme (including the Media Wall) are listed. Please note: The archive collection is continually being catalogued and new material is discovered. This list will be updated intermittently to reflect this. It is for this reason that some exhibitions have more detail than others. Exhibitions listed as archival may contain uncredited worKs and artists. With this in mind, please be aware of the following when using the list for research purposes: – Foyer exhibitions were usually mounted last minute, and therefore there are no complete records of these brief exhibitions, where records exist they have been included in this list – The Bookstall Gallery was a small space in the bookshop, it went on to become the Print Room, and is also listed as Print Room Sales – VideoSpin was a brief series of worKs by video artists exhibited in the bookshop beginning in December 1999 – Gaps in exhibitions coincide with building and development worKs – Where beginning and end dates are the same, the exact dates have yet to be confirmed as the information is not currently available For complete accuracy, information should be verified against primary source documents in the Archive at the Photographers' Gallery. For more information, please contact the Archive at [email protected]
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Ehbwq [Free and Download] Paris Des Rêves Online
ehbwq [Free and download] Paris des rêves Online [ehbwq.ebook] Paris des rêves Pdf Free Par Izis Bidermanas, Armelle Canitrot ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook Détails sur le produit Rang parmi les ventes : #460539 dans LivresPublié le: 2009-10-21Sorti le: 2009-10- 21Langue d'origine:Français 9.57 x .71l x 12.20L, Reliure: Broché197 pages | File size: 67.Mb Par Izis Bidermanas, Armelle Canitrot : Paris des rêves before purchasing it in order to gage whether or not it would be worth my time, and all praised Paris des rêves: Commentaires clientsCommentaires clients les plus utiles0 internautes sur 0 ont trouvé ce commentaire utile. ParisPar Ingrid TrindadeLes photos d'Izis sont merveilleux ! Ses photos des résistants sont très prenants et celles de Paris et de Londres racontent une époque0 internautes sur 1 ont trouvé ce commentaire utile. Izis, the poetPar Dt65A great man, who suffered for the crazy Nazist era, and a great photographer. This is a great tribute to him Présentation de l'éditeurMembre éminent du mouvement " humaniste ", Izis est en 1951 l'un des " Five French Photographers " exposés au Museum of Modern Art de New York avec Brassaï, Henri Cartier-Bresson, Robert Doisneau et Willy Ronis. Izis, Paris des rêves présente toute la palette de celui qui fut à la fois artiste et reporter, grand portraitiste et flâneur aux aguets. De la série fondatrice des Maquisards à ses rencontres avec Colette ou Chagall, de son oeuvre parisienne, qui fait l'éloge du rêve et de la lenteur au coeur de sa ville d'adoption à ses voyages à Londres ou en Israël, cet ouvrage révèle la diversité, l'originalité et la modernité de son travail.Biographie de l'auteurManuel Bidermanas est le fils d'Izis et d'Anna Rabkine.
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La Fotografia Umanista in Francia
Corso di Laurea Magistrale in Economia e Gestione delle Arti e delle attività culturali ordinamento ex D.M. 270/2004 Tesi di Laurea La fotografia umanista in Francia Relatore Ch. Prof. Riccardo Zipoli Correlatore Ch. Prof. Marco Dalla Gassa Laureanda Valentina Prete Matricola 860809 Anno Accademico 2017 / 2018 1 2 Indice del testo INTRODUZIONE ______________________________________________________________ 5 1. LA FOTOGRAFIA UMANISTA FRANCESE 1.1 Il concetto di Umanista e l’origine del termine ______________________________________ 7 1.2 La fotografia negli anni ’30 e nel secondo dopoguerra ________________________________ 8 1.3 Gli esordi della fotografia Umanista ______________________________________________ 9 1.4 L’immagine della Francia post guerra ____________________________________________ 11 1.5 I protagonisti della fotografia umanista ___________________________________________ 13 1.6 Groupe des XV _____________________________________________________________ 16 1.7 Gli strumenti del mestiere _____________________________________________________ 17 2. LA FRANCIA DEGLI ANNI ’30 E IL PERIODO POST-BELLICO 2.1 Dall’ inizio degli anni ’30 al Governo di Vichy ____________________________________ 19 2.2 Secondo dopoguerra in Francia _________________________________________________ 21 2.3 La decolonizzazione __________________________________________________________ 22 2.4 Le Trente Glorieuses _________________________________________________________ 25 2.5 Mai 68 ____________________________________________________________________
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Zibeline N°23 En
du 15/10/09 au 19/11/09 | un gratuit qui se lit 23 Culture en Méditerranée Politique culturelle Richard Martin, les Rencontres d’Averroès 5 Saison de la Turquie en France 6 à 8 La Seyne, les agences régionales des arts du spectacle 9 La paix en Méditerranée, Aflam 10, 11 Portrait Entretien avec Olivier Pauls 12 Théâtre ActOral 14 La Criée, Les Informelles 15 Le Gymnase, le Gyptis, les Bancs publics 16 Le Lenche, la Minoterie, le Merlan 17 Le Maquis, le Toursky, les Ateliers 18 Le Jeu de Paume, le Vitez, 19 Ouest Provence, Martigues, Nîmes, Arles, Port-de-Bouc 20, 21 Draguignan, Aubagne, Sainte-Maxime 22 Gap, Briançon, Cavaillon 23 Salon, Avignon 24, 25 Danse Au programme 26 Il pleut il fait soleil Drôles de hip hop (Vaucluse), Dansem, La Parenthèse 27 La rentrée est triste ! la Criée est restée close, Richard Martin Cirque/Arts de la rue Sirènes et midi net, Arles, le Merlan 28 ne mange plus, nombre de manifestations ont été annulées ou Small is beautiful 29 réduites, plusieurs galeries ont fermé, et les saisons ont com- Performance mencé bien tard, et terne ! Seules les manifestations différentes, Désordre urbain, 3bisf, Consolat 30 Arts visuels reposant par principe sur des propositions ténues -Actoral, Small Art-O-Rama, Ateliers d’artistes 32 is Beautiful- tiennent le choc économique et restent inventives. CCI, Musée Cantini 33 Mais la création peut-elle désormais se résumer à ces formes Museon Arlaten, Galerie la Non-Maison 34 Nîmes, Avignon 36 intimes? Ou à des festivals animés par des bénévoles ? Doit-on Miramas, Châteauneuf-le-Rouge
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