Consumer-App Relationships

Total Page:16

File Type:pdf, Size:1020Kb

Consumer-App Relationships Consumer-app Relationships A study on the strength of young consumers’ relationship with their smartphone applications Master thesis |Cand. Soc. Service Management Copenhagen Business School Gine Rosenberg Stauning Supervisor: Helle Haurum May 17, 2016 Charlotte Gade Agerskov 253,022 characters (111 pages) 1. Executive Summary 4 2. Introduction 5 2.1. Problem Statement 6 2.2. Research Question 6 3. DAYFAIR Company Profile 6 3.1. The DAYFAIR app 8 4. Delimitation 9 5. Clarification of Concepts 10 6. Philosophy of science 10 6.1. Research Paradigm 10 6.2. Ontology 11 6.3. Epistemology 11 6.4. Hermeneutic Heritage 12 7. Theoretical Foundation 13 7.1. Service Dominant Logic 13 7.1.1. Critique of SD-Logic 17 7.2. Co-Creation of Value 18 7.3. Experience Economy 19 7.3.1. Definition of Experience 19 7.3.2. Origin of Experience 20 7.3.3. Pine & Gilmore´s Experience Economy 20 7.3.4. What is an App Experience? 23 7.4. The Concept of Self and the Extended Self 24 7.4.1. Technology’s Influence on Self 26 7.5. Brand Relationship Theory 28 7.5.1. The Concept of Anthropomorphization 28 7.5.2. Fournier’s Relationship Theory 29 7.5.3. The Brand Relationship Quality Scale (BRQ) 31 Interdependence 31 Love and Commitment 31 Partner Quality 31 Self-concept of Connection 32 Nostalgic Attachment 32 Commitment 32 Intimacy 33 7.5.4. Limitations of Fournier 33 7.5.5. Paradox of Technology 34 7.6. Diffusion of Innovation Theory 37 7.6.1. Word-of-Mouth Marketing 41 8. Methodology 42 8.1. Research Design 42 8.1.1. Mixed Methods 43 8.2. Selection of informants 45 8.3. Presentation of Informants 46 8.4. Interviews 48 8.4.1. Interview Guide 48 1 8.4.2. Type of Questions 48 8.4.3. Two Interviewers 49 8.4.4. Structure of the Interviews 49 8.5. Transcription 50 8.6. Thematic Network Analysis 51 8.7. Software versus Manual Transcription and Thematic Analysis 52 8.8. Validity and Reliability 52 9. Findings and Analysis 54 9.1. Informants’ General Relationship with their phones 54 9.1.1. Smartphones Disturb Physical Social Interactions 56 9.1.2. Smartphone Applications 59 Time spent on Smartphone Applications 59 Sources of App Discovery 60 9.2. Communication 62 9.3. Part of a Network/Community 64 9.4. Fear of Missing Out (FoMO) 65 9.5. The Brand Relationship Quality Scale 68 9.6. Interdependence 69 9.6.1. Love/Commitment 71 9.6.2. Partner Quality 74 9.6.3. Self-Concept Connection 75 “Likes” and the perception of self 76 9.6.4. Deletion 77 9.6.5. Nostalgic Attachment 80 9.6.6. Intimacy 81 9.7. Consumer Shopping Behavior and Preferences 83 9.7.1. Informants’ Shopping Behavior 83 9.7.2. What is a good deal? 85 9.7.3. The Importance of App Design 86 10. Discussion 88 10.1. From BRQ to ARQ 88 10.2. The Effect of WOMM Strategies 91 10.3. Characteristics Contributing to the Rate of Adoption 93 11. Conclusion 95 12. Suggestion for Future Research 96 13. References 98 14. Appendixes 110 14.1. Appendix 1: DAYFAIR – App design 110 The first App design 110 The second app design 111 14.2. Appendix 2: The Four Realms of an Experience (Pine & Gilmore, 1998) 112 14.3. Appendix 3: Typology of Consumer – Brand Relationship Forms (Fournier, 1998) 113 14.4. Appendix 4: Four Social Media Communication Strategies (Kozinets, et al., 2010) 114 14.5. Appendix 5: Survey 115 14.6. Appendix 6: Interview guide 119 14.7. Appendix 7: Fournier’s Brand Relationship Quality Scale (2008) 121 14.8. Appendix 8: The Brand Relationship Quality Scale with added sub-facets 122 2 14.9. Appendix 9: Transcription of Semi-Structured Interview 123 Informant A - Sebastian 123 Informant B - Charlotte 126 Informant C - Elisabeth 130 Informant D - Christina 133 Informant E - Lili 136 Informant F – Kean 140 Informant G - Casper 142 Informant H - David 146 Informant I - Daniel 148 Informant J - Kirsa 151 Informant K - Cecilie 154 Informant L - Maja 157 Informant M - Anna 160 Informant N - Jacob 164 Informant O - Joakim 168 Informant P - Andreas 170 15. Appendix 174 15.1. Appendix 10: Overview of identified themes 174 15.2. Appendix 11: Results from Survey 175 15.3. Appendix 12: Informants top-3 Smartphone Applications 186 Prio 1 186 Prio 2 186 Prio 3 187 15.4. Appendix 13: Sub-facets chosen by informants (top-3) Prio 1-3 188 Prio 1 188 Prio 2 195 Prio 3 201 15.5. Appendix 14: App Relationship Quality (ARQ) 208 3 1. Executive Summary We’re living in a technological society where consumers increasingly enjoy great comfort of the advancement within technology. Especially, smartphones have become a vital part of consumers’ lives, always being within arm’s reach. Consumers have become dependent on their smartphones as they provide a wide range of advanced functionalities and services. Studies show that 90% of the time spent on these devices is dedicated to apps, a hyper-competitive market that continues to grow at unprecedented pace (Chin, 2015; Eddy, 2016). Guided by a general curiosity of what drives and determines young consumers’ relationships with these apps, this thesis aims to identify the key facets behind young people’s relationship with their smartphone applications. Prior studies show that consumers can attribute brands with anthropomorphic characteristics and develop relationships with these (Fournier, 1998; Blackston, 1993). In general, the marketing discipline has undergone a paradigm shift by having gone from a transaction based orientation to a relationship orientation. However, with smartphone applications being a relatively phenomenon not much yet exist on consumers’ relationships with these. Thus, this thesis develops a measurement scale for evaluating the quality and strength of consumer-app relationships. Fournier’s (1998) work on brand relationships was used in identifying the dominant dimensions of brand relationship quality. Methodologically, we applied the technique of triangulation as our empirical data was collected through a quantitative survey with 260 respondents and 16 qualitative, semi-structured in-depth interviews with young Copenhageners in the age 15-30 years old. Through this method we gained significant insight and identified six main facets of consumer-app relationships; interdependence, commitment, partner quality, self- connection, intimacy versus intrusiveness and FoMO (fear of missing out). Combined they constitute our proposal for an app relationship quality scale (ARQ) These facets can be individually present, however, if they are all present there’s a greater chance of building a strong consumer-app relationship. Especially, young consumers’ FoMO and their need to be part of a network/community and express who they are (both their actual and ideal self) prevails in explaining the strong relationship they have formed with certain apps. Contrary to Fournier (1998) who believes consumer-brand relationships to resemble interpersonal relationships, we found this not to be the case with consumer-app relationships, mainly due to the participating informants’ lack of deep affective feelings towards apps and the fact that they do not perceive apps to be living entities. Consumer-app relationships are thus not directly analogous to interpersonal relationships. 4 2. Introduction Over the course of a few years, especially with the advent of smartphones, phones have become significantly integrated into our lives. They have changed not only how we communicate and how we’re social but also redefined our perception of time and accessibility (Roberts, 2016). With smartphones also came smartphone applications, a market that is growing exceptionally fast (Eddy, 2016), and which provide consumers an unlimited range of apps offering everything from entertainment to task facilitation. Consequently, our phones have developed from being simply a means of dyad communication to an all-encompassing device that grant us constant access to information and social networks and allow us to perform daily tasks with only the tap of a screen. They have become virtually indispensable in today’s fast-paced world, always being within arm’s reach (Certeza, 2014). Consumers are seemingly in a strong relationship with this incl. their applications. The integration of apps in consumers’ lives have led to symptoms of addictiveness for some and popularized the phenomenon FoMO (Fear of Missing Out). FoMO occurs when consumers feel anxiety because they feel they are missing out on something and not keeping up with what’s going on, which may lead to a compulsive concern about being excluded (Busch, 2016). Even if wanting to, most consumers have troubles reducing their use of apps as they seem to have formed relatively strong relationships with these. For better or worse smartphone applications seem to have become, and probably will remain, an important part of consumers’ lives. But, what drives these strong consumer-app relationships? This thesis was originally inspired by an app developed by the Danish company DAYFAIR ApS. When the thesis process started the DAYFAIR app was still active and trying to make it in the intense, saturated and hyper- competitive market. However, during the thesis process DAYFAIR decided to temporarily withdraw the app due to poor penetration and feedback from users. This inspired us to research why DAYFAIR did not become a success and what drives consumers’ relationship with an app. Through our research we have explored young consumers’ relationships with their existing apps to try to understand their needs, expectations to and what drives these relationships. Taking an offset in Fournier’s (1998) relationship theory and brand relationship quality scale we set out to identify some of the key facets of consumer-app relationships. The thesis concludes with our proposal of a conceptual model for an app relationship scale, based on modifications applied to Fournier's BRQ scale, and a discussion of the interpersonal relationship analogy in regards to apps.
Recommended publications
  • Komplet Liste.Xlsx
    MasterCatID Artist Title 2010er Lady GaGa Bad Romance 2010er Robbie Williams Bodies 2010er Norah Jones Chasing Pirates 2010er Nabiha Deep Sleep (Radio edit) 2010er Jay Sean Down 2010er Rasmus Seebach Glad igen 2010er Leona Lewis Happy 2010er Amanda Jenssen Happyland 2010er Joey Moe Jorden Er Giftig 2010er The Raveonettes Last Dance 2010er Taylor Swift Love Story 2010er Timbaland Morning After Dark (feat. Nelly Furtado & SoShy) 2010er Paloma Faith New York (Radio Edit) 2010er Daniel Merriweather Red 2010er Bring Det På Ring Til Politiet 2010er Rihanna Russian Roulette 2010er Shakira She Wolf 2010er Alexander Brown & Morten Hampenberg Skub Til Taget (Radio Edit) [feat. Yepha] 2010er Alphabeat The Spell 2010er Ke$ha TiK ToK 2010er Muse Uprising 2010er Jason Derulo Whatcha Say 2010er John Mayer Who Says 2010er Kasper Bjørke Young Again (Radio Edit) 2010er Norah Jones Even Though 2010er Susan Boyle I Dreamed a Dream 2010er Magtens Korridorer Milan Allé 2010er Mariah Carey Obsessed 2010er Miley Cyrus Party In the U.s.a. 2010er Black Eyed Peas Meet Me Halfway 2010er Miley Cyrus When I Look At You 2010er Rasmus Seebach Lidt I Fem 2010er Michael Bublé Haven't Met You Yet 2010er Emma OS 2 (Svenstrup & Vendelboe Radio Mix) 2010er Taylor Swift You Belong With Me 2010er Owl City Fireflies 2010er Jokeren Den Eneste Anden 2010er Jack White & Alicia Keys Another Way To Die 2010er Jay-Z feat. Alicia Keys Empire State Of Mind 2010er Michael Jackson This Is It 00er Sys Bjerre Jumbojet 00er Sys Bjerre Gør Det Selv 00er Sam Sparro Black & Gold 00er Infernal
    [Show full text]
  • Title Artist Album 10.000 Nights of Thunder Alphabeat Single 100
    Title Artist Album 10.000 Nights Of Thunder Alphabeat Single 100 Dage Thomas Helmig & Medina Tommyboy Achy Breaky Heart Billy Ray Cyrus Feel The Music Addiction Medina Welcome To Medina All Alone On Christmas Darlene Love Now Christmas 2007 All I Want For Christmas Is Yo Justin Bieber Ft. Mariah Carey Under The Mistletoe All I Want For Christmas Is You Mariah Carey Merry Christmas All I Want For Christmas Is You Michael Bublé Christmas All I Want Is You Justin Bieber Under The Mistletoe Alle Har En Nisse Birthe Kjær 20 HITS PÅ JULETOPPEN Alt Hvad Hun Ville Var At Danse TV 2 Greatest (De Unge År) - disc 1 The Singles Collection [Jive Box Set] Baby One More Time Britney Spears Disc 9 Back To The 80's AQUA Cartoon Heroes: Best of Aqua Bad Moon Rising Creedence Clearwater Revival The Complet Hit-Album VOL.1 Bag Duggede Ruder TV 2 Greatest (De Unge År) - disc 1 Bjældeklang Kandis De bedste julehilsner Bonsoir Madame Big Fat Snake recycled - disc 2 Boten Anna BassHunter Single Brændende Læber Ray Dee Ohh Ray Dee Ohh Cartoon Heroes AQUA Cartoon Heroes: Best of Aqua Christmas (Baby Please Come Home) Michael Bublé Christmas Christmas Song Gilbert O'Sullivan Eldorado JUL Christmas Song Kirsten Siggaard Ft. Gilbert O'Sullivan Min Jul Christmas Time Johnny Logan Save This Christmas For Me Christmas Time Backstreet Boys Pure... Christmas Disc 4 Cool Jul Pyrus Pyrus I Alletiders Eventyr Cottonfields Creedence Clearwater Revival The Complete Hit Album VOL.2 Dancing Queen ABBA ABBA - Gold: Greatest Hits Daydream Believer Brødrene Olsen Songs December
    [Show full text]
  • Ingen Plads Til Svinkeærinder F O T Anmeldelse
    FLENSB O RG KULTUR FLENSBORG AVIS — Torsdag 24. marts 2011 — 17 Ingen plads til svinkeærinder F O T Anmeldelse. Publikum O S : L A råbte på danske sange, da R S S A L Medina gav koncert i O M O N Flesborg. Men hun var S E kommet for at synge på N engelsk. Og sådan blev det - næsten da. FLENSBORG. Det havde Medina ikke lige regnet med. At der var så mange danskere til hendes koncert i Det tyske Hus tirs - dag aften. Ét var, at hun havde kunnet gætte sig til, at danskere i hundredevis ville strømme til Flensborg fra Sønderjyl - land. Noget andet var, at hun aldrig havde hørt om, at der skulle eksiste - re et dansk mindretal syd for græn - sen. Hvor skulle hun også vide det fra? Hun har jo bare gået i en almin - delig dansk skole. Men nogen burde dog have hvi - sket hende det i øret. En oplyst ma - nager for eksempel - hvis den slags findes. Nu endte det i en total for - virring, der dog på flere områder af - slørede, hvad popmusik i virkelighe - den er for en størrelse. Hvis man ik - ke skulle vide det. Medina fik et bra - gende bifald, da hun over for publi - kum konstaterede, hvor mange dansktalende, der var blandt det godt 1600 tilhørere i Det tyske Hus. Fra masserne kom et inderligt øn - ske om at høre hendes sange på dansk, men ønsket besvarede Medi - na på følgende måde: - Jeg er her for at promovere mit internationale album. Derfor holder jeg mig også til engelsk, sagde hun.
    [Show full text]
  • Nyhedsbrev Fra Doellefjelde-Mussemarked.Dk
    Klik her, hvis du har problemer med at se e-mailen Gem nyhedsbrevet som en PDF Image: Nyhedsbrev_2010_3_tordag_i_markedsteltet_-_Seebach_-_Medina.gif To af de hotteste navne åbner årets marked Til årets Døllefjelde-Musse Marked har musikudvalget været ude og kigge på, hvad der kunne være mest interessant at præsentere. Vi har fundet det helt rigtige, nemlig de to navne der har været de mest omtalte, og bedst sælgende i 2009. Rasmus Seebach spiller åbningskoncerten klokken 21, og senere torsdag aften giver Medina koncert. Rasmus Seebachs gennembrud er helt unikt. Han er gået fra at være helt ubeskrevet til at dominere samtlige radiostationer og være på alle folks læber i 2009. Det er mange år siden at danskerne har set så overbevisende en debut, og hans første plade har solgt over 100.000 eksemplarer af debutpladen. Han succes blev slået fast da han for nyligt vandt hele tre Zulu Awards for henholdsvis "Årets Danske Hit", naturligvis for kæmpehittet "Engel", for "Årets Danske Sanger" samt for "Årets Nye Danske Navn". Rasmus Seebach har fået ros på sin første rigtige turné med band. Derfor er rygterne allerede løbet i forvejen om at han vil spille hele to sange, der direkte hylder hans far, den legendariske Tommy Seebach. For det første er den rørende "Den jeg er" selvfølgelig på programmet. Og for det andet slutter Rasmus efter al sandsynlighed af med en flot ny version af faderens Melodi Grand Prix basker "Disco Tango". Så der bliver sang, fest og fantastisk stemning i markedsteltet torsdag aften, og det fortsætter senere på natten med en anden af de nye kæmpestjerner Medina, som giver koncert fra midnat.
    [Show full text]
  • Songs for Choir Ars Nova Copenhagen Michael Bojesen  Frihed Er Det Bedste Guld (Freedom Is the Purest Gold), CNW 255 (1919; Arr
    Songs for choir Ars Nova Copenhagen Michael Bojesen Frihed er det bedste guld (Freedom is the purest gold), CNW 255 (1919; arr. 1921) ���������������������3:56 Songs for choir from ‘Tyve folkelige Melodier’ (Twenty “Folkelige” Melodies), no. XVIII Som en rejselysten flåde (There’s a fleet of floating islands), CNW 237 (1920). 5:30 Ars Nova Copenhagen from the play ‘Moderen’ (The Mother), op. 41, CNW 18 Michael Bojesen, conductor Udrundne er de gamle dage (Gone are the days, they’re past and olden), CNW 253 (1917) �����2:05 version for mixed choir, arr. 1925 Der sad en fisker så tankefuld (There sat a fisherman deep in thought), CNW 244 (1919) . 4:44 Nu er dagen fuld af sang (Now the day is full of song), CNW 213 (1914) �����������������������������������������2:17 from ‘Tyve folkelige Melodier’ (Twenty “Folkelige” Melodies), no. VII from ‘En Snes danske Viser’ (1915) (A Score of Danish Songs, 1915) Du danske mand! af al din magt (Sing, Danish man! With all your might), Frydeligt med jubelkor (Jubilation, shouts of glee), CNW 375 (1906) . 2:26 CNW 288 (1906) . 2:30 from ‘Melodier til sangbogen Danmark’ (Melodies for the Songbook “Denmark”) version for mixed choir, arr. 1915-16 Påskeblomst! hvad vil du her? (Easterbloom! Why are you here?), CNW 361 (1910) . 4:58 På det jævne, på det jævne! (Simple-rooted, simple-rooted!), CNW 238 (1921) �������������������������4:18 lyrics/text as presented in ‘Den Danske Salmebog’ (The Danish Hymn Book) from ‘Tyve folkelige Melodier’ (Twenty “Folkelige” Melodies), no. I Vi sletternes sønner har drømme i sind (We, sons of the plains carry dreams Derfor kan vort øje glædes (Wherefore do our eyes feel pleasure), CNW 239 (1919) .
    [Show full text]
  • 80-90-00'Er Tema
    Title Artist Album 3 Britney Spears Dancechart Volume 26 1999 Prince Single (I Can't Make It) Another Day Michael Jackson Ft. Lenny Kravitz Michael R & G (Rhythm & Gangsta) The (Intro) I Love To Give You Light Snoop Dogg Masterpiece (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes Dirty Dancing Det Bedste Af Dansk Musik - CD2 Disc 0-0-0 Steppeulvene 2 007 Is Also Gonna Die Nephew Single 10.000 Nights Of Thunder Alphabeat Single 100 Dage Thomas Helmig & Medina Tommyboy 1000 Stykker Anne Linnet Magi i luften 2 Times Ann Lee All 90s Disc 2 3x5 John Mayer Any Given Thursday Disc 1 4. Minutes (Remix) Madonna FT. Justin Timberlake Single 5 Minutes Past Loneliness The Sandmen Sleepyhead 74-75 The Connells DriveTime Volume 3 80'ernes Boheme Sebastian Magi i luften 83 Medley John Mayer Any Given Thursday Disc 2 9 To 5 Dolly Parton Største Hits 99 Luftballons Nena 100 80´er hits Disc 4 A Beggar On A Beach Of Gold Mike And The Mechanics Hits Ladies & Gentlemen - The Best Of A Different Corner George Michael With Wham! George Michael A Girl Like You Edwyn Collins DriveTime Volume 3 A Groovy Kind Of Love Phil Collins Hits A Kind Of Magic Queen Greatest Hits, Vol. 2 Shakin' Stevens-Greatest Hit [UK- A Letter To You Shakin' Stevens Import] A Little Less Conversation [JXL Radio Edit Remix] Elvis Presley Hitstory Disc 1 A Little Respect Erasure Hits The Very Best Of Erasure A Love Like 7 Sound Of Seduction The Very Best of S.O.S Shakin' Stevens-Greatest Hit [UK- A Love Worth Waiting For Shakin' Stevens Import] A Rockin' Good Way Shakin Stevens & Bonnie Tyler Greatest Hits [Sony] A Teenager In Love På Slaget 12 Let's Dance 2 A Winters Tale Smokie Our Danish Collection Disc 1 A World Without Love På Slaget 12 Let's Dance 2 ABCD Thomas Helmig Helmig Herfra Achy Breaky Heart Billy Ray Cyrus Feel The Music Addicted Amy Winehouse Back To Black Addicted to Love [Live] Tina Turner All the Best Disc 1 Africa Toto Greatest Hits (2xCD) Afrika Div.
    [Show full text]
  • Product Rental Service in the Premium Fashion Market: an Exploration of the Danish Female Consumer
    Product Rental Service in the Premium Fashion Market: An Exploration of the Danish Female Consumer Authors: Signe Overgaard (S102845) Emilie Østergaard Jakobsen (S102370) Puk Bolette Almsborg Ebsen (S102884) Supervisor: Alexander Josiassen Master Thesis MSc. in Business Administration & Organizational Communication Copenhagen Business School Date of hand-in: May 15th, 2020 Number of pages: 145 (273) Number of characters incl. space: 322.136 Resumé Deleøkonomien har opnået et væsentligt omfang i en lang række industrier. På tværs af sociodemografiske grupper er man gået fra at ’købe sig ejerskab’ til at ’købe sig brugsret’ – en udvikling, der er stødt stigende. Denne udvikling er et afkom af økonomisk ustabilitet samt et stigende fokus på bæredygtighed. Dele af den moderne livsstil er kendt for at forårsage miljøskader, dog er det først i de senere år, at tøjindustrien er blevet kendt som en af de store klimasyndere. På trods af dette er salget af tøj steget med 60% de seneste to årtier. Endvidere, udskifter danskerne deres garderobe dobbelt så ofte som i år 2000. Som et resultat af dette, er der skabt stor fokus på implementering af bæredygtige initiativer og forretningsmodeller. Hertil er der opstået et nyt fænomen: tøjudlejning. Et fænomen, der nu er nået til Danmark. To danske premium brands har i september 2019 implementeret denne nye forretningsmodel, hvilket har skabt grobund for at undersøge markedet for tøjudlejning i Danmark. Af samme grunde, ønsker dette studie at undersøge den danske kvindelige forbrugers perception af tøjudlejning samt de potentielle konsekvenser, som brands kan forvente at opleve ved implementering af denne forretningsmodel. Derudover klarlægges de kvindelige forbrugeres motivationer ved tøj køb.
    [Show full text]
  • Seneste Update: Dec-‐13 Mastercatid Artist Title 10Er Britney Spears 3
    Seneste update: Dec-13 MasterCatID Artist Title 10er Britney Spears 3 10er MariaMatilde Band 1000 Lysår (Gettic Remix) 10er Lady GaGa Bad Romance 10er Robbie Williams Bodies 10er Norah Jones CHasing Pirates 10er NabiHa Deep Sleep (Radio edit) 10er Jay Sean Down 10er Rasmus SeebacH Glad igen 10er Leona Lewis Happy 10er Amanda Jenssen Happyland 10er Joey Moe Jorden Er Giftig 10er THe Raveonettes Last Dance 10er Taylor Swift Love Story 10er Timbaland Morning After Dark (feat. Nelly Furtado & 10er Paloma Faith New York (Radio Edit) 10er Selvmord Råbe Under Vand 10er Daniel Merriweather Red 10er Bring Det På Ring Til Politiet 10er RiHanna Russian Roulette 10er SHakira She Wolf 10er Alexander Brown & Morten Hampenberg Skub Til Taget (Radio Edit) [feat. YepHa] 10er AlpHabeat The Spell 10er Ke$ha TiK ToK 10er Muse Uprising 10er Jason Derulo WHatcHa Say 10er JoHn Mayer WHo Says 10er Kasper Bjørke Young Again (Radio Edit) 10er Norah Jones Even ThougH 10er Susan Boyle I Dreamed a Dream 10er Magtens Korridorer Milan Allé 10er Mariah Carey Obsessed 10er Miley Cyrus Party In the U.s.a. 10er Black Eyed Peas Meet Me Halfway 10er Miley Cyrus WHen I Look At You 10er Rasmus SeebacH Lidt I Fem 10er Medina Ensom 10er MicHael Bublé Haven't Met You Yet 10er Emma OS 2 (Svenstrup & Vendelboe Radio Mix) 10er Taylor Swift You Belong With Me 10er Owl City Fireflies 10er Jokeren Den Eneste Anden 10er Jack WHite & Alicia Keys Another Way To Die 10er Jay-Z feat. Alicia Keys Empire State Of Mind 10er MicHael Jackson THis Is It 10er CHanée & N'Evergreen In a Moment like THis (Dansk Melodi Grand Prix 10er Adam Lambert WHataya Want from Me 10er BurHan G Jeg Vil Ha' Dig For Mig Selv 10er BurHan G Mest Ondt (feat.
    [Show full text]
  • Stikordsregister All My Loving
    Stikordsregister All My Loving . III 347 All Of Me . II 372 Titler og førstelinier All Praise to Thee . I 467 – fællesregister for SANGBOGEN 1, 2, 3 og 4 All the leaves are brown . II 444 All the Right Reasons . .V 206 bind side All Through the Night . I 288 ? er lykken så lunefuld . II 71 All You Need Is Love . IV 294 10.000 Nights (of Thunder). .V 198 Alle fuglestemmer forstummer . II 492 1999 . IV 378 Alle går rundt og forelsker sig . IV 72 2 mod verden . .V 216 Alle mine kilder . II 160 7 Years . .V 200 Alle mine længsler . I 47 Alle små fugle, i skoven er . II 46 A desert road from Vegas to nowhere . III 288 Allein! Wieder allein! . II 292 A Girl I Knew. IV 98 Allez venez, Mi-lord . I 304 A Hard Day’s Night . II 422 Allons, enfants de la patrie . III 206 A kiss on the hand . III 266 Allt bakom oxar . I 251 A la nanita nana . II 271 Almost heaven West Virginia . III 332 A Little Bit More . III 361 Alouette . I 299 A Nation Once Again . II 247 Alt er fi nt . .V 208 A Nightingale Sang In Berkeley Square . .III 304 Alt er stille . II 487 A poor soul sat sighing . II 243 Alt farer hen . III 263 A Proper Cup Of Coffee . II 241 Alt står i Guds faderhånd . IV 1 A Salty Dog . II 436 Alt, hvad som fuglevinger fi k . I 332 A Taste Of Honey . III 276 Altid frejdig, når du går .
    [Show full text]
  • Danse for Mig … Wau Jaa Fru Sauterne
    Unodernes sange 2015 Syng med Vers: Fællessang til bagvejsfesten Melodi: Solomon Linda - Johannesburg 1935 stilart: ” isicathamiya ” Helt herude på Fuglebakken bor en lystig flok. Tekst: Elsebeth Kasner 2007 Vi kan godt li’ at være sammen, vi får aldrig nok! Intro: Vi-iii.. vil holde bagvejsfest, ja-a-a, vi holder bagvejsfest. Fugle – bakkevej, Egernvej, Duevej! Og når sommeren næsten ender, har vi rigget til. Fugle – bakkevej, Her er nye og gamle venner, her er sang og spil, Egernvej, Duevej! nåååår vi holder bagvejsfest, deeet' sommerens bedste fest. Ritornel: Helt herude i pavillonen er en dejlig steg, På Duevej, på Duevej, grillen syder og fadøl flyder, lige no’ed for mig. på Egernvej, på Egernvej, Ååååh, sådan en bagvejsfest, ååååh - ja, så’n en bagvejsfest! på Duevej, på Duevej, på fine Fuglebakkevej Sikken sommer. Hør regnen trommer på vort teltdugstag. Blæs på vejret, tag fat i bæg’ret – skål for os i dag! Fo-ooor vi holder bagvejsfest, jaaaah, ja-ja-ja bagvejsfest! Extro: Fugle – bakkevej, Egernvej, Duevej! Fugle – bakkevej, Egernvej, Duevej! Fra Halifax til Spanien Fra Halifax til Spanien, med briggen Stewedor, vi sejlede med saltet torsk og otte mand om bord. ||: Vi var tilsammen alle vi et lystigt broderkor. På fyrre grader vestlig længde femogfyrre nord. :|| Så fik vi en orkan fra vest, en ren cyklon, jeg tror, Og stormen rev vor gamle skøre skipper overbord. ||: Vi hev ham op, vi vred hans skæg, endskønt han banded´ og svor, på fyrre grader vestlig længde femogfyrre nord :|| Se gutter, når jeg dør engang, så kast mig overbord, Imens I står ved rælingen, I snøfter lidt og glor.
    [Show full text]
  • Booklet DACOCD351-353 . Kopi
    CARL NIELSEN ON RECORD VINTAGE AND HISTORIC RECORDINGS DACOCD 801-830 30 CD Thomas Jensen Launy Grøndahl Erik Tuxen Carl Nielsen (1865-1931) is the central figure in Wagner’s operas. Danish music after the Romantic period. Through Similarly, his approach to thematic development his music, his writings and his strong personality and to structure seems to have been strongly he exerted a decisive influence on 20th-century influenced by his admiration for Beethoven’s and Danish music and musical aesthetics, and he was, Franck’s chamber music and symphonies. Fairly moreover, a source of inspiration for composers early on, however, he discovered his own in the other Scandinavian countries. He absorbed personal and unmistakable style, which he later and reformulated the best features of the musical developed relatively undisturbed within its own heritage, and he composed in nearly all genres. premises. His six symphonies are milestones in his Nielsen started out from the Classical harmony of compositorial output. the 18th and early 19th centuries, with its In the 20th-century Nielsen’s music has often preference for triads in the tonic and related keys been described as a reaction against the high and and for a relatively fast harmonic rhythm, and late Romantic style; but this description is these elements clearly marked his entire output. incorrect, since it throws less light on the music But during the 1890s he developed his harmony, than on the fact that later generations adopted the apparently independently, to what might be called stylistic ideals of Nielsen, and since Nielsen “extended tonality”, where all 12 semitones could himself denied the possibility of revolution in art.
    [Show full text]
  • Donna 10CC Dreadlock Holiday 10CC I'm Not in Love 10CC No
    Donna 10CC Dreadlock Holiday 10CC I'm Not In Love 10CC No Limit 2 Unlimited The Real Thing 2 Unlimited California Love 2Pac Away From The Sun 3 Doors Down Here Without You 3 Doors Down Let Me Go 3 Doors Down Alle Og Enhver Ka' Bli' Forelsket 3 Jacks Starstrukk 3oh!3 / Katy Perry What´s Up 4 Non Blondes Stand By Me 4 The Cause Dumb 411, the She Looks So Perfect 5 Seconds Of Summer Youngblood 5 Seconds of Summer In Da Club 50 Cent I'm On Fire 5000 Volts Give Me Just One Night 98° New Tomorrow A Friend In London Boogie Oogie Oogie A Taste of Honey Cancion del Mariachi Antonio Banderas & Los Lobos Caught In The Middle A1 Ready or Not A1 Take On Me A1 Angeleyes ABBA Cassandra ABBA Chiquitita ABBA Dancing Queen ABBA Does Your Mother Know ABBA Eagle ABBA Fernando ABBA Gimme Gimme Gimme ABBA Head Over Heels ABBA Honey, Honey ABBA I Am the City ABBA I Do, I Do, I Do, I Do, I Do ABBA I Have A Dream ABBA I Wonder (Departure) ABBA Knowing Me, Knowing You ABBA Lay All Your Love On Me ABBA Lovelight ABBA Mamma Mia ABBA Money, Money, Money ABBA On and on and On ABBA One Of Us ABBA Our Last Summer ABBA Ring Ring ABBA S.O.S. ABBA So Long ABBA Summer Night City ABBA Super Trouper ABBA Take A Chance On Me ABBA Thank You For The Music ABBA The Day Before You Came ABBA The Name Of The Game ABBA The Visitors ABBA The Way Old Friends Do ABBA The Winner Takes It All ABBA Under Attack ABBA Voulez Vous ABBA When All Is Said and Done ABBA When I Kissed the Teacher ABBA Waterloo ABBA (Sverige #1) My Way ABC The Look of Love ABC Back In Black AC/DC Givin the Dog a Bone AC/DC Have a Drink on Me AC/DC Hells Bells AC/DC High Voltage AC/DC It's a Long Way to the Top (If You Wanna Rock 'n' Roll) AC/DC Let Me Put My Love into You AC/DC Rock and Roll Ain't Noise Pollution AC/DC Rock'n'Roll Singer AC/DC Shake a Leg AC/DC Shoot to Thrill AC/DC T.N.T.
    [Show full text]