Waiting for Godot in New Orleans: a Field Guide Edited

Total Page:16

File Type:pdf, Size:1020Kb

Waiting for Godot in New Orleans: a Field Guide Edited Waiting for Godot in New Orleans: Edited by A Field Guide Paul Chan 4 ORGANIZE Organizing notes . 89 Teachings . 107 Schedules . 117 PRODUCING WAITING FOR GODOT IN NEW ORLEANS . 138 Gavin Kroeber - - KEYWORDS: Punk Planet, incompleteness, Lynne (Stewart), evacuee cities, disarm race, “Waiting for God to do…,” casting notice, University of New Orleans (UNO), Contemporary art seminar, Xavier University, “Practicum, ” NOCCA, Lusher High School, Frederick Douglass High School, John McDonogh High School, The Porch, a dare, silence, Jennifer Day, Lake Pontchartrain, Dan Krall, rumor, Rebecca Solnit All photos in this chapter by Tuyen Nguyen ORGANIZING NotES Wendell Pierce, T. Ryder Smith, Christopher McElroen, and Paul Chan at John McDonogh High School, 2007 WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE 4 [93] April note, 2007, pen on paper (Top and bottom) June notes, 2007, pen on paper 4 [94] WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE 4 [95] Note by Gavin Kroeber, 2007, pen on paper July note, 2007, pen and pencil and coffee on paper Application by Gavin Kroeber, 2007 4 [96] WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE 4 [97] Organizing map, 2007, pen on photocopy paper 4 [98] WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE 4 [99] (Above and facing page) Program notes from the New Israel Baptist Church, 2007 4 [100] WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE 4 [101] COMMON GROUND COLLECTIVE HEALTH MEDS WISHLIST 2007 HEALTH CLINIC PROJECT AED-automatic external defibrillator Computers-desktops and laptops. Must be relatively quick. Also, hard drives> 2 gigs, memory, wireless cards, routers, laser printers, LED monitors. Working car Van or bus to be used for Mobile Clinics Sharps Boxx for needles Toshiba Photocopier Toner T-3560 Portable small home 02 tanks LOTS and LOTS of BD, Accencia and OneTouch glucometer test strips lancets and lancet ‘pen-pokers- (for BD & One Touh Ultras) Disposable Earpieces for Otoscopes (Lots) LOTS of probe covers for Genius Tympanic & regular small electronic thermomerters Pregnancy tests “Emergen-C” New glumeters (BD and OneTouch)* lancets and lancet ‘pen-pokers- (for BD & One Touh Ultras) Ear Specula Adult & Child size Tympanic termometers with LOTS OF PROBE COVERS* Oral/ rectal electronic thermometers with LOTS of probe covers* Child, Regular, Large Adult, Ex-Large & Thigh BP cuffs* 02 Peak Flow Meters* 02 Saturation moniters (portable) Nebulizers (small, we will give to patients)* 02 Nebulizer chamber with masks or mouth pieces Non-rebreather Face Masks Penlights or head lamps Automatic BP & Vital Sign monitors (if small-we give thime away to patients) Stethoscopes Occult Blood testers* 12 Lead EKG with printer & electrodes* Small centrifuge for hematocrit* Quick Strep Tests* Urine Dip Sticks Urine Sample Bottles Common Ground Collective spreadsheet, 2007 UNO note, 2007, pen on stationery paper 4 [102] WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE 4 [103] NEW ORLEANS CONTACT SHEET NAME ORGANIZATION PHONE WARD OR NEIGHBORHOOD CATEGORY Bart, Father Pastor at St. Mary’s 504-945-3186 church Upper Ninth Ward church, community, education 504-912-6743 cell Baum, Dan The New Yorker 303-917-5024 Moved already press Bebelle, Carol Ashe Cultural Arts Center 504 569 9070 Don’t know what to call that area… community, education Bechet, Ron Xavier U of Louisiana 504-520-7552 (at Xavier), Gentilly education cell 832 309 9409 Bickham, Clarence Councilwoman Lewis (9th ward) assistant office 504-658-1050 City hall political Birch, Willie artist, member of the Porch 504-312-2701 7th art, community Boles, Shelley Newcomb art gallery at Tulane University office 504-865-5361, Garden District community, education cell 504-237-4862 Bradberry, Steve ACORN director 9th ward community Breunlin, Rachel Neighborhood Story Project 713 504 6267 7th community, education Brown, Charlie filmmaker, friend of Kirah ? film, art Butler, Joe Concordia Architects 504 289 0588 ? ? Chan, Paul Grease and Glue 504-388-5112 Esplanade = Mason Dixon? art Clay, Tatiana Gabriellen Ya Ya member 504-722-9470 French Quarter ? Cole, Teresa Tulane Art Dept 504 314 2200 Garden District education Coleman, Tommy collecor in NOLA 504-586-8300 Near Tulane? political Common Ground office lower 9th HQ 504-312-1737, 504-579-4100 lower 9th political Common ground office (St. Marys) main building where volunteers and offices are 504-528-3805 9th political, community Crier, Rondell YAYA Former Director of Programs 504-259-2428 Upper Ninth Ward production Cutbert, David Theater critic for the Times Picayune 504-826-3468 ? press Drummer, Marina Common Ground Collective 707-486-6806 Not in Nola political, community Early, Brandon community coordinator 504.920.9877 Lower Ninth Ward political, community Ehrlich, Melanie Citizens’ Road Home Action Team (Gentilly) 504 309 0328 Gentilly political Etheridge, Dan Porch member, environmental architect, 504-218-7237, 713-504-5619 7th community, production married to Rachel B. Fagley, Bill Curator at the New Orleans Museum of art, 504-458-1867, French Quarter art, political friend of Dan Cameron museum 504-658-4108 Finger, Davida Loyola Law Clinic under Bill Quigley cell 206-250-5852 Uptown political office 504-861-5596 Fitzmorris, Jim Tulane Director 504-638-6326 ? production Flaherty, Jordan NOLA human rights film festival director, 917-346-3623 7th ward? community, art, political activist (This spread and the following two spreads) Franco, Pamela Tulane University art historian (504) 523-5420 Garden District? community Work-in-progress contact spreadsheet from September, 2007 Gandolfo, Brian landlord cell 323-428-1418 ? na 4 [104] WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE 4 [105] NAME ORGANIZATION PHONE WARD OR NEIGHBORHOOD CATEGORY Gibson, Sara NOCCA Manager special projects 504-940-2858, 504-940-2857 ? education, art Gilbert, Jan artist, associate of Jana Napoli and 504-251-4968 ? community, art Kathy Randels Giselon, Ann Teaches at NOCCA (New Orleans Center for 504-940-2900 ? education the Creative arts high school Gladney, Greta Rennaisance project 504 482 5722, lower 9th community, political cell 504-390-2139 Green, Robert Resident of the Lower Ninth Ward 504-201-8860 Lower Ninth Ward church, community, education Hammell, Brian NOCCA Director of campus activities 504-940-2854 Bywater education Harris, Julie Mayor’s office, communication’s director Direct: 504-658-4961, ? political Cell: 504-915-9602 Haubrich, Kirah Big Top Productions, runs a café/ ? community performance space called 3-ring circus Heldman, Caroline Common Ground Collective 504-421-1205, lower 9th community, political cell 562-587-4229 Himmelstein, Abram Neighborhood Story Project founder, 504 908 9383 7th community, art teacher at John Mack high school Horisaki, Takashi Artist working with Sculpture Center in Queens 347-813-9393 lower 9th art Hot iron press (Jenny and Kyle) press and poster makers in NOLA 504-920-3980 Upper Ninth Ward art Karnell, Phil Drama Professor (head?) of UNO 504-280-6813 ? education drama Department Kaufman, Ann NPN 504 914 6187 ? community Kerney, Alice-Craft Director of the Lower 9th ward health clinic 504-259-8279 cell Lower Ninth Ward community, education 504-309-0918 office LaFrance, Ciona New Orleans Public Schools external affairs 504-214-7994 or City hall area? education 504-373-6200 ext 20084 Levy, Robin artist, mother, friend of Teresa Cole 504-451-5150 Central City? community Lewis, Cynthia Willard city council rep 504-658-1050 9th political Lewis, Ronald House of the Dance and Feathers, 504 957 2678 lower 9th community lower 9th ward leader Liz Rubarb for bikes, activist 504-943-0216 Lower Ninth Ward political, community Louis, Ross Communications dept at Xavier 504-520-5103 ? education MacCash, Doug art critic for the Times Picayune 504-826-3481 ? press Madonie YAYA ? art, community Marchand, Charmaigne 9th ward State Representative ? political McCormick, Shandra Local photographer from the Ninth Ward 832-368-1679 Lower Ninth Ward art, community Montana, Sabrina Mays Councilwoman Morrell (gentilly) assistant office 504-658-1040 ? political cell 504-342-5403 Montesinos, Claudia Architect, edcuator, works with Greta 404.229.2147 ? art, community Napoli, Jana artist of “Floodwalls” project, founded Ya Ya 504-782-5107 Metairie community NENA Neighborhood empowerment 504-451-9871 lower 9th political network association NENA (Linda) NENA higher up 229-269-9078 lower 9th political Nguyen, Tuyen Possible assistant in NOLA 985-358-9691 ? art Okazaki, Arthur Tulane University photographer professor 504-813-5302 Near Tulane? education 4 [106] WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE WAITING FOR GODOT IN NEW ORLEANS: A FIELD GUIDE 4 [107] NAME ORGANIZATION PHONE WARD OR NEIGHBORHOOD CATEGORY Orr, Benardette OXFAM, manager of the Gulf Coast 857-222-5703 Not in Nola political Recovery Program Patricia Jones NENA director 504-948-4544 lower 9th political Pinettes World’s only female brass band Christie 504-915-0434 ? art Janine 504-270-7741 Quigley, Bill Lawyer for Paul and Housing activist 504 861 5591 Near Loyola? political, community Rahim, Malik Common Ground Collective 908-448-8162 Lower Ninth Ward community, political Randels, Kathy ArtSpotProduction 504 822 7387, ? production cell 504-906-0182 Rene Broussard
Recommended publications
  • 20Th Anniversary Texas Book Fest Schedule! Author Panels, Lit Crawl, Music, Kids’ Activities, Food
    For more information, please contact: Brenda Thompson, 512-461-5644 [email protected] Please note: Media credentials are required to cover the Texas Book Festival. Credentialed media receive priority access to author sessions. Please complete and submit the online form located here http://www.texasbookfestival.org/2015-media- credentials. High-res Festival photos, the 2015 poster image, facts, and news releases are also available at the pressroom link. Changes to the Festival schedule will be continually updated and posted here: http://www.texasbookfestival.org/schedule-updates-2015/ September 24, 2015 20th anniversary Texas Book Fest schedule! Author panels, Lit Crawl, music, kids’ activities, food Oct. 17 and 18 at the State Capitol; free and open to the public AUSTIN—The 20th anniversary Texas Book Festival schedule released today includes the largest number of authors in its history (more than 300), dozens of author panels and readings, two days of live music, children’s activities, cooking demonstrations, Lit Crawl Austin, and more. The complete schedule is available at www.texasbookfestival.org. A few standout themes this year: nonfiction and fiction books about music, a panel on crime survivors’ perspectives, top authors who are fans of each other (Jonathan Lethem and Adrian Tomine), former presidential candidates, experts on past presidencies, football, fantasy and paranormal activity, and renowned journalists on topical matters including ISIS, border issues, and race. “This year is especially exciting as we celebrate the Texas Book Festival’s 20th anniversary,” says Marc Winkelman, the chair of the Festival’s board of directors. “We asked volunteers, authors, and attendees to share their stories, and collected 20 of the best to share.
    [Show full text]
  • Opinion Captain Charles Birthers Shut Down? Annual Easter Egg Hunt Hardly
    Lighting The Road To The Future Jumping The Broom Data Zone Page 6 “The People’s Paper” April 30 - May 6, 2011 46th Year Volume 1 www.ladatanews.com Scoop Jones - Founder Anthony Bean Wendell Pierce Carol Bebelle Marc Morial William Oliver Page 2 Data Around Town Opinion Captain Charles Birthers Shut Down? Annual Easter Egg Hunt Hardly. Page 7 Page 10 Photos by Victor Holt Page 2 April 30 - May 6, 2011 Cover Story www.ladatanews.com Data News Celebrates Forty-Fifth Anniversary Jerome Smith - Community Activist Non-Violent Coordinating Committee (SNCC) is a man with deep roots in the By Edwin Buggage activist community of New Orleans . “Data News Weekly has always served as the pipeline to Black New Orleans giving us the news that other outlets seemed to ignore,” says Smith . “It has been the paper that has chronicled Forty-five years ago Joseph “Scoop” Jones was a man with a dream of what’s important to our community .” creating a newspaper that would serve as a voice for the voiceless in the New He recounts the early days of Tambourine and Fan in the early 70’s, “When Orleans Community . In 1966 he and several partners started the New Orleans we first took over Hunter’s Field and worked with young people Data News Data News Weekly . Today under the ownership of his son Terry Jones, Data Weekly was the first newspaper to give us coverage ”. Smith feels that Black News Weekly has grown into one of the premier African-American newspa- newspapers are even more essential today in the city’s changing landscape, pers in the country winning awards and garnering praise from the community “I am glad to see Data is still around after forty-five years leading the charge as a news source people have come to trust .
    [Show full text]
  • Teaching the Levees
    Teaching The Levees 7 Times-Picayune staff graphic by Emmett Mayer III; staff photos by Ellis Lucia, Alex Brandon, and Devaunshi Mahadevia Teaching The Levees A Curriculum for Democratic Dialogue and Civic Engagement 7 MARGARET SMITH CROCCO, Editor Teachers College Columbia University New York R This work is dedicated to the residents of the Gulf States, who survived the ravages of Hurricane Katrina by helping one another, and to those who died so tragically. R Published by Teachers College Press, 1234 Amsterdam Avenue, New York, NY 10027 Copyright © 2007 Teachers College, Columbia University. All rights reserved. This publication was made possible by a grant from the Rockefeller Foundation. Grateful acknowledgment is made to the following sources for permission to use their materials: Afro-American Newspapers Archives and Research Center for excerpt The Opportunity Agenda for reprinting of “The Opportunity from “Spike Lee captures pain, hope of Hurricane Katrina Agenda’s six core values” survivors,” by Zenitha Prince (August 26, 2006) Pew Research Center for reprinting of “Katrina has only modest AlterNet for excerpt from “Media hurricane is so much hot air,” by impact on basic public values” (September 22, 2005) Rory O’Connor (September 14, 2005) The Poynter Institute for excerpts from “Best practices: Images of The American Conservative for an excerpt from “The emperor’s new disaster and how they were captured,” by David Frank consensus,” by Scott McConnell (October 10, 2005) (September 3, 2005), and from “Katrina photos: A gallery & notes Associated Press for excerpts from “For now the offi cial Hurricane from photo editors,” by Kenny Irby (September 4, 2005) Katrina death toll stands at 1,697” (October 29, 2006) and from Reuters News Service for excerpt from “US censoring Katrina “Up to 35,000 kids still having major Katrina problems,” by Janet coverage,” by Deborah Zabarenko (September 8, 2005) McConnaughey (February 2, 2007) Joni Seager for excerpt from “Natural disasters expose gender divide,” Philip S.
    [Show full text]
  • Rhythm, Dance, and Resistance in the New Orleans Second Line
    UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy.
    [Show full text]
  • AITV Online Advertising Deck 2016
    ART INDEX TV DIGITAL ADVERTISING DECK WWW.ARTINDEXTV.ORG ABOUT ART INDEX TV Art Index TV (AITV) is a compelling, informative, and engaging television series of half hour shows about contemporary art. AITV places contemporary art in context, demystifies and illuminates its creative process, and articulates the ways in which it impacts our culture at large. AITV features artists and art professionals who demonstrate the knowledge and the breadth of artistic practice in the region, the nation, and across the globe. Mission: Art Index TV is committed to effecting social change by promoting awareness and knowledge of the Contemporary Visual Arts through quality television programming and other educational resource mediums. Contemporary Art is a prominent practice that defines one of the West’s perimeters in the construction of societal expression. It can influence social justice and continually comments on our philosophical state of governance. Art engages our society and acts as a barometer for the breath of our life in the time it is made and beyond. ART INDEX TV PODCAST ADVERTISERS AD RATES FOR PODCASTS INCLUDED WITH EACH AD 1 Podcast: $450, 15 second Pre-Roll, 60 second Mid- • A 15-second audio Pre-Roll at the top of AITV podcast Roll with a 2 sponsor limit. • A 60-second audio Mid-Roll at approximately the halfway point of AITV podcast 2 Podcasts: $800, 15 second Pre-Roll, 60 second • A 15-second audio Outro at end of AITV podcast Mid-Roll with a 2 sponsor limit. • Podcast messaging will be carefully crafted to suit your marketing and public relations needs Full Season (8 podcasts): $2,700, 15 second Pre-Roll, • Monthly Media campaigns 60 second Mid-Roll with a 2 sponsor limit.
    [Show full text]
  • Hurricane Katrina/Rita Bibliography 2006
    1 HURRICANE KATRINA/RITA BIBLIOGRAPHY 2006 Jefferson Parish Library East Bank Regional Reference Department 504-838-1111 BOOKS AND VIDEOS Amis, Rod. Katrina and the Lost City of New Orleans. La 363.34 AMI 2006 Bacher, Renee, et al. LSU in the Eye of the Storm: a University Model for Disaster Response. La 363.34922 BAC 2005 Berry, Jason, et al. Do You Know What it Means to Miss New Orleans?” 2006 La 976.335 DO Bologna, Jay. The New New Orleans: Katrina, Folly, Rita, Calamity, Outrage, Destiny and the Secret Formula that Will Make Gasoline Obsolete. 2005 Brinkley, Douglas. The Great Deluge: Hurricane Katrina, New Orleans and the Mississippi Gulf Coast La 976.335 BRI 2006 Brown, D.M. Hurricane Katrina: the First Seven Days of America’s Worst Natural Disaster. 2005. 363.34 BRO Collier, Philip. Missing New Orleans. 2005 La 976.335 COL Cooper, Anderson. Dispatches from the Edge. LP 070.92 COO 2006 Cooper, Christopher and Robert Block. Disaster: Hurricane Katrina and the Failure of Homeland Security. La 976 COO 2006 Daniels, Ronald J., et al. On Risk and Disaster: Lessons from Hurricane Katrina. 2006. 363.34 ON Dawn, Laura et al. It Takes a Nation: How Strangers Became Family in the Wake Of Hurricane Katrina. La 976.3 IT 2006 Des Roches, Reginald. Hurricane Katrina: Performance of Transportation Systems. 2006 On Order Dudley, William, ed. Hurricane Katrina. 2006 363.34 HUR 2 Dunbar, Eric. Katrina: in the Aftermath of a Killer. La 363.34 DUN 2005 Dyson, Michael Eric. Come Hell or High Water: Hurricane Katrina and the Color of Disaster.
    [Show full text]
  • 6 Unique Nights & Collaborations
    SYMPHONY CENTER PRESENTS JUNE 10-12 & 16-18 a journey through musical roots New York City FRIDAY, JUNE 10, 8:00 BILL CHARLAP piano Th is portrait of New York’s rich and varied musical Kurt Elling vocals history focuses on two distinct and important eras. Ken Peplowski clarinet First, Bill Charlap directs an all-star ensemble, Jeremy Pelt trumpet including Chicago native and jazz vocalist Kurt Jimmy Greene tenor saxophone Elling, on a journey through the music of the Roaring Peter Washington bass Twenties, Broadway, Ellington, Bernstein, Sinatra and Kenny Washington drums be-bop. In the second half, accomplished singer-songwriter Suzanne Vega and guests Richard Julian and legendary folk singer SUZANNE VEGA guitar and vocals and Chicago native Tom Paxton celebrate the New York folk music Tom Paxton guitar and vocals scene of the 1950s, ‘60s and beyond. Richard Julian guitar and vocals Gerry Leonard guitar Mike Visceglia bass Route 66 SATURDAY, JUNE 11, 8:00 ARLO GUTHRIE guitar and vocals Inspired by America’s “Mother Road,” this performance CHICAGO SYMPHONY ORCHESTRA Vance Gilbert guitar and vocals is directed by legendary folk singer Arlo Guthrie, and SYMPHONY CENTER PRESENTS Eliza Gilkyson guitar and vocals showcases the nostalgic songs and music of an era when 220 South Michigan Avenue Chris Smither guitar and vocals this famous highway was the path of choice through the Chicago, IL 60604-2559 American west, uniting people on their journey from Chicago to Los Angeles. With its starting point adjacent to Symphony Center at the corner of Michigan and Adams, Route 66 celebrates its 85th anniversary in 2011.
    [Show full text]
  • Michael Cerveris: an Idea of South
    01-21 Cerveris:GP 1/13/12 11:21 AM Page 1 Saturday Evening, January 21, 2012, at 8:30 and 10:30 Michael Cerveris: An Idea of South Michael Cerveris , Vocals, Guitar, Banjo, Mandolin, and Washboard Shamarr Allen , Horn and Vocals Timothy Andres , Piano Jonathan Batiste , Piano, Vocals, and Harmonaboard Eric Bolivar , Drums Laura Cantrell , Vocals Gabriel Caplan , Guitar and Banjo Debbie Davis , Vocals and Ukelele Jon Graboff , Mandolin and Pedal Steel Kimberly Kaye , Vocals Craig Klein , Trombone and Vocals Alex McMurray , Guitar, Banjo, and Vocals Matt Perrine , Sousaphone and Bass Paul Sanchez , Vocals Lorenzo Wolff , Bass Linzay Young , Fiddle Eddy Zweibeck , Percussion and Harmonica This evening’s program is approximately 75 minutes long and will be performed without intermission. Major support for Lincoln Center’s American Songbook is provided by Fisher Brothers, In Memory of Richard L. Fisher; and Amy & Joseph Perella. Additional corporate support is provided by Bank of America Merrill Lynch. Wine generously donated by William Hill Estate Winery, Official Wine of Lincoln Center. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Please make certain your cellular phone, pager, or watch alarm is switched off. The Allen Room, Frederick P. Rose Hall Home of Jazz at Lincoln Center 01-21 Cerveris:GP 1/13/12 11:21 AM Page 2 Lincoln Center Additional support for American Songbook is Upcoming American Songbook Events provided by The DuBose and Dorothy Heyward in The Allen Room : Memorial Fund, Logicworks, The Shubert Foundation, Jill and Irwin Cohen, The G & A Wednesday, February 1, at 8:30 Foundation, Inc., Great Performers Circle, Keren Ann Chairman’s Council, and Friends of Lincoln Center.
    [Show full text]
  • A New Deal for Broadway
    P R E S E N T S A NEW DEAL FOR BROADWAY EQUITY, DIVERSITY, INCLUSION, ACCESSIBILITY & BELONGING FOR THE THEATRICAL INDUSTRY BLACK THEATRE UNITED’S NEW DEAL FOR BROADWAY Equity, Diversity, Inclusion, Accessibility, and Belonging for tHe Theatrical Industry Developed in consultation with the Center for Diversity, Inclusion, and Belonging at NYU School of Law Contents Introduction 1 Glossary of key terms 2 Section 1: Core principles and joint commitments 3 Section 2: Joint commitments of theatre owners and producers 4 Section 3: Commitments of theatre owners 5 Section 4: Commitments of producers 6 Section 5: Commitments of unions 8 Section 6: Commitments of creatives (directors, choreographers, music teams, designers, casting directors, composers, and playwrights) 10 Section 7: Procedural commitments 13 Original signatories 14 Black Theatre United Founders 14 Organizational Signatories 14 Individual Signatories 15 Press contact 17 Introduction The Broadway that opens in September 2021 will not be the same Broadway that closed in March 2020. For far too long, Black artists, theatre makers and technicians in all areas of our industry have been subjected to systemic and interpersonal racism that has harmed their lives and careers and diminished us all. 1 From March 2021 through August 2021, we, leaders in the Broadway theatre industry, participated in a summit organized by Black Theatre United. In five working groups consisting of theatre owners, producers, unions, and two groups of creatives (one with directors, choreographers, music directors, and designers; and another with casting directors, composers, and playwrights), we discussed how to reform our industry across issues of equity, diversity, inclusion, accessibility, and belonging (EDIAB) with a focus on Black professionals.
    [Show full text]
  • Margaret Evangeline
    MARGARET EVANGELINE 1992-present Lives and works in New York City EDUCATION 1978 MFA, University of New Orleans 1975 BA, University of New Orleans SELECTED SOLO EXHIBITIONS 2013 Callan Contemporary, We Thought We Were Drowning But It Was Only Love, New Orleans, LA Eli and Edythe Broad Art Museum, Sabachthani, Lansing, MI 2012 Heriard-Cimino Gallery, Dreaming In Quicksilver, New Orleans, LA Kim Foster Gallery, As-If , New York City Stux Gallery, Timebomb, New York City Bertrand Delacroix Gallery, Everyday Magic, New York City Heriard Cimino Gallery, Margaret Evangeline, New Orleans, LA Eleanor D. Wilson Musuem of Art, Bayous and Ghosts, 2 person with Hunt Slonem, Roanoke, VA Butters Gallery, Recklessly Blooming, Portland , OR 2011 Cohn Drennan Contemporary, Steel, 2 person with Suguru Hiraide, Dallas, TX 2010 Heriard-Cimino Gallery, Writing to Alexandrie, New Orleans, LA 2009 Elizabeth Moore Fine Art, Hot House, New York, NY DTR Modern, Distinct Conceptual Voices, Boston, MA HPGRP Gallery, A Feeling in My Bones, New York, NY Olin Gallery of Roanoke College, Margaret Evangeline Paintings and Video, Salem, VA 2008 The Ogden Museum of Southern Art, Silver Bullets and Holy Water, New Orleans, LA Byron Roche Gallery, Chicago, IL DTR Modern, Steel Canvas, Boston, MA 750 7th Avenue Exhibition Lobby Margaret Evangeline: Large Paintings and Works on Metal (1998-2006), Curator, Helen Varola, New York, NY 2007 KK Projects, (AMERICA), New Orleans, LA Heriard-Cimino Gallery, Fixing the Attitude in a Slightly Forward Leaning Position, New Orleans, LA Stux Gallery, Ricochet: The Prodigal Daughter, New York, NY The Rose Art Museum, Papertrail 1, Waltham, MA HP Garcia Gallery, Sensory Thresholds, A Decade of Painting, New York, NY Bergdorf Goodman, Startpoints, New York, NY 2006 C.
    [Show full text]
  • Ben Diller 4113 Tchoupitoulas St New Orleans, LA 70115 415.235.3111(Cell)
    Ben Diller 4113 Tchoupitoulas St New Orleans, LA 70115 415.235.3111(cell) http://bendillerart.com/ Education 2002 M.F.A., Studio Art, Sculpture/Installation emphasis, University of California, Davis, California 1992 B.F.A., Painting major, Sculpture minor, Cleveland Institute of Art, Cleveland, Ohio 1990 AICA New York Studio Program, New York City Experience Fall 2010 – Spring 2019 – Instructor/Drawing Coordinator Southeastern Louisiana University, Hammond, Louisiana Basic Drawing, Intermediate Drawing, Advanced Drawing, Senior and Independent Projects, Drawing Teaching, grant writing, committee work on scholarships, curriculum, foundations and design, faculty research http://www.selu.edu/acad_research/depts/vis_art/ Summer 2018 Baton Rouge Community College, Baton Rouge, LA Understanding the Arts Course (ARTS 10123)- 1 section Summer 2017 Baton Rouge Community College, Baton Rouge, Louisiana Understanding the Arts Course (ARTS 10123) – 2 sections Summer 2016 Baton Rouge Community College, Baton Rouge, Louisiana Understanding the Arts Course (ARTS 10123) – 2 sections Fall 2008 – Summer 2010 — Visiting Assistant Professor of Art/Drawing Coordinator Southeastern Louisiana University, Hammond, Louisiana Basic Drawing, Intermediate Drawing, Advanced Drawing, Senior and Independent Projects, Drawing Teaching, grant writing, committee work on scholarships, curriculum, foundations and design, faculty research Fall 2006 – Summer 2008 – Adjunct Instructor, Drawing Southeastern Louisiana University, Hammond, Louisiana Basic Drawing, Intermediate
    [Show full text]
  • Participatory Horizons: Participation and Shared Power in Mutual Aid Disaster Relief Organizations
    PARTICIPATORY HORIZONS: PARTICIPATION AND SHARED POWER IN MUTUAL AID DISASTER RELIEF ORGANIZATIONS By JAMES DUNSON A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE UNIVERSITY OF FLORIDA 2016 © 2016 James Dunson To the survivors of disasters (and those who stand in solidarity with them) who respond to tragedy with boldness, courage, and love, exemplifying with their compassion and action the new world we carry in our hearts ACKNOWLEDGMENTS I thank Dr. Spranger, whose attention to detail and willingness to read and reread drafts of this document helped improve this document tremendously. Dr. Spranger, along with Gregg Henderschiedt, stayed committed to my academic success and helped me overcome hurdles to succeeding at the University of Florida. I thank Dr. Kumaran whose insight about nonprofit organizational development & management and encouragement is helping me pursue my long-term goals and also added further depth to this document. I thank Dr. Carter who recommended scaling back the scope of my thesis to something manageable and grounded in participatory action research, which enabled a research process that was true to my ideals. I also thank all the participants of Common Ground and Occupy Sandy especially Francesco di Santis, whose documentation in the aftermath of Hurricane Katrina, made this research possible. Lastly, I thank everybody who has explored with me the meaning of solidarity and mutual aid in Tampa Bay, Orlando, New Orleans, Immokalee, Nablus, Calais, and every place where people are dreaming a new world into being. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................
    [Show full text]