Rabindranath Tagore, Song Composed June 1910
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd. -
1. Aabol Taabol Roy, Sukumar Kolkata: Patra Bharati 2003; 48P
1. Aabol Taabol Roy, Sukumar Kolkata: Patra Bharati 2003; 48p. Rs.30 It Is the famous rhymes collection of Bengali Literature. 2. Aabol Taabol Roy, Sukumar Kolkata: National Book Agency 2003; 60p. Rs.30 It in the most popular Bengala Rhymes ener written. 3. Aabol Taabol Roy, Sukumar Kolkata: Dey's 1990; 48p. Rs.10 It is the most famous rhyme collection of Bengali Literature. 4. Aachin Paakhi Dutta, Asit : Nikhil Bharat Shishu Sahitya 2002; 48p. Rs.30 Eight-stories, all bordering on humour by a popular writer. 5. Aadhikar ke kake dei Mukhophaya, Sutapa Kolkata: A 'N' E Publishers 1999; 28p. Rs.16 8185136637 This book intend to inform readers on their Rights and how to get it. 6. Aagun - Pakhir Rahasya Gangopadhyay, Sunil Kolkata: Ananda Publishers 1996; 119p. Rs.30 8172153198 It is one of the most famous detective story and compilation of other fun stories. 7. Aajgubi Galpo Bardhan, Adrish (ed.) : Orient Longman 1989; 117p. Rs.12 861319699 A volume on interesting and detective stories of Adrish Bardhan. 8. Aamar banabas Chakraborty, Amrendra : Swarnakhar Prakashani 1993; 24p. Rs.12 It is nice poetry for childrens written by Amarendra Chakraborty. 9. Aamar boi Mitra, Premendra : Orient Longman 1988; 40p. Rs.6 861318080 Amar Boi is a famous Primer-cum-beginners book written by Premendra Mitra. 10. Aat Rahasya Phukan, Bandita New Delhi: Fantastic ; 168p. Rs.27 This is a collection of eight humour A Mystery Stories. 12. Aatbhuture Mitra, Khagendranath Kolkata: Ashok Prakashan 1996; 140p. Rs.25 A collection of defective stories pull of wonder & surprise. 13. Abak Jalpan lakshmaner shaktishel jhalapala Ray, Kumar Kolkata: National Book Agency 2003; 58p. -
John Barth Literary Manuscripts [Finding Aid]. Library of Congress. [PDF Rendered Tue Sep 23 15:00:19 EDT 2014] [XSLT Processor
John Barth Literary Manuscripts A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2008 Revised 2010 April Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms008022 LC Online Catalog record: http://lccn.loc.gov/mm82050971 Prepared by Manuscript Division staff Revised by Margaret McAleer with the assistance of Lena H. Wiley Collection Summary Title: John Barth Literary Manuscripts Span Dates: 1955-1978 Bulk Dates: (bulk 1955-1968) ID No.: MSS50971 Creator: Barth, John, 1930- Extent: 90 items ; 11 containers plus 2 oversize ; 8.4 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Author. Holograph and annotated typed manuscripts and corrected galley and foundry proofs of several of Barth's early novels, short stories, nonfiction writings, and speeches. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Barth, John, 1930- Barth, John, 1930- End of the road. 1958. Barth, John, 1930- Floating opera. 1955. Barth, John, 1930- Giles goat-boy; or, The revised new syllabus. 1966. Barth, John, 1930- Sot-weed factor. 1960. Borges, Jorge Luis, 1899-1986. Subjects American essays. American fiction. American literature. Short stories. Speeches, addresses, etc. Occupations Authors. Administrative Information Provenance The literary manuscripts of John Barth, author, were given to the Library of Congress by Barth in 1968. -
Module Detail Subject Name Political Science Paper Name Indian Politics
Module Detail Subject Name Political Science Paper Name Indian Politics: I THE JUDICIARY IN INDIA Module Name/Title Module Id Pre-requisites To understand and evaluate the working of Objectives Indian Judicial System. To explain the evolution and rise of the Supreme Court in India. Role of judicial activism towards public interest litigation and in what way it contributed to shape the nature and contours of judicial activism in India. To explain various problems and challenges faced by the judiciary and reform initiatives to address them. Judiciary, Role and Functioning, the Supreme Court, Keywords Public Interest Litigation, Judicial Overreach, Judicial Activism, Judicial Accountability, Reforms, India. 1 Role Name Affiliation Principal Investigator Prof. Ashutosh Kumar Panjab University Chandigarh. Dr. Ajay K Mehra Paper Coordinator Delhi University, Delhi. Dr. Niranjan Sahoo Content Writer/Author (CW) Observer Research Foundation, New Delhi. Dr. Ajay K Mehra Content Reviewer (CR) Delhi University, Delhi. Dr. Ajay K Mehra Language Editor (LE) Delhi University, Delhi. THE JUDICIARY IN INDIA Niranjan Sahoo Introduction From being a reliable guardian and protector of constitution, an able propagator of rights of poor and faceless citizens to an institution of last recourse for millions of citizens to activism on issues that often get little or no attention from the executive, the judiciary in India has come full circle since its inception in 1950. The judiciary which has so far played extremely stellar role in having emerged as institution of last resort as executive and legislative branches have failed to perform their constitutional roles, has in many occasions intruded into the constitutional spaces of other organs. -
100 Best Last Lines from Novels
100 Best Last Lines from Novels 1. …you must go on, I can’t go on, I’ll go on. –Samuel Beckett, The Unnamable 22. YOU HAVE FALLEN INTO ARt—RETURN TO LIFE –William H. Gass, (1953; trans. Samuel Beckett) Willie Masters’ Lonesome Wife (1968) 2. Who knows but that, on the lower frequencies, I speak for you? –Ralph Ellison, 23. In your rocking-chair, by your window dreaming, shall you long, alone. In your Invisible Man (1952) rocking-chair, by your window, shall you dream such happiness as you may never feel. –Theodore Dreiser, Sister Carrie (1900) 3. So we beat on, boats against the current, borne back ceaselessly into the past. –F. Scott Fitzgerald, The Great Gatsby (1925) 24. Go, my book, and help destroy the world as it is. –Russell Banks, Continental Drift (1985) 4. …I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the 25. It was the devious-cruising Rachel, that in her retracing search after her missing Moorish wall and I thought well as well him as another and then I asked him with children, only found another orphan. –Herman Melville, Moby-Dick (1851) my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could 26. The knife came down, missing him by inches, and he took off. -
Tagore, Poet and Humanist
Tagore, Poet and Humanist Jack Lindsay There are many aspects of Indian culture which deserve to be more widely known, aspects which are interesting in themselves and of considerable relevance to us all in the struggle to create a culture adequate totheneedsof the world today. Rabindranath Tagore as a poet and humanist is widely known as a name, but generally as little more. His achievement is however so vital and so far-reaching that we can all profit by considering and studying it. I have called him poet because I think that his poetry lies at the core of his work, but since it was 'poetry as activity,' to use a phrase of Tristan Tzara, it spreads into other spheres, ultimately into all spheres of human activity. The way in which Tagore followed up the forces radiating from his poetry and developed a many-sided expression without ever losing touch with the central impulse makes him in many respects an exemplary figure for us all, whatever national culture we work in. His many-sidedness becomes a powerful protest against the fragmentation of modern man, an expression of human wholeness and a demonstration of the ways in which creativeness can invade every sphere without dissipating itself or losing its grasp of the essential goals. Early on, he realised that India was in the throes of a new birth, throwing off the constricting pressures of foreign domination and of backward elements in its own cultural inheritance. He knew that he was present at the first stages of the resurrection of a whole people and felt the stirring possiblities for his own art as a responsibility from which he must never swerve. -
Section:X in the Supreme Court of India Civil Original
SECTION:X IN THE SUPREME COURT OF INDIA CIVIL ORIGINAL JURISDICTION (UNDER ARTICLE 32 OF THE CONSTITUTION OF INDIA) WRIT PETITION (CIVIL) NO. OF 2016 BETWEEN: Dr. Akkai Padmashali & Ors. …Petitioners Vs. Union of India & Ors................................................... Respondents I N D E X Sl No PartiCulars Copies Court Fee 1. List of Dates 1+3 2. Writ Petition with Affidavit 1+3 Rs. 3. Annexure-P-1 to P- 1+3 Rs. 4. Listing Proforma 1+1 5. Vakalatnama with Memo of Appearance. Rs. Rs. Filed By: (O.P. Bhadani) Advocate for the Petitioners Office: O-1/B, LGF (Basement) Jangpura Extension, ND-14 CODE NO. 1934 I.C. No.4812 Mob: 9717268550 New Delhi Filed On: .07.2016 IN THE SUPREME COURT OF INDIA CIVIL ORIGINAL JURISDICTION (UNDER ARTICLE 32 OF THE CONSTITUTION OF INDIA) WRIT PETITION (CIVIL) NO. OF 2016 IN THE MATTER OF: Dr. Akkai Padmashali & Ors. …Petitioners Vs. Union of India & Ors.................................................. Respondents P A P E R B O O K [FOR INDEX, PLEASE SEE INSIDE] ADVOCATE FOR THE PETITIONERS: O.P. BHADANI SYNOPSIS 1. The Petitioners, who are members of the transgender community, are filing the present Writ Petition seeking a declaration that Section 377 of the Indian Penal Code is unconstitutional, being violative of their fundamental rights under Articles 14, 19 and 21 of the Constitution. 2. The Constitutionality of Section 377 IPC has been upheld by this Hon’ble Court in the judgment reported as Suresh Kumar Koushal v. Naz Foundation, (2014) 1 SCC 1. After dismissal of Review Petitions filed to challenge the said judgment, Curative Petitions were filed, and this Hon’ble Court has been pleased to direct the matters to be heard by a Constitution Bench. -
Reading Rabindranath Tagore's Gitanjali: Meanings for Our Troubled, Pandemic Stricken Times
ISSN 25820427 (Online) Special Issue No. 1 March, 2021 A bi-lingual peer reviewed academic journal http://www.ensembledrms.in Article Type: Research Article Article Ref. No.: 20113000443RF https://doi.org/10.37948/ensemble-2021-sp1-a016 (RE)READING RABINDRANATH TAGORE'S GITANJALI: MEANINGS FOR OUR TROUBLED, PANDEMIC STRICKEN TIMES Tapashree Ghosh1 Abstract: The COVID 19 pandemic is far from over. The second wave of the virus is already adversely affecting counties such as England, France, Germany, and the USA. In India, people are suffering from the widespread impact of this disease for the last nine months. It has deeply affected our life, livelihood, health, economy, environment, and mental health. This grim scenario is not only specific to our country but can be witnessed globally. At this critical juncture, literature is extremely important as it can lift us from the nadir of depression and the abyss of nothingness. Hence, while critically engaging with the sub-theme ‘Pandemic and Literature’ we should not limit our studies to texts dealing with crises, pandemics and apocalypse. We must broaden our perspective to include texts that can emotionally heal us and generate feelings of positivity, faith, strength, and peace. Hence, this paper re-reads Tagore’s Gitanjali from the present position of being sufferers of a global crisis. The text is timeless and our contemporary. It contains Tagore’s deep engagement with philosophy and spirituality. We should re-read it and fetch newer meanings relevant to our present context. It is relevant and a necessary read for both ‘the home and the world’. Article History: Submitted on 30 Nov 2020 | Accepted on 9 February 2021| Published online on 17 April 2021 Keywords: Anxiety, Death, Fear, Heal, Spirituality, Peace, Salutation, Strength “The mind is very restless, turbulent, strong and obstinate, O Krishna. -
Justice Prakash Tatia 1. Date of Birth: 4Th August, 1951 2. Education
Justice Prakash Tatia 1. Date of birth: 4th August, 1951 2. Education: B.Sc. (Biology) 1972, LL.B, 1975 3. Enrolled as Advocate: 1975 4. Judge Rajasthan High Court: 11.01.2001 5. Judge Jharkhand High Court: 11.04.2011 6. Act. Chief Justice Jharkhand High Court: 13.05.2011 7. Chief Justice Jharkhand High Court: 11.09.2011 8. Chairperson Armed Forces Tribunal, New Delhi: 23.08.2013 9. Chairperson, Rajasthan State Human Rights Commission, Jaipur: 11.03.2016 10. Was Member, Advisory Committee, National Court Management Systems (NCMS), constituted by Hon’ble Chief Justice of India, Hon’ble Shri S. H. Kapadia First Committee (a) Hon’ble Shri Justice Altamas Kabir, Judge, Supreme Court of India. (b) Hon’ble Shri Justice P. Sathasivam, Judge, Supreme Court of India. (c) Hon’ble Shri Justice P. C. Tatia, Chief Justice, Jharkhand High Court. Second Committee (a) Hon’ble Shri Justice P. Sathasivam, Judge, Supreme Court of India. (b) Hon’ble Shri Justice R. M. Lodha, Judge, Supreme Court of India. (c) Hon’ble Shri Justice P. C. Tatia, Chief Justice, Jharkhand High Court. Third Committee (a) Hon’ble Shri Justice R. M. Lodha, Judge, Supreme Court of India. (b) Hon’ble Shri Justice H.L. Duttu, Judge, Supreme Court of India. (c) Hon’ble Shri Justice P. C. Tatia, Chief Justice, Jharkhand High Court. Justice Prakash Tatia, when he was Judge of Raj. High Court, he was appointed as 11. Executive Chairperson, Raj. State Legal Services Authority, 12. Chairperson, Raj. State Judicial Academy, 03.03.2009 – 10.04.2011 13. -
Apocalypse in the Novels of Cormac Mccarthy
“The Salitter drying from the earth”: Apocalypse in the novels of Cormac McCarthy A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Christopher Yee University of Canterbury 2010 Contents Acknowledgements ................................................................................................................... 3 Abstract ..................................................................................................................................... 4 Introduction ............................................................................................................................... 5 1. Apocalypse ........................................................................................................................ 6 2. Manifest Destiny ............................................................................................................... 8 3. Overview of Chapters...................................................................................................... 12 Chapter One: Apocalyptic Time in Blood Meridian ............................................................... 18 1. Resistance of linear time: Holden and the narrator ......................................................... 20 2. The Kid ............................................................................................................................ 32 3. The Epilogue .................................................................................................................. -
Issn 2454-8537
ISSN 2454-8537 Vol: 4 I Issue: 1 I May, 2020 International Journal of Humanities in Technical Education – ISSN 2454-8537 Vol: 4, Issue 1 – May - 2020 Department of Communication Skills, Marwadi Education Foundation’s Group of Institutions, Rajkot – Gujarat (INDIA) A Study of Existentialism in John Barth’s The End of the Road R. Murugesan Ph.D Research Scholar Department of English, Annamalai University, Tamilnadu Abstract John Barth is one of the postmodern writers in American literature. Barth's complicated, greatly self- conscious, and comic texts as well as applauded essays have clearly established the author's status as a dynamic defender of North American literary Postmodernism. John Barth is one of the major novelists of American postmodernism. Barth’s contribution to the practice and theory of postmodernism is in this sense undisputable. However, much of the criticism dealing with his work in relationship to postmodernism is prompted by Barth’s own theories of “exhaustion” and “replenishment,” leaving his writing relatively untouched by theories of postmodernism in general. This study aims to change that. What is of particular interest here is the relationship between Barth’s aesthetic and the ideology critical work of the historical avant-gardes, which were the first to mobilize art against itself and its institutional practices and demands. Barth's second novel, The End of the Road, gives similar characteristics with its precursor. Like Todd, Jake (Jacob Homer) is a nihilistic protagonist who cannot get meaning in the world and who exists in isolation and separation from the rest of society. He also takes on a similar superior position with regards to the rest of humanity as does Todd and virtually all of Barth's characters. -
PAINTING (New Pattern) Subject Code *H505*
*H505* 2018 III 19 1000 Seat No. : Time : 2 Hours PAINTING (New Pattern) Subject Code # # 0 Total No. of Questions : 4 (Printed Pages : 3) Maximum Marks : 40 1. A) Write short notes on any one of the following : [2½] i) Adornment of Bride. ii) Raja Ravi Verma. iii) Pahari school. B) Look at the picture below and answer the questions given with reference to the picture. [2½] M O T H E R T E R E S A P a g e N o : 1 1 4 i) Who has painted the picture ? ii) What is the title of the painting ? iii) Where is the painting now displayed ? iv) Which medium has been used by the Artist to paint the picture ? v) What is the size of the painting ? C) Fill in the blanks with correct answers given in the brackets. [5] (Royal, Blessings, Pahari, Gestures, 19th CAD) i) Rajasthani painting flourished from 16th to ___________ ii) The ___________ school narrates Indian mythological and religious stories. iii) Ravi Verma belonged to the ____________ family of Travancore. iv) A devine light is pouring down to Chaitanya suggesting the ____________ v) Adornment of Bride was achieved by the use of hand ____________ H-505 -1- P.T.O. *H505* 2. A) Answer the following questions in a single sentence. [5] i) Which colour is mainly used in Warli painting ? ii) Where did the N.S. Bendre studied ? iii) How was Amrita Shergil influenced ? iv) What did Jamini Roy rediscovered ? v) How did earlier picture were drawn ? B) Tick the odd one out.