Portrayals of Mental Illness of Teens in Popular Tv Shows: 13 Reasons Why and Atypical

Total Page:16

File Type:pdf, Size:1020Kb

Portrayals of Mental Illness of Teens in Popular Tv Shows: 13 Reasons Why and Atypical PORTRAYALS OF MENTAL ILLNESS OF TEENS IN POPULAR TV SHOWS: 13 REASONS WHY AND ATYPICAL Item Type Electronic Thesis; text Authors Carter, Savannah Citation Carter, Savannah. (2020). PORTRAYALS OF MENTAL ILLNESS OF TEENS IN POPULAR TV SHOWS: 13 REASONS WHY AND ATYPICAL (Bachelor's thesis, University of Arizona, Tucson, USA). Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 04:49:50 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/650934 PORTRAYALS OF MENTAL ILLNESS OF TEENS IN POPULAR TV SHOWS: 13 REASONS WHY AND ATYPICAL By SAVANNAH MARIE CARTER ____________________ A Thesis Submitted to The Honors College In Partial Fulfillment of the Minor With Honors in Health and Human Values THE UNIVERSITY OF ARIZONA M A Y 2 0 2 0 Approved by: ____________________________ Dr. Christina Cutshaw Department of Public Health Carter2 ABSTRACT Background: Mass media, specifically television, has provided information and influenced perceptions of audiences on the topic of mental illness. Aims: To explore the extent that the popular dramatic television programs: 13 Reasons Why and Atypical, use stigmatizing or non- stigmatizing language about mental health conditions portrayed by the main character, the representation of mental health treatment, and how stigma is reflected in these portrayals. Methods: The author conducted a qualitative content analysis of four episodes of each show. Results: The depictions of mental illness through stigmatizing language, context, and plot were found to emphasize both public and self-stigma in each show. There were both positive and negative examples of treatment in each show with a more positive impression in Atypical than in 13 Reasons Why. Conclusion: Stigmatizing language continues to be used in popular shows that portray teen characters with a mental illness with mixed representation of treatment. Concerns include how teen audiences interpret the language and its contributions to stigma about mental health. Keywords: mental illness, stigma, teens, television, media, portrayals of therapy, negative, positive Carter3 INTRODUCTION We can learn a lot through television, some lessons are positive while some are negative. What can we learn about mental illness? Mental illness affects all ages, including teens and young adults who consume a lot of media, and thus may be in a position to be influenced by television depictions of mental illness and mental health treatment. Youth Mental Health and Stigma A mental illness is a condition that affects a person’s thinking, feeling or mood (CDC, 2018). It may also affect one’s ability to relate to others and function each day (CDC, 2018). Approximately 1 in 6 young adults experience a mental illness each year (NAMI, 2019). Many mental disorders have increased incidence in the teen years, including mood disorders, anxiety and substance abuse (Paus, Keshayan, and Gless, 2008). Around 50% of youth children received treatment for a mental disorder in 2018, with the average delay between symptoms and treatment being 11 years (NAMI, 2019). One barrier to addressing mental illness are multiple kinds of stigma (Corrigan. Watson, 2002). Stigma is “a mark of disgrace that sets a person apart from others” (STIGMA, 2009). More specifically, self-stigma is “the prejudice which people with mental illness turn against themselves” (Corrigan. Watson, 2002, p. 16). Public stigma is “the reaction that the general population has to people with mental illness” (Corrigan, Watson, 2002, p. 16). Stigma is a barrier between the success in treatment of symptoms among those with a mental illness (Ezell, Choi, Wall, and Link, 2017). When a person is labeled by their illness they may no longer be seen as an individual but as part of a stereotyped group. Living in a society where stigmatizing ideas are promoted might make someone believe they are less valued because of their mental illness, Carter4 resulting in one’s self-esteem suffering (Corrigan, Watson, 2002, p. 17). Negative attitudes and beliefs toward this stereotyped group create prejudice which leads to negative actions and discrimination” (STIGMA, 2009). Prejudice can develop anger which leads to hostile behavior and results in the withholding of help for one mental illness (Corrigan & Watson, 2002, p.16). A concern about stigma is that it may affect people seeking help (Corrigan & Watson, 2002). Out of 1.5 million young adults, around 545,000 believed that getting mental health services would cause them to experience discrimination from others, such as employers, friends, or family (SAMSHA, 2015). Stigmatized views of people with a mental illness are not limited to just the general public but also well-trained professionals from mental health disciplines (Corrigan & Watson, 2002, p. 16). Media Portrayals of Mental Illness There are different representations of mental illness, both positive and negative, that impact not only those with a mental illness but also how the public views people with a mental illness. Media comes in many forms; “television, film, newspaper, magazines, social media, radio, and even mobile applications (i.e. apps). Media provides information that influences how people perceive and understand the world” (Maiorano et. al, 2017, p.703). Social Learning Theory suggests that learning is not only through experience but through observation (Srivastava, Chaudhury, and Mujawar, 2018), thus those who spend a lot of time watching television are likely to assume the television view of mental illnesses (Srivastava, Chaudhury, and Mujawar, 2018). Several sources of negative attitudes toward people with mental illness include: labels, behaviors, attributions, misinformation, particularly regarding the association between violence Carter5 and mental illness (Link and Phelan 1999). Portrayals of mental illness are “often presented in such a manner that foster misconceptions about specific disorders” (Pirkis, Blood, Francis, and Mccalum, 2006 p.530). They create an impression that some rare disorders are common, and they present misleading information about certain disorders (Pirkis, Blood, Francis, and Mccalum, 2006). There is a history of often negative portrayals of mental illness in dramatic media such as television and film through depictions of violence, language such as ‘freak,’ ‘dangerous,’ or ‘crazy,’ and mostly extreme portrayals of anxiety and depression characteristics (Smith, Choueiti, Choi, Pieper, Moutier, 2019). In a review (Goodwin, 2013), psychosis is commonly stigmatized within media and presents inaccurate depictions. Another study found that in dramatic television, 1 in 10 characters (8.7%) are killers and 4.3% are killed; and of those characters, 21.6% of those characterized with a mental illness were killers and 20.7% are killed (Signorielli, 1989). Characters that had portrayed people with mental illnesses were more likely to be depicted as being victims of violence, as being unsuccessful and failures at their jobs more than half of the time, compared to 15% of average characters (Sieff, 2003). Wilson (1999) found that characters affected with a mental illness were portrayed as dangerous, violent, had low intelligence, and were unproductive members of society (Sieff, 2003; Henson et al., 2009). Mental health treatment also has negative portrayals. Psychiatric facilities within films are shown with negative depictions such as acute psychiatric wards where inmates are deprived of basic human rights (Damjanovic, Vukovic, Jovanovich, & Masonic-Gašic, 2009; Goodwin, 2013). Mental health professionals have also been depicted negatively among movies and TV shows. A study done by Schneider (1987) categorized mental health professions into 3 types which others have used when considering mental health professionals in film: “the Dr. Dippy, Carter6 Dr. Evil, Dr. Sexy, and the mental health professionals as ‘rationalist foils’ have all been set up to be ridiculed, feared, or otherwise treated with contempt” (Pirkis, Blood, Francis, and Mccalum, 2006, p. 532). When some form of media portrays an organization or class of people in a negative way it can cultivate prejudice and discrimination and have a damaging impact on those with mental health problems by diminishing levels of self-esteem, discouraging help-seeking behaviors, and increasing discrimination and possibly decreasing their chance to recover (Maiorano et. al, 2017). Furthermore, “media depiction of mental disorders contributes to the level of fear, hostility, and intolerance in the general population,” relating back to public stigma (Mairoano et al. 2017, p. 703). Positive portrayals of mental health such as recovery stories and positive depictions of mental health professionals or treatment centers are often lacking (Pirkis, Blood, Francis, and Mccalum, 2006). These representations impact not only those with a mental illness but also how the public views people with a mental illness: “the recent release of A Beautiful Mind exposed the public to the idea that not all people with schizophrenia are violent criminals” (Sieff, 2003 p. 262). Non-fictional media may also perpetuate stereotypes. Henson (2009) found that 36% of human interest news coverage stories were categorized as ‘ordinary citizen with,
Recommended publications
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • The American Postdramatic Television Series: the Art of Poetry and the Composition of Chaos (How to Understand the Script of the Best American Television Series)”
    RLCS, Revista Latina de Comunicación Social, 72 – Pages 500 to 520 Funded Research | DOI: 10.4185/RLCS, 72-2017-1176| ISSN 1138-5820 | Year 2017 How to cite this article in bibliographies / References MA Orosa, M López-Golán , C Márquez-Domínguez, YT Ramos-Gil (2017): “The American postdramatic television series: the art of poetry and the composition of chaos (How to understand the script of the best American television series)”. Revista Latina de Comunicación Social, 72, pp. 500 to 520. http://www.revistalatinacs.org/072paper/1176/26en.html DOI: 10.4185/RLCS-2017-1176 The American postdramatic television series: the art of poetry and the composition of chaos How to understand the script of the best American television series Miguel Ángel Orosa [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Mónica López Golán [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – moLó[email protected] Carmelo Márquez-Domínguez [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador Sede Ibarra, Ecuador) – camarquez @pucesi.edu.ec Yalitza Therly Ramos Gil [CV] [ ORCID] [ GS] Professor at the School of Social Communication. Pontificia Universidad Católica del Ecuador (Sede Ibarra, Ecuador) – [email protected] Abstract Introduction: The magnitude of the (post)dramatic changes that have been taking place in American audiovisual fiction only happen every several hundred years. The goal of this research work is to highlight the features of the change occurring within the organisational (post)dramatic realm of American serial television.
    [Show full text]
  • HBO, Sky's 'Chernobyl' Leads 2020 Baftas with 14 Nominations
    HBO, Sky's 'Chernobyl' Leads 2020 BAFTAs with 14 Nominations 06.04.2020 HBO and Sky's Emmy-winning limited series Chernobyl tied Killing Eve's record, set last year, of 14 nominations at the 2020 BAFTA TV awards. That haul helped Sky earn a total of 25 nominations. The BBC led with a total of 79, followed by Channel 4 with 31. The series about the nuclear disaster that befell the Russian city was nominated best mini-series, with Jared Harris and Stellan Skarsgård nommed best lead and supporting actor, respectively. Other limited series to score nominations were ITV's Confession, BBC One's The Victim and Channel 4's The Virtues. Netflix's The Crown, produced by Left Bank Pictures, was next with seven total nominations, including best drama and acting nominations for Oscar-winner Olivia Colman, who played Queen Elizabeth, and Helena Bonham Carter, who played Princess Margaret. Also nominated best drama were Channel 4 and Netflix's The End of the F***ig World, HBO and BBC One's Gentleman Jack and BBC Two's Giri/Haji. Besides Colman, dramatic acting nominations went to Glenda Jackson for BBC One's Elizabeth Is Missing, Emmy winner and last year's BAFTA winner Jodie Comer for BBC One's Killing Eve, Samantha Morton for Channel 4's I Am Kirsty and Suranne Jones for Gentleman Jack. Besides Harris, men nominated for lead actor include Callum Turner for BBC One's The Capture, Stephen Graham for The Virtues and Takehiro Hira for Giri/Haji. And besides Carter, other supporting actress nominations went to Helen Behan for The Virtues, Jasmine Jobson for Top Boy and Naomi Ackie for The End of the F***ing World.
    [Show full text]
  • Engaging Adolescents in Treatment
    Engaging Adolescents in Treatment “Assisting adolescents to reflect on their current situation and experiences and helping them to envision a positive future may promote motivation to change, especially among those who have ‘been there, done that’ and are willing to look ahead.” Janet C. Titus, Susan H. Godley, and Michelle K. White A Post-Treatment Examination of Adolescents’ Reasons for Starting, Quitting, and Continuing the Use of Drugs and Alcohol To successfully identify and treat adolescents with traumatic stress and substance abuse, clinicians must continually explore better ways to encourage their participation in treatment. This is particularly important in mental health and substance abuse service systems, where these teens present a unique set of challenges. Adolescents with both traumatic stress and substance abuse often have complex histories and numerous additional problems that make them particularly difficult to treat. Although empirically-based treatment interventions offer adolescents a good chance of success in overcoming a variety of psychological problems, many youth fail to obtain treatment, and those who enter treatment often terminate prematurely. Clinicians who work with adolescents encounter a series of challenges when trying to engage youth who have histories of traumatic stress and substance abuse. Most adolescents do not enter treatment voluntarily and are often apprehensive about the process. Furthermore, substance abusing adolescents, much like their adult counterparts, often have a hard time making positive changes in their use patterns. To provide effective services, these challenges and barriers must be addressed. Identifying and Encouraging Youth to Seek Help Teens tend not to seek out professional help for a variety of reasons.
    [Show full text]
  • Opiate Use Disorder-Science and Treatment
    Opiate Use Disorder Science and Treatment Bradley H. Levin, MD, FACC, FACS, FASAM, DABAM, CMRO Medical Director OATP VA Medical Center Baltimore, Maryland Medical Director Chesapeake Treatment Centers Disclosure • I have no financial relationship or affiliation with any commercial interest • I have no unapproved or investigational use of any product or device Opiate Use Disorder-Science and Treatment Learning Objectives 1. Neurobiology of Addiction 2. Addiction, a Choice or Genetics? 3. Medication Assisted Treatment- what types of treatments are available 4. What are some of the challenges to treatment 5. Goals of Therapy Definitions Addiction: A Chronic Relapsing Disorder “Addiction is a primary, chronic disease of brain reward, motivation, memory and related circuitry.” - ASAM Definitions: Opiates Nushtar or "nishtar" (from Persian, meaning a lancet) • Morphine • Codeine • Opium Opiates – substances naturally present in the opium poppy plant (Papaver Somniferum) • Thebaine Definitions: Opioids • Opioids are not found occurring in nature. • Two “types” of opioids Synthetic Semisynthetic Synthetic Opiates • Manufactured in chemical laboratories with a similar chemical structure to the milk of the poppy plant and are completely man-made to work like opiates • Fentanyl • Methadone • Dilaudid • Norco • Lortab • “Game of Thrones” • Milk of the poppy plant is also commonly used throughout the Seven Kingdoms in the Game of Thrones for those who have suffered severe injuries. 7 Semi-synthetic opiates • Combinations of natural opiates and synthetics
    [Show full text]
  • The Czech Republic: on Its Way from Emigration to Immigration Country
    No. 11, May 2009 The Czech Republic: on its way from emigration to immigration country Dušan Drbohlav Department of Social Geography and Regional Development Charles University in Prague Lenka Lachmanová-Medová Department of Social Geography and Regional Development Charles University in Prague Zden ěk Čermák Department of Social Geography and Regional Development Charles University in Prague Eva Janská Department of Social Geography and Regional Development Charles University in Prague Dita Čermáková Department of Social Geography and Regional Development Charles University in Prague Dagmara Dzúrová Department of Social Geography and Regional Development Charles University in Prague Table of contents List of Tables .............................................................................................................................. 3 List of Figures ............................................................................................................................ 4 Introduction ................................................................................................................................ 6 1. Social and Migration Development until 1989 ...................................................................... 7 1.1. Period until the Second World War ................................................................................ 7 1.2. Period from 1945 to 1989 .............................................................................................. 10 2. Social and Migration Development in the Period
    [Show full text]
  • Los Bridgerton, La Serie Más Vista De Toda La Historia De Netflix
    Image not found or type unknown www.juventudrebelde.cu Image not found or type unknown Los Bridgerton tendrá segunda temporada. Autor: Fotograma de la película Publicado: 28/01/2021 | 11:16 am Los Bridgerton, la serie más vista de toda la historia de Netflix La plataforma digital asegura que, según sus estadísticas, 82 millones de cuentas las visto a 28 días de su estreno, superando a otros fenómenos de popularidad del servicio «streaming» como The Witcher, Lupin, Gambito de Dama o incluso Stranger Things Publicado: Jueves 28 enero 2021 | 11:23:36 am. Publicado por: Juventud Rebelde Netflix aseguró este miércoles en un comunicado de prensa que Los Bridgerton, el último éxito televisivo de Shonda Rhimes, ha sido visto por 82 millones de cuenta en sus primeros 28 días tras su fantástico estreno en las Navidades, lo que la posiciona como la serie más vista en la historia del gigante digital. En el caso de los datos de audiencia de Netflix es recomendable andar con pies de plomo, ya que el método que usa la plataforma para definir un visionado resulta muy controvertido: basta con que un usuario vea un contenido concreto durante dos minutos para que se contabilice, advierte la agencia Efe, aunque reconoce que, por muy dudoso que sea la manera de Netflix a la hora de presentar sus éxitos, Los Bridgerton se ha situado por encima de otros fenómenos como del servicio de «streaming» como The Witcher, Lupin, Gambito de Dama o incluso Stranger Things. La semana pasada, Netflix confirmó que habrá una segunda temporada de Los Bridgerton por medio de la misteriosa narradora de la serie, Lady Whistledown.
    [Show full text]
  • Strategies in an Arts Program for Adults with Atypical Communication
    STRATEGIES IN AN ARTS PROGRAM FOR ADULTS WITH ATYPICAL COMMUNICATION STRATEGIES AND ADAPTATIONS IN AN ARTS PROGRAM FOR ADULTS WITH ATYPICAL COMMUNICATION A Master’s Degree Thesis by Christina Lukac to Moore College of Art & Design In partial fulfillment of the requirements for the degree of MA in Art Education with an Emphasis in Special Populations Philadelphia, PA August 2017 Accepted: ________________________________ Lauren Stichter | Graduate Program Director Masters in Art Education with an Emphasis in Special Populations STRATEGIES IN AN ARTS PROGRAM FOR ADULTS WITH ATYPICAL ii COMMUNICATION Abstract The purpose of this study was to observe and implement strategies and adaptations in an arts program for adults with atypical communication due to developmental and intellectual disabilities. This study was conducted in the field using an action research approach with triangulated methods of data collection including semi- structured interviews, participant observations, and artwork analysis. While research was conducted in two different art programs with similar populations, the main site of study was at SpArc Service’s Cultural Arts Center located in Philadelphia, Pennsylvania. The secondary site was at Center for Creative Works located in Wynnewood, Pennsylvania. The data collected between these sites produced common trends in strategies and adaptations that are used in the art room. Individual case studies conducted at SpArc Services allowed strategies to be implemented and documented in the art room. When implementing these findings, I saw how these strategies supported the participant’s goals as outlined in their Individual Outcome Summary. While working with the individual participants, areas of art making included textiles, mixed-media materials, and pop culture references.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D.
    [Show full text]
  • Tornado Times
    MAR 2021 TORNADOmagazine Map to the End of Semester • Follow this map as the end of the year comes increasingly close. EXCLUSIVE Ryan Ebrahamian a Hoover High Story March 2021 Two Sides of the Same Coin 3 by Sebastian Guzman • Read about students' differing opinions on online school. Map to end of semester 5 by Nooneh Gyurjyan • Follow this map as the end of the year comes increasingly close. Editor's List of Most Anticipated Movies of 2021 6 by Sebastian Guzman • Link Crew, a new program at Hoover High School, was created to help freshmen navigate through their first year during a pandemic. 9 a Hoover High Story by Sebastian Guzman • Ryan Ebrahamian, a former Hoover student from the class of 2016 talks about his memories of high school, the importance of heritage, “My Big Fat Armenian Family,” and much more. 14 Grade Nite Canceled by Monet Nadimyan and Melia Movsesian • Magic Mountain announces the cancellation of their 2021 event, months after Disneyland did the same. Michael Jordan's History At Hoover 15 by Cher Pamintuan • Did you know that Michael Jordan and the 1984 USA Olympic basketball team secretly practiced at the Hoover gym? In the world...where are Latinos? 17 by Sebastian Guzman • In the world of politics, music, and film, Latinos are on the rise, proving that Latino voices are essential to our modern-day society. Editor's Note After the warm receival of our first issue, we are excited to release our second issue of the Tornado Magazine. During these past few months, we have been working remotely alongside Hoover’s journalism staff on curating a student-friendly publication.
    [Show full text]
  • 2017 DGA Episodic Director Diversity Report (By STUDIO)
    2017 DGA Episodic Director Diversity Report (by STUDIO) Combined # Episodes # Episodes # Episodes # Episodes Combined Total # of Female + Directed by Male Directed by Male Directed by Female Directed by Female Male Female Studio Title Female + Signatory Company Network Episodes Minority Male Caucasian % Male Minority % Female Caucasian % Female Minority % Unknown Unknown Minority % Episodes Caucasian Minority Caucasian Minority A+E Studios, LLC Knightfall 2 0 0% 2 100% 0 0% 0 0% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC Six 8 4 50% 4 50% 1 13% 3 38% 0 0% 0 0 Frank & Bob Films II, LLC History Channel A+E Studios, LLC UnReal 10 4 40% 6 60% 0 0% 2 20% 2 20% 0 0 Frank & Bob Films II, LLC Lifetime Alameda Productions, LLC Love 12 4 33% 8 67% 0 0% 4 33% 0 0% 0 0 Alameda Productions, LLC Netflix Alcon Television Group, Expanse, The 13 2 15% 11 85% 2 15% 0 0% 0 0% 0 0 Expanding Universe Syfy LLC Productions, LLC Amazon Hand of God 10 5 50% 5 50% 2 20% 3 30% 0 0% 0 0 Picrow, Inc. Amazon Prime Amazon I Love Dick 8 7 88% 1 13% 0 0% 7 88% 0 0% 0 0 Picrow Streaming Inc. Amazon Prime Amazon Just Add Magic 26 7 27% 19 73% 0 0% 4 15% 1 4% 0 2 Picrow, Inc. Amazon Prime Amazon Kicks, The 9 2 22% 7 78% 0 0% 0 0% 2 22% 0 0 Picrow, Inc. Amazon Prime Amazon Man in the High Castle, 9 1 11% 8 89% 0 0% 0 0% 1 11% 0 0 Reunion MITHC 2 Amazon Prime The Productions Inc.
    [Show full text]
  • Serie Netflix 13 Reasons Why: Consideraciones Para Educadores
    Serie Netflix 13 Reasons Why: Consideraciones para Educadores Las escuelas desempeñan un papel importante en la prevención del suicidio de los jóvenes, y la toma de conciencia de los posibles factores de riesgo en la vida de los estudiantes es vital para esta responsabilidad. La serie de moda de Netflix 13 Reasons Why (13 Razones por qué), basada en una novela de adultos jóvenes del mismo nombre, está planteando tales preocupaciones. La serie gira alrededor de Hannah Baker, de 17 años de edad, quien se quita la vida y deja grabaciones de audio para 13 personas que dice de alguna manera fueron parte de por qué se suicidó. Cada cinta relata acontecimientos dolorosos en los cuales uno o más de los 13 individuos desempeñaron un papel. Los productores del programa dicen que esperan que la serie ayude a los que pueden estar luchando con pensamientos de suicidio. Sin embargo, la serie, que muchos adolescentes están viendo en exceso sin la orientación y el apoyo de adultos, está planteando preocupaciones de expertos en prevención de suicidios sobre los riesgos potenciales que plantea el tratamiento sensacionalista del suicidio juvenil. La serie representa gráficamente una muerte por suicidio y aborda en detalle desgarrador una serie de temas difíciles, tales como la intimidación, la violación, el conducir ebrio y la vergüenza. La serie también destaca las consecuencias de que los adolescentes sean testigos de agresión e intimidación (es decir, espectadores) y no tomen medidas para resolver la situación (por ejemplo, no hablar en contra del incidente, no decirle a un adulto sobre el incidente).
    [Show full text]