DOCSLIB.ORG

Young Man in Paris; Sophia Deri-Bowen; Dreamspinner Press, 2011; 9781615818082; 78 Pages; 2011

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Young Man in Paris; Sophia Deri-Bowen; Dreamspinner Press, 2011; 9781615818082; 78 Pages; 2011 Young Man in Paris; Sophia Deri-Bowen; Dreamspinner Press, 2011; 9781615818082; 78 pages; 2011 1. The young man has never been to Paris, but he read) a book about this city last year. 2. Have you decided) where to go yet? 3. A: Have some tea, please. It has run away) this morning. 10. We met) at a party a long time ago, but I haven't seen) her since then. 11. I saw an interesting book in a bookshop yesterday, but I did not / buy) it. 12. My friend fell from the bicycle because he hasn't ridden) one for ages. 13. His father died) in 1970, but he has never visited) his fatherâ™s grave since that time. 14. They went to America years ago, but none of them has come) back since then. 15. A: Have you spoken to an Englishman? Adrienne Young - Free Man in Paris Lyrics. Adrienne Young. Edit lyrics. "Free Man In Paris" is a song written by Canadian singer-songwriter Joni Mitchell. It appeared on her 1974 album Court and Spark, as well as her live album Shadows and Light. It is one of her most popular songs. The song is about music agent/promoter David Geffen, a close friend of Mitchell in the early 1970s, and describes Geffen during a trip the two made to Paris with Robbie and Dominique Robertson. While Geffen is never mentioned by name, Mitchell describes how he works hard creating hits and Tags: man saves child banging on window. Location: Paris, France. Views: 1147 Replies: 15 Score: 5. link: link without replies: Replies: sort by score sort by newest sort by oldest. Your account has no permission to add replies to this thread! Free Man in Paris. Adrienne Young. Album Room to Grow. Free Man in Paris Lyrics. be a good friend of mine I was a free man in Paris I felt unfettered and alive There was nobody callin' me up for favors And no one's future to decide You know I'd go back there tomorrow But for the work I've taken on Stoking the star maker machinery Behind the popular song I deal in dreamers and. telephone screamers Lately I wonder what I do it for If I had my way I'd just walk through those doors and wander Down the Champs Elysees Going café to cabaret Thinking how I'd feel when I find That very good friend of mine I was a free man in Paris I felt unfettered and ✠That Paris exists and anyone could choose to live anywhere else in the world will always be a mystery to me. - Midnight In Paris. ✠A walk about Paris will provide lessons in history, beauty, and in the point of Life. - Thomas Jefferson. ✠You canâ™t escape the past in Paris, and yet whatâ™s so wonderful about it is that the past and present intermingle so intangibly that it doesnâ™t seem to burden. - Allen Ginsberg. ✠To err is human. ✠If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast. - Ernest Hemingway. ✠To inhale Paris preserves the soul. - Victor Hugo. ✠When spring comes to Paris the humblest mortal alive must feel that he dwells in paradise. - Henry Miller. Young Man in Paris.
Load more

Recommended publications
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Joni Mitchell Complete So Far …
    GUITAR SONGBOOK EDITION1 JONI MITCHELL Complete SO FAR … Joni wishes to express her thanks … to Joel Bernstein: “As my repertoire of tunings expanded it became necessary to have a whole fleet of guitars set up in tuning families. It was Joel’s job to tune my guitars, and to do this he needed to learn at least the first eight bars of every one of my songs—therefore preserving these tunings which may have otherwise been lost, for which I am grateful”; to Henry Diltz for capturing these special moments in time with his photos; to Jeffrey Pepper Rodgers for asking interview questions that actually pertained to the art and the music; to Dana D’Elia and all the staff at Alfred Music who participated in the making of this book; and special thanks to Aaron Stang for overseeing the production of this project with such care. Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com All rights reserved. Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 0-7390-9588-9 ISBN-13: 978-0-7390-9588-1 Transcriptions by Joel Bernstein, Daniel Libertino, and Andrew DuBrock Cover photo by Jack Robinson, The Jack Robinson Archive, LLC; robinsonarchive.com All inside photos by Henry Diltz; morrisonhotelgallery.com Contents Foreword ................................................................................................................................................................................
    [Show full text]
  • 50S 60S 70S.Txt 10Cc - I'm NOT in LOVE 10Cc - the THINGS WE DO for LOVE
    50s 60s 70s.txt 10cc - I'M NOT IN LOVE 10cc - THE THINGS WE DO FOR LOVE A TASTE OF HONEY - OOGIE OOGIE OOGIE ABBA - DANCING QUEEN ABBA - FERNANDO ABBA - I DO I DO I DO I DO I DO ABBA - KNOWING ME KNOWING YOU ABBA - MAMMA MIA ABBA - SOS ABBA - TAKE A CHANCE ON ME ABBA - THE NAME OF THE GAME ABBA - WATERLOU AC/DC - HIGHWAY TO HELL AC/DC - YOU SHOOK ME ALL NIGHT LONG ACE - HOW LONG ADRESSI BROTHERS - WE'VE GOT TO GET IT ON AGAIN AEROSMITH - BACK IN THE SADDLE AEROSMITH - COME TOGETHER AEROSMITH - DREAM ON AEROSMITH - LAST CHILD AEROSMITH - SWEET EMOTION AEROSMITH - WALK THIS WAY ALAN PARSONS PROJECT - DAMNED IF I DO ALAN PARSONS PROJECT - DOCTOR TAR AND PROFESSOR FETHER ALAN PARSONS PROJECT - I WOULDNT WANT TO BE LIKE YOU ALBERT, MORRIS - FEELINGS ALIVE N KICKIN - TIGHTER TIGHTER ALLMAN BROTHERS - JESSICA ALLMAN BROTHERS - MELISSA ALLMAN BROTHERS - MIDNIGHT RIDER ALLMAN BROTHERS - RAMBLIN MAN ALLMAN BROTHERS - REVIVAL ALLMAN BROTHERS - SOUTHBOUND ALLMAN BROTHERS - WHIPPING POST ALLMAN, GREG - MIDNIGHT RIDER ALPERT, HERB - RISE AMAZING RHYTHM ACES - THIRD RATE ROMANCE AMBROSIA - BIGGEST PART OF ME AMBROSIA - HOLDING ON TO YESTERDAY AMBROSIA - HOW MUCH I FEEL AMBROSIA - YOU'RE THE ONLY WOMAN AMERICA - DAISY JANE AMERICA - HORSE WITH NO NAME AMERICA - I NEED YOU AMERICA - LONELY PEOPLE AMERICA - SISTER GOLDEN HAIR AMERICA - TIN MAN Page 1 50s 60s 70s.txt AMERICA - VENTURA HIGHWAY ANDERSON, LYNN - ROSE GARDEN ANDREA TRUE CONNECTION - MORE MORE MORE ANKA, PAUL - HAVING MY BABY APOLLO 100 - JOY ARGENT - HOLD YOUR HEAD UP ATLANTA RHYTHM SECTION - DO IT OR DIE ATLANTA RHYTHM SECTION - IMAGINARY LOVER ATLANTA RHYTHM SECTION - SO IN TO YOU AVALON, FRANKIE - VENUS AVERAGE WHITE BD - CUT THE CAKE AVERAGE WHITE BD - PICK UP THE PIECES B.T.
    [Show full text]
  • The Cyclic Nature of Joni Mitchell's Court and Spark Susan Neimoyer
    Document generated on 09/29/2021 8:25 a.m. Intersections Canadian Journal of Music Revue canadienne de musique The Cyclic Nature of Joni Mitchell's Court and Spark Susan Neimoyer Volume 34, Number 1-2, 2014 Article abstract Current scholarship recognizes several of Joni Mitchell’s albums as being URI: https://id.erudit.org/iderudit/1030868ar cyclic, or based on a unifying concept. Court and Spark (1974), however, is not DOI: https://doi.org/10.7202/1030868ar numbered among them, despite Mitchell’s having described it as “a discourse on romantic love.” Following the inference that this album may have been See table of contents conceived as an extended, multi-movement work, this article examines both its textual and musical aspects, seeking unifying characteristics. The cyclic nature of the album is uncovered, showing it to be more unified from a musical Publisher(s) perspective than a textual one. This approach is the opposite of Mitchell’s perceived norm, suggesting her compositional process may have been more Canadian University Music Society / Société de musique des universités sophisticated than is currently thought. canadiennes ISSN 1911-0146 (print) 1918-512X (digital) Explore this journal Cite this article Neimoyer, S. (2014). The Cyclic Nature of Joni Mitchell's Court and Spark. Intersections, 34(1-2), 3–32. https://doi.org/10.7202/1030868ar Copyright © Canadian University Music Society / Société de musique des This document is protected by copyright law. Use of the services of Érudit universités canadiennes, 2015 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit.
    [Show full text]
  • The Silky Veils of Ardor” by Greg Herren from the Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchell, Edited by Josh Pachter (Untreed Reads)
    The First Two Pages: “The Silky Veils of Ardor” by Greg Herren From The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchell, edited by Josh Pachter (Untreed Reads) An Essay by Greg Herren Nothing causes me greater grief than trying to analyze my own work. Rereading it is often an agony, as I always think oh, I could have said that better or really, you thought that sentence was a good idea? Inevitably, I am my own harshest critic, and I always find something, anything, many things, I could have done better. But I am fairly pleased with how “The Silky Veils of Ardor,” written for Josh Pachter’s The Beat of Black Wings anthology, turned out, and the beginning, as the song says, is a very good place to start. The elevator doors opened. Cautiously, her heart thumping in her ears, she walked out of the elevator into the hotel lobby and paused, taking a quick look around. Over at the front desk the young woman in uniform was checking in a couple. They didn’t look familiar. But it had been so long since she’d seen any of them…could she recognize anyone? She didn’t notice she’d been holding her breath. She walked across the lobby to the hotel bar entrance. A reader board just outside said WELCOME BACK ROCKY BEACH HIGH CLASS OF 1992! The black background was faded, the white plastic letters yellowed with age. The urge to just head back to the elevators and punch at the up button until the doors opened, get upstairs and run back to her room and pack all the clothes back into her suitcases, the clothes she’d just carefully unpacked and put away neatly in drawers and hung in the closet, was strong.
    [Show full text]
  • JONI MITCHELL BACKSTAGE PASS Michael A
    Advance Trade Information BOOKS JONI MITCHELL BACKSTAGE PASS Michael A. O’Neill JONI MITCHELL BACKSTAGE PASS Joni Mitchell is Canadian singer-songwriter and one of the most influential musicians of all time. Drawing from folk, pop, rock, and jazz, Mitchell’s songs reflect social and environmental ideals as well as her feelings about romance, confusion, disillusionment, and joy. One of the most important female recording artist of the last 50 years Joni Mitchell began singing in small nightclubs in her hometown of Saskatoon, Saskatchewan, and throughout western Canada, before busking in the streets and nightclubs of Toronto, Ontario. In 1965, she moved to the United States and JONI MITCHELL began touring. BACKSTAGE PASS Settling in Southern California, Mitchell, with popular songs like “Big Yellow Taxi” and “Woodstock”, helped define an era and a generation. Mitchell’s fifth album, For the Roses, was released in 1972. She then switched BIBLIOGRAPHIC INFORMATION: labels and began exploring more jazz-influenced melodic ideas, by way of lush Format: 270 x 270 mm Hardback Book pop textures, on 1974’s Court and Spark, which featured the radio hits “Help Me” and “Free Man in Paris” and became her best-selling album. Extent: 112 pages Mitchell is the sole producer credited on most of her albums, including all her Illustrations: 150 colour and mono photographs work in the 1970s. A blunt critic of the music industry, she quit touring and Text: 20,000 words released her 17th, and reportedly last, album of original songs in 2007. ISBN: 978-1-912332-43-4 With roots in visual art, Mitchell has designed most of her own album covers.
    [Show full text]
  • Inspired by Joni - the Albums
    Inspired by Joni - The Albums Compiled by: Simon Montgomery, © 2006 Please send comments, corrections or additions to: [email protected] Latest Update: May 23, 2021 Illustration from The Music Of Joni Mitchell Songbook Published by C.H. Hansen Publications All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. 1974 Sara Smith Sings The Best of A Tribute To Joni Mitchell Delmar #3013 (8 Track Cartridge) 1. Raised On Robbery 2. Woodstock 3. You Turn Me On, I'm A Radio 4. Chelsea Morning 5. California 6. Carey 7. The Circle Game 8. Night In The City 9. He Played Real Good For Free 1994 Back to the Garden – A Tribute to Joni Mitchell Intrepid Records #N21-00016 - Canada 01. Free Man In Paris Big Faith 02. This Flight Tonight Sara Craig 03. Carey Universal Honey 04. Big Yellow Taxi Lorraine Scott 05. Black Crow Molly Johnson 06. The Beat Of Black Wings Andy Stochansky 07. Shades Of Scarlett Conquering Martha And The Muffins 08. The Hissing Of Summer Lawns Funky Bummer featuring Anne Beadle 09. River Hugh Marsh, Jonathan Goldsmith, Rob Piltch, Martin Tielli 10. You Turn Me On, I'm A Radio Kurt Swinghammer 11. Coyote Spirit Of The West 12. Woodstock W.O.W. 13. Night In The City Jenny Whiteley 14. A Case Of You Sloan 15. Blonde In The Bleachers Squiddly featuring Maria Del Mar 16.
    [Show full text]
  • Steve's Karaoke Songbook
    Steve's Karaoke Songbook Artist Song Title Artist Song Title +44 WHEN YOUR HEART STOPS INVISIBLE MAN BEATING WAY YOU WANT ME TO, THE 10 YEARS WASTELAND A*TEENS BOUNCING OFF THE CEILING 10,000 MANIACS CANDY EVERYBODY WANTS A1 CAUGHT IN THE MIDDLE MORE THAN THIS AALIYAH ONE I GAVE MY HEART TO, THE THESE ARE THE DAYS TRY AGAIN TROUBLE ME ABBA DANCING QUEEN 10CC THINGS WE DO FOR LOVE, THE FERNANDO 112 PEACHES & CREAM GIMME GIMME GIMME 2 LIVE CREW DO WAH DIDDY DIDDY I DO I DO I DO I DO I DO ME SO HORNY I HAVE A DREAM WE WANT SOME PUSSY KNOWING ME, KNOWING YOU 2 PAC UNTIL THE END OF TIME LAY ALL YOUR LOVE ON ME 2 PAC & EMINEM ONE DAY AT A TIME MAMMA MIA 2 PAC & ERIC WILLIAMS DO FOR LOVE SOS 21 DEMANDS GIVE ME A MINUTE SUPER TROUPER 3 DOORS DOWN BEHIND THOSE EYES TAKE A CHANCE ON ME HERE WITHOUT YOU THANK YOU FOR THE MUSIC KRYPTONITE WATERLOO LIVE FOR TODAY ABBOTT, GREGORY SHAKE YOU DOWN LOSER ABC POISON ARROW ROAD I'M ON, THE ABDUL, PAULA BLOWING KISSES IN THE WIND WHEN I'M GONE COLD HEARTED 311 ALL MIXED UP FOREVER YOUR GIRL DON'T TREAD ON ME KNOCKED OUT DOWN NEXT TO YOU LOVE SONG OPPOSITES ATTRACT 38 SPECIAL CAUGHT UP IN YOU RUSH RUSH HOLD ON LOOSELY STATE OF ATTRACTION ROCKIN' INTO THE NIGHT STRAIGHT UP SECOND CHANCE WAY THAT YOU LOVE ME, THE TEACHER, TEACHER (IT'S JUST) WILD-EYED SOUTHERN BOYS AC/DC BACK IN BLACK 3T TEASE ME BIG BALLS 4 NON BLONDES WHAT'S UP DIRTY DEEDS DONE DIRT CHEAP 50 CENT AMUSEMENT PARK FOR THOSE ABOUT TO ROCK (WE SALUTE YOU) CANDY SHOP GIRLS GOT RHYTHM DISCO INFERNO HAVE A DRINK ON ME I GET MONEY HELLS BELLS IN DA
    [Show full text]
  • Page 1 TEACHER, TEACHER .38 SPECIAL I GO BLIND 54-40
    Page 1 TEACHER, TEACHER .38 SPECIAL I GO BLIND 54-40 OCEAN PEARL 54-40 Make Me Do) ANYTHING YOU WANT A FOOT IN COLD WATER HAND IN MY POCKET ALANIS MORISSETTE HEAD OVER FEET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE THANK YOU ALANIS MORISSETTE UNINVITED ALANIS MORISSETTE YOU LEARN ALANIS MORISSETTE YOU OUGHTA KNOW ALANIS MORISSETTE BLACK VELVET ALANNAH MYLES LOVE IS ALANNAH MYLES LOVER OF MINE ALANNAH MYLES SONG INSTEAD OF A KISS ALANNAH MYLES STILL GOT THIS THING ALANNAH MYLES FANTASY ALDO NOVA MORE THAN WORDS CAN SAY ALIAS HELLO HURRAY ALICE COOPER BIRMINGHAM AMANDA MARSHALL DARK HORSE AMANDA MARSHALL FALL FROM GRACE AMANDA MARSHALL LET IT RAIN AMANDA MARSHALL BABY I LOVE YOU ANDY KIM BE MY BABY ANDY KIM HOW'D WE EVER GET THIS WAY? ANDY KIM I FORGOT TO MENTION ANDY KIM ROCK ME GENTLY ANDY KIM SHOOT 'EM UP BABY ANDY KIM BAD SIDE OF THE MOON APRIL WINE ENOUGH IS ENOUGH APRIL WINE I WOULDN'T WANT TO LOSE YOUR LOVE APRIL WINE I'M ON FIRE FOR YOU BABY APRIL WINE JUST BETWEEN YOU AND ME APRIL WINE LIKE A LOVER, LIKE A SONG APRIL WINE OOWATANITE APRIL WINE ROCK AND ROLL IS A VICIOUS GAME APRIL WINE ROLLER APRIL WINE SAY HELLO APRIL WINE SIGN OF THE GYPSY QUEEN APRIL WINE TONITE IS A WONDERFUL TIME APRIL WINE YOU COULD HAVE BEEN A LADY APRIL WINE YOU WON'T DANCE WITH ME APRIL WINE BLUE COLLAR BACHMAN-TURNER OVERDRIVE GIMME YOUR MONEY PLEASE BACHMAN-TURNER OVERDRIVE HEY YOU BACHMAN-TURNER OVERDRIVE LET IT RIDE BACHMAN-TURNER OVERDRIVE Page 2 LOOKIN' OUT FOR #1 BACHMAN-TURNER OVERDRIVE ROLL ON DOWN THE HIGHWAY BACHMAN-TURNER OVERDRIVE TAKIN'
    [Show full text]
  • Carolina Classic Hits Top 2020 Classic Hit List
    2020 Carolina Classic “Hit List” Rank Title Artist 1 Head Over Heels Tears for Fears 2 Overkill Men at Work 3 When Smokey Sings ABC 4 The Look Of Love ABC 5 Raspberry Beret Prince 6 Keep On Loving You REO Speedwagon 7 Who Can It Be Now Men At Work 8 The Heart Of Rock & Roll Huey Lewis and the News 9 Our Lips Are Sealed Go-Go's 10 Small Town John Mellencamp 11 Tainted Love Soft Cell 12 Get Outta My Dreams Get Into My Car Billy Ocean 13 Maniac Michael Sembello 14 Open Your Heart Madonna 15 Celebration Kool & the Gang 16 Venus Bananarama 17 I Want You Marvin Gaye 18 Lady (You Bring Me Up) Commodores 19 Super Freak Rick James 20 What's Love Got To Do With It Tina Turner 21 Caribbean Queen (No More Love On The Run) Billy Ocean 22 Centerfold J. Geils Band 23 Boulevard Jackson Browne 24 You Might Think Cars 25 It's A Shame Spinners 26 Walking On Sunshine Katrina & The Waves 27 Don't Ask Me Why Billy Joel 28 Don't You (Forget About Me) Simple Minds 29 Don't Stop Believin' Journey 30 Allentown Billy Joel 31 Pink Houses John Mellencamp 32 Oh Sheila Ready For The World 33 Tell It To My Heart Taylor Dayne 34 This Time Bryan Adams 35 Beat It Michael Jackson 36 Everybody Wants To Rule The World Tears for Fears 37 Cold Hearted Paula Abdul 38 Got To Give It Up Marvin Gaye 39 St. Elmo's Fire (Man In Motion) John Parr 40 Holiday Madonna 41 Take On Me a-Ha 42 Freeway Of Love Aretha Franklin 43 Don't You Want Me Human League 44 Point Of No Return Expose 45 Reelin' In The Years Steely Dan 46 China Grove Doobie Brothers 47 Start Me Up Rolling Stones 48 Saturday
    [Show full text]
  • David Geffen Once Asked Ahmet Erie
    David Geffen BY ANTHONYn DeCURTIS avid Geffen once asked Ahmet Erie- her store. She worked there all day long, and there was a gun about the key to being successful kitchen in the back where we ate dinner, so I grew up in the music industry. “If you’re lucky, learning my mother’s ideas about integrity and business you bump into a genius,” the founder and negotiating. It never occurred to me I’d be anything of Atlantic Records and cofounder pf but a businessman.” theD Rock and Roll Hall of Fame explained, “and a genius From the start, Geffen approached business with the will make you rich in the music business.” Geffen took tenacity he witnessed in his mother, but also with a cre­ that advice to heart throughout his long, distinguished ative flair appropriate to the worlds of music, theater, and career, and that’s one of the rea­ film in which he would initially make his mark. In many ways, sons why it’s especially appro­ “I deal in dreamers and priate for him to be inducted his career would thrive on the into the Rock and Roll Hall of telephone screamers ” effective combination of those Fame this year as a recipient of Jo n i M itchell w rote about virtues: a retailer’s insistent and necessary appreciation for the Ahmet Ertegun Award. Geffen in “Free Man in Paris/9 Good luck never hurts, of every detail of a negotiation course, but as Ertegun certainly and the importance of the per­ knew and most likely believed that Geffen understood, sonal touch, coupled with a visionary5s sense of the larger as well, bumping into geniuses isn’t exclusively a matter context in which every small decision must be made.
    [Show full text]
  • Wilderness House Literary Review 7/2 Lyn Lifshin for Joni Mitchell FOR
    Wilderness House Literary Review 7/2 Lyn Lifshin for joni mitchell FOR THE ROSES I think of her watching the last rose petals on a day like today, say deep August, browning like an old rubber doll she might have left in an attic in Canada. I think of her pressing skin against glass, a sense of summertime falling, that sense of fall that that Sylvia Plath wrote of. Or maybe some freeze frame of what is going, moving on. I see her pale arms, sea mist velvet jeans hugging hips that never will not be boyish. In the wind, gone voices move close to her cheek bones. In this frame she could be in a fancy 30’s gown. Some thing is raw, some thing is broken. It has to be a full moon etching black water. She has to know that from what is torn and scarred, some thing almost too Wilderness House Literary Review 7/2 exquisitely beautiful is already stirring, some thing dark as coal becoming diamond, insistent, dying to be born — 2 — Wilderness House Literary Review 7/2 FOR THE ROSES Sometimes I think of her as a wild foal, hardly touching down in prairie glass, Saskatewan. Or a sea nymph, her gaze glued to the deepest emerald wave, a Silkie luring men she can’t stay with long. There she is, on a seaweed jeweled rock, her songs, ribbons of melancholy lassoing you, pulling on your heart. Some say Bessie Smith left even or especially good men to have something to make her songs burn the hottest blues.
    [Show full text]