Caroline Rannersberger
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Janet Laurence
JANET LAURENCE BIOGRAPHY Born Sydney 1947, Australia. Lives and works in Sydney, Australia. 2008–ongoing Visiting Fellow at COFA, UNSW 2007–09 Visual Arts Board, Australian Council 1996–2005 Trustee, Art Gallery of New South Wales, Sydney 1993 Master of Fine Art, College of Fine Arts, University of New South Wales 1977–81 Studied Sydney, Italy and New York ONGOING PROJECTS The Treelines Track, Bundanon, Australia. SOLO EXHIBITIONS 2019 Janet Laurence: After Nature, Museum of Contemporary Art, Sydney 2018 What Colour is the Sacred?, ARC ONE Gallery, Melbourne 2017 The Matter of The Masters, Art Gallery of New South Wales, Sydney Transplant: A forest for chlorophyll collapse, Momentum, Berlin Inside the Flower, IGA Berlin Lost Habitats, Nautilus Exhibition, Oldenburger, Germany Phytophilia, Hugo Michell Gallery, Adelaide 2016 The Pleasure of Love, October Salon, Belgrade The 13th Cuenca Biennial, Ecuador Habitat, Darling Harbour, Sydney, NSW Auftrag Landschaft, Schloss Biesdorf, Berlin, Germany Deep Breathing, Australian Musueum, Sydney. Habitat, Darling Harbour, Sydney, NSW H2O Water Bar, Paddington Water Reservoir, City of Sydney, NSW 2015 Deep Breathing: Resuscitation for the Reef, Grande Galerie de l’Evolution at Museum National d’Histoire Naturelle (MNHN), Paris. Antrhopocene, Fine Arts Society Contemporary, London, UK Momentum, Kuntsquartier Bethanien, Berlin 2014 Plants Eye View, Dominik Mersch Gallery, Sydney, NSW. A Case Study, Lake Macquarie City Art Gallery, Austrlaia. Residue, Hugo Mitchell Gallery, Adelaide. 2013 The Ferment, Fine Art Society Contemporary, London. Plants Eye View, Cat Street Gallery, Hong Kong. 2012 After Eden, Sherman Contemporary Art Foundation, Sydney. Avalanche, ARC ONE Gallery, Melbourne. Fabeled, BREENSPACE, Sydney. The Alchemical Garden of Desire, McClelland Gallery, VIC. -
Tasmania History, Art & Landscape Featuring the Glover Prize
TASMANIA HISTORY, ART & LANDSCAPE FEATURING THE GLOVER PRIZE MARCH 4-11, 2021 TOUR LEADER: ROBERT VEEL TASMANIA Overview HISTORY,\ ART & LANDSCAPE Tasmania has a distinctive history, culture and landscape which makes it quite different from Australia’s other states and territories. This tour offers Tour dates: March 4-11, 2021 a unique itinerary which combines the island’s well-known attractions with sites of particular interest to travellers with a strong interest in history and Tour leader: Robert Veel the arts. Staying in Launceston, Freycinet and Hobart, with day trips to surrounding areas, we visit historic homes and gardens and travel though Tour Price: $4,895 per person, twin share stunning landscapes. Art lovers are well catered for, with an in-depth look at colonial artist John Glover including the platinum access to the opening Single Supplement: $1,090 for sole use of night cocktail party and prize giving ceremony of the annual Glover Prize double room (subject to availability), and a visit to the renowned Museum of Old and New Art (MONA) on the Derwent River near Hobart. Booking deposit: $1000 per person Tasmania was one of the first places to be settled, and this is reflected in Recommended airline: Qantas or Virgin the fine early colonial architecture, with many towns and homesteads dating from the 1830s and 40s. It was also a place of social Maximum places: 20 experimentation in the 1800s, when convicts were sent from England to be improved in Tasmania as artisans, farmers and craftspeople. Side by side with this experimentation was the absolute inhumanity of places like Itinerary: Launceston (3 nights), Freycinet Macquarie Harbour. -
Curriculum Vitae MARK RODDA
Curriculum Vitae MARK RODDA EDUCATION 1999 Bachelor of Arts (Fine Art) (Honours), Royal Melbourne Institute of Technology 1994 Bachelor of Fine Art (Painting), University of Tasmania, Launceston SOLO EXHIBITION 2017 Ephemeral Archipelago, Estuary Lookout, Gallery 9, Sydney 2015 Flora with Fauna, Gallery 9, Sydney 2015 Nature vs Nurture, Sanderson Contemporary, Auckland 2014 Lairs of the Haunted, Utopian Slumps, Melbourne 2013 Shoeglaze, Gallery 9, Sydney 2012 Autumn Landscapes, Utopian Slumps, Melbourne 2011 Mark Rodda + Jake Walker, Utopian Slumps stall, Auckland Art Fair 2011 Sleeping Giants, Utopian Slumps, Melbourne 2010 Tidal River, 24hr Art, NT Centre for Contemporary Art, Darwin 2010 Phantom Lords, Seventh, Melbourne 2009 Tidal River, Kings ARI, Melbourne 2008 True Game Systems, (in collaboration with Utopian Slumps and Buro North), Next Wave Festival, Federation Square, Melbourne 2007 The Inland Sea (with Jake Walker), Utopian Slumps, Melbourne 2007 Under A Tungsten Star, Centre for Contemporary Photography, Melbourne 2007 Four Short Films, Video Lounge, Australian Centre for Photography, Sydney 2005 Monsters & Their Treasure, Bus, Melbourne 2005 Fortress, Westspace Inc. Melbourne 2004 New Instruction in Lawlessness, Tcb inc art, Melbourne 2004 Evil Twin, Linden Centre for Contemporary Arts, Melbourne 2002 2D Game Scenarios, Mass gallery, Melbourne 1995 Deliberate Mistakes and Planned Spontaneity Gallery Two, Launceston GROUP EXHIBITIONS 2017 Tom Crago’s Materials, (contributing artist), NGV Triennial, Melbourne 2017 Stockroom -
R-M-Mcgivern-Catalogue-2019.Pdf
23 November 2019 to 1 February 2020 ii Nicholas Aplin Kate Beynon Amber Boardman Angela Brennan Janet Burchill Dord Burrough Penelope Cain Hamish Carr Kevin Chin Nadine Christensen Dale Cox Nicola Dickson Fernando do Campo Briell Ellison Josh Foley Juan Ford Betra Fraval Deanne Gilson Helga Groves Stephen Haley Katherine Hattam Euan Heng Sophia Hewson Miles Howard-Wilks Deborah Klein Kate Kurucz Emma Lindsay Tony Lloyd Dane Lovett Simon MacEwan Jordan Marani Sam Martin Andrew Mezei Luke Pither Kenny Pittock Victoria Reichelt Mark Rodda Evangelos Sakaris Kate Shaw Shannon Smiley Julian Aubrey Smith Jacqui Stockdale Camilla Tadich Jelena Telecki Sarah Tomasetti Message from Maroondah City Councillors The inaugural R & M McGivern Prize was held in 2003 and since this time has grown to become a prestigious national painting prize attracting artists from all over the country. Well-regarded Australian artists such as Martin King, Rose Nolan and Rosslynd Piggott have each been significant recipients of this award. Submissions to the R & M McGivern Prize this year were of outstanding range and quality, with a record number of 450 entries. Thank you to all of the artists who entered. We are honoured to have three distinguished judges for this year’s prize: Charlotte Day, Director, Monash University Museum of Art; Ryan Johnston, Director, Buxton Contemporary; Penny Teale, Bunjil Place Gallery Curator. The winning recipient of the Prize receives $25,000, and the work is acquired by Council to become part of the Maroondah City Council Art Collection. This is a distinguished collection maintained by Council for the enjoyment of the Maroondah community and wider audiences. -
G. W. Bot: Paddock Glyphs”, Art & Australia, Vol
G . W . B O T Born in Pakistan 1954; arrived in Australia 1955 SOLO EXHIBITIONS 2017 ‘Grasslands – Glyphs’, Australian Galleries, Melbourne 2016 ‘Riverbend Glyphs’, Australian Galleries, Sydney ‘Endangered Glyphs', Beaver Galleries, Canberra 2015 ‘Glyphs and the elements: Air, fire, water and earth’, Australian Galleries, Derby Street, Melbourne 2014 ‘Glyphs – Between Worlds’, Australian Galleries, Roylston Street, Sydney 2013 ‘Glyphmetric’, Beaver Galleries, Canberra 2012 ‘Dancing Glyphs’, Australian Galleries, Smith Street, Melbourne ‘Glyphmaker’, Tweed River Regional Art Gallery, Murwillumbah, NSW 2011 ‘Glyphs’, Australian Galleries, Roylston Street, Sydney ‘Australian Glyphs’, Hart Gallery, London, England 2010 ‘G.W. Bot: The long paddock: a 30 year survey’, Touring exhibition to 2013: Goulburn Regional Art Gallery, NSW; Grafton Regional Art Gallery, NSW; Hawkesbury Regional Gallery, NSW; Mosman Art Gallery, Sydney; Margaret Carnegie Art Gallery, NSW; Wagga Wagga Art Gallery, NSW; Orange Regional Art Gallery, NSW; Tamworth Regional Art Gallery, NSW; Stanthorpe Regional Art Gallery, QLD; Artspace Mackay, QLD; Toowoomba Regional Art Gallery, QLD; Perc Tucker Regional Gallery, QLD; Maitland Regional Art Gallery, NSW ‘A morphology of glyphs’, Beaver Galleries, Canberra 2009 ‘Fire Glyphs and Spirits’, Artspace Mackay, Mackay, QLD ‘Field of glyphs’, Hart Gallery, London, England 2008 ‘Paddock glyphs’, Australian Galleries, Smith Street, Melbourne ‘Paddock glyphs’, Australian Galleries, Glenmore Road, Sydney 2007 ‘Glyphs’, Hart Gallery, -
John Glover a View of the Artists House and Garden, in Mills Plains, Van Diemen’S Land
John Glover A view of the artists house and garden, in Mills Plains, Van Diemen’s Land Interpretive Resource John Glover was born in England in 1767 A view of the artists house and garden, Image (below) and image detail (cover) and showed a talent for drawing at an in Mills Plains, Van Diemen’s Land shows John Glover, Britain/ early age. He was a successful landscape Glover’s Patterdale farm at Deddington Australia, 1767–1849, A view of the artist’s house painter in England before migrating Northern Tasmania on a bright summer’s and garden, in Mills Plains, to Van Diemen’s Land (now Tasmania) day. His shingle-roofed stone house and Van Diemen’s Land, 1835, Deddington, Tasmania, oil in 1831 where he bought land and set wooden studio-gallery are surrounded on canvas, 76.4 x 114.4 cm; Morgan Thomas Bequest up a farm near Launceston. Glover’s by his flourishing garden. Glover brought Fund 1951, Art Gallery of Tasmanian landscapes showed his liking plants and seeds with him on the long South Australia, Adelaide for natural bushland and he developed a journey from England and planned the new approach to capturing the effects of garden while on the ship. Although Australian sunlight. He worked outside Glover has delighted in presenting his using a palette of olive greens, misty greys (introduced) plants thriving, he has also and strong blues to depict the unique depicted the natural bushland beyond qualities of native Australian environment. the edges of the garden, showing the soft olive greens of the Tasmanian manna gum tress. -
Annual Report 2009
2009 ANNUAL REPORT Cover Photo and above © Giles Winstanley / pelagicon.com CONTENTS ARC CENTRE OF EXCELLENCE FOR CORAL REEF STUDIES 09 ANNUAL REPORT 2 4 16 Vision 2 Director’s Report 4 Research 16 Aims 2 Management Structure 6 Researcher Profile: Overview 3 Governance 7 Professor Peter Mumby 33 Hon Virginia Chadwick 9 Graduate Training 34 Membership 10 Media and Public Outreach 44 Program Leaders 12 Business Leaders 15 47 56 66 International Coral Reef Publications 56 Performance Measures 66 Symposium 2012 47 Recognition of Excellence by Financial Statement 70 Symposium 2010 49 Centre Members 64 Acknowledgements 72 National Benefit Case Study 1 50 National Benefit Case Study 2 53 2009 ANNUAL report 1 Vision Global leadership in the provision of scientific knowledge necessary for sustaining the ecosystem goods and services of the world’s coral reefs. Aims The aims of the ARC Centre of Excellence for Coral Reef Studies are: Research The Centre’s research is world-best, innovative, and highly relevant to coral reef management and policy. Research Training and Professional Education The Centre attracts and trains outstanding coral reef scientists at all stages of career, to build human capacity and expertise in coral reef science world-wide. End-user and Community Linkages Transfer and exchange of knowledge, technologies and research outcomes by the Centre to end-users, industry and the wider community promotes co-operation and improves the management of coral reefs. National and International Linkages The ARC Centre, through its networks and activities nationally and internationally, represents a global hub for coral reef science collaborations. Management and Governance Centre management is collaborative, co-operative, multi-institutional, communicative and continuously improving. -
Caroline Rannersberger
Caroline Rannersberger QUALIFICATIONS 2012 Director’s Choice: 25th Anniversary, Despard Gallery,Hobart PhD Visual Arts Charles Darwin University, Northern Territory, 2007-2010 2012 Time and Space, Flinders Lane Gallery, Melbourne MA Visual Arts Charles Darwin University, Northern Territory, 2006 2012 New Artists, Despard Gallery, Hobart BA Visual Arts University of South Australia (studies) 2012 The Paper Room, Flinders Lane Gallery, Melbourne BA Interpreting & Translating; Edith Cowan University, WA / University of Vienna, Austria 2011 Visible/Invisible, Flinders Lane Gallery, Melbourne RSA/Cambridge Diploma in TESLA; Edith Cowan University, WA 2010 Agenda, Dominik Mersch Gallery, Sydney 2009 Hong Kong Art Fair, Dominik Mersch Gallery PROFESSIONAL APPOINTMENTS 2008 The other thing: a survey exhibition, Charles Darwin University Art Collection 2019 Creative Director BRUNY20 Fellowship for the Arts 2008 Melbourne Art Fair, courtesy Thirtyseven Degrees Contemporary Fine Art Gallery 2018 Curator and Project Manager BRUNY18 Art Prize 2008 Silvershot Gallery, Melbourne, courtesy Thirtyseven Degrees 2017 Founding Directors of the Bruny Island Foundation for the Arts 2008 Charles Darwin University Post Graduate in Progress, NT 2017 Pool of Peers, Australia Council 2006 Members’ Show, 24hr Art, Northern Territory Centre for Contemporary Art 2006 Darwin Visual Arts Association Terra, NT SELECTED SOLO EXHIBITIONS 1999 Robert Steele Gallery, Adelaide, SA 2018 Oblivion’s Flow, Flinders Lane Gallery, Melbourne, VIC 2018 Breath and other basics, Bett -
Rodney Pople
RODNEY POPLE Born 1952, Launceston, TAS, Australia 1972-74 Diploma of Fine Arts (Photography), Tasmanian School of Art, Hobart 1977-78 Postgraduate (Sculpture), Slade School of Art, London, UK 1979 Postgraduate (Sculpture), New York Studio School, New York, USA 2005 Part-time lecturer in painting, National Art School, Sydney SOLO EXHIBITIONS 2020 ‘Rodney Pople on Paper: 1980 – 2020’ (online exhibition), Australian Galleries ‘Embattled’, Despard Gallery, Hobart 2019 ‘Shell Shocked’, Australian Galleries, Sydney 2017 ‘Devil if you do…’, Australian Galleries, Sydney 2016 ‘Endangered’, Despard Gallery, Hobart 2015 ‘Lie of the Land’, Australian Galleries, Derby Street, Melbourne ‘Golden Age’, Australian Galleries, Roylston Street, Sydney 2014 ‘Lie of the Land’, Australian Centre for Photography, Sydney 2013 ‘Paint it Black’, Australian Galleries, Roylston Street, Sydney 2012 ‘Shudder’, Despard Gallery, Hobart ‘Degas’s night’, Australian Galleries, Glenmore Road, Sydney 2011 ‘Knight Moves’, Australian Galleries, Derby Street, Melbourne 2010 ‘Altared’, Despard Gallery, Hobart ‘Bellini 21c’, Australian Galleries, Roylston Street, Sydney 2009 ‘Transposing the Common II’, Eastlink Gallery, Shanghai, China 2008 ‘Sydney’, Australian Galleries Glenmore Road, Sydney ‘Black and White’, Australian Galleries Works on Paper, Melbourne 2007 ‘Icebreaker’, Australian Galleries Painting & Sculpture, Sydney ‘Crystal clear’, Australian Galleries Painting & Sculpture, Melbourne 2006 ‘Venice Series’, Australian Galleries Works on Paper, Sydney 2004 ‘So Pretty’, -
Peter Gouldthorpe— CV
peter gouldthorpe— CV handmark SOLO EXHIBITIONS 2020 'Wild Heart' Handmark Gallery, Hobart, Tasmania 2018 'Dragon's Veins', Handmark Gallery, Evandale, Tasmania 2017 'High Places', Handmark Gallery, Hobart, Tasmania 2011 'To The Island', Colville Gallery, Hobart, Tasmania 2007 'A Change in the Weather', Colville Street Gallery, Hobart, Tasmania 2005 'Tasmanian Landscapes', Colville Street Gallery, Hobart, Tasmania 2000 'Lost Diamonds of Killiekrankie' Exhibition, Queen Victoria Museum and Art Gallery, Launcestion, Tasmania 1999 Retrospective Exhibition, Dromkeen, Victoria 1998 Exhibition of 'Norton’s Hut' originals, Fremantle Children’s Literature Centre, Fremantle Western Australia Exhibition of 'Norton’s Hut', originals and retrospective, Books Illustrated, Port Melbourne, Victoria 1996 Exhibition of finished art and working drawings from 'The Lost Diamonds of Killiecrankie' and 'The Wonder Thing' 1994 'First Light', finished art and working drawings, Fremantle Arts Centre, Western Australia 1992 Originals from 'Hist!' and 'Grandad’s Gifts', Books Illustrated, Port Melbourne, Victoria 1990 Originals from 'Sheep Dogs and earlier titles', Gallery Cimitiere, Launceston, Tasmania 1989 Exhibition of illustrations and working drawings, Queen Victoria Museum and Art Gallery, Launceston, Tasmania 1987 Paintings and drawings, Cockatoo Gallery, Launceston, Tasmania 1985 Work from 'Jonah and the Manly Ferry' and 'Don’t Get Burnt', Manly Art Gallery, Manly, N.S.W. 1976,79,81 Paintings and Drawings, Little Gallery, Devonport, Tasmania 1975 B&W Drawings, -
At Any Time in Any Place in Any Situation
in any place at any time in any situation Annual Report2005 Australian Broadcasting Corporation ABC services of all Australians via reached an estimated75% television, radio and online There are now 1.7 million pages of information rich ABC Online content at www.abc.net.au ABC radio weekly metropolitan audience reach 3.766 millionor 34% ABC weekly metropolitan reach of TV8.8 million or 64.2% and weekly regional reach of 3.9 million or 62.6% ABC Online reaches 14.4% of Australia’s active Internet population 90% of Australians continue to believe the ABC provides a valuable service to the community. 1 New Australian-made TV programs launched include Spicks and Specks, Talking Heads, How The Quest Was Won, Beat The Chef, Collectors, Second Opinion, Blue Water High and Outback House We launched digital radio services digJAZZ and digCOUNTRY Radio Australia now available via 200 local re-broadcasters in 40 countries, shortwave broadcasts, satellite services and a 24-hour FM network ABC2 was launched... the ABC’s second free-to-air digital television channel ABC Asia Pacific television is seen in 39 countries, retransmitted by 155 pay-TV operators, in more than 200 000 hotel rooms and available in 9 million homes ABC produced 4 476 hours of Australian television content, including more than 2 221 hours of news and current affairs 40 ABC Shops and 79 ABC Centres through out Australia and online generated $10.6 million net profit which was returned to programming last year ABC had total revenues of $959m from ordinary activities with $1.026 billion in total assets 2 abc any time | any place reaches australians radio television online shops international broadcasting 3 Annual Report 2004–05 Radio The ABC has four national radio networks —Radio National, ABC Classic FM, triple j and ABC NewsRadio—as well as 60 Local Radio stations around Australia, and three Internet music-based services, dig, digJAZZ and digCOUNTRY. -
CVINF Format
GRAHAM FRANSELLA Graham Fransella is a painter, printmaker and sculptor who works intuitively, allowing any perceived meaning to emerge after the work is completed. In his most recent work, Graham continues his exploration of the figure and the landscape; “The figurative pieces usually contain a single figure standing, presenting themselves to the viewer, communicating a sense of strength and timelessness… the landscape pieces come from actual experiences and places”. Strong black strokes trace the outlines of figures, so stripped of detail they become symbolic, reminiscent of pictograms or graffiti. His prints and paintings are richly layered gestural works that explore the relationship between presence and absence. They work on many levels without being contrived; they are spontaneous, with any interpretation left entirely up to the viewer. His charismatic mark-making is the distillation of several decades of draughtsmanship and what at first appear to be simple lines and primitive figures are actually sophisticated, multi-layered abstractions. For Graham the creative process informs the conceptual content of his work; “In the activity of picture-making, randomness, spontaneity, chance, accident and mark making play out their role to arrive at a resolution.” Above all, these distinctive, powerful and occasionally playful works use the “presence of human form and the absence of personal identity” to portray the human condition. Graham Fransella has had over fifty solo shows across Australia as well as Europe. He has been exhibiting with Beaver Galleries since 1993, including seven solo exhibitions and representation at the Melbourne Art Fair. His work has been selected for the Archibald, Wynne, Sulman and Dobell Drawing Prizes at the Art Gallery of NSW and he has won the Trustrees Watercolour Prize five times, most recently in 2011.