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Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
Blak Douglas A.K.A Adam Hill
Blak Douglas a.k.a Adam Hill Education 1989 Jamison High School (Penrith) 1994 BA Graphic Design University of Western Sydney, Nepean Awards / Competitions 2016 FINALIST Cossack Art Awards, Karatha W.A. 2015 FINALIST Archibald Prize, FINALIST- Parliament of NSW Aboriginal Art Prize 2014 FINALIST Mosman Art Prize 2004-9/11-14 FINALIST Parliament of NSW Aboriginal Art Prize (Commended) 2009 HIGHLY COMMENDED Cricket Art Prize Sydney, FINALIST- Wynne Prize 2003-8 FINALIST Telstra Aboriginal and Torres Strait Islander Art Award 2008 FINALIST Mil-Pra Art Prize 2007 FINALIST The Xstrata Coal Emerging Indigenous Art Award 2006 WINNER Maria Locke Award, Mil-Pra Art Prize 2005-10 FINALIST Parliament of NSW Indigenous Art Prize 2004 WINNER Mil-Pra Art Prize, Artist in Residence, The Canberra Grammar School 2003 WINNER Mil-Pra Art Prize – Liverpool Council Mayor’s Choice Award 2002 WINNER Blacktown City Art Prize – Inaugural Solo Exhibitions 2017 National an’them Blakspot Gallery ‐ Redfern 2016 OLD STORIES, NEW LIGHT The Glasshouse Gallery (accompanied by Unc. Milton Budge) 2015 MCA Art Bar, WHITEBRED Fontanelle Gallery Adelaide (TARNANTHI festival accompanied by Amanda Radomi) JOIN THE DOTS Boomalli Aboriginal Artists, Leichhardt- Sydney BLAKATTAK S.C.A. Sydney (accompanied by Adam Geczy) 2014 LAWFUL & PERMISSABLE Damien Minton Gallery, Redfern ILLUMINATE Old Parliament House, ACT 2013 BOMB Utrecht Gallery, Netherlands (accompanied by Adam Geczy) SMELLIN’ IT LIKE IT IS Tandanya Adelaide 2012 ONEinFOUR Damien Minton Gallery, NSW 2010 NOT A PROPPER -
Artists Statement for Me the Nature of Colour Is the Colour of Nature
David Aspden Born Bolton, England, arrived Australia 1950 1935 - 2005 COLLECTIONS Aspden is represented in National Gallery of Australia, Art Gallery of New South Wales, Art Gallery of Western Australia, Museums and Galleries of the Northern Territory, National Gallery of Victoria, Art Gallery of South Australia, and other state galleries. His work is found in regional galleries including Bathurst, Newcastle, Wollongong, Gold Coast, Orange, Armidale, Ballarat, Benalla, Muswellbrook, Manly, Stanthorpe and Geelong. Aspden’s paintings are hung in New Parliament House, Canberra and the NSW State Parliament. His work is in the collections of Artbank, Heide, Tarrawarra Museum of Art, Macquarie University, National Bank of Australia, Macquarie Bank, St George Bank, The Australian Club, Festival Hall Adelaide, Allens Arthur Robinson, Clayton Utz, Melbourne Casino, Fairfax, News Limited, University of Western Australia, Monash University, Beljourno Group, Shell Company of Australia Limited, and numerous corporate and private collections. Individual Exhibitions 1965 Watters Gallery, Sydney 1966 Watters Gallery, Sydney - March and November 1967 Watters Gallery, Sydney Strines Gallery, Melbourne 1968 Farmers' Blaxland Gallery, Sydney Gallery A, Melbourne 1970 Rudy Komon Art Gallery, Sydney 1971 Rudy Komon Art Gallery, Sydney 1973 Rudy Komon Art Gallery, Sydney 1974 Rudy Komon Art Gallery, Sydney 1975 Solander Gallery, Canberra 1976 Monash University, Victoria Rudy Komon Art Gallery, Sydney 1977 Rudy Komon Art Gallery, Sydney 1981 Rudy Komon Art Gallery, -
G. W. Bot: Paddock Glyphs”, Art & Australia, Vol
G . W . B O T Born in Pakistan 1954; arrived in Australia 1955 SOLO EXHIBITIONS 2017 ‘Grasslands – Glyphs’, Australian Galleries, Melbourne 2016 ‘Riverbend Glyphs’, Australian Galleries, Sydney ‘Endangered Glyphs', Beaver Galleries, Canberra 2015 ‘Glyphs and the elements: Air, fire, water and earth’, Australian Galleries, Derby Street, Melbourne 2014 ‘Glyphs – Between Worlds’, Australian Galleries, Roylston Street, Sydney 2013 ‘Glyphmetric’, Beaver Galleries, Canberra 2012 ‘Dancing Glyphs’, Australian Galleries, Smith Street, Melbourne ‘Glyphmaker’, Tweed River Regional Art Gallery, Murwillumbah, NSW 2011 ‘Glyphs’, Australian Galleries, Roylston Street, Sydney ‘Australian Glyphs’, Hart Gallery, London, England 2010 ‘G.W. Bot: The long paddock: a 30 year survey’, Touring exhibition to 2013: Goulburn Regional Art Gallery, NSW; Grafton Regional Art Gallery, NSW; Hawkesbury Regional Gallery, NSW; Mosman Art Gallery, Sydney; Margaret Carnegie Art Gallery, NSW; Wagga Wagga Art Gallery, NSW; Orange Regional Art Gallery, NSW; Tamworth Regional Art Gallery, NSW; Stanthorpe Regional Art Gallery, QLD; Artspace Mackay, QLD; Toowoomba Regional Art Gallery, QLD; Perc Tucker Regional Gallery, QLD; Maitland Regional Art Gallery, NSW ‘A morphology of glyphs’, Beaver Galleries, Canberra 2009 ‘Fire Glyphs and Spirits’, Artspace Mackay, Mackay, QLD ‘Field of glyphs’, Hart Gallery, London, England 2008 ‘Paddock glyphs’, Australian Galleries, Smith Street, Melbourne ‘Paddock glyphs’, Australian Galleries, Glenmore Road, Sydney 2007 ‘Glyphs’, Hart Gallery, -
Carmel Wallace CV (One Page) August 2019.Pages
th carmel wallace 2012 37 Alice Prize Araluen Arts Centre, Alice Springs NT This is a Maquette Show MARS Gallery Melbourne VIC http://carmelwallace.com https://www.instagram.com/carmelwallace/ ACADEMIC QUALIFICATIONS SymbioticA Adaptation exhibition,INQB8 Gallery, Mandurah WA 1975/6 Bachelor of Arts, Diploma of Education, La Trobe University 4th Forestry SA Wood Sculpture Exh., Riddoch Art Gallery SA 1994 Bachelor of Arts (Fine Art) Honours, Deakin University Sculpture 2012 Brenda May Gallery, Sydney NSW 1999 Doctor of Philosophy, Deakin University Coral: art science life Macleay Museum University of Sydney NSW AWARDS 2011 Waterhouse Natural History Art Prize Adelaide & Canberra ACT 2017/8 Bayside Artist in Residence at Billilla Mansion, Brighton VIC Nature Interrupted:Contemporary Sculpture RedlandGallery QLD 2016 Toolangi Sculpture Trail 20th Anniversary Artist Residency VIC Lorne Sculpture 2011 Lorne VIC 2016 Artist in Residence, Sofitel Melbourne On Collins, Melbourne VIC Wangaratta Contemporary Textile Award Wangaratta Art Gallery 2012 Scope Galleries Art Award – Art Concerning Environment VIC Illuminated by Fire Portland Harbour & Fed.Sq. Melbourne VIC 2011 Highly Commended, Waterhouse Natural History Art Prize Summer Salon Jenny Port Gallery Richmond VIC 2010 Honorable mention, Yering Station Sculpture Exhibition VIC 2010 ABL exhibition of selected Yering finalists Melbourne VIC 2010 SymbioticA Adaptation residency, University of Western Australia Fremantle Arts Centre Print Award WA 2008 Vermont Studio Centre Residency Fellowship, -
Fred Williams
FRED WILLIAMS Born: 1927, Melbourne, Australia Died: 1982 SELECTED EXHIBITIONS 1947 Figure And Portrait Exhibition, Victorian Artists Society, Melbourne 1951 Ian Armstrong, Fred Williams, Harry Rosengrave, Stanley Coe Galleries, Melbourne Australian Arts Association Exhibition, Royal Watercolour Society Gallery, London. 1952 Group Exhibition, Australian Artists' Association 1957 Fred Williams, Oil Painting And Gouache, Australian Galleries, Melbourne Fred Williams, Etchings, Gallery Of Contemporary Art, Melbourne 1958 Fred Williams, Landscapes, Australian Galleries, Melbourne Fred Williams - Etchings, Gallery Of Contemporary Art, Melbourne May Day Art Show, Lower Town Hall, Melbourne A Critic's Choice, Selected By Alan Mcculloch, Australian Galleries, Melbourne 2nd Anniversary Exhibition, Australian Galleries, Melbourne Crouch Prize, Ballarat Art Gallery, Victoria 1959 Fred Williams, Recent Landscapes And Still Life, Australian Galleries, Melbourne 18 Recent Acquisitions..., Museum Of Modern Art, Melbourne 1960 Fred Williams, Australian Galleries, Melbourne Helena Rubenstein Travelling Art Scholarship, (By Invitation), National Gallery Of Victoria, Melbourne Drawings And Prints, Australian Galleries, Melbourne 1960 Perth Art Prize, Art Gallery Society, Western Australia, Art Gallery Of W.A., Perth Mccaughey Memorial Art Prize, National Gallery Of Victoria, Melbourne Drawings, Paintings And Prints Up To 45 Gns, Australian Galleries, Melbourne 1961 Fred Williams, Paintings, Australian Galleries, Melbourne Fred Williams, The Bonython Art -
Abdul Abdullah
ABDUL ABDULLAH 1986 Born in Perth, Australia 2008 BA Art, Curtin University of Technology, Australia 2017 MFA, UNSW Art and Design SELECTED SOLO EXHIBITIONS 2020 Custodians, presented by Yavuz Gallery at The Armory Show, Presents Section, New York City, USA 2019 Contested Territories, Yavuz Gallery, Sydney, Australia The waiting room, presented by Yavuz Gallery at Art Basel Hong Kong, Kabinett sector, Hong Kong 2018 Jangan Sakiti Hatiku - Don't Break My Heart, Yavuz Gallery, Singapore 2017 Terms of Engagement: Examining the Rhetoric of Radicalisation, UNSW Galleries, Australia 2016 Burden, Fehily Contemporary, Australia Coming to Terms, Fehily Contemporary, Australia 2015 Coming to Terms, Chasm Gallery, New York, USA 2014 I See A Darkness, Future Perfect, Singapore Siege, Fehily Contemporary, Australia 2013 Homeland, Fehily Contemporary, Australia 2012 Mongrel, Fehily Contemporary, Australia 2011 Them and Us, KINGS Artist-Run, Australia SELECTED GROUP EXHIBITIONS 2020 Monster Theatres, Adelaide Biennial of Australian Art, Art Gallery of South Australia 2019-2020 Violent Salt, touring exhibition, Art Space Mackay, Australia; Noosa Regional Gallery, Australia; Toowoomba Regional Art Gallery, Australia STOLEN/WEALTH, Wyndham Art Gallery, Melbourne, Australia Body Politics, Bendigo Art Gallery, Bendigo, Australia Lupercalia, Adelaide Central Gallery, Adelaide, Australia Marriage: Love + Law, Penrith Regional Gallery, Penrith, Australia Weapons for a soldier, Araluen Arts Centre, Alice Springs, Australia National Anthem, Buxton Contemporary, -
2020 Archibad Prize Media
2020 ARCHIBALD PAUSTRALIA’SRIZ FAVOURITEE PORTRAIT PRIZE 26 SEP 2020 – 10 JAN 2021 ARCHIE FACTS ARCHIBALD, WYNNE & 2020 SULMAN ENTRIES 2565 ARCHIBALD, WYNNE & SULMAN FINALISTS 18 50 181 64 1768 107 53 48 59 396 8 FEMALE MALE 27 ARCHIBALD PRIZE FINALISTS ARCHIBALD PRIZE ENTRIES 55 1068 RECORD YEAR WYNNE PRIZE WYNNE PRIZE FINALISTS 782 ENTRIES 34 SULMAN PRIZE ENTRIES SULMAN PRIZE FINALISTS 715 RECORD YEAR 18 OVER YOUNG ARCHIE ENTRIES FINALISTS YOUNG ARCHIE 40 COMPETITION 1800 FIRST-TIME (40%) ARCHIBALD SMALLEST FINALISTS 22 ARCHIBALD PRIZE ENTRY 25 x 20.5 cm Yuri Shimmyo Carnation, lily, Yuri, rose FIRST-TIME (50%) WYNNE FINALISTS 17 LARGEST FIRST-TIME (33%) ARCHIBALD PRIZE ENTRY SULMAN FINALISTS 6 250 x 250 cm Blak Douglas Writing in the sand NUMBER OF ARTISTS WHO ARE FINALISTS IN MORE THAN ONE PRIZE Abdul Abdullah and Benjamin Aitken (Archibald and Sulman) Lucy Culliton and Guy Maestri (Archibald and Wynne) 6 Caroline Rothwell and Gareth Sansom (Wynne and Sulman) SITTERS IN ARCHIBALD PRIZE ARCHIBALD, WYNNE AND SULMAN PRIZE FINALIST WORKS TOP 3 SUBJECTS WORKS BY INDIGENOUS ARTISTS WORKS BY INDIGENOUS ARTISTS 12 SELF-PORTRAITS 26 RECORD YEAR ARCHIBALD PRIZE WORKS WITH 9 OTHER ARTISTS INDIGENOUS SITTERS 10 RECORD YEAR 8 PERFORMING ARTS Join the conversation #archibaldprize Keep up to date on Facebook, Twitter & Instagram @artgalleryofnsw ANNOUNCEMENTS Announcement of the Archibald, Wynne and Sulman Prize 2020 finalists; Young Archie finalists and honourable mentions; and Packing Room Prize winner Thursday 17 September, 11am Announcement of the winners of the Archibald, Wynne and Sulman Prizes 2020 Friday 25 September, 12 noon Announcement of winners of the Young Archie 2020 competition Saturday 24 October, 10am ANZ People’s Choice winner announcement Wednesday 16 December, 11am EXHIBITION DATES Archibald, Wynne and Sulman Prizes 2020 Art Gallery of New South Wales Saturday 26 September 2020 – Sunday 10 January 2021 Ticketed Due to COVID-19 capacity restrictions, tickets are $20 adult dated and timed. -
Caroline Rannersberger
Caroline Rannersberger QUALIFICATIONS 2012 Director’s Choice: 25th Anniversary, Despard Gallery,Hobart PhD Visual Arts Charles Darwin University, Northern Territory, 2007-2010 2012 Time and Space, Flinders Lane Gallery, Melbourne MA Visual Arts Charles Darwin University, Northern Territory, 2006 2012 New Artists, Despard Gallery, Hobart BA Visual Arts University of South Australia (studies) 2012 The Paper Room, Flinders Lane Gallery, Melbourne BA Interpreting & Translating; Edith Cowan University, WA / University of Vienna, Austria 2011 Visible/Invisible, Flinders Lane Gallery, Melbourne RSA/Cambridge Diploma in TESLA; Edith Cowan University, WA 2010 Agenda, Dominik Mersch Gallery, Sydney 2009 Hong Kong Art Fair, Dominik Mersch Gallery PROFESSIONAL APPOINTMENTS 2008 The other thing: a survey exhibition, Charles Darwin University Art Collection 2019 Creative Director BRUNY20 Fellowship for the Arts 2008 Melbourne Art Fair, courtesy Thirtyseven Degrees Contemporary Fine Art Gallery 2018 Curator and Project Manager BRUNY18 Art Prize 2008 Silvershot Gallery, Melbourne, courtesy Thirtyseven Degrees 2017 Founding Directors of the Bruny Island Foundation for the Arts 2008 Charles Darwin University Post Graduate in Progress, NT 2017 Pool of Peers, Australia Council 2006 Members’ Show, 24hr Art, Northern Territory Centre for Contemporary Art 2006 Darwin Visual Arts Association Terra, NT SELECTED SOLO EXHIBITIONS 1999 Robert Steele Gallery, Adelaide, SA 2018 Oblivion’s Flow, Flinders Lane Gallery, Melbourne, VIC 2018 Breath and other basics, Bett -
Jasper Knight Cv
JASPER KNIGHT BORN 1978 Sydney, Australia STUDIES 2002-2003 Master of Arts (majoring in painting + drawing) The College of Fine Arts, UNSW, Sydney 1997-1999 Bachelor of Visual Arts – electronic + temporal arts, Sydney College of the Arts,University of Sydney BACKGROUND Jasper’s work has blurred the boundaries between high art and amateur photography, between sculpture and painting. His works are often an assemblage of plywood, perspex, cardboard boxes, and old signs and are remanent of the found objects used in the Dada, Surrealist, Fluxus and Pop Art movements. However, Jasper has combined the industrial materials of his painting surface with traditional art methods, which provide a certain amount of texture and sculptural form while still having an important link to the subject. “My work has always straddled painting and the constructed object. In the past, my materials have added to the narrative content, or sometimes to the context, of the depicted scenes. My recent work has explored this relationship between material and subject, between constructed object and painted surface, in a more abstract way. The subject matter, from wharves to cars, from chairs to landscape, helps explore these binary concerns and is treated in a highly architectural and linear way.” His focus is often the busy waterway, machinery at work or the remnants of an old factory; painted in blocks of colour that drip and spill over his brightly coloured and shiny surfaces to give the illusion of movement within the landscape. Jasper has held successful exhibitions throughout Australia and in London, Berlin and Beijing. He has been a finalist in the Archibald, Wynne and Mosman Art prizes and is represented in corporate and private collections throughout Australia. -
JAMES GLEESON INTERVIEWS: ERIC SMITH 29 May 1979
JAMES GLEESON INTERVIEWS: ERIC SMITH 29 May 1979 JAMES GLEESON: Eric, we only have a few of your works in the collection at the moment, and one of those is a mystery one which we’ll return to presently. ERIC SMITH: Sure. JAMES GLEESON: But the one that in my opinion is the undoubted masterpiece is the portrait of John Olsen. Could you tell me, you know, something about the circumstances under which that was painted? ERIC SMITH: Well, I think the success of the painting in the sense, I think, that it has the something of the great enthusiasm and excitement of new adventures at the time we held the show Direction 1, when John, Billy Rose, Passmore and Bob Klippel and I put on that show at Macquarie Galleries. JAMES GLEESON: Yes. ERIC SMITH: John had just started his You Beaut paintings, and I liked the idea, or was developing the idea, of painting figures emerging out of the landscape. It seemed, you know, just absolutely right to paint John Olsen emerging out of the you beaut country. It gave me an opportunity to fling paint around and also paint a portrait of John that showed, I think, a lot of the enthusiasm and the sense of our relationship at the time, which was a particularly joyous one and a particularly exciting one. JAMES GLEESON: I think that comes out in the painting. It’s a most vital and joyous painting. ERIC SMITH: Yes, I think that I would still like the painting if I saw it again. -
JOHN R. WALKER Space and Time: 10 Years in the Landscape
JOHN R. WALKER Space and Time: 10 years in the Landscape CONTACT: LINDA GREEDY OR A MAITLAND REGIONAL MICHELLE MAARTENSZ Gallery and Collection Assistant ART GALLERY TOURING Mailtand Regional Art Gallery PO Box 220 Maitland NSW 2320 EXHIBITION CURATED Phone : (02) 49349859 (gallery) | Fax: (02)4933 1657 | Email: [email protected] or [email protected] BY JOSEPH EISENBERG JOHN R. WALKER Space and Time: 10 years in the Landscape A MAITLAND REGIONAL ART GALLERY TOURING EXHIBITION CURATED BY JOSEPH EISENBERG : 2 JOHN R. WALKER Space and Time: 10 years in the Landscape Expression of interest form EXHIBITION AVAILABLE FROM NOVEMBER 2011 Name of venue Venue contact name Venue address Telephone Email JOHN R. WALKER PREFERENCE 1 DATES : from to Space and Time: 10 years PREFERENCE 2 DATES in the Landscape : from to Name Signature Date: PLEASE RETURN TO: LINDA GREEDY OR MICHELLE MAARTENSZ Gallery and Collection Assistant Mailtand Regional Art Gallery PO Box 220 Maitland NSW 2320 Phone : (02) 49349859 (gallery) | Fax: (02)4933 1657 | Email: [email protected] or [email protected] A MAITLAND REGIONAL ART GALLERY TOURING EXHIBITION CURATED BY JOSEPH EISENBERG : 2 A MAITLAND REGIONAL ART GALLERY TOURING EXHIBITION CURATED BY JOSEPH EISENBERG : 3 JOHN R. WALKER Space and Time: 10 years in the Landscape JOHN R. WALKER Biography Painter, Walker was born in Sydney in 1957. From 1975 – 76 he studied Fine Art at St. George Technical College in Sutherland Shire, NSW, then at Alexander Mackie College in Sydney (now COFA) from 1976 – 78. Graduating in 1976, Walker held his first solo show in 1979 and has been exhibiting regularly for over 30 years.